The Lady Elizabeth

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"Following the success of her first novel, Innocent Traitor, Alison Weir turns her storytelling skills to the early life of young Elizabeth Tudor, who would grow up to become England's most intriguing and powerful queen." "Even at age two, Elizabeth is keenly aware that people in the court of her father, King Henry VIII, have stopped referring to her as "Lady Princess" and now call her "the Lady Elizabeth." Before she is three, she learns of the tragic fate that has befallen her mother, the enigmatic and seductive Anne Boleyn, and that she ...
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The Lady Elizabeth: A Novel

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Overview

"Following the success of her first novel, Innocent Traitor, Alison Weir turns her storytelling skills to the early life of young Elizabeth Tudor, who would grow up to become England's most intriguing and powerful queen." "Even at age two, Elizabeth is keenly aware that people in the court of her father, King Henry VIII, have stopped referring to her as "Lady Princess" and now call her "the Lady Elizabeth." Before she is three, she learns of the tragic fate that has befallen her mother, the enigmatic and seductive Anne Boleyn, and that she herself has been declared illegitimate, an injustice that will haunt her all her life." "What comes next is a succession of stepmothers, bringing with them glimpses of love, fleeting security, tempestuous conflict, and tragedy. The death of her father puts the teenage Elizabeth in greater peril, leaving her at the mercy of ambitious and unscrupulous men. Like her mother two decades earlier she is imprisoned in the Tower of London - and fears she will also meet her mother's grisly end. Power-driven politics, private scandal and public gossip, a disputed succession, and the grievous example of her sister, "Bloody" Queen Mary, all cement Elizabeth's resolve in matters of statecraft and love, and set the stage for her transformation into the iconic Virgin Queen." The Lady Elizabeth is a fascinating portrayal of a woman far ahead of her time - an orphaned girl haunted by the shadow of the ax, an independent spirit who must use her cunning and wits for her very survival, and a future queen whose dangerous and dramatic path to the throne shapes her future greatness.
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Editorial Reviews

From Barnes & Noble
The early life of Lady Elizabeth, the woman destined to be Queen Elizabeth I, is the subject of Alison Weir's second historical novel. In Weir's vivid rendering, the princess by birth emerges as a youthful alert witness to Tudor court intrigues and feuds. As in Innocent Traitor, the novelist peoples her narrative with sharply etched leaders competing for power and personal gain. A singular view of the flowering of a great monarch.
Publishers Weekly

Rosalyn Landor distinguishes the female characters nicely, handles the British and Welsh accents well and has a charming narrator's voice. She's less successful voicing the children, who sound like squeaky toys, and her Henry VIII makes one think of Papa Bear. While the book is often tediously detailed, and the children's psychological sophistication and vocabulary are beyond belief, Weir knows her landscape and how to tell a good yarn: she has written 10 histories of this period, and one bestselling novel, Innocent Traitor, about Lady Jane Grey. Landor's narration carries the fascinating plot twists and dynamic characters. Weir fans, historical novel and Elizabethan era buffs-and teenage girls-will enjoy this audio. A Ballantine hardcover (reviewed online). (May)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal

The experiences of Elizabeth I make for the ultimate royal bedtime story, and Weir's sophomore fiction offering (after last year's New York Times best-selling Innocent Traitor: A Novel of Lady Jane Grey) about the life of Elizabeth before she ascended to the throne is the finest of these to date. From the time of her mother's death when she was three to her inheritance of the throne in her twenties, danger always came at Elizabeth from some corner. Early in her life, she was stripped of her title of princess; later, she had to defend her virtue from the roving eyes and hands of her stepfather; and, finally, she had to navigate the deadly waters between her Protestant faith and her sister's fanatical Catholicism. Several times Elizabeth barely escaped alive; hers was not a life that could be borne by the average person. Weir successfully depicts this extraordinary young woman who beat the odds to become one of the world's greatest rulers, once again delivering a solid, gripping historical novel chock-full of detail. Highly recommended for all fiction collections. [See Prepub Alert, LJ1/08.]
—Anna M. Nelson

School Library Journal

Adult/High School

This novel offers a glimpse at the motherless childhood and adolescence of the Virgin Queen. A straightforward chronological narrative, her story is told by an omniscient narrator and divided into three parts. "The King's Daughter" describes her early years, including her "demotion" from Princess to Lady at age three, after the beheading of her mother, Anne Boleyn. "The King's Sister" covers the time after Henry VIII's death, when Elizabeth's younger brother, King Edward, is on the throne. Imagining Elizabeth's adolescence, Weir writes convincingly of the struggles to focus on studies and stay true to her vow of celibacy when confronted with the overwhelming emotions of a teenage crush. The final section, "The Queen's Sister," relates the tale of political intrigue that finally led Elizabeth to succeed her sister Mary to the throne. Weir's writing is clear and engaging, and although readers know that the protagonist will eventually rule, the story remains suspenseful. The main characters are well drawn, and the historical figures are recognizable, although sometimes the multitude of minor figures becomes confusing. A genealogy at the novel's beginning, and vivid descriptions of the British Court, royal attire, and the Tower of London orient readers to the story's setting. Recurring political and religious repercussions of Henry VIII's break with the Catholic Church also permeate the novel. The Lady Elizabeth will appeal to teens interested in British history and orphaned-princess stories.-Sondra VanderPloeg, Colby-Sawyer College, New London, NH

From the Publisher
Praise for Alison Weir’s Innocent Traitor

“Engrossing . . . suspenseful . . . enormously entertaining.”
–The Washington Post Book World

“Splendid . . . In giving narrative voice to her subjects Alison Weir brings us into emotional contact with them in a way that an unadorned historical account does not.”
–Boston Sunday Globe

“Every bit as good as anything [Philippa] Gregory has ever done . . . [Weir] makes a familiar story vibrant and fresh.”
–The Atlanta Journal-Constitution

“Completely absorbing . . . a brilliantly vivid and psychologically astute novel.”
–Booklist (starred review)

“Poignant and harrowing . . . a gripping finale.”
–The Seattle Times

“A sensitive and fast-paced tale . . . Weir conveys the age’s political intrigues, religious fanaticism and sexism.”
–USA Today

“Characters breathe as though they were alive last week–not five centuries ago. . . . A chilling epitaph on a period of history that continues to fascinate and bewitch us today.”
–San Antonio Express-News

From the Hardcover edition.

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Product Details

  • ISBN-13: 9781410407481
  • Publisher: Gale Group
  • Publication date: 6/18/2008
  • Edition description: Large Print
  • Pages: 798
  • Product dimensions: 5.90 (w) x 8.60 (h) x 1.60 (d)

Meet the Author

Alison Weir
Alison Weir is the New York Times bestselling author of the novel Innocent Traitor, and several historical biographies, including Henry VIII, Eleanor of Aquitaine, The Life of Elizabeth, and The Six Wives of Henry VIII. She lives in Surrey, England with her husband and two children.

From the Hardcover edition.

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Read an Excerpt

CHAPTER 1

1536

On a hot, still morning in July, the Lady Mary, daughter to King Henry the Eighth, arrived at the great country palace of Hatfield, trotting into the courtyard on a white palfrey followed by four gentlemen, two ladies-in-waiting, and a female fool.

As soon as she had dismounted, she stooped to kiss the small girl who was waiting to greet her, whose nurse had just reminded her to sketch a wobbly curtsy to the older sister she had not seen for many months. The child was solemn-faced, fair-skinned, and freckled, with long tendrils of burnished red hair escaping from the embroidered white coif that was tied beneath her chin.

“My, you have grown, sweeting!” Mary exclaimed in her gruff voice, stroking Elizabeth’s hair and straightening her silver pendant. “You’re nearly three now, aren’t you?” Elizabeth stared back, unsure of this richly dressed lady with the sad face and skinny body. Mary was not beautiful like Elizabeth’s mother: Mary had a snub nose and a downturned mouth, and although her hair was red like Elizabeth’s and their father’s, it was thin and frizzy. And of course, Mary was very old—all of twenty years, she had been told.

“I have brought you gifts, Sister,” Mary said, smiling and beckoning to a lady-in-waiting, who brought over a wooden box. Inside, wrapped in velvet, was a rosary of amber beads and a jeweled crucifix.

“For your chapel,” Mary said, pointing to the latter.

“Pretty,” said Elizabeth, gently fingering the beads.

“How does my sister, Lady Bryan?” Mary rose to her feet and greeted the governess with a kiss. “And you yourself? It is good to see you again, but I would it were in happier circumstances.”

“I too, my Lady Mary. We are well enough, both of us, I thank you,” the woman answered.

Elizabeth, watching them, was slightly discomfited by their words and curious at seeing a pained expression fleetingly shadow Mary’s plain features.

“I will speak with her presently,” her sister said. Lady Bryan nodded.

“I am grateful, Your Grace,” she said. “I pray you eat first, for it is nigh to eleven o’clock and dinner is almost ready.” Elizabeth was no longer listening; her attention had now focused on her new beads.

“I have brought my fool, to afford a diversion later, if need be,” Mary said, and Elizabeth’s ears pricked up. She liked fools. They were funny.

While the roast goose and hot salad were being served with appropriate ceremony to Mary in the great hall, Elizabeth was sent to the nursery to have her dinner.

“I hope Your Grace will excuse us,” the nurse said to the Lady Mary. “The Lady Elizabeth’s Grace is too young as yet to eat with the grown- ups.” After being pressed into another curtsy, the child was led away by the hand.

As soon as she had gone, Mary laid down her knife and shook her head sadly.

“I hardly know how I am going to tell her, Margaret,” she said miserably, looking to her former governess for support.

Lady Bryan rested a comforting hand on hers.

“I wouldn’t be too explicit if I were you, Madam.”

“Oh, no,” agreed Mary fervently. “Does she often speak of her mother? Do you think she will be much discomforted? After all, she cannot have seen much of her.”

“I’m afraid she did. Her Grace—I mean the lady her mother—kept the child with her, more than was seemly for a queen. If you remember, she even refused to have a wet nurse,” Lady Bryan recalled with a sniff of disapproval.

Mary looked at her with mounting anxiety. She was dreading the coming confrontation.

“Do you think she will understand?” she asked.

“There is much she understands,” Lady Bryan replied. “My lady is more than ordinarily precocious. As sharp as nails, that child, and clever with it.”

“But a child for all that,” Mary said, “so I will break it to her as gently as I can, and may our Holy Mother and all the saints help me.”

Seeing her so distressed, Lady Bryan sought to steer the conversation away from the subject, but while she and Sir John chattered on about household matters and the state of the weather, and while all of them toyed with their food, having little appetite for it, Mary, her heart swelling with love and compassion for her little sister, could only think of the heavy task that lay ahead of her.

Why should she feel this way? she asked herself. Why had she agreed to come here and perform this dreadful errand? Elizabeth’s very existence had caused her untold pain and suffering, and it was because of Elizabeth’s mother, that great whore, Anne Boleyn, that Mary had lost all that she held dear in life: her own mother, the late sainted Queen Katherine, her rank, her prospects of a throne and marriage, and the love of her father the King. Yet Mary had found nothing to resent in an innocent child, had in fact lavished all the love of which she was capable on the engaging little creature, and now, when the perilous twists of cruel fate had reversed Elizabeth’s fortunes too, she could only grieve for the little girl.

As soon as the meal was finished, Elizabeth was brought back to her sister, and together they walked in the sun-browned park, away from the palace, their attendants following a short distance behind. The daystar was blazing down, there was barely the stir of a breeze, and the sisters were sweltering in their long-sleeved silk gowns; Elizabeth was glad of her wide-brimmed straw hat, which protected her face from the sunshine and the glare, while Mary, wearing a smart French hood with a band under the chin, was suffering decorously. Her lips were pursed, and she looked unhappy, Elizabeth noticed.

“You have been much in my thoughts, Sister,” Mary said. “I had to come and see you, to satisfy myself that all was well with you, and . . .” Her voice trailed away.

“Thank you, Sister,” Elizabeth replied. Again, Mary caressed the long red curls that fanned out beneath the sun hat; again, she looked unutterably sad. Young as she was, the child could sense her misery.

“What’s wrong?” Elizabeth asked. “Why are you unhappy?”

“Oh, my dear Sister,” Mary cried, sinking to her knees on the grass and embracing Elizabeth tightly. Elizabeth struggled free. She did not like to be squeezed like that; she was a self-contained child. Yet Mary did not notice, for she was weeping. Elizabeth could see Lady Bryan watching them intently, standing a little way off with Mary’s ladies and the nursemaids, and she was puzzled as to why her governess did not hasten to her rescue.

“Come, Sister,” Mary was saying, sniffing and dabbing her eyes with a white kerchief. “Let us sit here.” She drew Elizabeth to a stone seat that had been placed in the shade of an oak tree to afford those who rested there a grand view of the red-brick palace spread out beyond the formal gardens, and lifted the child onto it.

“I am charged by our father to tell you something that will make you very sad,” Mary said. “You must be a brave girl . . . as I too have had to be brave in my time.”

“I am brave,” Elizabeth assured her, none too confidently, wondering fearfully what this was all about.

Nothing had changed outwardly—her daily routine had remained the same, and the people in her household still curtsied to her and treated her with deference. If it hadn’t been for something her governor had said, she would not have realized there was anything untoward. But she was a sharp child, and the change of title did not go unnoticed.

“Why, governor,” she had asked Sir John Shelton, in her clear, well- modulated voice, “why is it that yesterday you called me Lady Princess, and today just Lady Elizabeth?”

Caught off guard, Sir John Shelton had pulled at his luxuriant chestnut beard, frowned, and hesitated, while Elizabeth stood before him, her steely gaze imperiously demanding a response. Not for the first time, he was struck by this regal quality in her, which in his opinion was unsuited to the female condition but would have been admirable in a prince, the prince that England so desperately needed.

“The King your father has ordered it,” he said carefully.

“Why?” asked the child, her dark eyes narrowing.

“The King’s orders must always be obeyed,” he declared.

The little face clouded, the lips pouting, the brows furrowing. Sir John had sidestepped the question, but Elizabeth was determined not to let him off so easily. At that moment, mercifully for him, Lady Bryan entered the room. Always immaculate in her dark velvet gowns, with never a hair nor any detail of dress out of place, she had been ruling her army of nursemaids, servants, and household officers with quiet authority since her royal charge had been given her own establishment at the age of three months.

Lady Bryan was carrying a pile of freshly laundered linen strewn with herbs, heading for the carved chest that stood at the foot of Elizabeth’s bed. Seeing Sir John, who had overall charge of the household, she dipped a neat curtsy without in any way sacrificing her dignity, then bent to her task. But Elizabeth was tugging at her skirts. Surely her governess, who knew everything, would tell her the answer to her question.

“My lady,” she pleaded, “I have asked Sir John why he called me Lady Princess yesterday, and Lady Elizabeth today. Why is that?”

Elizabeth was stunned to see tears well up in her governess’s eyes. Lady Bryan, who was always so calm, so composed, so in control—was she

really about to cry? She, who was always instructing Elizabeth that a lady never betrayed her feelings, never laughed too loudly or gave way to tears. It was unimaginable, and thus shocking. But perhaps she had imagined it, for when she looked again, Lady Bryan was perfectly in command of herself.

“You have a new title, my Lady Elizabeth,” she said, in a voice that was clearly meant to reassure. “The King’s Highness has decreed it.”

“But why?” persisted the child. She had a sense of things hidden from her . . .

“I’m sure the King has very good reasons,” answered Lady Bryan in a tone that forbade further discussion. “Now, where are those dolls you were playing with earlier?”

“I put them to bed,” said Elizabeth, plainly not interested.

“In the morning? The very idea!” exclaimed her governess. “Look, I’ve got some pretty silks in my basket, and some scraps of Holland cloth. Go and fetch your best doll, and I’ll help you to make a cap for her.”

Elizabeth toddled reluctantly to the miniature cradle by her bed. It was clear that the answers to her questions would not be forthcoming.

Elizabeth often sat with her governess, being taught the things that all well-brought-up little girls needed to know. They might look at the vivid pictures in one of the beautifully illuminated books that the King had provided, or sort through embroidery silks, Lady Bryan allowing the child to pick the colors herself. Then she would teach Elizabeth how to make rows of different stitches. Elizabeth learned this quickly, as she learned everything. Already, she knew her alphabet, and her numbers up to one hundred, and in chapel she was already striving to understand the Latin rubric of the Mass.

“What is Father Matthew saying?” she would pipe up, ever inquisitive, and Lady Bryan would put a finger to her lips and explain patiently, murmuring in a low voice. Afterward, Elizabeth would pester the chaplain, urging him to teach her the words and phrases that so intrigued her.

“I do declare that my Lady Princess has the gift of languages,” he told Sir John Shelton and Lady Bryan, and indeed he appeared to be right, for Elizabeth had just to hear a thing said once and she had it by heart.

When the embroidering palled—after all, Elizabeth was only in her third year, and her quick, darting mind was always flitting on to the next thing—Lady Bryan would see to it that her day was filled with distractions: a walk in the great wide park of Hatfield, a visit to the stables to see her dappled pony, or a spell in the kitchens to watch the cook making marchpane, which she was allowed to sample after it had cooled; the child had an inordinately sweet tooth. Then a story—nothing too somber, but perhaps that old tale of Master Chaucer’s about Chanticleer the cock, which always made Elizabeth laugh out loud; and after this, a light supper of pottage and bread, then prayers and bedtime.

Once Elizabeth was settled in her comfortable bed, with its feather mattress, crisp heavy linen, rich velvet counterpane and curtains, and the arms of England embroidered on its tester, Lady Bryan would sign the cross on her forehead then leave her to go to sleep, settling herself with a book in a high-backed chair by the fire, a candle flickering at her side. The room would be warm, and soon she herself would be slumbering, her book abandoned on her lap.

Elizabeth, however, would lie wide awake, her fertile mind active, puzzling over the mysteries and marvels of her life . . .

Her earliest memories were of her father. Her big, magnificent father, King Harry the Eighth, the most wonderful being in the world. It was Elizabeth’s greatest grief that she did not see him very often. The rare occasions on which he visited her at Hatfield were the most exciting days of all. God-like in his rich velvets and furs, his jewels and chains, he would chuck her under the chin, then swing her up in the air and whirl her around, she shrieking with delight, her beribboned cap askew and her long red tresses flying.

“How does my little Bessy?” he would inquire. “Are they keeping you hard at your books and your prayers, or do they let you out to play as often as they should?” And he would wink conspiratorially, so that Elizabeth could know that it was all right to say yes, she did spend a lot of time playing, and that she loved the latest doll or toy he had sent her.

“But I do learn my letters, sir, and my catechism,” she would tell him.

“Well and good, well and good,” he would say, pulling her onto his wide lap and sitting her on strong muscular thighs, with her cheek against the brilliant rough surface of his doublet, which was encrusted with gems and goldsmiths’ work. She would breathe in the wholesome smell of him, a smell of herbs, musky perfume, and the great outdoors, and nestle against him, enjoying the sensation of his bristly red beard tickling the top of her forehead.

“I will tell you something, Bessy,” he said once. “When I was a young king, I did not wish to be at my prayers or attending to state affairs; I wanted to enjoy life. So can you guess what I did? I would sneak out of the palace by a back stair and go hunting, and my councillors would never know I had gone.”

From the Hardcover edition.

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Reading Group Guide

1. Alison Weir talks about balancing the duties of novelist and historian. What kind of obligation do you think a historical novelist has to the facts of history? Should a writer let facts stand in the way of telling a good story? Are there parts of The Lady Elizabeth where you felt that Weir erred on one side or the other?

2. How does Elizabeth’s girlhood determine the woman she grows up to be? What are some of the events that shape the kind of queen she will become?

3. Although Weir relies on unproven assertions in her portrayal of Elizabeth’s relationship with Thomas Seymour, some of the most shocking episodes, such as the scene where Elizabeth’s clothes are cut away, are recorded events. How could the two women charged with supervising Elizabeth, Kat Astley and Katherine Parr, allow these sorts of “games” to go on, and even participate in them? Do you think that this sort of abuse was a relic of less-civilized times, or is it something that could still happen today?

4. How do Elizabeth’s views on religion change over the course of the novel, and what contributes to those changes? Compare her religious beliefs with those of her society; is she typical of her times?

5. In the Tudor era, religion and politics were virtually synonymous. In twenty-first century America, religion has once again become bound up with politics, despite the constitutional separation of church and state. Does the Tudor experience, as detailed in The Lady Elizabeth, have any lessons for modern-day America?

6. In the accompanying interview, Weir writes about Edward VI: “Had he lived, I am convinced that he would have been as fanatical a Protestant as Mary Tudor was a Catholic, and that he would have been another autocratic king like his father.” Do you agree or disagree?

7. Do you share Weir’s sympathy for Henry VIII? Why or why not?

8. Torture plays a significant part in The Lady Elizabeth. The threat of it is omnipresent, and it is used almost as a matter of course by a government intent on eliciting the answers it requires from its citizens. How effective is torture for Henry’s government as a political strategy, regardless of any moral considerations? Compare the attitude toward torture in Tudor times and the current debate about the use of torture in the War on Terrorism. Are there significant differences?

9. In what ways can Elizabeth be seen as a kind of proto-feminist? Would she have viewed herself in the kinds of terms that contemporary feminists might?

10. Twice in the novel, Elizabeth encounters what she believes to be the ghost of her executed mother, Anne Boleyn. Does Weir want us to believe that she has really seen her mother’s spirit? What other explanations might there be?

11. How do Mary’s feelings toward Elizabeth change over the course of her life, especially once she becomes queen? Why do you think these changes occur?

12. Queen Mary is advised by many to imprison or even execute Elizabeth. Do you think that she is too lenient toward her younger sister? Does she allow her personal feelings to trump her duties as head of state? What would you have done in Mary’s position?

13. When Elizabeth learns of the plots against Mary, why doesn’t she alert her sister? Is she right to hold her tongue?

14. What lessons do you think Elizabeth learns from Henry and Mary about how to rule, and about how not to rule?

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Customer Reviews

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  • Posted May 5, 2010

    more from this reviewer

    I Also Recommend:

    Before she was Queen, she was The Lady Elizabeth

    As a little girl, I thought that there could be no better life than the life of a princess. As I grew and started reading history rather than fairy tales, I realized that the life of a princess is not an easy life to lead. Especially if you happen to be the daughter of King Henry VIII. I became fascinated with the Tudor era, especially the reign and life of Queen Elizabeth I. I would read or watch whatever I could find. I am very happy to have found The Lady Elizabeth.

    The Lady Elizabeth deals with the Queen's life from birth through her ascension to the throne. It is the first work I have read which is Queen Elizabeth's life woven into a very well told novel. I loved this book from the moment I started reading it. The attention to every detail of the period, the personalities of the people involved with her life, the way she was treated, the way she had to shrewdly deal with interrogators to save her own life at a very young age are so vividly described you almost feel like you are living through it with her.

    If you enjoy historical novels, I would definitely suggest this one.

    7 out of 8 people found this review helpful.

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  • Anonymous

    Posted October 8, 2008

    Alison Weir is one word...Amazing!

    Standing ovation for Alison Weir ladies and gentlemen! I adore this book! I am only 317 pages into it but my goodness, I felt as if I was there. I love Elizabeth I. She is my rolemodel, and to read how strong,smart and amazing she was made me fall in love with her all over again. I highly recommend this book to anyone who is interested in Henry VIII and Elizabeth I. I love,love love this book and I am not even finished with it! For those of you that are looking for an exciting read and want to learn more Elizabeth I and Henry VIII....please go buy this book. I promise you will enjoy every single page! Honestly, I literally felt as if I was there. There was a certain part in the book when Elizabeth kisses her father King Henry VIII on his forehead, and mind you this is when he is very ill in bed and she says to him 'it will be my constant prayer that God will soon restore you to good health sir'. And he looked up at her with tears in his eyes......I swear to you I felt like I was right there standing next to the young Elizabeth watching the whole thing!

    3 out of 4 people found this review helpful.

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  • Posted April 6, 2012

    Disappointed in Alison Weir

    I love Alison Weir's writing and ordinarily enjoy her books as well as her spin on history. This book however, is difficult for me to get through. She attributes sayings and feelings to a 2-year-old Elizabeth that make me wonder if she even has children of her own. For instance, "Elizabeth was wide-eyed, taking in all that was going on around her and very conscious of being dressed in her best gown, the orange satin one. It was a little tight now around the bodice and sleeves, and Lady Bryan had the hem let down, but with its gay gree underskirt and matching French hood, it looked very fine, Elizabeth thought, and it showed off her red hair to advantage" So, how does a 2-year-old know what's to her advantage? This annoyed me so much. We all know Elizabeth was exceptionally smart, but I find it hard to believe a 2-year-old who has lost her mother would think of much else besides missing her mother. She also supposedly knows HOW and WHY her mother is missing. There are other passages that I find hard to believe as well. It seems like this book was written just to get a book out there. I didn't like it.

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted September 8, 2013

    I have abandoned this book halfway through.

    I realize this is a work of fiction...and I firmly believe in taking works of fiction at that value...but this book treads dangerously close to taking real, historical events and embellishing them in the worst possible, and completely unfounded, manner. If this work were purely fiction, instead of yellow journalism masquerading as a historical novel, I might be inclined to enjoy it rather than feel somehow offended by it, as I often do with other works of Elizabethan fiction. I will not likely be reading this author again, as it is neither particularly well-written tabloid fodder, (which, if it were, I might be inclined to read it out of curiosity anyway) nor is it enjoyable fiction. I feel a bit mean-spirited, in a way, for reading it, as if I am condoning the cowardly way in which the author frames actual historical facts and then excuses herself by hiding under the cover-all guise of fiction. The treatment of the material is poor, so I am not going to force myself to stick with it any longer--life is too short!

    1 out of 1 people found this review helpful.

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  • Posted March 22, 2011

    Amazing book, hard to put down!

    I love books on the Tudor era, and Allison Weir never disappoints. While most books on the Tudor dynasty are written to give you cold facts, this book was written to educate as well as entertain. Worth the read, again and again!

    1 out of 2 people found this review helpful.

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  • Posted March 3, 2011

    more from this reviewer

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    Overblown

    I have read several books during the Tudor era. I'm sure fans of Alison Weir have as well. This book is anything but interesting. We all know the story of Elisabeth. There was nothing new here. Weir, tells a story that has been retold over and over again, yet she forgets to add her own spin to it, or even her own conjecture. I felt like I was reading a 17-year-old essay on 16th England. I only made it through about 80 pages before I gave up and decided I could take no more. I understand she is a very well liked author, however, I have yet to find a book by her that has held my interest.

    1 out of 2 people found this review helpful.

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  • Posted October 24, 2009

    more from this reviewer

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    Superbly written

    After reading The Other Boleyn Girl, The Boleyn Inheritance and then The White Queen, I felt I had read so much on Henry the 8th, but this book was absolutely superb! The writing was perfect and I couldn't put it down. It was a real page turner. It all starts with Mary telling Elizabeth that her mother has died when Elizabeth is little and with each page, you realise just what Elizabeth had to go through to become Queen of England. This book gives much insight into how she had to play the game in order to stay alive. If you enjoy history, then this book is for you. Not at any stage does Alison preach to you, but just lets you get inside Elizabeth's head and even Mary's at certain stages of the book. Enjoy

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 5, 2009

    Good historical read

    A good introduction to the world in which Elizabeth the first grew up.

    1 out of 2 people found this review helpful.

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  • Posted July 4, 2009

    more from this reviewer

    I Also Recommend:

    A fresh look at an old story.

    Allison Weir takes the many-times written life of Elizabeth I and gives us a fresh look at her early years as Princess Elizabeth, then declared illegitimate, then threatened with the Tower, and finally holding her own as Queen.

    1 out of 2 people found this review helpful.

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  • Posted June 29, 2009

    The Lady Elizabeth

    This was my first historical fiction book. It certainly made for livelier reading than another book I had read about Elizabeth. As long as the facts of her life haven't been tampered with I think this is a brilliant way to learn about history. It was fun reading.

    1 out of 2 people found this review helpful.

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  • Posted May 30, 2009

    I Also Recommend:

    A Very Good Read

    I think Elizabeth I is one of the most fascinating persons in English history. Ms. Weir's fine historical novel brings alive Elizabeth's life prior to her ascent to the English throne upon the death of her half-sister.

    Read this book!!!

    1 out of 1 people found this review helpful.

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  • Posted April 20, 2009

    more from this reviewer

    I Also Recommend:

    Historical Fiction at its best

    Taking credible facts and spicing it up with probable "what if"s, Alison Weir enchants all with the tale of Queen Elizabeth I's turbulent childhood. Throughout the book we witness the development of an innocent and bright child into a captivating young lady who wields her wit and charm to save her life on many occasions. A great read for any lover of the Virgin Queen, the Tudor Dynasty, history in general and strong independent women.

    1 out of 2 people found this review helpful.

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  • Posted March 15, 2009

    Very disappointed

    I have read several other books by this author, but this was a total waste of time. The author simply repeats known facts/legends and rumors about Elizabeth I, and the few original plot lines are totally unbelievable...worse, they're boring.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 23, 2008

    Biographical disappointment

    I was excited to see another Alison Weir book come out- I have read nearly all of her biographical studies of British monarchs, including that of Elizabeth I. This, however, was no biography- it was an incredibly speculative novel, which has almost no basis in fact whatsoever, and the only reason I would know that is because I have read Alison Weir's biographies of her! I was so disappointed to read the supposed "true" life story of a young Elizabeth, which was merely a collection of lore and popular rumors that Weir actually rallied against in her other books. The story is engaging, but I felt that Weir really "sold out" on this one. She should stick to investigating the actual facts, since she really is expert in that, and leave the romanticized story-telling to someone less talented.

    1 out of 3 people found this review helpful.

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  • Anonymous

    Posted July 10, 2008

    a great fictional story of elizabeth

    The Lady Elizabeth is a fantastic novel for anyone interested in the life of the girl and young lady that would become one of the greatest ruling monarchs in history.So much of what she accomplished after taking the throne is well know,but here the author gives insight into what life could have been like for her as she grew up.The emotions the you feel for the child who never really knew her mother,and lived in a state of constant turmoil are well depicted.It was these feeling and experiences in her life that drove her to become the queen that she became,ironically enough the prince that her father would have dreamed of ,but as a woman.Even with some of the liberties taken historically it is a really great book simply about the girl Elizabeth.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted May 12, 2008

    Fantastic!

    This was my first Alison Weir read and I have definitely been made a fan! I know what an expert historian on this time period she is and I thought I would check out her fiction work. I think she makes such an outstanding book because not only was it exciting and extremely interesting, but it was mostly true to fact! Anything I was unsure about she cleared up in the author's note, which I really appreciated! I felt like I had a conversation with her where all my questions were answered. I cannot wait until she writes another!

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted May 13, 2008

    Good Book, but Jane Grey was better

    I enjoyed this book, but I thought it would be better. I read her book about Jane Grey which seemed to be more story were this one seemed like you were reading a history book

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 19, 2014

    SILLY

    For pity's sake! THREE year olds do not talk/think this way. Every page like an iron bar thrown in a bathtub.

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  • Anonymous

    Posted March 1, 2012

    Amazing!

    This makes you want to keep reading! It's very well written!

    0 out of 1 people found this review helpful.

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  • Posted August 19, 2011

    Amazingly good

    Loved her style. This was my first Weir but wont be my last.

    0 out of 1 people found this review helpful.

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