Landscape, Nature, and the Body Politic: From Britain's Renaissance to America's New World / Edition 1

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Overview

    Landscape, Nature, and the Body Politic explores the origins and lasting influences of two contesting but intertwined discourses that persist today when we use the words landscape, country, scenery, nature, national. In the first sense, the land is a physical and bounded body of terrain upon which the nation state is constructed (e.g., the purple mountain majesties above the fruited plain, from sea to shining sea). In the second, the country is constituted through its people and established through time and precedence (e.g., land where our fathers died, land of the Pilgrims’ pride). Kenneth Robert Olwig’s extended exploration of these discourses is a masterful work of scholarship both broad and deep, which opens up new avenues of thinking in the areas of geography, literature, theater, history, political science, law, and environmental studies.
    Olwig tracks these ideas though Anglo-American history, starting with seventeenth-century conflicts between the Stuart kings and the English Parliament, and the Stuart dream of uniting Scotland with England and Wales into one nation on the island of Britain. He uses a royal production of a Ben Jonson masque, with stage sets by architect Inigo Jones, as a touchstone for exploring how the notion of "landscape" expands from artful stage scenery to a geopolitical ideal. Olwig pursues these contested concepts of the body politic from Europe to America and to global politics, illuminating a host of topics, from national parks and environmental planning to theories of polity and virulent nationalistic movements.

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Editorial Reviews

From the Publisher

"A highly original and brilliantly argued case for the power of landscape. Olwig shows how the concept of landscape has historically affected theater, literature, art, nation building, law, racism, nature conservation, and wilderness movements."—Robert David Sack, University of Wisconsin–Madison

Booknews
In this analysis of how landscape aesthetics helped define the body politic, Olwig (geography, U. in Trondheim, Norway; landscape theory, Swedish Agricultural U., Alnarp) traces the evolution of the concept of "landscape" from stage scenery for 16th-17th century British royalty to a geopolitical ideal of national culture. Illustrations range from period masque productions to US national parks. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Product Details

  • ISBN-13: 9780299174248
  • Publisher: University of Wisconsin Press
  • Publication date: 6/28/2002
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 336
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.80 (d)

Meet the Author

Kenneth Robert Olwig is professor of geography at the University in Trondheim, Norway, and professor of landscape theory at the Swedish Agricultural University’s Department of Landscape Planning in Alnarp. He is the author of Nature's Ideological Landscape.
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Table of Contents

Illustrations
Foreword
Acknowledgments
Introduction: Nature, Country, and Landscape
1 The Political Landscape as Polity and Place 3
2 Country and Landscape 43
3 "Masquing" the Body Politic of Britain 62
4 Landscaping the Body Politic of the British State 80
5 Landscaping Britain's Country and Nature 99
6 Gendering the Nation's Natural Landscape 125
7 Landscaping Racial and National Progress 148
8 The "Country" of the United States contra the "Landscape" of America's New World 176
Conclusion: Landscape, Place, and the Body Politic 213
Notes 231
Bibliography 261
Index 289
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