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| Camper Van Beethoven | Primary Artist |
| Jonathan Segel | Organ, Guitar, Mandolin, Violin, Background Vocals |
| David Barbe | Percussion |
| Victor Krummenacher | Bass, Guitar (Baritone) |
| Greg Lisher | Guitar |
| Dennis Love | Background Vocals |
| David Lowery | Guitar, Vocals |
| Chris Pedersen | Drums |
| Michael Urbano | Percussion, Drums |
| Daniel Womack | Background Vocals |
| Sanna Olsson | Background Vocals |
| Alex Kroh | Percussion |
| Payton Bradford | Background Vocals |
| Brannen Miles | Background Vocals |
| Carter King | Background Vocals |
| Hardy Morris | Background Vocals |
| Peach Boys | Background Vocals |
| Ansley Stewart | Background Vocals |
| Velena Vego | Background Vocals |
| Thomas Johnson | Background Vocals |
| Myles Boisen | Engineer |
| Joe Lambert | Mastering |
| Russell Pilling | Engineer |
| Jason Carmer | Engineer |
| Drew Vandenberg | Engineer |
| Michael Wertz | Artwork |
| Velena Vego | Management |
Editorial Reviews
All Music Guide - James Christopher Monger
A hastily signed, well-worn postcard from the group's Northern California haunts of Redlands, Santa Cruz, and San Francisco, La Costa Perdida, the eighth studio album from consistently unclassifiable freak-rock pioneers Camper Van Beethoven, plays fast and loose with the band's mythology. Steeped in a hazy patina of Post-Laurel Canyon, ratty boot cut jeans, and barefoot, Pacific Ocean Americana, CVB's first album since 2004's New Roman Times is willfully homespun, rough around the edges, and crackly as a campfire full of pine branches, roaches, junk mail, and empty tall boys. Boasting a well-seasoned crew in David Lowery, Victor Krummenacher, Jonathan Segal, ...