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The Lantern Bearers (Roman Britain Trilogy Series #3)

The Lantern Bearers (Roman Britain Trilogy Series #3)

4.3 6
by Rosemary Sutcliff

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The last of the Roman army have set sail and left Britain forever, abandoning it to civil war and the threat of a Saxon invasion. Aquila, a young Legionnaire, deserted his regiment to stay behind with his family, but his home and all that he loves are destroyed. Years of hardship and fighting follow, and in the end, there is only one thing left in Aquila's


The last of the Roman army have set sail and left Britain forever, abandoning it to civil war and the threat of a Saxon invasion. Aquila, a young Legionnaire, deserted his regiment to stay behind with his family, but his home and all that he loves are destroyed. Years of hardship and fighting follow, and in the end, there is only one thing left in Aquila's life—his thirst for revenge . . .

The Lantern Bearers is the winner of the 1959 Carnegie Medal in Literature.

Editorial Reviews

From the Publisher

“A spellbinding historical adventure . . . Smoothly written, fast-paced, remarkable in the atmosphere it evokes.” —The Bulletin of the Center for Children's Books
Children's Literature - Jean Boreen
This novel is book three of "The Roman Britain Trilogy;" originally published in 1959, this story follows the adventures of Aquila, a young Legionnaire whose loyalty to Rome is tested when his Roman commander announces that all legions left in Britain will leave the island country within three days. Aquila, whose family is descended from the Marcus Aquila of Ninth Legion fame, feels more British than Roman, and he knows that he cannot leave Britain, much less his father and sister, Flavia, on what seems to be the even of the annihilation of all he knows as Saxon raiders are pressing the British shores. Aquila deserts his legion to defend his family; the Saxon raiders kill Aquila's father, and, he thinks, his sister, and leaves Aquila to die. However, a unique tattoo of a dolphin on Aquila's shoulder attracts the attention of one of the Saxons, and he takes Aquila home to his family as a slave. Eventually, Aquila is given the opportunity to return to Britain—still as a slave—and is shocked to learn that Flavia is still alive, but married to a Saxon. Further adventures follow after Flavia helps Aquila escape. But can Aquila ever come to terms with what has happened to him, his family, and his country? This novel is a strong end to the trilogy. Reviewer: Jean Boreen, Ph.D.

Product Details

Square Fish
Publication date:
Roman Britain Trilogy Series , #3
Edition description:
Sales rank:
Product dimensions:
5.45(w) x 8.22(h) x 0.70(d)
1210L (what's this?)
Age Range:
10 - 15 Years

Read an Excerpt

The Lantern Bearers

By Rosemary Sutcliff


Copyright © 1987 Rosemary Sutcliff
All rights reserved.
ISBN: 978-1-4299-3439-8


The Terrace Steps

Aquila halted on the edge of the hanging woods, looking down. Below him he could see the farmstead under the great, bare swell of the downs; the russet-roofed huddle of buildings, the orchard behind, making a darker pattern on the paleness of the open turf, the barley just beginning to show its first tinge of harvest gold, the stream that rose under the orchard wall and wandered down the valley to turn the creaking wheel of the water-mill that ground their corn.

Almost a year had gone by since the last time that he had stood here and looked down, for it was only last night that he had come home on leave from Rutupiae, where he commanded a troop of Rhenus Horse — Auxiliary Cavalry; there had been no regular Legions in Britain for forty years now — and every detail of the scene gave him a sharp-edged pleasure. It was good to be home. And really, the place didn't look so bad. It was not what it had been in the good old days, of course. Kuno, who was the oldest man on the farm, could remember when there had been vine terraces on the south slope; you could see the traces of them still, just below the woods here, like the traces of the old fields and the old sheep-runs that had had to be let go back to the wild. It was the Pict War that had done the mischief, so long ago that even Kuno couldn't remember, though he swore that he could, and, when he had drunk enough heather beer, used to tell everybody how he had seen the great Theodosius himself, when he came to drive out the Saxons and the Painted People. But though Theodosius had swept Britain clear, the damage had been done and the countryside had never been the same again. The great houses had been burned, the slaves had revolted against their masters, and the big estates had been ruined. It hadn't been so bad for the small estates and farms, especially those that were not worked with slave labour. Kuno was very fond of telling — and the hearing of it always made Aquila feel humble, though he was sure that it should make him proud — how in the bad time, the Killing Time, when the slaves revolted, the free men of his own farm had kept faith with his great-grandfather.

Because he was seeing his home again for the first time in almost a year, he was piercingly aware of it, and the things it stood for, and aware also how easily it might be lost. Old Tiberius's farm, not many miles further seaward, had been burned by the Saxon raiders last year. When you thought about it, you realized that you were living in a world that might fall to pieces at any moment; but Aquila seldom thought about it much. He had lived in that world all his life, and so had at least three generations of his kind before him, and it hadn't fallen to pieces yet, and it didn't seem likely that it would do so on this rich, ripening day with the powdery whiteness of July lying over the countryside.

There was the sound of flying feet behind him, and a brushing through the undergrowth and Flavia his sister was beside him, demanding breathlessly, "Why didn't you wait for me?"

Aquila turned his head to look at her. "I got tired of propping up the wall of Sabra's cot, being stared out of countenance by that yellow-eyed cat of hers, while you chittered inside."

"You could have stayed inside and chittered too."

"I didn't want to, thank you. Besides, I wanted to get back here and make sure the farm hadn't run away since breakfast." It was an odd thing to say, born of his sudden, unusual awareness, and they looked at each other quickly.

"It is queer how one feels like that sometimes," the girl said, grave for the moment. And then the shadow passed, and she was sparkling again. "But it hasn't run away — and oh! it is so lovely that you are home again, Aquila! And look, here's honeysuckle with crimson tips; and here's clover, and blue scabious, as blue as a butterfly. I shall make a wreath for myself for dinner as though it were a banquet; just for myself, and not for you or Father at all, because men look silly in banquet wreaths, especially if they have galley-prow noses like yours!" And while she spoke, she was down on her knees, searching among the leaves for the tough, slender scabious stems.

Aquila leaned against a tree and watched her, making a discovery. "You have grown up while I have been away."

She looked up, the flowers in her hands. "I was grown up before you went away. More than fifteen. And now I'm more than sixteen — quite old."

Aquila wagged his head sadly. "That's what I say. I don't suppose you can even run now."

She sprang up, her face alight with laughter. "What will you wager me that I do not reach the terrace steps ahead of you?"

"A new pair of crimson slippers against a silver buckle for my sword-belt." Aquila pushed himself from the tree-trunk as she swooped up the skirt of her yellow tunic with the flowers in its lap.

"Done! Are you ready?"

"Yes. Now!"

They sprang away side by side over the short downland turf, by the level-and-drop of the old vine terraces, by the waste strip at the head of the cornland where the plough team turned, skirting the steading yard on flying feet. Flavia was half a spear's length ahead of him as they reached the steps of the terrace before the house and whirled about under the old spreading damson tree that grew there. "Well? Can I still run? I can run faster than you can now, and I'm a girl!"

Aquila caught her by the wrist. "You have sharp, hollow bones like a bird, and it is not fair." They flung themselves down on the step, panting and laughing, and he turned to look at her. He loved being with Flavia again, he always had loved being with her, even when they were small. She was two years younger than he was, but Demetrius, their Greek tutor, declared that they had been meant to be twins and something had gone wrong with their stars to bring about the two years one must wait for the other. Flavia's hair had come down and was flying about her shoulders; hair as black and harsh as a stallion's mane, and so full of life that she could comb sparks out of it when she combed it in the dark. He reached out and gave it a small, brotherly tug.

"Brute!" Flavia said happily. She drew up her knees and clasped her arms round them, tipping up her head to the sunshine that rimmed the damson leaves with gold and made the little dark damsons seem almost transparent. "I do love being alive! I love the way things look and feel and smell! I love the dustiness of July, and the dry singing the wind makes through the grass, and the way the stones are warm to sit on, and the way the honeysuckle smells!"

There was something almost fierce under her laughter; but that was always the way with Flavia: the fierceness and the laughter and the sparks flying out of her hair. She turned to him with a swift flash of movement. All her movements were swift and flashing. "Show me the dolphin again."

With an air of long-suffering, Aquila pulled up the loose sleeve of his tunic and showed her, as he had showed her yesterday evening, the dolphin badge of their family rather inexpertly tattooed on the brown skin of his shoulder. One of the Decurions at Rutupiae had learned the trick from a Pictish hostage, and during the bad weather, when there was not much else to do, several of them had let him try his skill on them.

Flavia ran a fingertip over the blue lines. "I'm not sure that I like it. You're not a Pict."

"If I had been, I'd have had stripes and spirals all over me, not a nice neat little dolphin ... It might come in very useful. If I were away from home for a long, long time, and when I came back nobody knew me again, like Odysseus, I could take you quietly aside and say, 'Look, I've got a dolphin on my shoulder. I'm your long-lost brother.' And then you'd know me again, like the old slave when she found the scar of the boar's tusk on Odysseus's thigh."

"Maybe I'd say, 'Oh, stranger, anyone may get a dolphin tattooed on his shoulder.' I'd be more likely to recognize you by your nose, however long that had been away." She turned to the tangle of honeysuckle and small downland flowers in her lap, and began to arrange them for her garland. "Are you as glad to be home as we are to have you, even though it is only one year and not twenty, like Odysseus?"

Aquila nodded, glancing about him at the familiar scene. From close quarters one could see more clearly that the farm had known better days: the outbuildings that needed re-roofing, the wing of the house that had once been lived in and was now a grain-store, the general air of a place run without quite enough money, without quite enough men. But the pigeons were paddling in the sunlight below the terrace steps, and a flicker of brilliant blue showed where Gwyna was coming up with a milk-pail; and he was home again, sitting on the sun-warmed steps where they had sat as children, talking nonsense with Flavia.

Something moved in the farmyard, and Flavian their father came out from the stable, talking with Demetrius. Demetrius, who never smiled himself, said something at which their father laughed, flinging up his head like a boy; then he turned and came striding up toward the terrace, with Margarita his old wolfhound at his heels.

Aquila half-rose as he drew near. "We're sitting on the terrace steps; come and join us, sir."

And their father came and sat down on the top step, with Margarita between his knees.

"Aquila owes me a pair of crimson slippers," Flavia said, reaching up to lay an arm across his knee. "He said I was grown up and couldn't run anymore."

Their father smiled. "And you aren't, and you can. I heard the two of you skirling like curlews all the way down from the top woods. Mind you keep him up to paying his wager!"

He was fondling Margarita's ears, drawing them again and again through his fingers, and the freckled sunlight under the leaves made small, shifting sparks of green fire in the flawed emerald of his great signet ring with its engraved dolphin.

Aquila twisted on his lower step to look up at him. It was hard to realize that Father was blind. There was nothing to show for it but the small scar that the Saxon arrow had made in his temple; and he came and went about the farm with that quick, sure stride, never seeming at a loss to know where he was or in what direction he wanted to go. Now he turned to his son and asked, "How does the farm look to you, after a year away?"

"The farm looks good to me," Aquila said, and added with perhaps a little too much vehemence, "it looks so sure — as though it had been here as long as the downs have been here, and must last as long as the downs remain."

"I wonder," their father said, suddenly grave. "I wonder how long it will last — just how long any of this life that we know will last."

Aquila shifted abruptly. "Oh, I know ... But the worst never seems to happen." Yet the worst happened to Tiberius, last year, said something in his mind, and he hurried on, as much to silence it as anything else: "When Vortigern called in that Saxon war band and settled them in the old Iceni territory to hold off the Picts, five — no, six years ago, everyone wagged their heads and said it was the end of Britain. They said it was calling the wolf in over the threshold; but Hengest and his crew haven't done so badly. Settled quite peacefully, seemingly; and they have held off the Picts, and left us free to concentrate what Auxiliaries we still have along the Saxon shore to hold off their pirate brothers. Maybe Vortigern wasn't such a fool after all."

"Do you really think that?" his father said very quietly, and his fingers checked on Margarita's ears.

"It is what quite a lot of the others at Rutupiae think."

"The temper of the Eagles has changed since my day. Do you think it?"

There was a moment's silence and then Aquila said, "No, I suppose not, really. But it is more comfortable to think that way."

"Rome has done too much of thinking what is comfortable," his father said.

But Aquila was not for the moment listening. He was looking away down the valley to where a small figure had just come into sight on the wagon-way that led up from the ford and the ancient track under the downs. "Sa ha," he said softly, "someone coming."

"Who is it?" said his father.

"No one I know. A little bent man — looks as though he's carrying a basket on his back."

He thought that both his father and Flavia were suddenly alert in a way that he did not understand. He thought that there was a feeling of waiting about them. A few moments went by, and then his father asked, "Can you see yet what it is that he carries?"

"Yes. It is a basket. And something else — a lantern on a pole. I believe he is one of those wandering bird-catchers."

"So. Stand up and signal to him to come to me here."

Aquila glanced at his father in puzzled surprise, then stood up and waved his arm above his head until the small, trudging figure saw the signal and flung up an arm in reply. "He is coming," he said, and sat down again.

A short while later a small, earth-coloured man with a sharply pointed face like a water rat's came round the corner of the outbuildings and stood before the terrace steps, swinging the great reed basket from his shoulders almost before he had come to a halt. "I greet my lord. My lord would like some fine fat quails, only caught this morning?"

"Take them up to the kitchen," Flavian said. "It is a long time since you were here last."

"I have had a long walk since I was here last," the man returned, and something in his rather hurried voice suggested the reply was a thing arranged beforehand. "It is all of two hundred miles from Venta to the mountains."

As he spoke the words, he glanced aside out of doubtful dark eyes at Aquila, and Flavian, seeming to sense the swift, uneasy glance, said, "Nay, there is nothing that need make you ill at ease, friend. My son is quite to be trusted." He took a slim wax tablet from the breast of his tunic. "The quails up to the kitchen. My steward will pay you. And this to the usual place."

The man took the tablet without looking at it, and stowed it in the ragged breast of his own tunic. "As my lord bids me," he said. He made a wide gesture of farewell that took in all three of them, and shouldering his basket again, turned and trudged off round the corner of the house toward the kitchen quarters.

Aquila watched him go, then turned back to his father. "And what did that mean, sir?" He thought Flavia knew.

Flavian gave a final pull to the old hound's ear, and released her with a pat. "It means a message up to Dynas Ffaraon in the Arfon mountains."

"So?" Aquila said. "What message is that?"

There was a little silence, but he knew that his father was going to tell him.

"I am going back into ancient history," Flavian said at last. "Much of it you will know, but bear with me nonetheless, it is better to have the whole thing ...

"When Theodosius came to drive out the Picts that old Kuno so dearly loves to talk about, his lieutenant was one Magnus Maximus, a Spaniard. And when Theodosius went south again, he left Maximus in command behind him. Maximus married a British princess, daughter of the line that had ruled in the mountains of Northern Cymru since before we Romans came to Britain; and owing in part to his wife's blood, years later the British troops proclaimed him Emperor in opposition to Gratian. He marched to meet his fate, taking with him most of the Legions and Auxiliaries from the province; and his fate was death. That you know. But he left behind him a young son in Arfon — Constantine."

Aquila moved abruptly, the tale suddenly laying hold of him. "Constantine, who saved us after the last of the Legions were withdrawn."

"Aye. When Rome could do no more for us, and was herself a smoking ruin — though she has recovered in some sort since — we turned to Constantine of Arfon; and he came down from the mountains with his tribesmen behind him, and led us and them to victory and a sweeping back of the Sea Wolves such as there had not been for twenty years before. For upward of thirty more, with Constantine holding the reins from Venta, things went well for Britain, and the Saxons were driven back again and again from our shores. But in the end Constantine was murdered in his own hall. A Pictish plot, but there have always been many of us who believed that Vortigern, who came out of the West as a mere Clan Chieftain of the Ordovices to follow him in his later days and married his sister Severa, was at the root of it. Maybe he thought that if a wife's lineage could raise her husband to the Purple once, it might do so again. Save that it wasn't the Purple he wanted, but power of another kind. Always he has been the spearhead of the hothead party which sees Rome as the Tribes saw her four hundred years ago, which has learned nothing in the years since, which is blinded by its dreams and sees the danger of the Saxon hordes as a lesser evil than the rule of Rome. So Constantine died, and Vortigern contrived to seize the chief power in the land, though never the full power. But there were still Utha and Ambrosius, Constantine's sons in his old age."


Excerpted from The Lantern Bearers by Rosemary Sutcliff. Copyright © 1987 Rosemary Sutcliff. Excerpted by permission of Macmillan.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Rosemary Sutcliff (1920-1992) wrote dozens of books for young readers, including her award-winning Roman Britain trilogy, The Eagle of the Ninth, The Silver Branch, and The Lantern Bearers, which won the Carnegie Medal. The Eagle of the Ninth is now a major motion picture, The Eagle, directed by Kevin MacDonald and starring Channing Tatum. Born in Surrey, Sutcliff spent her childhood in Malta and on various other naval bases where her father was stationed. At a young age, she contracted Still's Disease, which confined her to a wheelchair for most of her life. Shortly before her death, she was named Commander of the British Empire (CBE) one of Britain's most prestigious honors. She died in West Sussex, England, in 1992.

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Lantern Bearers (Roman Britain Trilogy Series #3) 4.3 out of 5 based on 0 ratings. 6 reviews.
Guest More than 1 year ago
My mom read this book to me when I was little and it's still one of my favorites. It starts with Aquila deciding desert the legions and stay in England. When the Roman ships sail away and Aquila lights the beacon at Rutupiae for the last time you feel his desolation. You also feel Ness's and Flavia's sorrow, and Aquila's hurt. This isn't a romantic, glamorous story, it's about what life must have been like back then. Rosemary Sutecliff is a marvelous writer, who makes you care about her characters. She also decribes everything beautifully, so that you really feel like you there. This story isn't all about Aquila though, it's also about the fate of Britain, being invaded by the Anglo-Saxon raiders. I've read this story many times and recomend it to everyone.
Guest More than 1 year ago
If you like sorrow, action, and adventure, you will love the book The Lantern Bearers. It is one of many great historical fiction books by Rosemary Sutcliff. This is a wonderful book about Aquila, a man in the Middle Ages, who comes home from a year away at war. Soon, another war comes. His father dies, and his sister is taken away during the war. Then Aquila gets enslaved by the people of Ullasfjord. After three years he runs away and finds his sister. Later he joins the army of Ambrosis, the prince of Britain. Aquila then gets married and goes back to war. Britain wins that war and he goes home. There were many different settings in The Lantern Bearers. They were all in Britain during the Anglo-Saxon period. They include the area they called the Terrace Steps with its green rolling hills, Ullasfjord with its harsh winters, and Arfon with its beautiful mountains. Some of these settings put me ¿in the book¿. For example, when Aquila was in Ullasfjord, I could almost feel the blizzards! I liked some parts of this book more than others. In some parts of the book it is a little boring and too slow. Some reasons I liked the book are that it is long; most parts of the book are exciting, like when Aquila gets married. Also it is descriptive, and the author describes the characters well, like when he describes the dolphin on Aquila¿s shoulder. You may or may not like this book, but you will still want to read it again!
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