- L.A.-Memphis-Tyler
- Heavy on My Mind
- Joe
- Hound Dog
- Back Street
- La-La-La-La
- Candy Man
- Ruby (Don¿¿¿t Take Your Love to Town)
- Baby What You Want Me to Do
- Little Rain Cloud
5
1
5397102180415
Taj Mahal Percussion,Harmonica
Ronnie "Mouse" Weiss Guitar
David Stanley Bass
Linda Waring Drums
Dirty John Piano
James Burton Guitar
Spooner Oldham Piano (Electric)
Ry Cooder Guitar
Robert Payne Organ
Wayne Jackson Horn
Bugs Henderson Guitar
Dan Penn Vocals
Paul Humphrey Drums
Joe Osborn Bass
David Krieger Cover Design
Tim Tooher Liner Notes
B. Ross Composer
Andy Morten Design,Artwork,Producer
Beverly Ross Composer
Wayne Carson Thompson Composer
Ronnie Fauss Composer
Bobby Charles Composer
Jimmy Reed Composer
Fred Neil Composer
Jerry Leiber Composer
Nick Robbins Recreation
Mel Tillis Composer
Mike Stoller Composer
Dan Penn Composer
Dale Hawkins Composer,Producer
Joe Foster Producer,Recreation


Vinyl LP(Long Playing Record)
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Overview
Dale Hawkins, of course, is best known for "Suzie-Q" -- a Top 30 Billboard hit for him in 1957 that turned into a garage rock standard in the '60s. During that decade, Hawkins was relatively quiet as a record-maker, but he did behind-the-scenes work as a producer before resurfacing in 1969 with LA, Memphis & Tyler, Texas on Bell Records. Named after the three towns it was recorded in, it's a bit easy to overrate LA, Memphis upon its first listen because it comes as a shock that Hawkins was more than a rockabilly cat. He was an early roots rocker, certainly, playing rockabilly but also touching back on its blues and country roots, plus hitting a bunch of stuff in between -- and don't forget the L.A. in the title, either, since he did give this album several splashes of snazzy showbiz pizzazz reminiscent of Sonny Bono. Those showbiz colors -- primarily the blaring horn charts and studio slickness achieved with heavy reverb and occasionally punctuated by flutes, fuzz guitars, and Mellotrons -- give this album a polish that makes it go down easy but also treads a bit close too kitsch, making this an artifact of a plaid-n-paisley era. But it's also a period piece in another way: it does capture the time when roots rock was forming in the music of the Band, the Sir Douglas Quintet, and Tony Joe White, and those really are the closest touchstones to Hawkins' work here. More than any other of his '50s peers -- with the notable exception of Ricky Nelson -- Hawkins could tap into that spirit, as this often remarkable, always entertaining album shows. Yes, there is a little bit of unintentional camp here, but that's part of what makes it entertaining, since it marks it as a late-'60s LP and makes the visionary stuff here -- the times when he knocks down borders between soul and rock, when he digs into funky, bluesy workouts that sound like all genres without belonging to any of them -- still sound vibrant and exciting decades later. ~ Stephen Thomas Erlewine
Product Details
Release Date: | 05/04/2018 |
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Label: | Bear Family Records |
UPC: | 5397102180415 |
Tracks
Album Credits
Performance Credits
Dale Hawkins Primary ArtistTaj Mahal Percussion,Harmonica
Ronnie "Mouse" Weiss Guitar
David Stanley Bass
Linda Waring Drums
Dirty John Piano
James Burton Guitar
Spooner Oldham Piano (Electric)
Ry Cooder Guitar
Robert Payne Organ
Wayne Jackson Horn
Bugs Henderson Guitar
Dan Penn Vocals
Paul Humphrey Drums
Joe Osborn Bass
Technical Credits
Joel Brodsky PhotographyDavid Krieger Cover Design
Tim Tooher Liner Notes
B. Ross Composer
Andy Morten Design,Artwork,Producer
Beverly Ross Composer
Wayne Carson Thompson Composer
Ronnie Fauss Composer
Bobby Charles Composer
Jimmy Reed Composer
Fred Neil Composer
Jerry Leiber Composer
Nick Robbins Recreation
Mel Tillis Composer
Mike Stoller Composer
Dan Penn Composer
Dale Hawkins Composer,Producer
Joe Foster Producer,Recreation
From the B&N Reads Blog
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