Lacan at the Sceneby Henry Bond, Slavoj Zizek
What if Jacques Lacanthe brilliant and eccentric Parisian psychoanalysthad worked as a police detective, applying his theories to solve crimes? This may conjure up a mental film clip starring Peter Sellers in a trench coat, but in Lacan at the Scene, Henry Bond makes a serious and provocative claim: that apparently impenetrable events of/i>
What if Jacques Lacanthe brilliant and eccentric Parisian psychoanalysthad worked as a police detective, applying his theories to solve crimes? This may conjure up a mental film clip starring Peter Sellers in a trench coat, but in Lacan at the Scene, Henry Bond makes a serious and provocative claim: that apparently impenetrable events of violent death can be more effectively unraveled with Lacan's theory of psychoanalysis than with elaborate,technologically advanced forensic tools. Bond's exposition on murder expands and develops a resolutely Žižekian approach. Seeking out radical and unexpected readings, Bond unpacks his material utilizing Lacan's neurosis-psychosis-perversion grid.
Bond places Lacan at the crime scene and builds his argument through a series of archival crime scene photographs from the 1950sthe period when Lacan was developing his influential theories. It is not the horror of the ravished and mutilated corpses that draws his attention; instead, he interrogates seemingly minor details from the everyday, isolating and rephotographing what at first seems insignificant: a single high heeled shoe on a kitchen table, for example, or carefully folded clothes placed over a chair. From these mundane details he carefully builds a robust and comprehensive manual for Lacanian crime investigation that can stand beside the FBI's standard-issue Crime Classification Manual.
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Meet the Author
Henry Bond is a writer and photographer living in London.
Slavoj Žižek is a philosopher and cultural critic. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, and (with John Milbank) The Monstrosity of Christ: Paradox or Dialect, these four published by the MIT Press.
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