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The Kitchen House

4.3 1099
by Kathleen Grissom

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Kathleen Grissom, New York Times bestselling author of the highly anticipated Glory Over Everything, established herself as a remarkable new talent with The Kitchen House, now a contemporary classic. In this gripping novel, a dark secret threatens to expose the best and worst in everyone tied to the estate at a thriving plantation in Virginia in


Kathleen Grissom, New York Times bestselling author of the highly anticipated Glory Over Everything, established herself as a remarkable new talent with The Kitchen House, now a contemporary classic. In this gripping novel, a dark secret threatens to expose the best and worst in everyone tied to the estate at a thriving plantation in Virginia in the decades before the Civil War.

Orphaned during her passage from Ireland, young, white Lavinia arrives on the steps of the kitchen house and is placed, as an indentured servant, under the care of Belle, the master’s illegitimate slave daughter. Lavinia learns to cook, clean, and serve food, while guided by the quiet strength and love of her new family.

In time, Lavinia is accepted into the world of the big house, caring for the master’s opium-addicted wife and befriending his dangerous yet protective son. She attempts to straddle the worlds of the kitchen and big house, but her skin color will forever set her apart from Belle and the other slaves.

Through the unique eyes of Lavinia and Belle, Grissom’s debut novel unfolds in a heartbreaking and ultimately hopeful story of class, race, dignity, deep-buried secrets, and familial bonds.

Editorial Reviews

Alice Walker
“I recommend The Kitchen House. This novel, like The Help, does important work.”
The Boston Globe
“A touching tale of oppressed women, black and white . . . [This novel] about love, survival, friendship, and loss in the antebellum South should not be missed.”
MInneapolis Star-Tribune
"Forget Gone with the Wind . . . a story that grabs the reader and demands to be devoured. Wow."
Durham Herald-Sun
“To say Kathleen Grissom’s The Kitchen House is a page-turner wouldn’t do it justice . . . Grissom breaks away from the gate at a fast clip, the reader hanging on for the ride.”
Sacramento/San Francisco Book Review
“Tension lurks everywhere, propelling the story forward [and] ample amounts of drama . . . Captivates with its message of right and wrong, family, and hope.”
Wilmington Star-News
The Kitchen House combines a history lesson with a compulsively readable melodrama.’
Romantic Times Book Review
“Out of the ordinary.”
“A gripping tale of the South during the days of slavery. . . . Kathleen Grissom’s first novel explores the well-known side of the dark world of slavery as well as the not-so-well-known world of white slavery, or indentured servitude. The book is written in a manner that is fast-paced and action packed, making it difficult to put down.”
Robert Morgan
“You will be thrilled by this intimate and surprising story that connects us with an unexpected corner of our history. Kathleen Grissom gives us a new and unforgettable perspective on slavery and families and human ties in the Old South, exploring the deepest mysteries of the past that help define who we are to this day.”
Alice Randall
“Kathleen Grissom peers into the plantation romance through the eyes of a white indentured servant inhabiting the limbo land between slavery and freedom, providing a tale that provokes new empathy for all working and longing in The Kitchen House.”
“This book was fantastic. It was the wow book that I have been waiting for all year.”
“With its quick pace and well-drawn cast, The Kitchen House became one of only two books so far (the other being The Fellowship of the Ring) to catch such hold of me that I found myself sneaking it at work. . . . I found The Kitchen House to be a powerful, gripping debut novel that gives a real human face to the tragedies of yesterday that continue to trouble us today.”
“Once you get involved in the story of Lavinia and Belle you will not want to put this book down. I enjoyed this book very much and I highly recommend it. Don’t read it too fast. You don’t want to miss one morsel of this book.”
“This turned out to be exactly the book I needed to get me back into the reading groove. . . . The writing flowed so seamlessly that I can’t believe that this is Grissom’s first novel.”
“Unique and intriguing.”
“The endearing characters ingratiate themselves in your heart. . . . I most definitely recommend this book.”
From the Publisher
"You will be thrilled by this intimate and surprising story that connects us with an unexpected corner of our history. Kathleen Grissom gives us a new and unforgettable perspective on slavery and families and human ties in the Old South, exploring the deepest mysteries of the past that help define who we are to this day."
—Robert Morgan, Bestselling author of the Oprah Book Club selection Gap Creek

"Kathleen Grissom peers into the plantation romance through the eyes of a white indentured servant inhabiting the limbo land between slavery and freedom, providing a tale that provokes new empathy for all working and longing in The Kitchen House."
—Alice Randall, Author of The Wind Done Gone and Rebel Yell

Publishers Weekly
Grissom’s unsentimental debut twists the conventions of the antebellum novel just enough to give readers an involving new perspective on what would otherwise be fairly stock material. Lavinia, an orphaned seven-year-old white indentured servant, arrives in 1791 to work in the kitchen house at Tall Oaks, a Tidewater, Va., tobacco plantation owned by Capt. James Pyke. Belle, the captain’s illegitimate half-white daughter who runs the kitchen house, shares narration duties, and the two distinctly different voices chronicle a troublesome 20 years: Lavinia becomes close to the slaves working the kitchen house, but she can’t fully fit in because of her race. At 17, she marries Marshall, the captain’s brutish son turned inept plantation master, and as Lavinia ingratiates herself into the family and the big house, racial tensions boil over into lynching, rape, arson, and murder. The plantation’s social order’s emphasis on violence, love, power, and corruption provides a trove of tension and grit, while the many nefarious doings will keep readers hooked to the twisted, yet hopeful, conclusion. (Feb.)
Kirkus Reviews
Irish orphan finds a new family among slaves in Grissom's pulse-quickening debut. Lavinia is only six in 1791, when her parents die aboard ship and the captain, James Pyke, brings her to work as an indentured servant at Tall Oaks, his Virginia plantation. Pyke's illegitimate daughter Belle, chief cook (and alternate narrator with Lavinia), takes reluctant charge of the little white girl. Belle and the other house slaves, including Mama Mae and Papa George, their son Ben, grizzled Uncle Jacob and youngsters Beattie and Fanny, soon embrace Lavinia as their own. Otherwise, life at Tall Oaks is grim. Pyke's wife Martha sinks deeper into laudanum addiction during the captain's long absences. Brutal, drunken overseer Rankin starves and beats the field slaves. The Pykes' 11-year-old son Marshall "accidentally" causes his young sister Sally's death, and Ben is horribly mutilated by Rankin. When Martha, distraught over Sally, ignores her infant son Campbell, Lavinia bonds with the baby, as well as with Sukey, daughter of Campbell's black wet nurse Dory. Captain Pyke's trip to Philadelphia to find a husband for Belle proves disastrous; Dory and Campbell die of yellow fever, and Pyke contracts a chronic infection that will eventually kill him. Marshall is sent to boarding school, but returns from time to time to wreak havoc, which includes raping Belle, whom he doesn't know is his half-sister. After the captain dies, through a convoluted convergence of events, Lavinia marries Marshall and at 17 becomes the mistress of Tall Oaks. At first her savior, Marshall is soon Lavinia's jailer. Kindly neighboring farmer Will rescues several Tall Oaks slaves, among them Ben and Belle, who, unbeknownst to all,was emancipated by the captain years ago. As Rankin and Marshall outdo each other in infamy, the stage is set for a breathless but excruciatingly attenuated denouement. Melodramatic for sure, but the author manages to avoid stereotypes while maintaining a brisk pace.

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Read an Excerpt

The Kitchen House

A Novel
By Kathleen Grissom


Copyright © 2010 Kathleen Grissom All right reserved.
ISBN: 9781439153666




There was a strong smell of smoke, and new fear fueled me. Now on the familiar path, I raced ahead, unmindful of my daughter behind me, trying to keep up. My legs were numb, unused to this speed, and my lungs felt as though they were scorched. I forbade myself to think I was too late and focused all my strength on moving toward home.

Foolishly, I misjudged, and meaning to take a shortcut to the stream, I swerved from the path to dash through the trees. To my horror, I found myself trapped.

I pulled to free my long blue skirts from the blackberry brambles that ensnared me. As I ripped my way out, Elly caught up to me. She attached herself to my arm, sobbing and trying to hold me back. Though a seven-year-old is no match for a grown woman, she fought fiercely, with strength fostered by her own terror. In my frenzy, I pushed her to the ground. She stared at me with disbelieving eyes.

"Stay here," I begged, and raced back down the path until I reached the stream. I meant to cross over by stepping on the rocks in the shallow water, but I didn'tremove my shoes, which was a mistake. Halfway over, I slipped on the river stones, and with a splash, I fell. The cold water shocked me, and for a moment Isat stunned, water bubbling by, until I looked up and recognized our smokehouse on the other side of the stream. The gray building reminded me that I was close to home. I rose, my skirts soaked and heavy, and scrambled my way across the water by clinging to the jutting rocks.

At the base of the hill, I leaned forward to breathe, gasping for air. Somehow Elly had reached my side again, and this time she clung like a kitten to my wet skirts. I was terrified of what she might see, but it was too late now, so I grasped her hand, and together we crested the bluff. There, I froze. Elly saw it, too, and whimpered; her hand slipped from mine as she sat on the ground. I moved forward slowly, as though in a dream.

Our massive oak tree stood at the top of the hill, its lush green leaves shading the thick branch that bore the weight of the hanging body. I refused to look up again after I caught sight of the green headscarf and the handmade shoes that pointed down.

Copyright © 2010 by Kathleen Grissom

Chapter One



In that spring of 1791, I did not understand that the trauma of loss had taken my memory. I knew only that after I woke, wedged between crates and bags, I was terror-stricken to discover that I did not know where I was, nor could I recall my name. I was frail after months of rough travel, and when the man lifted me from the wagon, I clung to his broad shoulders. He was having none of that and easily pulled my arms loose to set me down. I began to cry and reached back up for him, but he pushed me instead toward the old Negro male who was hurrying toward us.

"Jacob, take her," the man said. "Give her to Belle. She's hers for the kitchen."

"Yes, Cap'n." The old man kept his eyes low.

"James! James, you'rehome!"

A woman's call! Hopeful, I stared up at the enormous house in front of me. It was made of clapboard and painted white, and a wide porch framed the full length of the front. Towering columns circled with vines of green and violet wisteria stood on either side of the broad front steps, and the air was thick with the fragrance this early April morning.

"James, why didn't you send word?" the woman sang out into the morning mist.

Hands on his hips, the man leaned back for a better view. "I warn you, wife. I've come home for you. Best come down before I come up."

Above, at a window that appeared open to the floor, she laughed, a figure of white froth capped by billowing auburn hair. "Oh no, James. You stay away until you've been washed."

"Mrs. Pyke. Prepare yourself," he shouted, and bounded over the threshold. Inside, he continued to shatter the peace. "Where is everyone?" I heard him call. "I'm home!"

At a run, I began to follow, but the dark old man caught my arm and held me. When I fought him, he lifted me up, and I screamed in terror. Swiftly, he carried me to the back of the house. We were high on a hill, and out farther, lesser hills surrounded us. A horn blasted, frightening me further, and I began to hit at my captor. He shook me firmly. "You stop this now!" I stared at him, at his foreign dark brown skin that contrasted so with his white hair, and his dialect so strange that I scarcely understood. "What you fightin' me for?" he asked. I was exhausted by it all and dropped my head on the man's thin shoulder. He continued on to the kitchen house.

"Belle?" the old man called. "Belle?"

"Uncle Jacob? Come in," a feminine voice called, and the wooden door creaked as he pushed it open with his foot.

Uncle Jacob slid me to my feet while a young woman came slowly down the stairs, then came forward, quickly tying a band of green calico around a thick braid of glossy black hair. Her large green eyes grew wide in disbelief as she took me in. I was comforted to see that she was not as foreign-looking as the man who had brought me to her, for though her light brown skin still differed from mine, her facial features more resembled my own.

Uncle Jacob spoke. "The cap'n send this chil' to you. He say she for the kitchen house."

"What's that man thinking? Can't he see she's white?" The woman sank in front of me and turned me around. "You been sick?" She wrinkled her nose. "I've got to burn these clothes. You nothing but bones. You wanting something to eat?" She pried my thumb from my mouth and asked if I could speak. I could find no voice and looked around, trying to place myself.

Belle went to the enormous fireplace that stretched the length of the room. There she poured steaming milk into a wooden mug. When she held it to my mouth, I choked on the milk, and my body began an involuntary tremor. I vomited, then I passed out.

I awoke on a pallet in an upstairs room, too frightened to move after realizing that I still had no memory. My head ached, but when I rubbed it, I withdrew my hands in shock. My long hair had been cut short.

I had been scrubbed pink, and my skin was tender under the coarse brown shirt that covered me. My stomach turned from the scent of unfamiliar food rising up the open stairway from the kitchen below. My thumb pacified me, and I soothed myself as I studied the room. Clothes hung from pegs on the wall, and a pole bed stood off to one side with a small plain chest next to it. Sun streamed through a window, open and undraped, and from the outdoors came the sudden peal of a child's laughter. It rang familiar, and forgetting all else, I sprang to the window. The brightness stung so that I needed both hands to shade my eyes. First all I saw was rolling green, but below the window, I saw a path. It cut past a large fenced-in garden and led to a log house where, on steps, sat two small dark brown girls. They were watching a scene up toward the big house. I leaned out farther and saw a towering oak. From a thick low branch, a little girl on a swing sang out to a boy behind her.

When he pushed the swing, the little girl, all blue and blond, squealed. The tall boy laughed. There it was again! A laugh I recognized. Driven by hope, I ran down the wooden stairs, out the open door of the kitchen, and up the hill to them. The boy pulled the swing to a stop, and the two gaped at me. Both had deep blue eyes, and both exuded vibrant health.

"Who are you? Where did you come from?" the boy asked, his yellow hair glinting in the bright light.

I could only stare back, dumb in my disappointment. I did not know him.

"I'm Marshall," the boy tried again, "and this is my sister, Sally."

"I'm four," said Sally, "how old are you?" She tapped the air with her blue shoes and peeked out at me from under the flopping brim of a white bonnet.

I couldn't find a voice to answer, so I felt a rush of gratitude for Marshall when he pulled the attention away from me by jiggling the swing. "How old am I?" he asked his sister.

"You're two," said Sally, trying to poke at him with her foot.

"No, I'm not." Marshall laughed. "I'm eleven."

"No, you're two," teased Sally, enjoying a familiar game.

Suddenly, I was swooped up in Belle's arms. "Come back in," she said sharply, "you stay with me."

Inside the kitchen house, Belle set me on a corner pallet opposite a dark brown woman who was suckling a baby. I stared, hungry at the intimacy. The mother looked at me and although her face was young, she had deep lines around her eyes.

"What your name?" she asked. When I didn'tanswer, she continued, "This be my baby, Henry," she said, "and I his mama, Dory."

The baby suddenly pulled back from her breast and gave a high shrill cry. I jammed my thumb into my mouth and shrank back.

Not knowing what was expected of me, I stayed put on a pallet in the kitchen. In those first days, I studied Belle's every move. I had no appetite, and when she insisted that I eat, my stomach emptied violently. Each time I was sick, it meant another cleaning. As Belle's frustration with me grew, so did my fear of upsetting her. At night I slept on a pallet in a corner of Belle's upstairs room. On the second night, unable to sleep, I went to stand at Belle's bedside, comforted by the sound of her soft night breathing.

I must have frightened her, for when she woke, she shouted at me to get back to my own bed. I scurried back, more afraid than ever.

The dark haunted me, and with each passing night I sank further into loss. My head throbbed with the struggle of trying to remember something of myself. Thankfully, relief from my sorrow came just before sunup, when the roosters and the horn called everyone to rise. Then another woman, Mama Mae, joined Belle in the kitchen. The two women worked easily together, but I soon sensed that, though Belle was in charge of the kitchen, Mama Mae was in charge of Belle. Mama Mae was a woman of size, although nothing about her was soft. She was a sober woman who moved like a current, and her quickness made it plain that she did not suffer idleness. She gripped a corncob pipe between her tobacco-stained teeth. It was seldom lit, though she chewed the stem, and after time I decided that it served the same purpose to her that my thumb did to me. I might have been more frightened of her had she not given me an early benediction of her smile. Then her dark brown face, her flat features, and her black eyes wrinkled into kindness.

In the days that followed, I no longer tried to eat, and slept most of the time. On the morning Mama Mae examined me, Belle watched from across the room. "She's just being stubborn. When I get her to eat, she just brings it up, so now I'm only giving her water. She'llgethungry soon enough," Belle said.

Mama held my face in her strong hand. "Belle!" she said sharply. "This chil' not fightin' you. She too sick. You got to get her to eat, or you gonna lose her."

"I don't know why the cap'n give her to me. I got enough work."

"Belle, you ever think maybe when I first find out they movin' you to the kitchen house, I think that way 'bout you?"

"Well, I sure wasn't making a mess, throwing up all over you."

"No, but you was 'bout the same age, maybe six, seven years at the time. And you was born and raised here, and you still carried on," Mama Mae scolded.

Belle was silent, but following that, she was less brusque with me.

Later that day, Mama Mae killed a chicken. She made a broth for me, and for the first time my stomach tolerated something other than water. After some days of this healing liquid, I began to eat and then to retain solid food. When I became more alert again, Belle began to quiz me. Finally, summoning all of my courage, I managed to convey that I had no memory. Whether it was my foreign accent or Belle's surprise at my information, I do not know, but she stared at me, disbelieving. To my enormous relief, she didn't question me further. Then, just as things began to settle, Belle and I were called to the big house.

Belle was nervous. She fussed at me with a comb until, in frustration, she finally wrapped my head in a scarf to cover the chopped mess that was my hair. I was dressed in a fresh brown shirt that fell below my knees, over which Belle tied a white apron that she had stitched hastily from a kitchen cloth.

"Don't suck your thumb." Belle pulled my swollen finger from my mouth. She stooped down to my level and forced me to meet her eyes. "When she ask you anything, you say, 'yes, ma'am.' That's all you say: 'yes, ma'am.' Do you understand?"

I understood little of what was expected, but I nodded, eager to still Belle's anxiety.

I followed closely behind Belle on the brick path that led us up to the back porch. Uncle Jacob nodded solemnly while holding open the door. "Clean those feet," he said.

I stopped to brush fine dirt and sand from my bare feet, then felt the smoothness of the highly polished wood as I stepped across the threshold. Far ahead, the front door was open, and a light breeze swept down the long hallway, past me, and out the open back door. That first morning I did not note the mahogany highboy standing sentry in the hall; nor did I see the tall blue and white tulipier, displayed proudly as the latest expense from across the sea. I remember very clearly, though, the terror I felt as I was led to the dining room.

"Well! Here they are!" the captain's voice boomed.

At the sight of me, little Sally squealed, "Look, Marshall! It's that girl from the kitchen. Can I play with her, Mama?"

"You stay away from her," the woman said, "she looks sick. James! Whatever..."

"Steady, Martha. I had no choice. The parents died, and they owed me passage. Either she came with me, or I had to indenture her out. She was sick. I would have got nothing for her."

"Was she alone?"

"No, she had a brother, but he was easy enough to place."

"Why'd you put her in the kitchen house?" Marshall asked.

"What else could I do?" his father replied. "She has to be trained for some use."

"But why with her!" Marshall nodded toward Belle.

"That's enough, son," the captain said, waving me forward. "Come here, come here." Though now clean-shaven and dressed as a gentleman, I recognized him as the one who had lifted me from the wagon. He was not a tall man, but his overall size and his loud voice put forth a large presence. His gray hair was tied in the back, and his deep blue eyes peered at us over spectacles.

The captain looked past me. "How are you, Belle?" he asked.

"Fine, Cap'n," she replied softly.

"You look fine," he said, and his eyes smiled at her.

"Of course she's fine, James, why wouldn't she be fine? Look at her. Such a beautiful girl. She wants for nothing, head of a kitchen at her young age, and practically owning her own fine house. You have your pick of beaus, don'tyou,Belle?" The woman spoke quickly in a high voice, leaning her elbow on the table as she pulled repeatedly at an escaped strand of her red hair. "Don't you, Belle? Don't they come and go?" she asked insistently.

"Yes, ma'am." Belle's voice was strained.

"Come, come," the captain interrupted, and again waved me forward. Closer to him, I focused on the deep lines that creased his weathered face when he smiled. "Are you helping in the kitchen?" he asked.

"Yes, ma'am," I croaked, anxious to follow Belle's instruction.

The room exploded in laughter, though I saw that the boy, Marshall, did not laugh.

"She said 'yes, ma'am' to you, Daddy." Sally giggled.

The captain chuckled. "Do I look like a 'ma'am' to you?"

Uncertain of my answer, for I did not understand this unfamiliar form of address, I anxiously nodded. Again there was laughter.

Suddenly, the captain turned, and his voice boomed. "Fanny! Beattie! Slow down, you'll blow us out of the room."

It was then I noticed the two small dark-skinned girls and remembered them from the first day when they had been seated on the steps of the cabin. Through kitchen conversation, I had learned that they were Mama Mae's six-year-old twins. Now they stood on the other side of the table, each pulling a cord. The cords were attached to a large fan suspended from the ceiling that, when pulled, flapped over the dining room table like the wing of a gigantic butterfly, thereby creating a draft. With the excitement of the laughter, their enthusiasm was overventilating the room, but after the shout from the captain, their dark eyes grew solemn and their pulling slowed.

The captain turned back. "Belle," he said, "you've done well. You've kept her alive." He glanced down at some papers before him and spoke directly to me after skimming a page. "Let's see. You'll soon be seven years old. Is that right?"

I didn't know.

In the silence, Sally chirped up, "I'm four years old."

"That will do, Sally," Martha said. She sighed, and the captain winked at his wife. When he removed his spectacles to better study me, I felt faint under his scrutiny. "Don't you know your age? Your father was a schoolteacher, didn't he teach you numbers?"

My father? I thought. I have a father?

"When you feel stronger, I want you to work in the kitchen," he said. "Can you do that?"

My chest ached, and I was finding it difficult to breathe, but I nodded.

"Good," he said, "then we'll keep you here until you've grown." He paused. "Do you have any questions?"

My need to know surpassed my terror. I leaned closer to him. "My name?" I managed to whisper.

"What? What do you mean, your name?" he asked.

Belle spoke quickly. "She don't know her name."

The captain looked at Belle as though for an explanation. When none was forthcoming, he looked down again at the papers before him. He coughed before he answered. "It says here your name is Lavinia. Lavinia McCarten."

I clung to the information as though it were a life raft. I don't remember leaving the room, but I surfaced on a pallet in the kitchen to overhear Uncle and Belle discussing the captain. He was leaving again in the morning, Belle said, and she was expecting a visit from him that evening.

"You gonna ask for those papers?" Uncle Jacob questioned.

Belle didn'tanswer.

"You tell him that you needs them now. Miss Martha got her eye on you. The cap'n know she take the black drops, but he don't know that she drink the peach liquor with it. You gettin' more pretty by the day, and after all that drinkin', when Miss Martha pick up that mirror, she see that she lookin' more than her thirty years. She out to get you, and time goes on, it only get worse."

Belle's usual determined voice was subdued. "But Uncle, I don't want to go. This place my home. You all my family."

"Belle, you know you got to go," he said.

Their conversation ended when Uncle Jacob saw my open eyes. "Well, well, well. Lil Abinya wake up," he said.

Belle came over to me. "Lavinia," she said, pushing my hair from my forehead, "that name sounds like you."

I stared at her, then turned my face away. I was more lost than ever, for I felt no connection to that name.

The next evening I was sent home with Mama Mae. I didn't want to leave the kitchen house, but Belle insisted. Mama said that her twins, Fanny and Beattie, the two girls I had seen working the fan, would be there with me. On the walk over, Mama Mae held my hand and pointed out how the kitchen house was just a short distance from her own small cabin.

Fanny and Beattie were there to greet us. I hung back, wanting to stay next to Mama Mae, but the girls were eager for a new playmate. They drew me into a corner of the small cabin to a shelf that had been carved into one of the logs, where their treasures were kept.

The taller of the two, Fanny was the leader, with her mother's quick eyes and direct speech; her arms and legs were like those of a colt. Beattie was short and plump, pretty already, with a broad smile emphasized by two deep dimples.

"Look," Fanny instructed me as she withdrew toys from the shelf. She handed down a doll-size table with two chairs, constructed of small twigs held together with bits of animal sinew. Beattie showed me her doll, then offered it to me to hold. I grabbed for it with such hunger that Beattie hesitated until her generous spirit won out and she released it. "Mama make her," she said with pride, looking back to Mama Mae.

I gripped Beattie's prize, my heart pierced with longing. The doll was made of rough brown cloth; her eyes were stitched in black thread, while black wool stood out in braids. I fingered the doll's shirt, styled like the one the twins and I wore. She wore a red apron, and I recognized it as the same fabric as Mama Mae's head scarf.

As dark descended, Dory and baby Henry joined us. They had frequently visited the kitchen house, where I had learned that Dory was Mama Mae's eldest daughter. I liked Dory well enough, for she left me alone, but I wasn't fond of the baby with his harsh cry.

Although distracted by the girls and their play, I kept a close eye on Mama's reassuring presence. When the door suddenly opened, a huge dark bear of a man stood framed against the even blacker night sky. I flew to Mama's side. Fanny and Beattie scrambled to their feet and ran to the man, who scooped them up. "Papa!" they cried. After he released them, they went back to their play, and with Mama's encouragement, I joined them.

"Evenin', Dory." The man's voice was so deep, he might have been underground, and when he paused by baby Henry's mama, his large hand covered the top of her head. "How your lil one doin'?"

"Not so good, Papa," Dory answered, not looking up from the bench where she sat nursing her infant. The child fussed when she gently pulled his swollen hands out to show her father. "When his hands get big like this, he cry all the time," she said.

Her father leaned down and, with a knuckle, gently stroked the baby's cheek. When he straightened, he sighed and then took a few giant strides across the floor to Mama Mae. The girls giggled and hid their eyes when their father reached for Mama, pulling her to him and playfully nuzzling her neck. "George!" Mama laughed, then shooed him off. When he stepped back, he caught my eye and nodded at me. I quickly turned away.

Belle was expecting a visitor, Mama Mae said to the man, as though to explain my presence, and the pair exchanged a look before Mama Mae turned back to the fireplace. She scooped out stew from a black pot that hung over the open fire, and Papa set the filled wooden bowls on the narrow table. Then she brushed the coals from the top lid of another black iron pot that was nestled in hot ash, and from it she removed a steaming round corn cake, browned to crispness around the edges.

The three adults pulled up small stools to the table, and Fanny and Beattie had me stand between them as they began to eat. But everything felt strange, and I wanted the familiarity of the kitchen house. With no appetite, I studied the food, and when Mama instructed me to eat, I began to cry.

"Come here, Abinia," she said, and after I went to her, she hoisted me onto her lap. "Chil', you got to eat. You need some meat on them bones. Here, I dip this into the gravy for you, and you eat so you get strong as Mama."

The twins laughed. "You treatin' her just like a baby, Mama," Fanny said.

"Well," Mama said, "maybe she my new baby, and I got to feed her. Now you open your mouth, lil baby." I so wanted her mothering that I ate the corn bread she dipped into the thick ham gravy. She continued to feed me as she spoke of the captain leaving and how Miss Martha's nerves were running over again.

Dory said she had to go back up to the big house tonight, no telling what Miss Martha would do when the captain left in the morning. Mama Mae said how she wished she could go stay with Miss Martha so Dory could stay with baby Henry.

Dory answered with a deep sigh, "You know it's me she be wantin'," and Mama agreed.

We had almost finished the meal when we heard muffled voices from the outside. Papa George began to rise, and my stomach clenched when Mama quickly set me aside. "No, George!" she said standing. "Me and Dory go. Won't do nobody no good to throw another man in this stewpot."

I heard footsteps coming at a run, and when the door flew open, Belle came in gasping for air. Her green head rag was missing, and her usual night braid was undone. Mama Mae pulled Belle inside before she and Dory rushed out. Belle leaned against the wall, panting, then straightened herself before walking over to the table, where she sat across from Papa.

Belle said, "She comes down after him this time. She never do that before. And Marshall, he comes with her. When she sees the new comb and the book he gives me, she takes them up and throws them at me. That starts Marshall pushing and hitting on me. The cap'n grabs him and sends him out the door, but then Miss Martha starts crying and hitting on him. He says, 'Martha, Martha, get ahold of yourself,' but she's so worked up, he tells me to go get Mama." Belle put her elbows on the table and rested her head in her hands.

Papa shook his head. "Did you ask for the free papers?" he asked.

Belle spoke through her fingers. "He says I'll get them next summer."

The air clicked with Papa's anger, and when he stood, he pushed back the table with such force that two of the wooden bowls flew to the floor. "Next year! Next year! Always the next time! Something's gonna happen here if he don't get you those papers!"

When the door closed behind him, I was more surprised than anyone that my supper came up without warning. With it, though, I felt some relief, as my involuntary action seemed to refocus Belle and steady her while she cleaned me.

The twins watched from their pallet, the sleeping baby Henry beside them. After Belle finished with me, she set me with them, then straightened the room. When everything was in order, Belle came to us, eased the sleeping baby into her arms, and nodded for me to join her. We were all startled to hear a loud thunking sound from outside, but as it continued, Fanny identified the source. "Papa choppin' his wood again," she whispered.

When we left for Belle's house, white moonlight offered only shadow on the far side of the cabin where Papa worked.

"Papa?" Belle called softly. "Papa?"

The pounding stopped.

"Papa, don't worry. I'll get the papers," she said into the silence.

Copyright © 2010 by Kathleen Grissom


Excerpted from The Kitchen House by Kathleen Grissom Copyright © 2010 by Kathleen Grissom. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.


What People are Saying About This

From the Publisher
"You will be thrilled by this intimate and surprising story that connects us with an unexpected corner of our history. Kathleen Grissom gives us a new and unforgettable perspective on slavery and families and human ties in the Old South, exploring the deepest mysteries of the past that help define who we are to this day."

—Robert Morgan, Bestselling author of the Oprah Book Club selection Gap Creek

"Kathleen Grissom peers into the plantation romance through the eyes of a white indentured servant inhabiting the limbo land between slavery and freedom, providing a tale that provokes new empathy for all working and longing in The Kitchen House."

—Alice Randall, Author of The Wind Done Gone and Rebel Yell

Meet the Author

Born and raised in Saskatchewan, Kathleen Grissom is now happily rooted in south-side Virginia, where she and her husband live in the plantation tavern they renovated. She is the author of The Kitchen House and most recently Glory Over Everything.

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The Kitchen House 4.3 out of 5 based on 0 ratings. 1099 reviews.
readtillyoudrop More than 1 year ago
I purchased this book Friday night on my way home from work. I am usually a chapter a night reader; I started The Kitchen House Friday at midnight and read till 4:30am: I was awake at 8:30 and finish it. Grissom's writing creates such a colorful picture that you find yourself transported back in time. The characters are not just on the page, but are with you in such a way that you experience what they are experiencing. This is not a book that you merely read and put down, it stays with you. Papa George, Mama May, Belle and the host of other inhabitants of Tall Oaks pull you into their world and keep you hooked till the end. Though I normally don't read historical fiction I was brought in by it's haunting cover and after reading the prologue I couldn't put it down. I LOVED this book!
retromom More than 1 year ago
This story starts out with the prologue narrated by Lavinia. It depicts a horrible scene of a hanging. We know something bad has happened but we don't know why or to whom. The story then begins with Lavinia and Belle narrating alternating chapters. Lavinia is the young Irish girl who is orphaned on her family's journey to America and is taken in as an indentured servant by the ship's captain. Belle is a slave on the captain's plantation who also happens to be the daughter of the captain. Lavinia is sent to the kitchen house to be taken care of until the time that she can be of service. Lavinia becomes part of the family of Mama Mae, Papa George, Beattie, Fanny and Belle. The captain's family is pretty dysfunctional and plays a huge role in the lives of Lavinia and Belle. Lavinia eventually finds herself torn between two families and places in society. I like how the chapters alternate between Lavinia and Belle. The story flows beautifully between the two narrators. There is a lot going on in this book and I don't want to give the story line away. I think it is a story you have to experience and be surprised by. Trust me! It is a great story! There are times the story gets uncomfortable which makes it much more realistic feel than other books about the antebellum period. I could actually feel the fear of the characters at times. Once you get involved in the story of Lavinia and Belle you will not want to put this book down. I enjoyed this book very much and I highly recommend it. Don't read it too fast. You don't want to miss one morsel of this book. Kathleen Grissom does a fantastic job telling the story of The Kitchen House. I can't wait to read what she comes up with next!
Typhoid More than 1 year ago
This book will change the way we think and act. Soulful, loving and historicaly accurate masterpeice. I can't wait to pass this down.
DrRita More than 1 year ago
This book was compared by some to "The Help," of which I have also read, and quite frankly, the only similarity between the two is the fact that both have main characters who come from different racial backgrounds -- that's it. Both books are well written and are worthy of reading. They are engaging and often times insightful. To compare the two books is like comparing apples to oranges, and I believe it does both authors an injustice. These books stand on their own and need no comparison. Read and enjoy.
BLUEEYEBE More than 1 year ago
Lavinia, a seven-year-old Irish orphaned girl, after her parents die on board ship, with a past so traumatic she is unable to remember it. She is placed as an indentured servant with black slaves in the kitchen house of a plantation around 1800. They become her parents, her family. Love, survival, friendship and loss will captivate you and the wonderful characters will remain in your heart long after reading it! Another Compelling and unforgettable one I'd like to recommend is EXPLOSION IN PARIS.
Anonymous More than 1 year ago
After beginning this book about a family with slaves in the late 18th century, I read it any time I had a spare minute. I found it interesting and gripping as I became involved with the lives of several families. I have recommended it to several of my friends and they also found it difficult to put down. In the future I will definitely look for other books by this author. I think this would be a good selection for a book club as it has several themes that could be discussed.
patfoxli More than 1 year ago
This book told a beautiful story with great historical background about the resilience and survival of strong women against horrific odds. The characters were well developed and the story was thoroughly engaging from start to finish. One of the other readers in my group said: "I hated when it was over; I still wanted more." This is the ultimate tribute in my view.
Lynnmary57 More than 1 year ago
I learned so much history and the flavor of the old south during slavery, and how the slave owners of plantations and families can be in as much turmoil as the slave family.
Anonymous More than 1 year ago
Great book with characters that you will be thinking about after you finish reading. I can't wait to see how the story continues in the next book, coming out on April 5.
avidreader12TJ More than 1 year ago
The kitchen house is one of those books that makes you hold your breath and not exhale until the very last page has been read. Grissom masterfully depicted what it must have been like during that era when slaves were bought and sold to the highest bidder, when there was such a thing as slave and master. The Kitchen House is about everything that is right and wrong with the world in which we live. Its about betrayal , family, loyalty, power, and unconditional love. The characters in this book were all very complex yet very believable characters, There is Marshall, a sweet young boy who was corrupted and neglected by several people in his young life making him into the monster he ultimately becomes, There is Belle, Mae, Lavinia, Mrs. Martha, Beatie and Frannie who were all very different women yet very similar, you either loved them or hated them, There was Cap'n who seemed to be the hero yet he may have been the anti-hero with so many unspoken secrets, I felt as though I were there experiencing the hardships as well as the happy times with them. Hats off to Grissom , to have been able to evoke so many different emotions from the reader was simply ingenious! This book definately has something for everyone. A Must Read For All.
hope hartley More than 1 year ago
U really must read
Jesi707 More than 1 year ago
Listened to the audio format...such a great story! READ IT OR LISTEN~ the narrations were perfect, I just couldnt stop listening, really an amazing story. Wish I could find more books like this. Cant wait to see what she comes out with next... Dont miss this one!! :)
Anonymous More than 1 year ago
This was a heavy read, but I really enjoyed it. It was really interesting to read a slave story from this fresh perspective. Seeing the story through the lens of a young, white indentured servant was something much different that I have seen before, and I found that refreshing in an odd way. It does hit you time and time again with one tragedy after another, so I wish there had been more to make us feel like there was reason for hope...but it's a piece of historical fiction that seems well-researched. Those who are from the south (specifically Virginia) or who have visited Colonial Williamsburg will particularly appreciate it. Worth reading.
NookerInAZ More than 1 year ago
This has a great story and mixes history in with fiction beautifully. You love and hate characters...cry and laugh as the story unfolds.
CherishD More than 1 year ago
Got this book as a Christmas gift and finished it in a couple days. It was well-written, but too sad...and just kept getting worse. The ending was very abrupt and a real letdown...like the author said, OK, I'm done, leaving a whole mess of loose ends. Would like to have given more stars....
Seaquine More than 1 year ago
Although the book has many characters that initially are difficult to keep straight, overall, I enjoyed the read. In the last few chapters, the characters mesh & the story becomes more vivid. I enjoyed the theme as it it takes a much different approach from many books written depicting that era.
Anonymous More than 1 year ago
EXCELLENT BOOK!! This is a very well written book which holds your attention throughout the entire book. It was very hard for me to put down. I love the way the chapters alternate between the characters telling about the events in their lives. Very emotional and heartfelt. This is one book you must read!
Anonymous More than 1 year ago
I loved this book. It reminded me a little of The Help. It is always interesting to me see the conflict that human beings have in treating others in a humane way.
Anonymous More than 1 year ago
Not a pleasant, very true, story of life on a southern plantation during the late 1700's from the perspective of its slaves and indentured servants. Could not put this book down!
Anonymous More than 1 year ago
A wonderful story of a young girl who loses her family and comes to live with a new family of slaves, who embrace her as their own. She lives in two worlds, and has to try to fit into them both. I found this book hard to put down. It can be sad at times, and anger you at other times. I fell in love with all the characters, and was sorry to turn the last page. The book handles some pretty delicate and violent subjects in a gentle way as to not overshadow the story of family and caring.
kristen cohen More than 1 year ago
This book is so good I could not put it down. I cryed and felt so much pain and happiness at times, never knowing what would happen next. Great job!
Peggy Lafe More than 1 year ago
I ejoyed this book. Going to be one of my favorites.
strictlyaprincess More than 1 year ago
This has to be one of the best books I've read this year. Rarely do I get so absorbed in a book that I can't put it down. This book however sucked me in! This book is not for the faint of heart. It is deep, emotional, sobering, and heartfelt. There has to be a movie! There has to be!!!
UnlimitedChick More than 1 year ago
I must say really enjoyed this book. It was one that made u laugh and cry! It showed u family is not always by blood. This will go on my favorite list.
Anonymous More than 1 year ago
I loved this book. It had all of the elements of a great work of historical fiction--complex character development, painting the scene back in another time, and attention to detail. I will definitely recommend this to friends.