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| Johnny Otis | Composer, Producer |
| James Brown | Composer |
| Steve Cropper | Composer |
| Major Lance | Composer |
| Joe Simon | Composer |
| The Fatback Band | Producer |
| J.J. Jackson | Arranger |
| Gene Page | Arranger, Producer |
| Jerry Williams | Composer |
| Wade Marcus | String Arrangements |
| Ruth Copeland | Composer |
| Garland Green | Composer |
| Harvey Scales | Composer |
| Sidney Barnes | Composer |
| Nicholas Caldwell | Composer |
| Quinton Claunch | Producer |
| George Clinton | Composer, Producer |
| Tim Drummond | Arranger |
| Marshall "Rock" Jones | Composer |
| Fonce Mizell | Producer |
| Larry Mizell | Arranger, Composer, Producer |
| Chips Moman | Producer |
| Earl Nelson | Composer, Producer |
| Horace Ott | Arranger, Composer |
| Bob Relf | Producer |
| Gerald Sims | Arranger, Composer |
| Randy Stewart | Composer, Producer |
| Walter Ward | Composer |
| Hy Weiss | Producer |
| Eddie Bocage | Composer |
| Tony Rounce | Liner Notes, Quotes Researched & Compiled |
| Jeb Stuart | Composer |
| Godoy Colbert | Composer |
| Johnny Flippin | Composer |
| Clyde Wilson | Composer |
| Bill Hall | Producer |
| Raeford Gerald | Composer, Producer |
| Leroy Randolph | Composer |
| John Richbourg | Producer |
| Tony Rojas | Composer |
| Morris Williams | Composer |
| James Fuller | Composer |
| C. Davis | Composer |
| Tito Ramos | Composer |
| Rose Marie McCoy | Composer |
| William Butler | Composer |
| James Carmichael | Arranger |
| Lennie LaCoeur | Producer |
| Ray Evans | Producer |
| Leonard Jewell Smith | Producer |
| Sherlie Matthews | Composer |
| Carl Davis | Producer |
Editorial Reviews
All Music Guide - Richie Unterberger
The previous two editions of the Land of 1000 Dances series also had a lot of soul songs named after innumerable dances. This special installment, however, is different: not only does Land of 1000 Dances: Special Soul & Funk Edition feature soul and funk songs exclusively, but it also moves the focus to a slightly later era. The first two volumes had songs spanning the mid-'50s to the mid-'60s; this one, by contrast, has tracks from the mid-'60s through the mid-'70s. It's a good spin on the concept, and perhaps one that was necessary just to keep the series (as small as it is) going. Yet this anthology isn't as strong as its predecessors, not because of the ...