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When Leila discovers the Web site Red Pill, she feels she has finally found people who understand her. A sheltered young woman raised by her mother, Leila has often struggled to connect with the girls at school; but on Red Pill, a chat forum for ethical debate, Leila comes into her ...
When Leila discovers the Web site Red Pill, she feels she has finally found people who understand her. A sheltered young woman raised by her mother, Leila has often struggled to connect with the girls at school; but on Red Pill, a chat forum for ethical debate, Leila comes into her own, impressing the Web site's founder, a brilliant and elusive man named Adrian. Leila is thrilled when Adrian asks to meet her, flattered when he invites her to be part of "Project Tess." Tess is a woman Leila might never have met in real life. She is beautiful, urbane, witty, and damaged. As they e-mail, chat, and Skype, Leila becomes enveloped in the world of Tess, learning every single thing she can about this other woman—because soon, Leila will have to become her. An ingeniously plotted novel of stolen identity, Kiss Me First is brilliantly frightening about the lies we tell—to ourselves, to others, for good, and for ill.
“Moggach’s debut draws the reader into a . . . bizarre game of chance and deceit. . . . Moggach has drawn a young woman who is convincingly naïve in the ways of the world and incapable of making good decisions. The story crackles with tension . . . A sexy psychological thriller.” —Kirkus
“Moggach’s impressive debut, a gripping psychological thriller, is all the more disturbing for its plausibility. . . . Moggach’s skill in plotting means readers won’t anticipate the twists and turns built into the story, making for an intensely enjoyable reading experience. Memorable and fast-moving.” —Publishers Weekly (starred review)
"Fast-paced . . . a thriller that cuts to the quick as it explores the seductive power and limitations of a life lived online.
—Gemma Kappala-Ramsamy, The Observer
“You can't exactly call Lottie Moggach's debut, Kiss Me First, a high-tech thriller. The mousy protagonist, Leila, isn't the hacker Lisbeth Salander is — she does most of her damage via Facebook and email. But it's the story's everyday believability that makes Kiss Me First so chilling. Leila, who's recently lost her only friend — her mother — is thrilled when a charismatic Web guru taps her to carry out an odd task: becoming the online presence of Tess, an alluring, disturbed real woman who wants to kill herself without her friends and family knowing. As Leila becomes more and more fixated on her Internet persona, Moggach sucks us into the rabbit hole of her dangerous obsession with deftly timed twists and memorable characters. A-”
—Stephan Lee, Entertainment Weekly
“Kiss Me First has deft, expert writing, a startlingly original plot, and two central characters—cerebral, sheltered, obsessive Leila and charismatic, unstable Tess—who leap off the page. This is a dark, disturbing, needle-sharp exploration of how the internet age is transforming our idea of reality and identity.” —Tana French, author of In The Woods and Broken Harbor
“Lottie Moggach’s very smart Kiss Me First is a moving coming of age story hidden within a harrowing mystery. Moggach explores a lot of dark territory—suicide, alienation, innocence betrayed—yet somehow she’s managed to write an unexpectedly warm-hearted novel. The book is narrated by Leila, a modern-day feral child, raised not by wolves or bears but the Internet. We watch as she makes her way in from her personal wilderness and teaches herself how to be human—how to know what love is, for instance, without first needing to Google it. The story’s suspense will keep you reading, but it’s Leila’s surprisingly emotional journey toward selfhood that will stick with you long after you’ve finished this wonderful first novel.” —Scott Smith, author of A Simple Plan and The Ruins
“With Leila, Lottie Moggach walks a wonderful line between sympathy and horror. Riveting and thought-provoking, Kiss Me First is the intelligent novel of the social media age I’ve been waiting for.” —Emma Chapman, author of How to Be a Good Wife
“Witty, suspenseful, satirical and bold. A Patricia Highsmith for the Facebook age.” —Polly Samson, author of Perfect Lives
“Unputdownable. A brilliant thriller.” —India Knight, author of Comfort and Joy
“A brave, poignant and humane novel about society’s taboos—and the cost of breaking them. Lottie Moggach has put her finger to the pulse of our times.” —Liz Jensen, author of The Rapture
“I tore through Lottie Moggach’s Kiss Me First. Gripping, quirky, twisty—quite a ride.” —Harriet Lane, author of Alys, Always
“A high-concept novel that really convinces and delivers. I was gripped from the first page, moved throughout, and swallowed the book whole.” —Erin Kelly, author of The Poison Tree and The Burning Air
It was a Friday night, about nine weeks into the project. Tess’s voice sounded normal, but I could see that she had been crying and her narrow face was pale. For the first few minutes of the conversation, she leaned her head back against the wall behind her bed, gaze turned to the ceiling. Then she righted it and looked straight at the camera. Her eyes were as I’d never seen them: both empty and terrified. Mum sometimes had the same look, toward the end.
“I’m scared,” she said.
“What about?” I asked, stupidly.
“I’m so fucking scared,” she said, and burst into tears. She had never cried in front of me; in fact, she had told me she rarely cried. It was one of the things we had in common.
Then she sniffed, wiped her eyes with the back of her hand, and said more clearly, “Do you understand?”
“Of course,” I said, although I didn’t entirely.
She looked straight into the camera for a moment and said, “Can I see you?”
At first I thought she meant, Could we meet up? I started to remind her that we had agreed that shouldn’t happen, but she cut me off.
“Switch on your camera.”
After a moment, I said, “I think it’s best if we don’t.”
“I want to see you,” said Tess. “You get to see me.” She was staring right at the camera, her tears almost dried up. She gave a small smile and I felt myself soften. It was hard to resist, and I almost said, Okay, then, but instead I said, “I don’t think it’s a good idea.”
She looked at me a moment longer. Then she shrugged and returned her gaze to the ceiling.
I will be honest here: I didn’t want Tess to see me in case I failed to meet her expectations. This isn’t rational, I know: Who knows what she thought I looked like, and what did it matter? But I had examined her face so carefully, I knew every nuance of her expressions, and I couldn’t bear the thought that, if I turned on the camera, I might see a look of disappointment pass over it, however briefly.
Then, still looking at the ceiling, she said, “I can’t do it.”
“Of course you can,” I said.
She didn’t speak for more than a minute, and then said, uncharacteristically meek: “Is it okay if we stop for today?” Without waiting for an answer, she terminated the call.
I admit that that particular conversation has replayed in my head several times since.
All I can say is, I said what felt right at the time. She was upset and I was comforting her. It seemed entirely natural for Tess to be scared. And when we spoke the next day, she was back to what by that stage was “normal”—calm, polite, and detached. The incident wasn’t mentioned again.
Then, a few days later, she looked into the camera and tapped on the lens, a habit she had.
“Do you have everything you need?”
I had presumed that we would go on communicating right up until the last moment. But I also knew it had to end.
So I said, “Yes. I think so.”
She nodded, as if to herself, and looked away. At that moment, knowing I was seeing her for the last time, I felt a sudden, intense rush of adrenaline and something akin to sadness.
After quite a long pause, she said, “I can’t thank you enough.” And then: “Good-bye.”
She looked into the camera and made a gesture like a salute.
“Good-bye,” I said, and: “Thank you.”
“Why are you thanking me?”
“I don’t know.” She was looking down at something, her leg or the bed. I stared at her long, flat nose, the curve of her cheekbone, the lines around her mouth as delicate as fallen eyelashes.
Then she looked up, leaned forward, and turned off the camera. And that was it. Our final conversation.
WEDNESDAY, AUGUST 17, 2011
There is no Internet here, not even dial-up.
I didn’t anticipate not being able to get online. Of course I had done my research, but the commune has no Web site and I could find little practical information elsewhere beyond directions on how to get here. There were just useless comments in forums, along the lines of Oh, I love it, it’s so peaceful and beautiful. I know that communes are places where people go to get “back to nature,” but I understood that they are also where people live and work on a semipermanent to permanent basis, and so assumed there would be some facility to get online. Spain is a developed country, after all.
I understand that Tess had to head to a remote spot, but three-quarters of the way up a mountain, without a phone mast in sight—that’s just unnecessary. Of all the places in the world, why did she choose to spend the last days of her life here?
I admit, though, that the location is not unpleasant. I’ve pitched my tent in a clearing with extensive views over the valley. The surrounding mountains are huge and colored various shades of green, blue, and gray, according to distance. At their feet is a thin silver river. The farthest peaks are capped with snow: an incongruous sight in this heat. Now that we’re going into evening, the sky is darkening to a mysterious misty blue.
There’s a woman here dressed like an elf, with a top exposing her stomach, and sandals laced up to her knees. Another one has bright red hair twisted up on either side of her head, like horns. Lots of the men have long hair and beards, and a few are wearing these priestlike skirts.
Most of them, however, look like the people begging at the cash points on Kentish Town Road, only extremely tanned. I had thought I might not look too out of place here—Mum used to say I had hair like a hippie, center parted and almost down to my waist—but I feel like I’m from a different planet.
Nobody here seems to do very much at all. As far as I can see, they just sit around poking fires and making tea in filthy saucepans, or drumming, or constructing unidentifiable objects out of feathers and string. There seems to be little “communal” about it, aside from a collective wish to live in a squalid manner for free. There are a few tents like mine, but most people seem to sleep in tatty vans with garish paintings on the side, or among the trees in shelters constructed out of plastic sheeting and bedspreads. They all smoke, and it appears obligatory to have a dog, and no one picks up their droppings. I’ve had to use half of my supply of wet wipes cleaning the wheels of my suitcase.
As for the human facilities, I was prepared for them to be rudimentary but was shocked when directed to a spot behind some trees signposted shitpit. Just a hole in the ground, with no seat and no paper, and when you look down you can see other people’s waste just lying there. I had promised myself that, after Mum, I wouldn’t have dealings with other people’s excrement and so have decided to make my own private hole in some nearby bushes.
It is, of course, everyone’s prerogative to live their lives in whichever way they choose, as long as they do not hurt others. But—like this?
Back in London, I felt near certain she had come here. It all seemed to add up. But now I’m starting to have doubts.
Nonetheless, I told myself I’d spend a week here making inquiries, and that is what I shall do. Tomorrow I’ll start showing her photo around. I’ve prepared a story about how she is a friend who stayed here last summer and whom I’ve lost track of but believe is still somewhere in the area. It’s not actually a lie. I just won’t mention that I’m looking for proof of her death.
It’s almost half past nine now, but it’s still sweltering. Of course, I had researched the temperature, but I wasn’t fully prepared for what ninety degrees Fahrenheit feels like. I have to keep wiping my fingers on a towel to stop moisture from getting into my keyboard.
It was even hotter in August last year, when Tess would have been here. Ninety-five degrees; I looked it up. She liked the heat, though. She looked like these people, with their sharp shoulder blades. She might have worn a little top like the elf woman—she had clothes like that.
I’ve opened the flap of my tent and can see a rash of stars and the moon, which is almost as bright as my laptop screen. The site is quiet now, except for the hum of insects and what I think—I hope—is the sound of a generator somewhere nearby. I’ll investigate that tomorrow. Although I have a spare battery for my laptop, I’ll need power.
You see, this is what I’m going to do while I’m here: write an account of everything that has happened.
Posted July 21, 2013
Chilling psychological thriller.
Leila loses her mother, her only family, to MS. Alone in a new city she works from home and fills her time playing computer games until she finds the internet site Red Pill. There she finally feels like she belongs, discussing philosophy with the other forum members. When the site’s founder, Adrian, asks to meet her face to face, she jumps at the prospect. He has been encouraging and slowly building her self esteem for quite some time. He makes her feel special and intelligent. What he then asks her to do will change her life forever. “Kiss Me First” is Lottie Moggach’s new debut psychological thriller.
This is a hard review to write without spoiling the plot of the novel. Regardless, “Kiss Me First” is a fantastic debut novel. You would never guess this is Moggach’s first book. She captivates you immediately. The reader follows the life, and perspective, of Leila. Her character development is flawless. Leila is unsure, unconfident, and has a hard time socializing with others. Tess is the exact opposite; she has everything Leila can only dream about. The reader follows Leila as she slowly builds a house of lies, watching the excruciating process until it disintegrates. Leila is then forced to face the truth.
This novel was very well written, showing Leila’s flaws and the ability of humans to justify their actions and their wants. How often do you think you lie to yourself? How easy do you think it is to lie to yourself, building a world that doesn’t exist? This novel will get you thinking, about yourself, and others. Just what are we capable of?
I thoroughly enjoyed this debut novel. Moggach did a fantastic job. I definitely recommend this book, especially those who like a thriller that will get you thinking. I will be looking forward to Moggach’s next book
I received this novel through Goodreads First Reads. This in no way influenced my review. I did not receive compensation for, nor was required to, write a review.
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When u find yourself not only liking a character but being afraid for them, you know you find something worth the late nights and tired eyes. Leila is a protagonist that not only jumps off the page, but plants herself right in your lap... and......wait for it... into your heart. In addition, almost from the beginning, Moggach drops subtle hints that all is not well with the "project"...thus compelling the reader to keep going. Then there's the "mystery" looming over most of the novel that keeps you hooked as well. Lastly there's the idea of the importance of human connection which weaves itself throughout the novel. All combine to make a great read. Highly recommend!Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
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