Una distinguida mujer y un unicornio ocupan el centro de un islote de hierba rodeado de flores. Ese es el motivo recurrente de cada uno de los tapices de La dama y el unicornio, cuyo misterio ha fascinado a expertos y aficionados durante siglos... Tracy Chevalier viaja en el tiempo y retrata el momento de la creación de la obra de arte a través de la historia de un amor imposible por la que desfilan los hombres que dieron vida a los tapices y ...
Una distinguida mujer y un unicornio ocupan el centro de un islote de hierba rodeado de flores. Ese es el motivo recurrente de cada uno de los tapices de La dama y el unicornio, cuyo misterio ha fascinado a expertos y aficionados durante siglos... Tracy Chevalier viaja en el tiempo y retrata el momento de la creación de la obra de arte a través de la historia de un amor imposible por la que desfilan los hombres que dieron vida a los tapices y las mujeres que les influyeron. Otras obras del autor en la colección:
- Ángeles fugaces
- El azul de la virgen
- La joven de la perla
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Meet the Author
Tracy Chevalier made her first bold stroke on the canvas of the literary world with 1999's Girl with a Pearl Earring, which took readers inside the mysterious Vermeer painting of the same name. Her fascination with art and history saturates her work, bringing it to vibrant life.
Tracy Chevalier first gained attention by imagining the answer to one of art history's small but intriguing questions: Who is the subject of Johannes Vermeer's painting "Girl with a Pearl Earring"?
It was a bold move on Chevalier's part to build a story around the somewhat mysterious 17th-century Dutch painter and his unassuming but luminous subject; but the author's purist approach helped set the tone. "I decided early on that I wanted [Girl] to be a simple story, simply told, and to imitate with words what Vermeer was doing with paint," Chevalier told her college's alumni magazine. "That may sound unbelievably pretentious, but I didn't mean it as 'I can do Vermeer in words.' I wanted to write it in a way that Vermeer would have painted: very simple lines, simple compositions, not a lot of clutter, and not a lot of superfluous characters."
Chevalier achieved her objective expertly, helped by the fact that she employed the famous Girl as narrator of the story. Sixteen-year-old Griet becomes a maid in Vermeer's tumultuous household, developing an apprentice relationship with the painter while drawing attention from other men and jealousy from women. Praise for the novel poured in: "Chevalier's exploration into the soul of this complex but naïve young woman is moving, and her depiction of 17th-century Delft is marvelously evocative," wrote the New York Times Book Review. The Wall Street Journal called it "vibrant and sumptuous."
Girl with a Pearl Earring was not Chevalier's first exploration of the past. In The Virgin Blue, her U.K.-published first novel (due for a U.S. edition in 2003), her modern-day character Ella Turner goes back to 16th-century France in order to revisit her family history. As a result, she finds parallels between herself and a troubled ancestor -- a woman whose fate had been unknown until Ella discovers it.
With 2001's Falling Angels, Chevalier -- a former reference book editor who began her fiction career by enrolling in the graduate writing program at University of East Anglia -- continued to tell stories of women in the past. But she has been open about the fact that compared to writing Girl with a Pearl Earring, the "nightmare" creating of her third novel was difficult and fraught with complications, even tears. The pressure of her previous success, coupled with a first draft that wasn't working out, made Chevalier want to abandon the effort altogether. Then, reading Barbara Kingsolver's The Poisonwood Bible led Chevalier to change her approach. "[Kingsolver] did such a fantastic job using different voices and I thought, with Falling Angels, I've told it in the wrong way," Chevalier told Bookpage magazine. "I wanted it to have lots of perspective."
With that, Chevalier began a rewrite of her tale about two families in the first decade of 20th-century London. With more than ten narrators (some more prominent than others), Falling Angels has perspective in spades and lots to maintain interest over its relatively brief span: a marriage in trouble, a girlhood friendship born at Highgate Cemetery, a woman's introduction to the suffragette movement. A spirited, fast-paced story, Falling Angels again earned critical praise. "This moving, bittersweet book flaunts Chevalier's gift for creating complex characters and an engaging plot," Book magazine concluded.
Chevalier continues to pursue her fascination with art and history in her fourth novel, on which she is currently at work. According to Oberlin Alumni Magazine, she is basing the book on the Lady and the Unicorn medieval tapestries that hang in Paris's Cluny Museum.
Good To Know
Chevalier's interest in Vermeer extends beyond a fascination with one painting. "I have always loved Vermeer's paintings," Chevalier writes on her Web site. "One of my life goals is to view all thirty-five of them in the flesh. I've seen all but one -- ‘Young Girl Reading a Letter' -- which hangs in Dresden. There is so much mystery in each painting, in the women he depicts, so many stories suggested but not told. I wanted to tell one of them."
Chevalier moved from the States to London in 1984. "I intended to stay six months," she writes. "I'm still here." She lives near Highgate Cemetery with her husband and son.
The film version ofGirl with a Pearl Earring is on the 2003 slate from Lions Gate Films, with Scarlett Johansson in the role of Griet and Colin Firth playing Vermeer.