L. A. Requiem (Elvis Cole Series #8) [NOOK Book]

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Overview

The day starts like any other in L.A. The sun burns hot as the Santa Ana winds blow ash from mountain fires to coat the glittering city. But for private investigator Joe Pike, the city will never be the same again. His ex-lover, Karen Garcia, is dead, brutally murdered with a gun shot to the head.

Now Karen's powerful father calls on Pike (a former cop) and his partner, Elvis Cole, to keep an eye on the LAPD as they search for his daughter's killer--because in the luminous City of Angels, everyone has secrets, and even the mighty blue have something to hide. But what starts as a little procedural hand-holding turns into a deadly game of cat-and-mouse. ...
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Overview

The day starts like any other in L.A. The sun burns hot as the Santa Ana winds blow ash from mountain fires to coat the glittering city. But for private investigator Joe Pike, the city will never be the same again. His ex-lover, Karen Garcia, is dead, brutally murdered with a gun shot to the head.

Now Karen's powerful father calls on Pike (a former cop) and his partner, Elvis Cole, to keep an eye on the LAPD as they search for his daughter's killer--because in the luminous City of Angels, everyone has secrets, and even the mighty blue have something to hide. But what starts as a little procedural hand-holding turns into a deadly game of cat-and-mouse. For a dark web of conspiracy threatens to destroy Pike and Cole's twelve-year friendship--if not their lives. And L.A. just might be singing their dirge.


From the Paperback edition.

Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
For some time now, Robert Crais has been threatening to step beyond the confines of the genre audience and into the consciousness of a wider, more mainstream readership, the same readership that has recently embraced such diverse figures as Walter Mosley, James Ellroy, Lawrence Block, and Michael Connelly. Crais's latest novel, L.A. Requiem— a big, complex, involving novel of revenge and murder in modern-day Los Angeles — might just be the book that elevates him to that same level of popularity.

L.A. Requiem is the eighth novel in a series that features Elvis Cole, a wisecracking private detective in the grand tradition, and his tough, terse, hard-bitten partner, Joe Pike. More than any of the previous seven entries, this one takes us deeply into the complex personal lives of its two protagonists.

As the story begins, Elvis is facing a major, but not unwelcome, lifestyle change: His girlfriend, Lucy Chenier, has just relocated to Los Angeles with her nine-year-old son Ben, drawn by both a lucrative job offer and the chance to live in closer proximity to Elvis. Trouble begins on moving day, which is rudely interrupted by a phone call from Joe Pike. An old girlfriend of Pike's named Karen Garcia — a figure from out of his enigmatic past — has just gone missing. Pike, contacted by her panic-stricken father, has volunteered to search for Karen, and asks Elvis to help. From this point forward, events take on an unexpected life of their own.

What looks like a routine missing-person case begins, almost immediately, to undergo a sinister seriesofmetamorphoses. Just hours after Elvis and Pike begin their investigation, Karen's body is located. She has been shot to death by an unknown assailant. The case shifts direction again when police sources reveal that Karen is the fifth such victim in 19 months. When word leaks out that a serial killer is loose in Los Angeles, the inevitable media circus ensues. Desperate for results, police concentrate their attention on a single, unlikely suspect who happens to resemble the psychological profile provided by the FBI. When that suspect is murdered by a man falsely identified as Joe Pike, Pike finds himself in jail, and Elvis finds himself forced, once again, to reexamine his most fundamental notions about the nature of this case.

Galvanized by the arrest of his partner, Elvis begins to question the supposedly random nature of the series of murders that culminated with Karen Garcia's death. Searching for connections, he focuses on the period, some 12 years before, when Joe Pike and Karen first came together. In the classic tradition of a Ross MacDonald novel, past events prove inextricably connected to the dramas of the present day. Incidents from Pike's former life as a Los Angeles policeman — incidents such as an unresolved Internal Affairs investigation, the arrest and conviction of a roving pedophile, and the violent death of Pike's partner, Abel Wozniak — are among the threads that Elvis follows as he struggles to uncover the truth behind a seemingly disparate series of killings, and to identify the damaged, dimly glimpsed figure responsible for them.

En route to that discovery, and to the violent and visceral events that follow in its wake, L.A. REQUIEM pushes at the boundaries of the traditional detective novel, moving easily between the primary, present-day narrative and a deliberately disconnected series of flashbacks that illuminate Pike's traumatic formative years and his brief, violent career with the LAPD. The result is a novel that functions on at least three levels: as an effective, tightly plotted mystery; as a moving examination of the growth and development of an individual soul; and as a complex presentation of the sometimes noble, sometimes demented things people do in the name of love.

L.A. Requiem has all the earmarks of a breakout book. It is painful and exhilarating, ambitious and exciting, shrewdly constructed and deeply felt. It is the best and biggest work to date from a writer who understands the inner workings of his chosen form, and who has something useful to tell us about love, loyalty, and the underlying causes of violence.

Bill Sheehan

Ellery Queen
Private eye partner Joe Pike, a tough and taciturn ex-L.A.P.D. officer with a shadowed past, to help search for the missing daughter of tortilla king Frank Garcia. Alternating first and third person narration, the novel probes the characters and their problems, illuminates the Los Angeles scene, and keeps the reader guessing in masterful fashion. If you had Crais pegged as a west coast Robert B. Parker (i.e., magical style but invisible plot), this complex and enormously entertaining novel should change your mind.
From The Critics
...[W]hat starts as a routine search for a rich man's pampered daughter becomes a tense face-off with a killer and a serious examination of the limits of friendship.
The New York Times Book Review

Product Details

  • ISBN-13: 9780307567857
  • Publisher: Random House Publishing Group
  • Publication date: 7/22/2009
  • Sold by: Random House
  • Format: eBook
  • Pages: 416
  • Sales rank: 9,425
  • Series: Elvis Cole Series, #8
  • File size: 2 MB
  • Items ship to U.S, APO/FPO and U.S. Protectorate addresses.

Meet the Author

Robert Crais
Robert Crais
Following a tremendously successful run as a television screenwriter, Robert Crais broke into the publishing world in a big way with his Elvis Cole and Joe Pike mystery novels, proving that for a select few, Los Angeles truly can be a city of dreams.

Biography

Los Angeles is known as the city of dreams, largely because so many Americans dream of breaking into the Hollywood film and television industry. In 1976, Robert Crais went west from Louisiana to pursue that very dream. As it turned out, he became one of the lucky few to break into the industry in a big way. Crais has since written for such hugely popular TV shows as Quincy, Cagney and Lacey, Miami Vice, Hill Street Blues, and L.A. Law, just to name a few. However, after achieving such success (which included a prestigious Emmy nomination) in a business that so many would give everything to break into, Robert Crais decided to step away and pursue his true dream. Frustrated by the collaborative process that comes with screenwriting, and inspired by pulp-pioneers such as Raymond Chandler, Crais became a mystery novelist. With his massively popular Elvis Cole/Joe Pike mysteries series, it seems as though success has a funny way of following Crais no matter what he decides to do.

Crais published his very first novel in 1987. The Monkey's Raincoat introduced mystery fans to Elvis Cole and Joe Pike, a pair of L.A. private investigators who would become his most-beloved recurring characters. Crais's transition from screenwriting to novel-writing was an astoundingly smooth one. The Monkey's Raincoat earned him nominations for the Edgar, Anthony, Shamus, and Macavity awards, winning both the Anthony and Macavity for "Best Novel of the Year." Crais's publisher was so overjoyed by the novel's success that he encouraged Crais to keep the Cole/Pike team going. "I started writing these books to get away from writing other people's concepts, like TV and movies," Crais told Barnes&Noble.com. "I never expected to write these guys as a series...but the book proved to be so popular and the characters were so popular that my publisher wanted more." What followed was a series of bestselling mysteries, including Stalking the Angel (1989), Free Fall (1993), L.A. Requiem (1999), and last year's The Forgotten Man.

Although the series was not part of Crais's original plan, he still seems to hold the Cole and Pike team closer to his heart than anything he has previously written. He explained, "The characters have deepened, and I think they kind of reflect what's going on with me and the world as I see it." When asked about whether or not we can expect to see the crime-solving buddies on the big screen anytime soon, he said, "I think I would have a difficult time in the collaborative process when other people suddenly put their fingerprints on Elvis and Joe," further illustrating his personal feelings for his P.I. team.

As much as Crais loves his series, he does occasionally write novels outside of the Cole/Pike world. His latest, The Two-Minute Rule, tells the story of career criminal Max Holman, a recently released-from-prison bank robber who finds himself hunting an entirely different kind of criminal after his son is gunned down. The book has since raked in positive reviews from such publications as Booklist, Publisher's Weekly, and The Library Journal. While The Two-Minute Rule does not feature Cole and Pike, Crais fans will notice one significant similarity between his latest novel and his famous series -- the Los Angeles setting. "I can't think of a better place to set crime novels because of what Los Angeles is. Los Angeles is the main where the nation goes to make its dreams come true. When you have a place like that where so many people are risking their very identities, not just money and cash, but they're risking who they are because it's their hopes and dreams, when you have that kind of tension and that kind of friction, you can't help but have crime."

Fortunately, Crais will never have to succumb to such friction and tension since, for a success story such as he, Los Angeles completely lived up to its promise of being the city of dreams.

Good To Know

Some fun and fascinating outtakes from our interview with Crais:

"My first job was cleaning dog kennels. It was especially, ah, aromatic during those hot, humid Louisiana summers, but it prepared me for Hollywood."

"My fiction is almost always inspired by a character's need or desire to rise above him-or herself. No one is perfect and some of us have much adversity in our lives; it is those people who struggle to rise above their nature or background that I find the most interesting and heroic."

"Fun details? Like Elvis Cole, I have a dry sense of humor. Sometimes I am so dry that people don't know I'm kidding and think I'm being serious. I enjoy this because their reactions are often funny. Also, I wear beautifully colored shirts like Elvis Cole, only I was wearing them before him. People will say, ‘Look, RC dresses just like Elvis Cole,' and I'll say, 'No, Elvis Cole dresses like me!' I also wear sunglasses like Joe Pike, but not indoors and not at night."

"Elvis Cole wrote two episodes of television. No lie. It happened like this: I had written episodes of Miami Vice and Jag that were rewritten by person or persons unknown -- changed so badly that I didn't want my name on them, so I used Elvis Cole's name as a pen name."

    1. Hometown:
      Los Angeles, California
    1. Date of Birth:
      June 20, 1953
    2. Place of Birth:
      Baton Rouge, Louisiana
    1. Education:
      B.S., Louisiana State University, 1976; Clarion Writers Workshop at Michigan State University
    2. Website:

Read an Excerpt

Uniformed LAPD Officer Joe Pike could hear the banda music even with the engine idling, the a.c. jacked to meat locker, and the two-way crackling callout codes to other units.

The covey of Latina street kids clumped outside the arcade giggled at him, whispering things to each other that made them flush. Squat brown men come up through the fence from Zacatecas milled on the sidewalk, shielding their eyes from the sun as veteranos told them about Sawtelle over on the Westside where they could find day labor jobs, thirty dollars cash, no papers required. Here in Rampart Division south of Sunset, Guatemalans and Nicaraguans simmered with Salvadorans and Mexican nationals in a sidewalk machaca that left the air flavored with epizote, even here within the sour cage of the radio car.

Pike watched the street kids part like water when his partner hurried out of the arcade. Abel Wozniak was a thick man with a square head and cloudy, slate eyes. Wozniak was twenty years older than Pike and had been on the street twenty years longer. Once the best cop that Pike had then met,Wozniak's eyes were now strained. They'd been riding together for two years, and the eyes hadn't always been that way. Pike regretted that, but there wasn't anything he could do about it.

Especially now when they were looking for Ramona Ann Escobar.

Wozniak lurched in behind the wheel, adjusting his gun for the seat, anxious to roll even with the tension between them as thick as clotted blood. His informant had come through.

"DeVille's staying at the Islander Palms Motel."

"Does DeVille have the girl?"

"My guy eyeballed a little girl, but he can't say if she's still with him."

Wozniak snapped the car into gear and rocked away from the curb. They didn't roll Code Three. No lights, no siren. The Islander Palms was less than five blocks away, here on Alvarado Boulevard just south of Sunset. Why send an announcement?

"Woz? Would DeVille hurt her?"

"I told you, a fuckin' perv like this would be better off with a bullet in his head."

It was eleven-forty on a Tuesday morning. At nine-twenty, a five-year-old girl named Ramona Ann Escobar had been playing near the paddleboatconcession in Echo Park when her mother, a legal emigre from Guatemala, had turned away to chat with friends. Witnesses last saw Ramona in the company of a man believed to be one Leonard DeVille, a known pedophilewho'd been sighted working both Echo and MacArthur parks for the past three months. When the dispatch call had come about the missing girl, Wozniak had begun working his street informants. Wozniak, having beenon the street forever, knew everyone and how to find them. He wasatreasure trove of information that Pike valued and respected, anddidn'twant to lose. But Pike couldn't do anything about that,either.

Pike stared at Wozniak until Wozniak couldn't handle the weight any longer and glanced over. They were forty seconds away from the Islander Palms. "Oh, for Christ's sake, what?"

"It isn't too late, Woz."

Wozniak's eyes went back to the street, and his face tightened. "I'm telling you, Joe. Back off with this. I'm not going to talk about it anymore."

"I meant what I said."

Wozniak wet his lips.

"You've got Paulette and Evelyn to think about."

Wozniak's wife and daughter.

The cloudy eyes flicked to Pike, as bottomless and as dangerous as a thunderhead.

"I've been thinking about them, Pike. You bet your ass."

For just an instant, Pike thought Wozniak's eyes filled. Then Wozniak gave a shudder as if he were shaking out his feelings, and pointed.

"There it is. Now shut the fuck up and play like a cop."

The Islander Palms was a white stucco dump: two stories of frayed carpets, stained beds, and neon palms that looked tacky even in Los Angeles, all of it shaped into an L around a narrow parking lot. The typical customers were whores renting by the hour, wannabe pornographers shooting "amateur" videos, and rent jumpers needing a place to stay while they found a new landlord to stiff.

Pike followed Wozniak into the manager's office, a skinny Hindu with watery eyes. First thing he said was, "I do not wan' trouble, please."

Wozniak had the lead.

"We're looking for a man with a little girl. His name is Leonard DeVille, but he might've used another name."

The Hindu didn't know the name, or about a little girl, but he told them that a man matching the description Woz provided could be found on the second floor in the third room from the top of the L.

Pike said, "You want me to call it in?"

Wozniack went out the door and up the stairs without answering. Pike thought then that he should go back to the car and call, but you don't let your partner go up alone. Pike followed.

They found the third door, listened, but heard nothing. The drapes were pulled. Standing on the exposed balcony, Pike felt as if they were being watched.

Wozniak took the knob side of the door, Pike the hinges. Wozniak rapped on the door, identifying himself as a Los Angeles police officer. Everything about Joe made him want to be the first one inside, but they had settled that two years ago. Wozniak drove, Wozniak went in first, Wozniak called how they made the play. Twenty-two years on the job against Pike's three bought you that. They had done it this way two hundred times.

When DeVille opened the door, they pushed him backward, Wozniak going first and pushing hard.

DeVille said, "Hey, what is this?" Like he'd never been rousted before.

The room was tattered and cheesy, with a closet and bath off the rear. A rumpled double bed rested against the wall like some kind of ugly altar, its dark red bedspread stained and threadbare, one of the stains looking like Mickey Mouse. The room's only other piece of furniture was a cheap dresser edged with cigarette burns and notches cut by a sharp knife. Wozniak held DeVille as Pike cleared the bathroom and the closet, looking for Ramona.

"She's not here."

"Anything else? Clothes, suitcase, toothbrush?"

"Nothing." Indicating that DeVille hadn't been living here, and didn't intend to. He had other uses for the room.

Wozniak, who had busted DeVille twice in the past, said, "Where is she, Lennie?"

"Who? Hey, I don't do that anymore. C'mon, Officer."

"Where's the camera?"

DeVille spread his hands, flashing a nervous smile. "I got no camera. I'm telling you, I'm off that."

Leonard DeVille was five-eight, with a fleshy body, dyed blond hair, and skin like a pineapple. The hair was slicked straight back, and held with a rubber band. Pike knew that DeVille was lying, but waited to see how Woz would play it. Even with only three years on the job, Pike knew that pedophiles were always pedophiles. You could bust them, treat them, counsel them, whatever, but when you released them back into the world, they were still child molesters and it was only a matter of time.

Wozniak hooked a hand under the foot of the bed and heaved the bed over. DeVille jumped back and stumbled into Pike, who caught and held him. A rumpled overnight bag was nesting in about a million dust bunnies where the bed had been.

Wozniak said, "Lennie, you are about as dumb as they get."

"Hey, that ain't mine. I got nothing to do with that bag." DeVille was so scared that he sprouted sweat like a rainstorm.

Wozniak opened the bag and dumped out a Polaroid camera, better than a dozen film packs, and at least a hundred pictures of children in various stages of undress. That's how a guy like DeVille made his living, snapping pictures and selling them to other perverts.

Wozniak toed through the pictures, his face growing darker and more contained. Pike couldn't see the pictures from where he stood, but he could see the vein pulsing in Wozniak's temple. He thought that Wozniak must be thinking about his own daughter, but maybe not. Maybe Wozniak was still thinking about the other thing.

Pike squeezed DeVille's arm. "Where's the little girl? Where's Ramona Escobar?"

DeVille's voice went higher. "That stuff isn't mine. I never saw it before."

Wozniak squatted, fingering through the pictures without expression. He lifted one, and held it to his nose.

"I can still smell the developing chemicals. You didn't take this more than an hour ago."

"They're not mine!"

Wozniak stared at the picture. Pike still couldn't see it.

"She looks about five. She matches the physical description they gave us. Pretty little girl. Innocent. Now she's not innocent anymore."

Abel Wozniak stood and drew his gun. It was the new Beretta 9-millimeter that LAPD had just mandated.

"If you hurt that child, I'll fucking kill you."

Joe said, "Woz, we've got to call in. Put your gun away."

Wozniak stepped past Pike and snapped the Beretta backhand, slamming DeVille in the side of the head and dropping him like a bag of garbage.

Pike jumped between them, grabbing Wozniak by the arms and pushing him back. "That doesn't help get the girl."

Then Wozniak's eyes came to Pike; hard, ugly little rivets with something behind the clouds.

When the two police officers went up the stairs, Fahreed Abouti, the manager, watched until they pushed the blond man back into his room. The police often came to his motel to bust the prostitutes and johns and drug dealers, and Fahreed never passed up a chance to watch. Once, he had seen a prostitute servicing the officers who had come to arrest her, and another time he watched as three officers beat a rapist until all the man's teeth were gone. There was always something wonderful to see. It was better than Wheel of Fortune.

You had to be careful, though.

As soon as the upstairs door closed, Fahreed crept up the stairs. If you got too close, or if they caught you, the police grew angry. Once, a SWAT officer in the armor and the helmet and with the big gun had grown so angry that he'd knocked Fahreed's turban into a puddle of transmission fluid. The cleaning cost had been horrendous.

The shouting started when Fahreed was still on the stairs. He couldn't understand what was being said, only that the words were angry. He eased along the second-floor balcony, trying to get closer, but just as he reached the room, the shouting stopped. He cursed the fates, thinking he'd missed all the fun, when suddenly there was a single loud shout from inside, then a thunderous, deafening explosion.

People on the street stopped in their tracks and looked. People pointed, and a man across the parking lot ran.

Fahreed's heart pounded, because even a Hindu knew a gunshot. He thought the blond man might be dead. Or perhaps he had killed the officers.

Fahreed heard nothing within the room.

"Hallu?"

Nothing.

"Is everyone all right?"

Nothing.

Perhaps they had jumped from the bathroom window into the alley behind.

Fahreed's palms were damp, and all his swirling fears demanded that he race back to his office and pretend to have heard nothing, but instead he threw open the door.

The younger officer, the tall one with the dark glasses and the empty face, spun toward him and aimed an enormous revolver. Fahreed thought in that instant that he would surely die.

"Please. No!"

The older officer was without a face, his remains covered in blood. The blond man was dead, too, his face a mask of crimson. The floor and walls and ceiling were sprayed red.

"No!"

The tall officer's gun never wavered. Fahreed stared into his dark bottomless glasses, and saw that they were misted with blood.

"Please!"

The tall officer dropped to his fallen partner, and began CPR.

Without looking up, the tall officer said, "Call 911."

Fahreed Abouti ran for the phone.


From the Paperback edition.

Table of Contents

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  • Posted August 6, 2011

    Best novel in the Elvis Cole series

    I was starting to get a little disappointed in the Elvis Cole series, something which I always enjoyed, until this book came out. As noted from a review by another person, this book finally gives some insight into the much liked character Joe Pike. I think its success is what prompted Crais to put out his newer novels in which Elvis takes the background and Pike takes the forefront. Either way, if you like the Elvis Cole novels, which I have always found humorous as well as easy page-turners, this one will not disappoint.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 13, 2005

    THE EXISTENTIAL DETECTIVE

    Robert Crais, with his 'L.A. REQUIEM' has broken through the designation of 'genre writer'. With his serial detective Elvis Cole, and even more, with PI Joe Pike, he has created the true existential detective. We crave to learn more about these two men and what has made them what and who they are. Crais, along with Michael Connolly, has gleaned some real insights into this City of the Angels, which is all the more amazing since neither of these men came from Los Angeles. They nevertheless, paint an unforgettable (and accurate) portrait of the heart and soul of the City of Angels and what makes it and its people unique. 'LA REQUIEM' is Crais' master work and is a great mystery to boot.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 10, 2010

    Great book

    Loved it...but then, I'm partial to Crais. I'm working my way through all the Elvis Cole novels and love Joe Pike. This book gave more insight into Joe Pike's character.

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  • Posted February 20, 2010

    more from this reviewer

    Excellent

    If you like a mystery with humor, this is the author for you.

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  • Anonymous

    Posted December 12, 2009

    Page turner

    I good story and great tell with characters you appreciate for their depth more so that you do in books of a similar genre.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 4, 2007

    Great read!

    This is another great story and I love the humorous dialog. Although Robert Crais' web site states you don't need to read the books in order, I've been voraciously doing just that. I received two Elvis Cole books for Christmas and just finished reading them both. It's a pity I can't get the final two books in this series until Barnes and Noble reopens in the morning!

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 2, 2002

    Great Book

    After reading Monkey's Raincoat (which is a great one as well) I jumped right into L.A. Requiem. Elvis Cole is simply the best and I find Pike is the one that keeps me intense.

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  • Anonymous

    Posted August 12, 2001

    Give it a little time...

    A friend turned me onto this novel, so this is the first R. Crais book that I have read. It took a little time to get the plot in line b/c of all the characters. Would definitely read another one of his books.

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  • Anonymous

    Posted May 17, 2001

    Great Tale of Friendship

    Elvis Cole is among the coolest and wisest of all fiction private detectives. In LA Requiem, however, we learn the story of his partner, Joe Pike, who is falsely accused of murder. This is an excellent detective story, but I was captured by the spirit of friendship between the two men. This is perhaps my favorite mystery book of all time.

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  • Anonymous

    Posted April 29, 2001

    Worthy Heir to Ross MacDonald and Raymond Chandler

    L.A. Requiem is one of those rare detective mystery thrillers that transcends the genre into becoming a fine novel. Mr. Crais has taken on one of the most difficult challenges any mystery novelist can in L.A. Requiem and pulled it off extremely well. He has developed a complete, rich characterization for Joe Pike, Elvis Cole's (the self-described 'world's greatest detective') detective partner, based on disclosing no contemporary internal thoughts by Pike and almost no dialogue involving Pike. Instead the character is built through a series of flashbacks into the violent, troubled past of Joe Pike that show how his personal values and strength were forged. At the same time, Mr. Crais has built a rousing tale with lots of action, conflict, a love story, and a particularly dense mystery that is unveiled through intricate development of police procedures. The book's only drawback is that it draws upon an excess of depravity, violence and gore, putting the book squarely also in the same category as the most noir of the Raymond Chandler works. If you miss this book, you cannot consider yourself to be a serious fan of top mystery writing in the classic style of the tough guy, but honest, P.I. The flashbacks are connected to Pike's troubled relationship with his former police partner. From those same days, a former girl friend mysteriously disappears and is eventually found murdered. Her father asks Joe to help find the killer, and Elvis joins in as well. This is a bad time for Elvis because Lucy Chenier has just moved from Baton Rouge to Los Angeles with her son to be closer to Elvis. Soon the investigation puts their relationship on an awkward footing. At the same time, the police seem to be stonewalling. What could be their motive? Before long, great danger is revealed that connects back to the past in unexpected ways. Finding the killer and keeping loved ones safe turns out to be an almost impossible challenge. You'll be rooting for Elvis and Joe, and feeling your heart pound as the tension builds . . . and builds . . . and builds. I recommend that you start the book early in the day, because you will probably not be able to put it down. The book is also noteworthy for providing great character development of two members of the police. The plot is particularly rewarding for its ability to test major characters to explain who they are and what they stand for in ways that no amount of dialogue could ever do. After you finish this book, I suggest that you ask yourself what principles you stand for that you would back to the death. Hopefully, you will never be tested in that way, but this book will undoubtedly raise that issue in your own mind. Do the right thing! Donald Mitchell, co-author of The Irresitible Growth Enterprise and The 2,000 Percent Solution

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  • Anonymous

    Posted October 27, 2000

    I HAD TO READ IT TWICE

    THIS BOOK IS THE BEST THING TO HAPPEN SINCE CORNBREAD. I HAD TO READ IT TWICE. I JUST WISH IT WAS A MOVIE. I WOULD WATCH IT AGAIN AND AGAIN AND AGAIN.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 2, 2000

    L.A. Requiem

    I almost made a huge mistake. After 70 pages I almost put this book down. But I read these reviews and they are really right. This is one of the best books I have read lately after alot of let downs. Cole and Pike really compliment eachother and are the ultimate odd couple. The conflicts Cole has with himself are great and the ending is awesome. I definately reccomend this book.

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  • Anonymous

    Posted August 20, 2000

    Christopher Moore Was Right!

    Certainly one of the very best books I've read this year, bar none. Thanks to Christopher Moore's suggested reads, I picked this up. Now I have to read all of the Elvis Cole - Joe Pike series.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 20, 2000

    Exhilarating!

    I started to read this and could not put it down. I went to bed reading it and was anxious to start where I left off when I woke up. This is a gripping tale of murder and secrets, I felt as if I was there in Parker Central along with the rest of the LAPD. Wonderfully written.

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  • Anonymous

    Posted May 14, 2000

    My First Robert Crais

    This was the first book by Robert Crais I have read and I am going back to order more. The plot was interesting and engaging and I want to know more about Elvis Cole and Joe Pike

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  • Anonymous

    Posted April 4, 2000

    Tortilla t-shirt

    I couldn't put the book down for two days, one of the better crime novels I've read, but there's little to be said about the ending.

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  • Anonymous

    Posted April 4, 2000

    Wonderfully Written

    This is the first Robert Crais Novel I have read. What a treat. I felt like I was watching a movie and not reading a book. Robert Crais has the ability to paint a picture and drive home a powerfully written story. This is a definite must read. When you can read a fictional novel that drives you to be a better, more determined person, you can't help but think that you got more than you paid for. Thank You Robert, I loved every page.

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  • Anonymous

    Posted March 28, 2000

    Excellent book!!

    I had read most of Crais' Elvis Cole stories and picked this one up expecting more of the same: an OK and entertaining mystery with good style and sense of place. I was unprepared for the excellence of L.A. Requim; I could not put it down (literally - I finished it at 5am one morning). Superb character development; I became involved with all of them. One of the 2 or 3 best thrillers I have read in the past year!

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  • Anonymous

    Posted April 5, 2000

    Absolutely Excellent!!!

    Elvis Cole and Joe Pike are back and in excellent form. Robert Crais' only problem is that he writes too slow and new books don't come out often enough. If you want to feel L.A. beneath your feet, read L.A. Requiem. Absolutely Excellent

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  • Anonymous

    Posted March 17, 2000

    The best of the Series!

    L. A. Requiem is Robert Crais' best so far. Elvis' sidekick, Joe Pike, is featured prominently in this book. Additionally, it is revealed how Joe's past experiences have shaped his present and ongoing character. This title is worthy of the Edgar award for its fine writing, continued character development and exciting plot. Good luck, Robert!

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