The King's Bastard (King Rolen's Kin Series #1)

The King's Bastard (King Rolen's Kin Series #1)

3.9 19
by Rowena Cory Daniells
     
 

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Send to the Ab­bey, the King’s youngest son, Fyn, trains to become a warrior monk.

The Kingdom of Rolencia sleeps as rumours of new Affinity Seeps, places where the untamed power wells up. By royal decree all those afflicted with Affinity must serve the Abbey or face death. Sent to the Ab­bey, the King’s youngest son, Fyn, trains to become a

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Overview

Send to the Ab­bey, the King’s youngest son, Fyn, trains to become a warrior monk.

The Kingdom of Rolencia sleeps as rumours of new Affinity Seeps, places where the untamed power wells up. By royal decree all those afflicted with Affinity must serve the Abbey or face death. Sent to the Ab­bey, the King’s youngest son, Fyn, trains to become a warrior monk. Elsewhere others are tainted with Affinity and must fight to survive. Political intrigue and magic combine in this explosive first book in an exciting new fantasy trilogy.

Product Details

ISBN-13:
9781907519017
Publisher:
Rebellion
Publication date:
06/29/2010
Series:
King Rolen's Kin Series, #1
Pages:
640
Sales rank:
363,052
Product dimensions:
6.90(w) x 4.26(h) x 1.36(d)

Related Subjects

Meet the Author

Rowena Corey Daniels is the renowned writer behind the The Last T’en trilogy. She lives in Brisbane with her husband and six children. King Rolen’s Kin - The Bastard Son marks the begining of a major new fantasy trilogy.

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The King's Bastard (King Rolen's Kin Series #1) 3.9 out of 5 based on 0 ratings. 19 reviews.
Anonymous More than 1 year ago
This is a book you want to toss in frustration but it won't let you go. It has every thing a fantasy reader could ask for.
Likes-to-readRR More than 1 year ago
Rowena has done it again. Can't wait to read the other books in this series.
Anonymous More than 1 year ago
AnastasiaVPergakis More than 1 year ago
This is what fantasy is all about! I was immediately sucked into the world created by Ms. Daniells. I fell in love with the main character, Byren, almost immediately and was rooting for him through the whole book. I was so sad when the book ended - a cliffhanger that left me literally screaming to know what happened next. I felt the author left off at a bad spot of the plot line - almost in the middle of the climax. I would have preferred, even with things left open, to have it stop at a more quiet part of the story line, rather than the middle of the action. It was simply an abrupt stop. However, I loved this book. It has a bit of everything in it - politics, magic, love, friendship, treachery, intrigue, adventure - and the list goes on! I couldn't stop turning the pages, wanting to know what happened to the main characters of the story, praying they didn't have one more bad thing happen to them. I highly recommend this book to fantasy readers everywhere -really anyone who loves a great book! **Free copy provided by author in exchange for an honest review**
Anonymous More than 1 year ago
Beauty_in_Ruins More than 1 year ago
As the first volume in the King Rolen's Kin trilogy, The King's Bastard packs enough unique touches (not to mention surprises) in the first dozen chapters to immediately make it one of those stay-up-late, can't-put-down, just-one-more-chapter kind of reads. At its heart, this is a story of conflict, the kinds of conflict that can divide friends and families, as well as empires. It's also a story of outcasts and undesirables, of the unwanted and the unneeded, an approach that serves to attract (rather than alienate) the reader. In terms of plot, there's a lot about this first volume that will be familiar to any long-time reader of fantasy, but that's not necessarily a bad thing. We have a King who has become complacent, leaving him blind to the cracks in his empire; feuding heirs to the throne (Byren & Lence), once friends who are being slowly driven apart by jealousy; a pair of younger siblings (Fyn & Piro) with a power and a future of their own, but no right to rule; and a Queen who is full of secrets, the heir to an unwanted legacy that threatens everything. It sounds very much like your standard medieval fantasy soap opera, but there are several elements that elevate it above the competition. Even if the elements are familiar, however, the characters themselves are very well developed. Byren, Fyn, and Piro (our three POVs within the novel) are likeable, admirable characters to whom we can relate, and for whom we naturally find ourselves cheering. Lence, Cobalt, and Rejulas are equally unlikable, but characters with motivations that we can understand . . . even if we don't have to like them. Orrade is, by far, one of the most intriguing supporting characters I've come across in years, and I suspect the Queen may have more potential than we've seen so far. Those conflicts I mentioned earlier? Rowena does a masterful job of balancing them against one another, using them not just to illuminate each other, but to force the reader into confronting their own prejudices. Rolencia is a kingdom where where being naturally touched by forbidden magic or sexuality is more worthy of scorn and derision than deliberately choosing to be cruel, treacherous, or ambitious. Ultimately, it is the shameful taint of his own family, along with the unrequited love of his best friend, that places Byren at the centre of so much conflict - and it's his own reaction to both that elevates him above his brother. In terms of world-building, The King's Bastard offers a lot to appreciate, but it's the little touches, like armies skating upon the frozen canals or Affinity-touched beasts stalking the forests, that shine brightest here. There's no artificial attempt to create huge pantheons of gods and goddesses, or any needlessly complex allegorical story of creation. Instead, the mythology of the world is simple, effective, and genuine, intertwined with the presence of Affinity. Similarly, the genealogy is largely straightforward, forgoing the exhaustive family trees and legacies that often bog down these stories, in favour of just enough political marriages and well-documented bastards to add some necessary colour. While I found the dialogue in a few scenes to be a bit too much like that of a soap opera, it generally works quite well. Much like the mythology, it comes across as genuine, with none of the grandiose speeches that so often seem out of place, inserted only to impress the reader. The narrative itself is solid, colourful where it can be, but also restrained where it needs to be. More than anything, however, it is the pacing that you really notice here. Rowena keeps the story moving, propelling the reader from one chapter to another. While this is by no means a light or insignificant read, it is a very quick one, which is always welcome when dealing with a 640 page tome. If I were to have one complaint about the story, it's that the characters sometimes delay too long in delivering important information. On the one hand, it's entirely reasonable to expect that they might be distracted by urgent concerns, but there were a few instances where I found myself shaking the book because Bryen simply forgot to deliver some significant news. It's a minor quibble, and one that is largely limited to the beginning of the novel, but it annoyed me enough that I had to call it out. Having said that, Rowena smartly avoids relying on coincidence or deus ex machina to drive the climax of this first volume, which is refreshing. All-in-all, a good, solid, page-turning read, and one that has a lot to offer for fans of traditional fantasy. I rarely read series books back-to-back anymore, but I'm already eager to get started in on The Uncrowned King.
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The writing style wasn't bad but it was so predictable that I hope she was intentionally writing for a junior high level audience.
panc_jefe More than 1 year ago
This is simply one of the worst fantasies I have read in 20 years. I bought them as a trilogy while I went on a long trip. It was all I had to read. I never would have bought the second two if I read the first one first. They are all awful. The characters are thin, weak, and pathetic. The plot line is worse. Everyone feels guilty for everything, the jumps from place to place are impossible, and after three volumes, there is NO satisfying ending. What a complete waste.