King Torrismondo
This tranlation of Torquato Tasso's ll re Torrismondo, the first to be made directly from the Italian into English, is intended to help those students and scholars who do not command the language of the original text. This translation provides readers with a wider range of the Italian tragedy as a genre; it also allows readers to acquire a deeper awareness of the entire spectrum of the Italian Renaissance in its final brilliance. Tasso's King Torrismondo provides an example of Neo-Aristotelian dramatic theory of the second half of the fifteenth century. It incorporates into the dramatic genre elements of the epic lyric poem. Tasso's langugae can also be studied as an example of "imitation" of Virgil, Dante, Petrach, and Tasso's own epic. Finally, Tasso's Torrismondo affords us an opportunity of comparative analysis of French, English, and Spanish literature in the development of tragedy as a European genre.
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King Torrismondo
This tranlation of Torquato Tasso's ll re Torrismondo, the first to be made directly from the Italian into English, is intended to help those students and scholars who do not command the language of the original text. This translation provides readers with a wider range of the Italian tragedy as a genre; it also allows readers to acquire a deeper awareness of the entire spectrum of the Italian Renaissance in its final brilliance. Tasso's King Torrismondo provides an example of Neo-Aristotelian dramatic theory of the second half of the fifteenth century. It incorporates into the dramatic genre elements of the epic lyric poem. Tasso's langugae can also be studied as an example of "imitation" of Virgil, Dante, Petrach, and Tasso's own epic. Finally, Tasso's Torrismondo affords us an opportunity of comparative analysis of French, English, and Spanish literature in the development of tragedy as a European genre.
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Overview

This tranlation of Torquato Tasso's ll re Torrismondo, the first to be made directly from the Italian into English, is intended to help those students and scholars who do not command the language of the original text. This translation provides readers with a wider range of the Italian tragedy as a genre; it also allows readers to acquire a deeper awareness of the entire spectrum of the Italian Renaissance in its final brilliance. Tasso's King Torrismondo provides an example of Neo-Aristotelian dramatic theory of the second half of the fifteenth century. It incorporates into the dramatic genre elements of the epic lyric poem. Tasso's langugae can also be studied as an example of "imitation" of Virgil, Dante, Petrach, and Tasso's own epic. Finally, Tasso's Torrismondo affords us an opportunity of comparative analysis of French, English, and Spanish literature in the development of tragedy as a European genre.

Product Details

ISBN-13: 9780823216345
Publisher: Fordham University Press
Publication date: 01/01/1996
Pages: 332
Product dimensions: 6.25(w) x 9.25(h) x (d)

About the Author

Maria Pastore Passaro is a member of the Modern Language Department at Central Connecticut State University and was appointed to the Yale/Mellon Visiting Faculty Program for 1996-7.

Anthony Oldcorn
is a member of the Department of Italian Studies at Brown University.
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