Kissing in 29 Days

Kissing in 29 Days

by JW-Jones
     
 

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The brief jump blues craze spearheaded by the Brian Setzer Orchestra petered out in the mid-'90s but someone forgot to tell Canadian guitarist JW-Jones. His fourth release is a logical extension of 2004's My Kind of Evil as Jones brings the six-piece Wind-Chill Factor Horns, along with legendary

Overview

The brief jump blues craze spearheaded by the Brian Setzer Orchestra petered out in the mid-'90s but someone forgot to tell Canadian guitarist JW-Jones. His fourth release is a logical extension of 2004's My Kind of Evil as Jones brings the six-piece Wind-Chill Factor Horns, along with legendary Ray Charles' tenor saxman David "Fathead" Newman, to enliven the proceedings. The result is a nearly-70-minute set of rollicking, generally upbeat brassy blues and bluesy jazz, performed with such gleeful enthusiasm that most listeners won't mind that the songs, the majority of them Jones originals, are a bit on the generic side. Close your eyes and you'd think you are listening to a well-recorded disc from the '50s as Jones tears into zippy instrumentals such as "Parasomnia" with the intensity and joyous gusto of many of the greats in the genre such as Johnny Otis, Roy Milton, early Ike Turner or even Roomful of Blues. Vocally, Jones aims for the smooth style of Harry Connick, Jr., even if his pipes aren't quite up to the task. Still, he's obviously having such a blast that you can overlook some of the imperfections, especially when he lays into a stinging guitar lead. Certainly T-Bone Walker is an influence on his string bending, but so is Albert King and even Michael Bloomfield. Covers of Little Milton (who was due to guest on these sessions, but passed away before the dates), Jimmy McCracklin and Ray Charles (on a spirited "Hallelujah I Love Her So" with Newman guesting) don't distract from Jones' own tunes that dominate the album, and that's a huge compliment. Most impressive is that the album picks up steam as it continues and the closing, uncredited, six-minute instrumental (tacked on to the last track) is as powerful as anything that has come before it, especially when Jones rips a scorching solo. It may not be perfect, but Kissing in 29 Days is so consistently satisfying that even at over an hour, you may find yourself wanting more.

Product Details

Release Date:
04/18/2006
Label:
Northern Blues
UPC:
0809509003525
catalogNumber:
35
Rank:
139354

Related Subjects

Tracks

Album Credits

Performance Credits

JW-Jones   Primary Artist,Guitar,Drums,Vocals
Nathan Morris   Electric Bass,Electric Guitar,Upright Bass
David "Fathead" Newman   Tenor Saxophone
JW-Jones Blues Band   Guitar,Drums,Vocals
Artie Makris   Drums
Brian James Asselin   Tenor Saxophone
Brady Leafloor   Alto Saxophone
Rick Rangno   Trumpet
Patrick Camire   Trumpet
Mannie Makris   Acoustic Guitar,Background Vocals
Michael Dalrymple   Baritone Saxophone
Frank Scanga   Harmonica,Baritone Saxophone,Background Vocals
Geoff Daye   Organ,Piano

Technical Credits

Jimmy McCracklin   Composer
Milton Campbell   Composer
Brian James   Horn Arrangements
Art Tipaldi   Liner Notes
JW-Jones   Composer,Audio Production
Mark Ferguson   Horn Arrangements
JW-Jones Blues Band   Producer,Executive Producer,Horn Arrangements
Jason Jaknunas   Engineer

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