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| John Powell | Primary Artist |
| Ian Thomas | Percussion |
| Gary Kettel | Percussion |
| Anthony Pleeth | Cello |
| Frank Ricotti | Percussion |
| Stephen Henderson | Percussion |
| Paul Clarvis | Percussion |
| Gavin Greenaway | Choir Conductor |
| Metro Voices | Choir, Chorus |
| Michael Baker | Timpani |
| Bill Lockhart | Percussion |
| Michael Hobe | Sampling |
| Sam Estes | Sampling |
| Jenny O'Grady | Choir Master |
| Hua Qi | Erhu |
| Bernie Grundman | Mastering |
| Alan Meyerson | Score Mixer |
| Robert Townson | Soundtrack Executive Producer |
| Hans Zimmer | Composer, Producer |
| Paul Mounsey | Additional Music |
| Gavin Greenaway | Orchestration, Score Conductor |
| Dave Metzger | Orchestration |
| Nick Wollage | Engineer |
| Daniel Kresco | Engineer |
| Alison Burton | Studio Manager |
| Andrew Kinney | Orchestration |
| Emlyn Singleton | Orchestra Leader |
| Mark Wherry | Instrument Design |
| Germaine Franco | Orchestration, Overdub Producer |
| Dan Butler | Music Business Affairs |
| Rick Giovinazzo | Orchestration |
| John Powell | Composer, Producer |
| Andrew Zack | Score Coordinator |
| Jennifer Schiller | Music Business Affairs |
| Lorne Balfe | Additional Music |
| Colette Barber | Studio Manager |
| Steven Kofsky | Production Service |
| Czarina Russell | Studio Manager |
| Michael John Mollo | Instrument Design |
| Liz McNicoll | Music Business Affairs |
| Beth Caucci | Instrument Design |
| Roger Tang | Management |
| Sam Okell | Engineer |
| Dominic Lewis | Additional Music |
| Tommy Laurence | Orchestration |
| Susan Thampi | Management |
| Tom Holkenborg | Composer |
Anonymous
Posted October 31, 2011
No text was provided for this review.
Editorial Reviews
All Music Guide - James Christopher Monger
Co-composed by Hanz Zimmer and John Powell, both of whom helmed the first installment of the immensely popular Dreamworks animation series, the score for Kung Fu Panda 2 dutifully expands on the motifs that the pair introduced in the inaugural film. Zimmer, who traveled to China in 2007 to absorb the country's rich musical history, adds more regional flare to the orchestral score this time around, but listeners who enjoyed the initial blend of swashbuckling, martial arts-inspired adventure themes and lush, pastoral interludes won't come away disappointed, as the two styles are well represented here.