Doesn't Quite Match Gates of Fire
Seeking a reprise of Steven Pressfield's marvelously executed GATES OF FIRE, I happily ordered this book shortly after it came out. And it proved to be nicely done, no doubt about it. Yet it was somewhat overwritten, I fear, and evidenced a loss of that authorial discipline which may come on the heels of previous successes, when one, who has written some bang-up bestsellers, feels he is free to stretch his artistic wings in new and unheralded ways. This tale is told in a multiplicity of voices, all filtered through a single voice, and is, therefore, rather complex in its unfolding, as an old woman of Athens recounts to her female audience her recollections of Amazon history and prowess, mostly recalled through the eyes of others who were participants in the story and who subsequently relayed their recollections to her. This device, while intriguing, was somewhat tirsome and, truth to tell, not entirely convincing. Though the tale moved forward smartly enough most of the time, it faltered, I think, as it approached its end and Pressfield sought to sustain the narrative beyond its natural reach. It seemed, in fact, to go on interminably as each chapter which should have ushered in a dramatic end to the tale was succeeded by another and a further development. There is a surprise waiting on the final pages but by the time I'd gotten to it, I'd nearly lost interest. In truth, Pressfield has here done a very nice job of recreating what might have been the world of the Amazons on the southern steppes of today's Russia, and that clash of cultures which may have occurred when Bronze Age Greek adventurers stumbled across them, as seems to be echoed in the remnants of old Greek legend, but his story is over the top in the end. He takes too long to spin out the tale and the complex artifice he has adopted for the telling works against the matter. More, his characters never spring fully to life. I could not easily differentiate Damon from Elias, or even the idealized Theseus (with whom I could never entirely empathise) from Prince Atticus, while Eleuthera and Selene and Antiope and Hyppolita all seemed to me little more than archetypes. The writing, indeed, was expansively poetic and in places well-wrought enough to move me but there was too much of this, as well. Over and over again, the narrators, Selene or Damon, through the voice of Bones, repeat the same chant-like litany of names and peoples. It grew to be too much and overly distracting. In sum, I am led to conclude that Pressfield, riding the crest of his recent successes, has here let himself go artistically . . . and who is to nay-say such a successful writer? Unwilling or unable to bring his narrative to a natural conclusion, he lets it spin out too long, with apparent ending after apparent ending, until the reader (or this reader at least) grows tired of the effort. While the first half was brisk and enjoyable to read, the second, with its war against Athens, was much slower, despite the action on the field, and marred by an overemphasis on the military campaign to the detriment of its participants' characters. He did, as already noted however, do a very fine job of bringing the legendary Amazon nation to life, even if his characters were less than real. It's painful to be so critical here since I am a fan of Pressfield since GATES OF FIRE, but I suppose it is hard to sustain the champion's pace all the time. SWM
Was this review helpful? Yes NoThank you for your feedback.
Report this reviewThank you, this review has been flagged.