Mar Enfortuna

La Mar Enfortuna

5.0 1
by Oren Bloedow
     
 
Guitarist Oren Bloedow and vocalist Jennifer Charles are better know as the axe and voice behind Elysian Fields. La Mar Enfortuna is part of Tzadik's Radical Jewish Culture series, and earns its place. Bloedow and Charles have taken into their collective arms the

Overview

Guitarist Oren Bloedow and vocalist Jennifer Charles are better know as the axe and voice behind Elysian Fields. La Mar Enfortuna is part of Tzadik's Radical Jewish Culture series, and earns its place. Bloedow and Charles have taken into their collective arms the historical Sephardim melodies and dressed them in modern clothing while retaining their spirit and melodic constructions. Utilizing the talents of many collaborators, including Ted Reichman, Jamie Saft, Ed Pastorini, and Kenny Wollesen, Bloedow and Charles employ dozens of instruments to get at the dark, mysterious spirit of the Sephardim's musical heritage. They go so far as to take a piece of a melody, as in "La Rosa," and color it with enough Spanish musicality, enough Jewish history, and sexy blues, to render it a ghost of its image, to be sure. But it's a ghost that is every bit as potent as the music it was inspired by, loaded emotionally and physically with emotion, sensual grace, and the hint of sound effects trickery, that lends it a slightly creepy air -- especially when we hear the sampled voices screaming in the background. On "A La Uno Ya Naci," Charles takes the Wurlitzer as her chosen instrument of creaky expression, and slips through the snaky lines wrought by Bloedow and Steve Bernstein's elegantly muted trumpet to paint a picture of a love so broken, yet so constant, it could only have existed in antiquity. But in her breathy, subtle vocal timbres and hushed accents, she finds the same passion within herself to carry the lyric into the present and make it believable. La Mar Enfortuna is among the most accessible records issued in the Tzadik series, but it is poignant and provocative nonetheless, full smoldering passions, broken lives, shattered hearts, and a sense of migration and dislocation. It offers a view of the trace, the cipher, the place where something or someone used to be but the only thing left is his possessions. Ultimately, La Mar Enfortuna is a record of disappearance and memory, and from this gorgeous, heartbreakingly beautiful, and sensual account of memory expressed, new traditions are created from the passage of the old.

Product Details

Release Date:
01/23/2001
Label:
Tzadik
UPC:
0702397714620
catalogNumber:
7146
Rank:
95494

Related Subjects

Tracks

Album Credits

Performance Credits

Oren Bloedow   Primary Artist,Bass,Guitar,Percussion,Saz,Electric Bass,Tom-Tom,Vocals,Oud,Wurlitzer,Moog Lead,Guitar (Nylon String)
Danny Blume   Guitar
Jennifer Charles   Vocals,Bells,Wurlitzer
James Genus   Bass
Aaron Heick   Bass Clarinet,Alto Saxophone
Ed Pastorini   Keyboards
Ben Perowsky   Drums
E.J. Rodriguez   Percussion
Jane Scarpantoni   Cello
Michael Tighe   Guitar
Kenny Wollesen   Drums
Joan Wasser   Violin
Jamie Saft   Keyboards
Curtis Hasselbring   Trombone
George Javori   Drums
Ted Reichman   Accordion
Michael Adi   Cymbals

Technical Credits

Danny Blume   Engineer
John Zorn   Executive Producer
Jamie Saft   Engineer
Chris Kelly   Engineer

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5 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
What an impressive and origianal collection of Sephardic songs. Bloedow and Charles (of the terrific rock band Elysian Fields) seamlessly inhabit this completely different world. Charles is an impressive and underrated singer and song interpreter whose voice truly soars on these sinuous melodies, Bloedow a brillliant arranger and master of many instruments. This cd should become a world classic, like Buena Vista Social Club, or Cesaria Evora , but don't forget the Tzadik element, there is also a haunting edge the the others don't have. This cd has fast become an all time favorite of mine. Try it!