Last Kiss

Last Kiss

3.7 36
by Luanne Rice
     
 

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New York Times bestselling author Luanne Rice returns to Hubbard’s Point, Connecticut, and to characters from her beloved Beach Girls, to tell the haunting story of a close-knit community grappling with a heartbreaking mystery, and of a woman rebuilding her world and reclaiming a love she believed lost a lifetime ago.

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Overview

New York Times bestselling author Luanne Rice returns to Hubbard’s Point, Connecticut, and to characters from her beloved Beach Girls, to tell the haunting story of a close-knit community grappling with a heartbreaking mystery, and of a woman rebuilding her world and reclaiming a love she believed lost a lifetime ago.

A face on a poster, a name in the news, an inexplicable tragedy. A promising young man goes out one warm summer evening and is found dead—murdered—less than twenty-four hours later. No motive. No clues. No answers. Most people reflect briefly on the disturbing headlines, perhaps say a silent prayer of safely removed sympathy, and go on with their lives. But what if the young man was your son? Or your true love?

Nearly a year after the death of eighteen-year-old Charlie, singer-songwriter Sheridan Rosslare still hasn’t played a note of the music that was once her life’s passion. Tucked away in the beach house where she raised her only child, she lives with her memories of him and a grief too big to share even with her beloved sisters or her dear friend Stevie Moore. Nor can Stevie comfort Charlie’s heartbroken girlfriend, Nell Kilvert, whom she regards as a daughter. Nell won’t rest until she finds out what really happened to the boy she loved. Out of the past she summons a man she believes cares enough, and is tough enough, to uncover the truth—Sheridan’s long-ago soul mate, Gavin Dawson.

Now Gavin’s boat, the Squire Toby, sits anchored in the harbor within sight of the window of the woman he once loved, still loves, and will always love. Sheridan, too, had once fervently believed in the miraculous power of love and healing, forgiveness, connection, and reconnection. But that faith died along with her son….

Unfolding among the Hubbard’s Point people and places that fans have come to treasure, and replete with feeling and mystery, Last Kiss weighs the power of the past to heal as well as wound, in a captivating tale of love, loss, and redemption that no reader will ever forget.

Editorial Reviews

Publishers Weekly

Rice makes a solid return visit to the Hubbard's Point, Conn., setting of Beach Girls(2004). As the book opens, a year soaked in Wild Turkey has passed since singer/songwriter Sheridan Rosslare lost her son, Charlie, in a random New York mugging. While Sheridan drowns her sorrows, Charlie's girlfriend, Nell Kilvert, is more assiduous; she hires private investigator Gavin Dawson to prove there was nothing random about Charlie's death. For his part, Hubbard's Point native Gavin, a New York transplant, had pretty much written off Hubbard's Point after Sheridan, once the love of his life, dumped him for his wild and reckless ways years before. Now, older and wiser, he's still in love with Sheridan and wants to start over, but Sheridan's grief soon proves a formidable obstacle. An element of supernatural whimsy, a dark secret involving a trust fund and a disturbing question related to Charlie's estranged father, Randy, add complexity, while cameos from other Beach Girls characters contribute an engaging, homey touch. (Aug.)

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From the Publisher
“An element of supernatural whimsy, a dark secret involving a trust fund and a disturbing question related to Charlie's estranged father, Randy, add complexity, while cameos from other Beach Girls characters contribute an engaging, homey touch.”—Publishers Weekly

Product Details

ISBN-13:
9780553589764
Publisher:
Random House Publishing Group
Publication date:
06/23/2009
Edition description:
Reprint
Pages:
480
Sales rank:
470,021
Product dimensions:
4.20(w) x 6.96(h) x 1.05(d)

Read an Excerpt

Chapter One


NELL KILVERT LAY BACK ON THE GRASS, HEARING THE breeze rustle the leaves overhead. Her bikini was salt-and sun-faded, a pretty shade of rose; around her waist she wore a beach towel, still damp from her last swim. Around her ankle she wore a strip of cloth, so ragged it looked ready to fall off. Charlie had tied it there three hundred and fifty-something days ago, just before leaving Hubbard's Point for college, at the end of last summer.

Her long hair was dark brown. She had cat eyes: green, almond-shaped, unblinking. Right now there were tears pouring down out of them, into her ears, as she stared up at the gorgeous blue sky.

"It's so beautiful," she whispered.

"I know. So why are you crying?"

"Because he can't feel it . . . he'll never feel summer again."

"Why do you come here?"

"So I can be near him."

The boy—his name was Tyler—stared at her. She knew he was there, kneeling beside her, but she blocked him out. She focused completely on Charlie. Closing her eyes, she could imagine him right here with her.

The cemetery was quiet. Located behind Foley's Store, right in the middle of Hubbard's Point—between the train bridge that separated the beach from the rest of the world, and the Sound—it was filled with tall trees. And it was filled with graves. One of them was Charlie's.

Nell lay on the ground by Charlie's headstone. She came here often, at least once a day, before or after work at Foley's, carefully timing her visits to avoid seeing his mother. Not that she didn't like Charlie's mother—Nell visited Sheridan often. They would sit quietly in the dark house, sometimes talking, sometimes not. Nell would look at the silent guitars and remember how when Charlie was young, his mother had filled their house with music. Nell craved those times with Charlie's mother, her companion in grief. But here at the grave, Nell knew Sheridan needed her own time with her son.

"Don't you ever get spooked here?" Tyler asked, so close she could feel his breath on her forehead.

"Why would I?" Nell asked.

"Well, because it's a graveyard."

"Once someone you love dies, you're not scared of graveyards," she said.

"Huh," he said, sounding unconvinced. An old tree creaked in the breeze, making him jump. She knew he'd like to book out of there, head down to the sun and fun on the beach, but he wouldn't leave her.

Nell had an effect on boys. It mystified her. It had started with Charlie, of course. She'd loved him as long as she'd known him. They'd spent the last few summers together, right here at Hubbard's Point. He was the wildest boy at the beach, like a mustang running free. No one had been able to tame him, no one but Nell. That's why he'd called her the Boy Whisperer. . . .

It still fit. Even though the beach boys all knew she was still in love with Charlie, they wanted to be with her. They wanted to tell her their secrets. She thought maybe it was the whisper of tragedy that surrounded her. Her mother had died when she was young. Her father had lost it big-time, until Nell had brought him together with Stevie Moore, the artist most people considered a witch. Now Stevie was virtually Nell's stepmother, and the beach boys probably thought her witchiness had rubbed off on Nell. They dreamed of sex spells. And after Charlie's murder, the boys had come flocking even more.

But Charlie had had the magic, too. He was the great-grandson of Aphrodite, the doyenne of Hubbard's Point beach magic. Her magic book had been the source of many of Charlie's mother's best songs, but not the inspiration for the film Charlie had wanted to make. As much as he disavowed it, Charlie had inherited his family magic; Nell used to tease him, that he had it in his kiss. The other beach boys wanted to make Nell forget Charlie's kisses. . . .

Nell lay beside his headstone, staring down her right leg at the strip of beach towel he'd tied around her ankle last summer. It was all she had left of him. She wondered how he'd feel to know about the other boys. He'd never been the jealous type in life. He hadn't needed to be, and he still didn't now. He was her only one.

She closed her eyes, and even with Tyler beside her, she let herself dream of Charlie. He'd been so comfortable in his own skin, in his own life. He'd wear jeans and a T-shirt, even when they were supposed to get dressed up for candlelit beach dinners at their parents' houses. Well, his mother's. His father was a no-show.

That's what Charlie had called him. Just one of those dads who bailed on their kids, no real explanation other than the fact they didn't feel like showing up to raise their children—the opposite of Nell's dad. Charlie was casual, tough, a little hardened by growing up without a dad. He'd had to figure things out by himself.

But oh . . . he'd figured them out so well.

He was competent. Nell found it sexy as hell, too—the way he could do anything he set his mind to. He could fix her car, catch huge stripers, identify raptors, film equally well using digital or Super 8. He had an artist's eye but a rugged soul. His mom had gently steered him into therapy, to deal with his father's absence, and Nell knew he'd gotten into the habit of figuring himself out. He was rigorous with himself.

He'd been so practical, while his mother and her family had been so driven by magic. His mother was in touch with the spiritual, but Charlie had insisted on staying real, right in the world as it is. It was how he'd survived the disappointment of missing a father he never really knew. His mother had made up for it the best she could, trying to heal Charlie's deep scars. And they were deep, Nell knew—but he'd learned to take care of himself.

He'd think about things. That might sound so normal, so regular, but what eighteen-year-old boys do that? He'd really consider his choices, and if he did something he was sorry for, he'd always make it right. He was introspective while at the same time being tough. He was very physical, ran cross-country in school. He'd been captain his senior year, and he was known for taking the team on adventures.

He'd run the team into Cockaponset State Forest, straight into the sixteen thousand acres of woods, made them find their way out. Another time he'd led them across the Connecticut River, over the catwalk beneath the Baldwin Bridge, one hundred feet up above the water.

He'd loved the woods, he'd loved rivers, he'd loved running. And he'd loved Nell.

They'd kiss. He'd make her tell him what felt good to her. She liked having her hair brushed, and he'd done that for her. Her big, muscular boyfriend had sat next to her, on the mattress in the attic, brushing her hair. She could almost feel it now, the way he'd kiss her neck while he was doing it. The memory made her tremble, because it felt so real and she knew it wasn't, and she knew she'd never feel it again.

"Oh," she whispered.

Tyler leaned over, touched her lightly. He stroked the inside of her left arm, but that's not what gave her goose bumps.

"What are you thinking?" he asked.

"I can't talk about it," she said.

"Charlie, right?" he asked, sounding disappointed.

"Of course. . . . And about where I have to be," she said, sitting up.

Grabbing Tyler's wrist, she checked the time on his watch. Nearly four. That gave her an hour to get to her appointment—five o'clock, an hour from right now. She'd timed it for her day off from waitressing at Foley's. She'd seen the big boat come in last night. Partying at Little Beach with the other kids, she'd watched it round the Point and drop anchor off the breakwater.

She stood up, brushing dry grass from her sweaty skin. Tyler put his arm around her, but she gave him a look and he dropped it. He stepped back, giving her a moment. She stared at Charlie's headstone, at the name and dates. It seemed impossible in ways too huge to grasp, that last summer he had been her boyfriend and so alive and so strong, and that this summer he was buried in the ground, and all that remained were words carved in stone. The breeze made her shiver.

The shiver went deep, into her bones. She backed away, then headed toward the gravel path with Tyler, toward the beach and the boat and what she hoped would turn out to be the answer.

***
SHERIDAN WORE HER OLD straw hat and yellow gloves, kneeling in the garden and digging in the earth. The soil was stony, but things grew anyway. It amazed her, the way the most beautiful flowers could take hold of so little, bloom all summer long. She grew roses and morning glories, clematis and delphinium. Day lilies, orange and yellow, bloomed along the privet hedge.

Her favorite patch was the least showy: the herb garden. A raised stone circle, no bigger than a beach umbrella, was filled with rosemary, sage, wild thyme, mint, lemon verbena, lavender, and burnet. Her grandmother had used these herbs to make magic. Blind and unable to read, she had gotten Sheridan and her sisters to read the spells from her magic book. So many of the spells had involved plants right here in the round garden.

Some of the herbs came back year after year: reseeded themselves, survived the harsh winter and salt wind. Others Sheridan would replant—she'd take trips to the farm stand, buy flats of herbs, and bring them home.

Long ago, Charlie had helped her in the garden. Those times were engraved in her memory—even now, she could feel him right here with her—four years old, digging in the soil with his little spade. She could see him so clearly, laughing and pretending he was a pirate burying his treasure.

No, sweetheart, she'd say, watching him empty his pocket, pour pennies into the hole he'd just dug. Don't bury your ice cream money. Plant the herbs instead.

But, Mom, he'd say, pirates always bury their treasure.

Then what will they do when they want a Good Humor?

They'll ask their mothers to get them one!

He'd thrown his arms around her, streaking her with mud. She hadn't minded at all. She could say that for sure—getting dirty in the garden was part of the fun. Letting him plant his spare change—it had been so adorable. They'd dig and plant and water, wedge his nickels and dimes and pennies into the soil, and then they'd head down to the beach, dive into the waves, let the salt water wash them clean.

Or was that true? Hadn't she gotten the tiniest bit impatient with him? Maybe more than a tiny bit? Had she spoken sharply about the value of everything, wanting him to appreciate what he was given? And most of all, to grow up to be different from his absent father? She'd wanted him to know, to really understand, that people worked hard for their wages. She'd wanted him to learn to value what was important—and certainly not just money.

Once when he was a teenager, he'd accused her of turning everything into a lesson. Why can't things just be? he'd asked. Why does everything have to add up to some big message? Does every story have to have a moral?

"Every story doesn't have to have a moral," she said out loud now, pulling up weeds. A seagull perched on the peak of the roof, letting out a raucous cry. She ignored it, focusing on the garden.
If anyone should know about stories not needing morals, it was Sheridan. Her songs, inspired so much by her grandmother's bright arts—love magic, the opposite of the dark arts—were about moments in time. Today, yesterday, this second, last night: specific moments of love and connection. Aphrodite's book of spells had been about lightning bolts of love: not about the whys or what-ifs.

Her cottage overlooked the beach and bay; she had her back to the blue water. It was a bright summer day, but she couldn't wait for nightfall. Days were hard. Her son should be home for the summer, having completed his freshman year of college.

They had loved their summers here at Hubbard's Point, and her body was still on Charlie-time. She couldn't help it; mornings, she'd wake up thinking she had to get him up for his summer job as lifeguard. He'd taken his responsibility seriously—keeping his eyes on all the swimmers. He'd especially watched all the little kids, and once an old man had needed reviving, and Charlie had resuscitated him.

Sheridan had known what a huge heart Charlie had, and how much he wanted to help. It was almost as if his father's inattention—his abandonment—had brought out every bit of kindness and care in Charlie's being. Sheridan worked overtime to make him feel loved, trying to make up for the fact his father had never been there. She'd poured all her love into her son, so badly wanting him to turn out well adjusted, happy, self-confident, and kind. She knew how kids with absent fathers fought an uphill climb in life; the hole in their hearts where their fathers' love should have been was almost impossible to fill. She knew that such kids were at risk for bad relationships, for not being able to bond.

But that wasn't Charlie.

Noontime, on his break from lifeguarding, she would head for the kitchen to make him a sandwich; now, instead, she'd pour herself a drink. Afternoons, she'd think about heading down for a swim, figuring she'd see him sitting on the lifeguard chair, watching out for the swimmers. Or taking a break, racing Nell out to the raft. More drinking, less thinking.

"Hey there."

Looking over her shoulder, Sheridan saw Stevie Moore coming up the hill, carrying a cloth-covered wicker basket. She wore a paint-streaked smock, which, as voluminous as it was, couldn't quite cover her pregnant belly.

"What are you doing out on such a hot day?" Sheridan called.

"All I want to do is walk," Stevie said. "It's the strangest thing."

"Maybe that means it's almost time . . ."

"I'm not due for another four weeks, but have you ever seen anyone so huge?"

Sheridan tried to smile, moving her trowel and watering can, giving Stevie a hand so she could settle herself onto the herb garden's low stone wall. Reaching into the wicker basket, Stevie pulled out an old-fashioned jar.

"Beach plum jelly," she said, handing it to Sheridan. "I've been putting up preserves."

Meet the Author

Luanne Rice is the author, most recently, of Last Kiss and Light of the Moon, among many other New York Times bestsellers. She lives in New York City and on the Connecticut shore.

Brief Biography

Date of Birth:
September 25, 1955
Place of Birth:
New Britain, CT

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Last Kiss 3.7 out of 5 based on 0 ratings. 36 reviews.
Guest More than 1 year ago
Having read all of Luanne Rice's other books and liked them, I expected The Last Kiss to be good. It wasn't just good, though...it was perfect. With great character development, an excellent grabs-and-keeps-your-interest plot, and a three-tissue ending that could not have been improved upon, it's a winner. If it were possible to give a novel ten stars, that's what I'd give this one.
m_Lou More than 1 year ago
I fell in love with the characters, they were easy to picture and understand their personalities. I couldn't put it down when things started to unravel toward the end. I'm not saying it took that long to be caught up in it, because I was hooked in the first two chapters, just that the end had me on pins and needles.
km10 More than 1 year ago
A heart touching story full of everlasting memories, and many moments that you can relate to your personal life. Nell finds herself desperate to know exactly what happened to her boyfriend, Charlie. He got murdered on a lovely night in NYC. Nell wants to know who did it, and why. She knew he was a lovely person, and she knew he had never done anything to anyone that would make them seek revenge. She hires a private detective to figure these things out. But, as the private detective remembers his past with Charlie's mom, he begins to fall in love once more. The love Charlie's mother and Gavin- the detective - had, and have for eachother is outstanding. Gavin isn't only figuring out the case for Nell, but for Charlie's mom too. The book uncovers tons of unbelievable things that will have you thinking thoroughly. And when the case is unwrapped, and they figure out what really happened, life is different in many ways forever. What will happen? What will be uncovered? Last Kiss is a must read...if you want to know what a real book is.
raeswords More than 1 year ago
This is an easy read. The characters are great and the story chilling. A good read on a hot night. I really had fun reading this one. I hpoe you enjoy!!!!
Guest More than 1 year ago
Ok so it isn't as good as Beach Girls and there are some slow parts but the last few chapters are the great Luanne Rice . The characters are so real and the emotions are very deep.I liked how she included characters from Beach Girls into the story. It helped make it more real.
Anonymous More than 1 year ago
Louanna Rice - always worth reading.
Anonymous More than 1 year ago
I just finished this book. I loved it. People who love a good romance/mystery should check it out.
scoey1 More than 1 year ago
This book was great and I couldn't put it down! Love Luanne Rice!
Anonymous 8 months ago
One of her beat books. I want to go to Hubbards Point.
Anonymous More than 1 year ago
This is the first Luanne Rice book I have read that I didn't like - it moved tortuously slow. Too much time was spent repeating and repeating the characters' feelings. Almost every character was dysfunctional. I really had to work to even finish the - extremely disappointed.
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