Deseosa de empezar una nueva vid libre de los lastres del pasado, Kay Scarpetta decide cerrar su etapa como forense en Richmond y elige Florida como destino donde alcanzar la tan anhelada tranquilidad. Sin embargo, hay alguien que no está dispuesto a que la doctora rehaga su vida: Jean- Baptiste Chandonme, el psicopata que la aterrorizó tiempo atrás, la reclama ahora desde el corredor de la muerte. La mosca de la muerte es una novela intensa cuyos protagonistas se ven irremediablemente abocados a enfrentase con ...
Deseosa de empezar una nueva vid libre de los lastres del pasado, Kay Scarpetta decide cerrar su etapa como forense en Richmond y elige Florida como destino donde alcanzar la tan anhelada tranquilidad. Sin embargo, hay alguien que no está dispuesto a que la doctora rehaga su vida: Jean- Baptiste Chandonme, el psicopata que la aterrorizó tiempo atrás, la reclama ahora desde el corredor de la muerte. La mosca de la muerte es una novela intensa cuyos protagonistas se ven irremediablemente abocados a enfrentase con fantasmas del pasado: Scarpetta con Chandonme, Pete Marino con un hombre al que todos daban por muerto y que se oculta en Boston.
Patricia Cornwell was a crime reporter for the Charlotte Observer, spent six years working for the Virginia Chief Medical Examiner's Office, and helped to establish the Virginia Institute of Forensic Science and Medicine. Her fiction has received the Anthony, Creasey, Edgar, Gold Dagger, and Macavity Awards and her character Dr. Kay Scarpetta won the 1999 Sherlock Award for best detective created by an American author. She is the author of The Body Farm, Cruel and Unusual, Isle of Dogs, The Last Precinct, Portrait of a Killer, Postmortem, and Trace.
Patricia Cornwell writes crime fiction from an unusually informed point of view. While many writers are, as she says, conjuring up "fantasy" assumptions regarding what really goes into tracking criminals and examining crime scenes, Cornwell really does walk the walk, which is why her novels ring so true.
Before becoming one of the most widely recognized, respected, and read writers in contemporary crime fiction, she worked as a police reporter for The Charlotte Observer and as a computer analyst in the chief medical examiner's office in Virginia. During this period of her life, Cornwell observed literally hundreds of autopsies. While the vast majority of people would surely regard such work unsavory beyond belief, Cornwell was acquiring valuable information that would not only help her write the groundbreaking 2002 study Portrait of a Killer: Jack the Ripper -- Case Closed but would also enrich her fiction with uncommon authenticity.
"Most of these crime scene shows... are what I call ‘Harry Potter' policing," she said in a candid, heated interview. "They're absolutely fantasy. And the problem is the general public watches these, 60 million people a week or whatever, and they think what they're seeing is true." If Cornwell comes off as a bit vehement in her criticism of television shows meant to simply entertain, that's just because she takes her work so seriously.
Not that Cornwell's novels are ever anything short of entertaining, even if their grisly details may require extra-strong stomachs of her readers. She has created a tremendously well-defined and complex character in her favorite fictional crime solver Dr. Kay Scarpetta. Cornwell introduced medical examiner Scarpetta in her first novel, Postmortem in 1990. Today, Scarpetta is still cracking cases and cracking open cadavers. (She has even inspired a cook book called Food to Die For: Secrets from Kay Scarpetta's Kitchen.) In addition, Cornwell writes more lighthearted cop capers in her Andy Brazil & Judy Hammer series.
Good To Know
Cornwell knows what its like to shatter records. Her debut, Postmortem, was the only novel by a first-time author to ever win five major mystery awards in a single year.
Cornwell may be a former crime solver, but she shudders to think that her books could actually contribute to crime. In fact, she says she has received "thank you" notes from prisoners who claim they have gleaned information from her books that might help them cover their tracks while committing future crimes.
If parody is indeed the sincerest form of flattery, then Cornwell has a fan in Chris Elliott. The professional wisenheimer published a hilarious takeoff on her true crime book Portrait of a Killer called The Shroud of the Thwacker.