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Lake People
     

Lake People

3.0 1
by Abi Maxwell
 

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A haunting, luminous debut novel set in a small New Hampshire town: the story of the crisscrossing of lives, within and without family, and of one woman, given up for adoption as a baby, searching for the truth about her life.

As an infant, Alice Thorton was discovered in Kettleborough, New Hampshire, in a boathouse by the lake; adopted by a young, childless

Overview

A haunting, luminous debut novel set in a small New Hampshire town: the story of the crisscrossing of lives, within and without family, and of one woman, given up for adoption as a baby, searching for the truth about her life.

As an infant, Alice Thorton was discovered in Kettleborough, New Hampshire, in a boathouse by the lake; adopted by a young, childless couple; raised with no knowledge of the women who came before her: Eleonora, who brought her family to Bear Island, the nearly uninhabitable scrap of land in Kettleborough’s lake; Signe, the maiden aunt who nearly drowned in the lake, ashamed of her heart; Sophie, the grandmother who turned a blind eye to her unwanted granddaughter. Alice grows up aching for an acceptance she can’t quite imagine, trying to find it first with an older man, then with one who can’t love her back, and finally in the love she feels for one she has never met. And all the while she feels a mysterious pull to the lake. As Alice edges ever closer to her past, Lake People beautifully evokes the interweaving of family history and individual fate, and the intangible connections we feel to the place where we were born.

This ebook edition includes a Reading Group Guide.  

Editorial Reviews

Library Journal
Full of missing family, Maxwell's debut novel begins and ends with Alice, who was abandoned by her birth mother, grandmother, and adoptive mother. They are Jennifer, the poor unwed teen; Sophie, so class conscious that she denied that baby Alice was her son's; and Clara, whose life goes off track on a family vacation in Canada. In a small town in New Hampshire in the shadow of Mt. Washington, Alice is raised by her adoptive father, Paul. She spends her childhood adrift, emotionally unmoored, unknowingly seeking the family she does not know she has lost. Though the reader knows the secret of Alice's birth from the start, recognizing hints throughout her childhood, Alice doesn't find out she was adopted until her mid-twenties. Yet she feels the relentless pull of the lake and the boathouse where she was first found. VERDICT Maxwell's writing has a whispery, brooding, atmospheric feel that conveys Alice's fragility while capturing both the lushness of the region and its claustrophobic effect on Alice. Literary fiction readers will be moved by this quiet yet compelling work. [See Prepub Alert, 8/9/12.]—Pamela Mann, St. Mary's Coll. Lib., MD
Publishers Weekly
Perhaps if the many characters and tragedies of this debut had been partitioned off into separate novels or stories, they would have had a better chance at sympathy or sustained interest. As it is, this novel drowns in pathos. Alice, adopted as an infant and haunted by her birth family and ancestors, tells her story, their stories, and the stories of the inhabitants of her small New England lake town, Kettleborough, N.H., from early settlers who go back several generations to more direct players in her melancholic tale. The plot is driven almost entirely by what comes to feel like a catalog of tragedies: suicides, car accidents, disappearances, a fire, characters oppressed and scorned for their sexual orientation or social status, domestic abuse, a miscarriage, statutory rape, killing. Rather than resonating with depth or greater meaning, however, the results is a book hobbled by tragedy, not helped by an endless foreboding and an often ponderous tone. Characters are forced into inhuman postures in the name of serious subjects. The minimalism of the prose, working against the melodrama, tries to wrestle the book from its accumulated weight. Agent: Eleanor Jackson, Markson Thoma.
(c) Copyright PWxyz, LLC. All rights reserved.
From the Publisher
“Woven with secrets, danger, and a family history both magical and dark, Lake People held me spellbound until the last haunting page.” —Amy Greene, author of Bloodroot
 
“Skillfully executed. . . . Redolent of the secrets that haunt small-town life…. Suggests comparison to authors like Marilynne Robinson and Alice Munro” —Minneapolis Star Tribune
 
“Beautifully precise. . . . In Lake People, secrets are kept, secrets are told: Abi Maxwell . . . turns experiences into myths and locales into symbols.”  —Jane Smiley, Harper's
 
“Readers who love deep, dark, rich, multi-character, multi-generation literary novels will gobble up this one like a case of their favorite bonbons.” —The New York Journal of Books

“A stunning book that captivated me completely. . . . A beautiful offering from a talented local writer who shows enormous promise as a first-rate novelist.” —Paul Collins, The Telegraph (Nashua, NH)

“I read this novel almost without stopping—it’s a riveting book, with quiet lyrical power. It’s also inventive, wonderfully strange, hard-headed, and genuinely enchanting. A very impressive debut.” —Joan Silber, author of National Book Award finalist Ideas of Heaven

“Full of missing family, Maxwell’s debut novel begins and ends with Alice. . . . Maxwell’s writing has a whispery, brooding, atmospheric feel that conveys Alice’s fragility while capturing both the lushness of the region and its claustrophobic effect on Alice. . . . Compelling.” —Library Journal

Lake People is intricate, lovely and wise. Abi Maxwell trusts her stories and her talent, and the result is that rarity among first novels—one that possesses the substance and burnish of a classic.” —Deirdre McNamer, author of Red Rover

“A powerful sense of place pervades Maxwell’s accomplished debut . . . . Luminous.” —Booklist

Lake People is one of the most astonishing novels I have read in a decade. Abi Maxwell steps into the literary world with a book that rivals Marilynne Robinson’s Housekeeping. —Debra Magpie Earling, author of Perma Red

Kirkus Reviews
A woman strives to triangulate her history and identity in a melancholy lake town in this gauzy debut. Alice, the hero of this novel largely set in the '70s and '80s, has spent most of her life not knowing where she came from. Adopted as an infant, she grew up in Kettleborough, a small New Hampshire town where secrets are pervasive but well-kept. What happened, as the reader knows, is that her father died in a car accident--a common occurrence in these pages--and that her mother has ran off. These details aren't invested with much drama, nor is Alice's adult life: Her adolescence was marked by an ill-advised relationship with a friend of her father's, and the closing third of the book tracks her lovelorn correspondence with a man she's never met. Maxwell labors less on plot than on mood, a blend of modern gothic where men and women are drawn to Kettleborough's lake, often tragically, and a prose style heavy on sober pronouncements and unrealistic dialogue. ("I'm thirteen and already life has become too much," one character utters.) Those flaws might qualify as assets in surer hands, but Maxwell's efforts to give this story an otherworldly quality are undone by its ungainly structure. The novel is arranged much like a collection of linked stories, each bit loosely tethered to the next, and Alice only truly owns the latter half of the book. Earlier chapters are claimed by Alice's grandmother and other relations, and though they share some of Alice's qualities--bad love, the gloomy pull of the lake--none are filled out enough to merit pushing its lead character to the side. Maxwell's passion for storytelling about place and family is obvious, but her command of characters and tone is no match for it.

Product Details

ISBN-13:
9780307961662
Publisher:
Knopf Doubleday Publishing Group
Publication date:
02/19/2013
Series:
Vintage Contemporaries
Sold by:
Random House
Format:
NOOK Book
Pages:
224
Sales rank:
1,036,329
File size:
2 MB

Related Subjects

Read an Excerpt

My Heavenly Days

1910–-1962

my aunt signe kept a marvelous supply of canned goods. These she ordered from S.S. Pierce & Company, a place down in Boston. She simply called them up and placed her order, and in another week or so the cans were delivered to her doorstep. Immediately Signe dated those cans. She had a walk--in cupboard built in the kitchen, with a wooden pullout step at the base of the wall. The cans dated, Signe pulled out that step and stood upon it to sweep the older cans to the front and place the new ones at the back. In these years since her death, this is what I have said of her: that she kept a marvelous supply of canned goods; that she never did find a suitor; and that she remains the bright pivot of my life.

It was Signe who raised me. At night, when she tucked me into bed in our house at 36 Highland Street, she would tell me the story of our family. They came over in the boat, she would say, with water for their blood. In my bedroom, a lightbulb with a circular shade made of birch bark hung from the ceiling. It turned slowly in the breeze and sent shards of dim light around the room. That refracted light made it seem as though Aunt Signe and I were together under the lake. On weekends we would walk there, to the lake, and from the pier Signe would point across to Bear Island. “Sophie, we two come from out there,” she would say. “Your mother and father dropped beneath the ice and your grandmother turned wild on that wild island.” It was a sad story, yet because I had no memory of anyone in it, the story was beautiful. It was the legend of my very own being, and it made me know that I belonged in this place.

I always believed that Signe, too, belonged in Kettleborough, though now I sometimes think she may have been better suited for city life. When I was a girl, she liked to take the train down to Boston. There we would go to the old Swedish church, where they still held an evening service in what Signe called the old language. And there was a man there. His name was Hjalmar, and his family had been close to Aunt Signe’s father’s family back in Sweden. They didn’t say “Sweden,” however; they referred to that place by sending an unspecific wave over their shoulder. The motion said that their country was not in fact a place, but something tucked away into time. In that gone--by time, Hjalmar had made a living as a tailor, yet here in America he was destitute. Signe would bring him bread wrapped in wax paper, and always a savory pie.

After church we three would walk together, and I vividly remember one of those walks. Night had fallen, and big, heavenly snowflakes fell down upon us. There must have been streetlamps, yet to me it seemed the snow itself illuminated the world. Hjalmar was a tall man, and he walked between us, his elbows hooked into ours. I felt wonderful with his arm in mine, protected and involved. When we passed a homeless man on the street, Hjalmar stopped and removed his wool coat. He gave it one firm shake. A wave passed slowly through the wool, and, once it was clean of snowflakes, Hjalmar draped that coat over the cold man.

“Hjalmar, your coat,” my aunt said as we walked on.

“I can sew another,” he said.

“You can’t afford the wool for another,” Signe said. It was a reprimand.

“That’s right, too,” Hjalmar said. His voice held no concern.

“Will you ask him to live with us?” I asked Signe that night, on the train ride home. She seemed astonished by my question. Yet if Hjalmar couldn’t afford a coat, I didn’t understand how he could afford to live at all.

“Don’t you love him?” I asked. I must have said more. I knew that it was only when we traveled to see Hjalmar that Signe wore her pearl necklace and a bit of rouge on her cheeks. I must have made my meaning clear: Can’t he be a husband to you?

“I cannot love Hjalmar as a woman loves a man,” my aunt Signe said firmly. She kept her vision fixed on the dark night. I took her statement to mean that Hjalmar would not have her. And I understood to never suggest such a thing again.

My aunt was a teacher at the Kettleborough schoolhouse, and just across the street from that school, in the triangle made by the town’s three roads intersecting, sat the Kettleborough Memorial Library. It was small. But it was also wonderful, made of brick, the south side a wall of buttresses and stained glass. Through that glass the sun shone in singular strands. The rest of the library was dark and musty, like an old stone castle, so those rays of colored light were striking. Signe, who loved nothing more than to stand in the sun with her eyes closed, used to enter the library, run her eyes over the small place, then walk with purpose to the book upon which the light directly fell. In this way she would decide what next to read.

“They never led to anything, those books,” Signe said once, when I was grown. It wasn’t until then that I understood that she had been on a search.

After school, Signe would cross the street to that library to visit the librarian. I didn’t know the depth of their friendship, but it was clear to me that the librarian was my aunt’s only friend in the area. It was a love of fashion that initially drew the two women together. Both were expert seamstresses, and their drooped necklines and high, fitted waistbands made them stand out in our small town. Though my aunt preferred muted tones, the librarian draped herself in vibrant colors, which certainly matched her personality. She was a joyful, unabashed woman whose husband stayed home to raise the children.

Not long after I asked Signe if she loved Hjalmar, the librarian gave my aunt a book. Signe came to my room with it in her hand. I was fourteen, and not a prude in matters of love. I don’t know how Signe saw this, yet she was right; I had kissed and been groped by a few boys, and it was not something I felt any shame about. In fact, I enjoyed meeting boys in the dark of the boathouses that lined the lake. “This is my duty,” Signe said, and sat at the edge of my bed. Nervousness had splotched her neck. After placing the book on my lap, she stood. Her straight back faced me. Her head was tilted slightly upward, so that her long rope of sandy hair reached her hips. Her hands, hanging awkwardly at her sides, continuously clenched and released. It wasn’t the sort of motion my aunt typically made. She was a sure, firm woman.

“I know nothing of the subject,” she finally said. “I have no experience with it.” She kept pushing to make her meaning clear, though it certainly was to me. “None at all,” she said. “But I do not wish such a fate upon you.” When she left my room, Signe shut the door behind her. To shut a bedroom door was an action never taken in our small world.

What People are Saying About This

From the Publisher
“I read this novel almost without stopping—it’s a riveting book, with quiet lyrical power. It’s also inventive, wonderfully strange, hard-headed, and genuinely enchanting. A very impressive debut.” —Joan Silber, author of National Book Award finalist Ideas of Heaven

“Abi Maxwell’s beautifully imagined debut novel tells the story of Alice Thorton’s search for the truth about her past and the mysterious lake that calls her home. Woven with secrets, danger, and a family history both magical and dark, Lake People held me spellbound until the last haunting page.” —Amy Greene, author of Bloodroot

“Lake People is one of the most astonishing novels I have read in a decade. Abi Maxwell steps into the literary world with a book that rivals Marilynne Robinson’s Housekeeping. —Debra Magpie Earling, author of Perma Red
 
“Lake People is intricate, lovely and wise. Abi Maxwell trusts her stories and her talent, and the result is that rarity among first novels—one that possesses the substance and burnish of a classic.” —Deirdre McNamer, author of Red Rover
 

Meet the Author

Abi Maxwell was born and raised in the Lakes Region of New Hampshire, where she currently lives. She studied fiction writing at the University of Montana and now works as an assistant librarian at the Gilford Public Library. This is her first book.

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Lake People: A Novel 3 out of 5 based on 0 ratings. 1 reviews.
Anonymous More than 1 year ago
Abi Maxwell's writing has obviously been influenced by Alice Hoffman, but there's a lot of Peyton Place in this book too. This book is local for me, and I wonder about it's far reaching ability to interest readers.