The Last Kashmiri Rose (Joe Sandilands Series #1)

The Last Kashmiri Rose (Joe Sandilands Series #1)

4.6 10
by Barbara Cleverly
     
 

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Conjuring up the last golden days of the Raj and the turbulent early ones of Indian rule, this suspenseful and atmospheric first novel—the winner of the Crime Writer Association’s Debut Dagger competition—draws the governor of Bengal, local police authorities, and visiting Scotland Yard detective Joe Sandilands into an increasingly baffling and

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Overview

Conjuring up the last golden days of the Raj and the turbulent early ones of Indian rule, this suspenseful and atmospheric first novel—the winner of the Crime Writer Association’s Debut Dagger competition—draws the governor of Bengal, local police authorities, and visiting Scotland Yard detective Joe Sandilands into an increasingly baffling and bizarre case of serial murder. It is 1922, in Panikhat. In March of each of the past five years the wife of an officer in the Bengal Greys has met with a violent and terrifying death. One died in a fire, another by a cobra bite, the third from a fall, and the fourth victim drowned. Of course, they all might have been accidents, while the death of Captain Somersham’s pretty young wife, who was found with her wrists cut, could be ruled a suicide. One link between the five cases, however, points to foul, disturbing play. On the anniversary of the deaths small red roses mysteriously appear on the women’s graves. With only a few days to go before the end of March and with faith in the new Western science of psychological profiling, Joe Sandilands finds himself running a race against time and a serial killer who alone knows the recipient of the next Kashmiri rose. "The atmosphere of the dying days of the Raj is colorfully captured.”—Sunday Telegraph "Introduces an intelligent author and an interesting investigator.”—Morning Star

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Editorial Reviews

Publishers Weekly
In an impressive debut, British author Cleverly weaves an engrossing tale of serial murder and the impending decline of the British Empire into a well-written fair-play mystery set in 1920s India. Commander Joe Sandilands, a Scotland Yarder completing a stint with the Bengal Police, is on his way back home when the provincial governor asks him to look into the recent death-by-suicide of an army officers young wife. Nancy Drummond, a close friend of the dead woman, reveals that four other officers wives have also died"apparently by accident or misadventure"over a period of 12 years, all in the month of March. Sandilandss investigation reveals further disturbing similarities; the cause of death in each case was the victims greatest phobia, and an unknown person has marked the anniversaries of their passing by placing a Kashmiri rose on their graves. With Drummond as his assistant and love interest, the detective probes beneath the surface of a society attempting to replicate pre-WWI England in a very different milieu. The political tensions of the time are more than mere background dressing, while the clash of cultures is instrumental to the plot. The likable and plausible Sandilands and other characters, both British and Indian, come across as living, breathing people. The killers motivation proves to be more baffling than his identity, but the solution is satisfying, as is Sandilandss handling of the ethical issues that his uncovering of the truth has raised. Classic whodunit fans should look forward to Cleverlys future efforts. (Sept. 6) Copyright 2002 Cahners Business Information.
Library Journal
In the 1920s, a serial killer targets the wives of Britons attached to the military Bengal Greys near Calcutta. Disguised as accidents, the murders go undetected until the latest, the purported suicide of a young wife, finally attracts the attention of investigator Joseph Sandilands. Recognizing common threads in all five deaths, he dives into a thorough investigation that revisits all the crime scenes. A strongly evocative narrative, sensitive characterizations, artful dialog, and masterly plotting make for an excellent first historical, which won the Crime Writer Association's Debut Dagger competition. Copyright 2002 Cahners Business Information.
From the Publisher
"In her spellbinding debut mystery, The Last Kashmiri Rose, Barbara Cleverly evokes both the enchantments and the dangers of India during the convulsive later days of the Raj."—The New York Times Book Review

"Has just about everything: a fresh, beautifully realized exotic setting; a strong, confident protagonist; a poignant love story; and an exquisitely complex plot."—The Denver Post

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Product Details

ISBN-13:
9780440241560
Publisher:
Random House Publishing Group
Publication date:
08/26/2003
Series:
Joe Sandilands Series, #1
Pages:
310
Product dimensions:
4.18(w) x 6.88(h) x 0.84(d)

Meet the Author

Barbara Cleverly was born in the north of England and is a graduate of Durham University. A former teacher, she has spent her working life in Cambridgeshire and Suffolk; she now lives in Cambridge. She has one son and five step-children. She is the author of seven books in the Joe Sandilands series, including The Last Kashmiri Rose, Folly du Jour and Strange Images of Death. Her Joe Sandilands series, set against the background of the Indian Empire, was inspired by the contents of a battered old tin trunk that she found in her attic.

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THE LAST KASHMIRI ROSE
By Barbara Cleverly

CARROLL & GRAF PUBLISHERS

Copyright © 2001 Barbara Cleverly.
All rights reserved.
ISBN: 0-7867-1059-4

BENGAL 1910

The night before her sixth birthday Midge Prentice woke under her mosquito net and breathed the familiar smells of a hot Indian night. There was the smell of wet khas-khas mats hanging across the doors and windows to keep out the heat of early summer, sweet and musty; there was the smell of the jasmine which grew over the bungalow; there was the bass accompaniment inseparable from India of drains and of dung. But tonight there was something else.

Sharp and acrid, it was the smell of smoke. Midge sat up and looked about her. Running across the ceiling of her room there was a flickering reflection of flames. She struggled out of her mosquito net and, barefoot, stood down on the floor. She called for her father and then remembered he was away in Calcutta. She called for her mother but it was Ayah who answered her call.

`Come with Ayah, now, Missy Baba,' she said urgently. `Come swiftly. Be silent!'

Ayah gathered her up. `Put your arms round me and hold tight. Very tight. Put your feet on mine and we'll walk together as we used to when you were a baby and then the bad, bad men won't see my Missy Baba. If I hide you under my sari they'll just think that Ayah has another baby on the way.'

She swept silky folds over Midge's head and they set off to waddle together towards safety. They had often done this before; it had been a game of her infancy. It was called`elephant walk backwards' and now this clumsy game was to save her life. Midge caught brief glimpses of Ayah's sandalled feet and was aware of others milling protectively about them and then they were in the open air. They were free of the bungalow. Men's voices — Indian voices — shouted harshly, shots rang out, a woman's scream was abruptly cut short and then the roar of the fire as it took hold of the thatch grew deafening.

But then, gravel was crunching under Ayah's feet and she stopped. `Sit here,' she said. `Sit here and keep quiet. Don't move. Be hidden.' And she tucked Midge away amongst the rank of tall earthenware pots overflowing with bougainvillea and zinnia.

In the mess, half a mile away, Jonno crossed and uncrossed his legs under the table and with a slightly unsteady hand poured himself a glass of port and passed the decanter. He was thinking — he was often thinking — of Dolly Prentice, or, more formally, Mrs Major Prentice. He was sure he hadn't imagined that, as he had helped her into her wrap after the gymkhana dance, she had leant back against him, not obviously but perceptibly. Yes, surely perceptibly. And his hands had rested on her shoulders, slightly moist because it had been a hot night, and there had been a warm female scent. What was it she had said when, greatly daring, he had admired? `Chypre.' Yes, that was it — `Chypre.'

And that wasn't all. They had danced close. Not difficult when doing a two-step and she had said, almost out of the blue, `You're getting to be quite a big boy now.' It might have meant anything; it might have meant nothing. But he didn't think so. In memory he held that slender figure in its red chiffon dress as close as he dared.

The young subaltern on Jonno's left was also thinking of Dolly Prentice. He knew she'd only been joking but she had said, `Just bring your problems to me, young man, and I'll see what I can do.' Had she meant it? He thought probably not. But it had been accompanied by a steady and speaking glance and, after his third glass of port, he decided, nevertheless, to take her at her word.

That bloody pony! Fifty pounds! He hadn't got fifty pounds! Why had he fallen for it? He knew only too well why. He'd been goaded into it by Prentice. `Take it or leave it. Pony's yours for fifty pounds but be warned — he takes a bit of riding!' And the clear implication — `Too much of a handful for you!' He thought if he threw himself on Dolly's mercy, she might intercede for him — get him off his bargain. Perhaps she could persuade her husband not to take advantage of a young and inexperienced officer? He didn't like appearing in the role of innocent naughty boy but still less did he like having to borrow yet again.

Then, by God! The pony! In his secret heart he was aware that he couldn't manage it. The pony was vicious. He had made a mess of Prentice's syce. Put him on his back for a week, they said. `Oh, what the hell!' he thought. `Damnation to you, Major Prentice!' And he drained his glass.

The regimental doctor sitting opposite watched him guardedly. He always felt out of place in the elegant company of Bateman's Horse. He tried not to, but could not help contrasting the splendour of their grey and silver mess dress with his own Indian Medical Service dark blue. He was not, in fact, thinking about Dolly Prentice. He was thinking about Prentice. He remembered (would he ever forget?) the public shame that had followed his first greeting at the hands of Major Prentice.

`Tell me, doctor,' he had said,' — we are all so eager to know — from what barrow in Petticoat Lane did you buy those boots?'

It was true that his boots did not come from a fashionable boot-maker. They had come from a saddler in Maidstone and they had looked good enough when he had first tried them on. He was painfully aware that, by comparison with the officers of Bateman's Horse, the `Bengal Greys', he lacked the skintight precision supplied by Lobb of St James's, the skintight precision which forbade anything more substantial inside than a cut-down ladies' silk stocking.

His thoughts turned to Dolly. Dolly with her large eyes and her ready sympathy. How could she bear life with that devil? How could she put up with him close to her? And a vision of Dolly in the arms of Giles Prentice rose, not for the first time, to trouble him. He imagined the heat of an Indian night. He imagined the close confines of a mosquito net. He tried but did not succeed in keeping at bay the vision of Prentice's slim brown hands exploring the surface anatomy which his fervid imagination and medical experience conjured up. Too easily.

The senior officer present, Major Harry, looked up and down the table. Over-bright eyes, mottled faces, desultory and slurred speech — there was no doubt about it, when Prentice was away conversation ebbed and the drink flowed to fill the gaps. And Prentice was away. He had gone to Calcutta for an interview for promotion to the senior branch. `But why Giles? Why not me?' There could only be one of them this time and that one was Prentice. This had been the moment when he might have broken through and God knew when there might be another one.

His career really needed the step. He needed the money. Very soon there would be children to be sent home to school in England. Already his wife was complaining and he was sick of the endless litany — `Nothing to wear ... only one carriage horse ... when can we buy our own furniture?' He had desperately needed this step and now Prentice had it. Pretentious Prentice!

Dickie Templar likewise surveyed the company. On attachment and waiting to join a Gurkha regiment on the north-west frontier, he was glad that he was not to be gazetted into Bateman's Horse. He felt that though they had a glowing past (they had been golden heroes of the Mutiny) they had for too long rested on their laurels and their promotion prospects were not good. And the officers — they bored him. Further than that, they even repelled him. Sick of their company, he rose from the table and made his way to the ghulskhana where, with difficulty, unbuttoning the flap of his tight mess trousers, he stood for a moment aiming largely by memory in the darkness.

It was a fetid little enclosure and with his spare hand he pushed open the window through which instantly there came a murmur of unfamiliar sound. An unfamiliar sound in a crescendo and — there — what was that? A shot. And another shot. Buttoning himself up, he stood on tiptoe and gazed out of the window. There was a yellow leaping flame beginning to spring from one of the bungalows, about half a mile away, he judged. A fire? Yes, there was a fire and now there was a smell of smoke. A fire in the lines? Probably nothing. No one else seemed aware of it as he hurried back to the dining-room.

`There's a fire!' he said. And then again, `There's a fire in the lines!'

In line abreast, the five Greys officers cantered on down towards the disturbance. They clattered into the compound and surveyed with dismay the ruin of Prentice's house. And here they were challenged by a figure in a scarlet mess jacket, his white shirt front blackened. The Braganza Lamb in silver thread on his lapel identified the Queen's duty officer. Four British soldiers, presumably the Queen's fire picket, were hauling on the handle of the fire engine and two more were directing a jet of water into the ruin. Others, faces bound in cloth, made useless attempts to approach. Riflemen stood by.

`What the hell's been going on here?' said Major Harry.

`Disaster! Total disaster!' came the reply. `We did our best but we were too late. Bloody fire engine! About as much good as a water pistol! We organised a bucket chain but we were too few and too late.'

`Too late to save the bungalow?'

`To hell with the bungalow! Too late to save Dolly and Midge Prentice.'

`But they're in Calcutta with Giles! He always takes them with him!'

`Not this time, he didn't! It's Midge's birthday tomorrow — Dolly stayed at home with her for her party. Good God! My girls were going!' He wiped a blackened and bleeding hand across his face. `My girls were to be there,' he said again. `No, there's no sign of Midge or her mother ... must be still in there ... what's left of the poor devils ... The minute this lot cools down enough to get men in we'll look for the bodies. Jesus! And Prentice away! I say — a disaster!'

`But who the hell ...?'

`Dacoits ... we think it was dacoits. Doped up, no doubt — drugged-up courage. In a mood to stop at nothing. It happens. Prentice had been routing them out of village after village and they came for him. Didn't know he was away, I suppose ... Or perhaps they knew only too well! They've chased all the servants off or they've fled. No sign of them anyway. Come crawling back in the morning I dare say and then we'll find out more.'

Dickie Templar had heard enough. He turned aside and blundered into the darkness to hide his distress. He stopped dead. He had heard a faint cry.

From a stack of tall flowerpots there emerged a ghost-like figure: Midge Prentice, white face a mask of terror, her bunched nightie gripped convulsively in a small hot hand. Dickie fell on his knees and gathered her in his arms, sobbing, kissing her face and holding her to him, murmuring childish endearments. `You got out!' he said at last. `You got out!' And then, `Where's Mummy?'

For reply, the child pointed dumbly to the smouldering ruin of the house.


Excerpted from THE LAST KASHMIRI ROSE by Barbara Cleverly. Copyright © 2001 by Barbara Cleverly. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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