Lady Lavender

Lady Lavender

2.8 5
by Lynna Banning

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Widow Jeanne Nicolet's beautiful lavender fields are threatened by the advancing railroad. With her livelihood in danger, Jeanne will fight to protect her, and her little daughter's, future.

Constantly on the move, surveying the land, suits Colonel Washington Halliday just fine. He can escape the haunting memories of war that have left his emotions as


Widow Jeanne Nicolet's beautiful lavender fields are threatened by the advancing railroad. With her livelihood in danger, Jeanne will fight to protect her, and her little daughter's, future.

Constantly on the move, surveying the land, suits Colonel Washington Halliday just fine. He can escape the haunting memories of war that have left his emotions as damaged as his injured body.

Under the sultry heat of the Western sun, the scent of the purple fields is heady, but not as intoxicating as the lavender lady herself….

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Harlequin Historical Series , #1027
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Smoke River, Oregon 1867

When Wash Halliday came home from the war, Smoke River gave him a hero's welcome. The tattered remains of the marching band gathered in the town square wearing their faded green uniforms and once-gold buttons and blared "Hail the Conquering Hero" only slightly off-key.

His ears rang with the noise, and he felt it all the way down to his feet. He glanced down at the leather boots in which, a year ago, he had marched from the Union prison at Richmond all the way to Fort Kearney. Now, he was back in Smoke River.

Midsummer sunlight glanced off the tuba and Wash stifled an urge to duck; the flash of light looked exactly like an exploding mortar.

Thad McAllister, the graying band leader, pumped his skinny arms rhythmically up and down, up and down, but now Wash could hear nothing. A roaring noise bloomed in his head, rolled and echoed like thunder, and then a high-pitched scream began. He pressed both hands over his ears.

Stop. Stop. Behind his closed eyes the red-gold explosions began again.

"Havin' one of yer spells, are ya?" his grizzled companion queried softly.

"What? No…no. Just can't stop remembering."

The sun-blackened half-Comanche furrowed his salt-and-pepper eyebrows. "Let's get away from this headache powwow and have a drink. Saloon's just across the street."

Rooney was usually thirsty for some Red Eye about this time of day. Wash usually wasn't. But today it was the other way around.

He waved his thanks at the bandleader and the two men marched through the crowd across the main street of hard-packed dirt. The hot afternoon breeze rustled the leaves of maple and poplar trees, already turning gold even though it was only August.

The buildings were sparse but well-kept. Livery stable, sheriff's office, mercantile and two saloons. "Damn small town for a railway station," Rooney muttered.

"It'll grow," Wash said with conviction. "When the railroad comes through it'll be the biggest town in Jefferson County."

Rooney shot him a look and spat tobacco juice from one side of his mouth. "Railroad ain't comin' if you don't get the surveyin' done and get yer clearing crews out here."

Wash didn't answer. He had plenty of time. Grant Sykes of the Oregon Central Railroad wouldn't expect a route plotted for another week; that gave him four days to inspect the area and get the survey crew started.

He resettled his Stetson and gestured at the rickety-looking two-story building with a fancy gold-lettered sign out front. "Golden Partridge. Jupiter! Oregon settlers sure have a knack for fancied-up names."

"Name don't mean nothin'," Rooney said in a dry tone. "It's the whiskey that counts."

Wash gritted his teeth. "Names always mean something. Just look at George Washington Halliday here and tell me you don't see the gold braid and spit-polished boots Pop thought went with the name."

Rooney grunted. "Get over it, Wash. Your pa named you, but it was you went off to be a big hero in the War. You said your momma like to die when she seen you all bony and crippled up after Gettysburg. Anyway, that was back then, and the Golden Partridge is in the sweet here and now."

Wash tramped up the board sidewalk, glanced at the horse he'd tied up at the hitching rail and pushed through the double doors of the saloon. Rooney puffed through the entrance behind him.

"Howdy, gents," the grinning barkeep called.


Wash planted both elbows on the polished wood bar.


The place smelled of sour chicken mash and off in a dim corner a black man was playing a twangy-sounding piano. "Oh, Suzanna." Rooney, already humming the tune, held up two fingers and the barkeep nodded.

"Welcome home, Colonel," the barkeep murmured while the whiskey gurgled out of the bottle. "War kept you busy, I hear. Sorry about your leg."

Wash swallowed hard. That wasn't the worst of it, getting his hip half shot off with a minie ball. The worst was that Laura had gone off and married someone else before he'd even left for the War. His chest had ached for weeks. The years after Laura had been pretty damn dark. Still were, he acknowledged.

The barkeep, short and round with a swatch of red hair and a mustache to match, swiped a rag across the counter. "What'll you do now?"

"Now I'm working for the railroad."

"Heard it was coming. Good thing, too. Where you plan to route it?"

"My boss had a choice between Scarecrow Hill and Green Valley. He's choosing the valley."

"Not this valley he won't." The barkeep recorked the whiskey and set the bottle at his elbow.

Wash's gut tightened. "Oh? Why's that?"

"The widow Nicolet, that's why. She owns land in the valley. Small farm, but you can't get into town without running an eyelash away from her place."


"Hell's haystacks, Colonel, a narrow trail alongside her fields is one thing, but a railroad right-of-way? That's a different breed of bull."

Wash set his empty shot glass on the bar and caught the man's eyes. "The railroad owns the land, not the lady."

"Maybe. But Miz Nicolet thinks it's hers." He pronounced the name with a long a at the end. Nicolay.

"You know that for a sure thing?"

The barkeep shrugged. "She hasn't given in on one single thing in the four years since she settled here. Real stubborn woman. Frenchie, you know. Worst kinda female on the face of the planet."

Wash quirked an eyebrow. "Why's that? Because she's French?"

"Because she's female. A woman don't belong out here, farmin' on her own. Plus that woman don't allow nothin' anywhere near her place, not even Fourth of July picnics."

Wash shifted, hooking his boot onto the bar rail. "That's a railroad right-of-way her farm's sitting on. Railroad wants to use it."

"Huh!" the barkeep spluttered. "Railroad got a few hundred soldiers to back you up?"

"Nope. They got something better—me. I'm a lawyer, and I'm overseeing the railroad crews."

The red-haired man again swiped his cloth over the bar. "No fancy law-spoutin' Back-East lawyer's gonna make a dent in that woman's spine."

"I'm not a fancy Back-East lawyer," Wash said quietly. "And it's not her spine that interests me. It's her fence posts."

All Wash knew about France was that Napoleon was a big overgrown bully and the wine had bubbles in it. Didn't seem to him that a woman, even if she was French, could be too big an obstacle. If she was halfway intelligent he'd simply point out the advantages the rail line would bring to Smoke River.

And if she wasn't intelligent, well, then he'd have to maneuver her into relinquishing the land the railroad owned. At his left, Rooney downed a second shot and when he could draw breath, smacked his lips. "Damn good stuff, Wash. Thanks."

"Don't know how you could tell, it went down so fast." He rolled three two-bit pieces down the shiny wood bar and together the two men stepped out into the fading sunlight.

Wash grabbed the reins of the black gelding and swung up into the saddle. "Gonna ride out and take a look at the narrow end of the valley."

Rooney chortled. "You mean take a look at the lady farmer at the narrow end of the valley."

"Just reconnoitering the enemy. You coming?"

The stocky man turned back toward the saloon. "Nope. Rather stir up a poker game 'stead of a hornet's nest. That's your department."

Yeah. Hornet's nests were his specialty. That's what he'd dealt with in the War and later with the Sioux at Fort Kearney. And that's what Grant Sykes paid him for now. He reined away from the hitching rail and headed the horse past the whispering maple trees toward Green Valley.

When he got to the overhanging cliff, Wash reined in. Below him stretched an undulating sea of lavender, washing up the surrounding hills like a purple tide. The little farmhouse nestled at the neck of the valley, a long, slim island of green surrounded by hills as brown and dry as old tea leaves. A peaceful place.

He guessed few travelers passed by and those who did kept their horses on the narrow pathway to avoid trampling the purple-topped bushes next to the lane. Wash had to chuckle. Patches of bright green mint grew along the edge, so if a horse strayed off the path, the sharp minty scent alerted the rider. Miz Nicolet must be one canny farmer.

He wondered for the twentieth time why Sykes's railroad had purchased a right-of-way through this narrow valley. He guessed back then it was the only land the Oregon Central could acquire at a favorable price; the government had set aside the rest for homesteading.

Below him, a movement caught his attention, a flutter of blue swirling across the ocean of purple, a woman running, her apron crushed into one hand, bare legs flashing. She slowed and pointed up at him, then began wading through the field, shouting something.

He spurred the horse, stumbled down the steep edge through crumbling shale that shelved off under the mare's searching hooves. He shifted his weight to help the animal balance, and when they reached the level valley floor he bent forward, his eyes narrowing.

The tall patch of lavender just outside the weathered split rail fence twitched. His horse tensed and stood still, neck quivering. Wash laid a reassuring hand on the mare's warm hide. "What is it, General? You smell something?"

The black stood motionless, then took a cautious step forward. Something scrabbled inside the little stand of lavender, and the bushy fronds waved back and forth.

"Jackrabbit, maybe," Wash murmured. He drew the Colt from his waistband. Too close for a rifle; it'd make mincemeat instead of supper.

Another wriggle and Wash fingered the hard metal trigger. "Okay, girl, let's flush it—" On the word out, he kneed the mare forward and aimed just left of the jiggling patch. If he guessed right, the critter would exit just in front of General's front hoof.

He waited. The horse settled a leg on the dark earth and a high, thin cry came from the bushes.

"What the devil…"

A small girl popped up, a little sprite of a thing, with two red-gold braids and a grimy white pinafore. "I am not a jackrabbit," she announced. "I am an anteater." She stuck out a tiny hand and unfolded it to reveal a smear of squashy-looking black stuff on her palm.

"You eat ants?" Wash asked.

The small hand closed up tight. "They taste like peppermint. I eat grasshoppers, too, but they wriggle. Do you like ants?"

He studied her. Bits of dry grass were stuck in her hair, and her sunburned nose tilted up as she gazed at him. "You gonna shoot me?"

"No, I never shoot little girls. Only jackrabbits." He started to stuff the Colt back in his holster when a blur of blue hurtled over the fence and plunged through the lavender patch. The spicy scent wafted on the still afternoon air.

The woman planted herself in front of General, breathing hard, and the horse shied.

"Don't touch her!" she screamed. She grabbed the child and shoved her behind her skirts.

"He wasn't gonna touch me, Maman," came the high voice from behind the blue skirt. "He was gonna shoot me."

The woman's face went dead white. "Oh, no, ma'am, I wasn't going to—" "He was, too, Maman. He was going to shoot me and eat me for supper!"

"Mon dieu!"

"I was not," Wash protested. "See, I thought she was a jackrab—"

"Do not bother to explain, monsieur. Just turn your horse around and go."

"Now, wait a minute. Let me ex—"

"Go!" She made shooing motions with the blue apron, her cheeks blazing crimson and her eyes.

Her eyes snapped. Magnificent eyes. Like two shards of teal stone flecked with gray. Eyes that made his heart stutter.

He studied the rest of her as she stood panting before him. Slim. Small waist. Couldn't tell about her hips under all those petticoats, but her breasts, rising and falling as she struggled for breath, looked lush and rounded. His mouth went dry. It had been a long, long time since he'd admired a woman's breasts.

He wrenched his gaze from her bosom. Her face had a smattering of freckles over a sun-browned nose and a soft-looking mouth the color of ripe raspberries. A wide-brimmed straw hat hung down her back, the blue ribbon ties knotted about her throat.

Wash cleared his throat. "You Miz Nicolet?"

"That is none of your business," she snapped. "Leave my land this instant!"

"Ma'am? Just listen a min—"

"And do not come back!"

Wash figured if he stayed until sundown, he'd never get to complete a sentence. "Well, now, I can't exactly promise—"

The woman spun, scooped her daughter into her arms and tramped away toward the house, taking long strides that kicked up her petticoats to reveal mud-caked black leather work boots. Over her retreating shoulder the little girl grinned at him and waved an ant-stained hand.

"Goodbye, monsieur! I hope you find something to eat."

Something to eat sounded like the balm his shaken confidence needed. Better yet, something to drink. He guessed Rooney would still be dealing cards at the Golden Partridge; maybe he could rustle up a steak and some beans before they figured out his partner was cheating.

"Come on, General." He headed the gelding down the narrow wagon trail toward town. "Wouldn't be the first time a woman hasn't liked what she saw of me right off," he muttered to his horse. "But sure as hell's the first time a woman's ever plain run me off. Not good for a man's spirit."

Meet the Author

Lynna Banning combines a lifelong love of history and literature into a satisfying career as a writer. In the past she has worked as an editor and technical writer, and has taught English and journalism. An amateur pianist and harpsichordist, Lynna performs on psaltery, harp, and recorders with two medieval music groups and coaches ensembles in her spare time. She lives in Felton, in the Santa Cruz Mountains, with two cats and a very nervous canary.

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Lady Lavender 2.8 out of 5 based on 0 ratings. 5 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
RT rated Lady Lavender as Hot with 4 stars. Four stars would be considered a pretty good rating any author would be happy about. In my opinion, it gets off to a slow start. Like The Ranger and the Redhead, I found this story had just as many wordy, awkward sentences and goofy sounding similies. The way many sentences were written it sounded like a word was missing, interrupting the flow, making for a jarring read. That, or this story had an awful lot of typos. Saw more redundancies than I should. While the plot was a little more believable than The Ranger and the Redhead, I found it either lacked tension or had low-impact tension, which doesn't make for eager-for-the-next-page reading. (At least there was no dead body on the front porch while they had sex.) Way too many page breaks, giving me all kinds of reasons to toss it aside. I found much of the dialogue as corny. Some was useless chit-chat. And there were too many French words I had to hurdle over, slowing me even further. Most chapter endings are suppose to incite the reader to continue reading--leave the reader with a question or situation the reader can't wait to uncover. Not this story. Many chapter endings either left me confused, or I sensed something missing as if strangely chopped off in the middle of a thought, making me wonder whether I read it right as I searched for the punch line. What's up with all the coffee? All Lynna Banning books have characters drink too much. Jeanne tears up or cries too much as well. Early on Wash admits to himself he's sexually attracted to Jeanne yet likes and respects her for who she is. That's fine. Then (p. 159) he views her as nothing but an outlet for sex. Really? What kind of hero is that? The lack of modern medicine of the times and the distance one had to ride to town, the rattlesnake bite scene didn't work for me. Neither Rooney or Jeanne saw the snake to identify it, nor did they hear it rattle. That's not to say they shouldn't have taken Manette to a doctor. Of course it's always possible a rattlesnake could bite without the warning. But if little Manette was bitten by a rattler, the poison would've enter her blood stream quicker than an adult because of her size and killed her before they ever got to town. There was no mention of how the doctor saved the child's life. Besides, the way rattlesnake saliva works, the puncture wound would've infected the area on her arm so badly she probably would've had to have part of the arm amputated, providing she lived. It was nothing but a contrived scene to throw Wash and Jeanne together. Horse hooves wouldn't clop in mud. Men sweat. Women perspire. Men don't chortle--they guffaw, chuckle or laugh. Chapter 23 really did nothing to ad to the story. I thought soaps and bath water were scented with lavender blooms. Every time I turned around something was off center or didn't jive. After struggling through The Ranger and the Redhead, I wasn't terribly surprised with what I saw.
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