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The Last of the Mohicans (Barnes & Noble Classics Series)

The Last of the Mohicans (Barnes & Noble Classics Series)

3.6 325
by James Fenimore Cooper, Stephen Railton (Noted by)

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The Last of the Mohicans, by James Fenimore Cooper, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble


The Last of the Mohicans, by James Fenimore Cooper, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

  • New introductions commissioned from today's top writers and scholars
  • Biographies of the authors
  • Chronologies of contemporary historical, biographical, and cultural events
  • Footnotes and endnotes
  • Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
  • Comments by other famous authors
  • Study questions to challenge the reader's viewpoints and expectations
  • Bibliographies for further reading
  • Indices & Glossaries, when appropriate
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

During the fierce French and Indian wars, an adroit scout named Hawkeye and his companion Chingachgook weave through the spectacular and dangerous wilderness of upstate New York, fighting to save the beautiful Munro sisters from the Huron renegade Magua.

The Last of the Mohicans is the most popular of James Fenimore Cooper’s five Leatherstocking Tales. With its death-defying chases and teeth-clenching suspense, this American classic established many archetypes of American frontier fiction.

An engrossing “Western” by America’s first great novelist, The Last of the Mohicans is a story of survival and treachery, love and deliverance.

Stephen Railton, Professor of English at the University of Virginia, has written books on Cooper, Mark Twain, and the American Renaissance, and has created major websites on Twain, Uncle Tom’s Cabin, and American culture.

Product Details

Barnes & Noble
Publication date:
Barnes & Noble Classics Series
Product dimensions:
5.75(w) x 8.44(h) x 1.38(d)

Read an Excerpt

From Stephen Railton's Introduction to The Last of the Mohicans

We must not fall for the fiction Cooper uses to organize the story he tells in The Last of the Mohicans. There has never been a “last” Mohican. The tribe Cooper refers to by that name survives to this day, on a small reservation in Wisconsin. According to Cooper’s version of the Mohicans’ story, the death of Uncas in the middle of the eighteenth century is the last act in the tragedy of a once-mighty nation. There are a number of tragic elements in the real history of the people who, when they learned to write English, referred to themselves as the Muhheakunnuk or Moheakunnuk, but the story they have written with their actions is that of a people who, while remaining true to key elements of their heritage, made great efforts to adapt to and earn a place in the new world that descended on them with the arrival of the traders and settlers from Europe.

As Patrick Frazier recounts that story in The Mohicans of Stockbridge, the tribe accepted Christianity about two decades before the events Cooper dramatizes in the novel; two decades after the supposed death of the last Mohican, they fought on the American side during the Revolutionary War. When the tribe relocated from Massachusetts to the vicinity of New York’s Oneida Lake in the mid-1780s, just a few years before the infant James Cooper was carried to Cooperstown on the banks of nearby Lake Otsego, they took with them a letter from George Washington attesting that the Muhheakunnuks “have fought and bled by our side . . . as our friends and brothers . . . [and] as friends and subjects to the United States of America.” No efforts could stop the tide of white pioneers from diminishing their population and driving them farther west, but like nearly all the original Native American tribes, they survived despite the centuries of cultural loss, economic dispossession, white aggression, discrimination, and neglect.

That true story, however, is one the United States is still reluctant to tell, and repressed almost completely throughout the nineteenth century as the pioneers moved westward across the continent. On the other hand, Americans loved the story Cooper tells in Mohicans. Published in 1826, it was Cooper’s sixth novel; he was already America’s most successful novelist, a position he held through most of his career, and among the thirty-two novels he wound up writing before his death in 1851 were a number of best-sellers. The Last of the Mohicans was first among them all: his most popular book, and one of the most widely read American novels ever. Like most of Cooper’s novels, especially those he wrote in the first half of his career, it derives from the model of the historical romance that Walter Scott established in Waverley (1814). The subtitle of Cooper’s novel—A Narrative of 1757—echoes Waverley’s subtitle, ’Tis Sixty Years Since, and in his preface to the book’s first edition Cooper warns mere novel readers that by “narrative” he means historical fact, not imaginative fancy. But the project of The Last of the Mohicans is myth making, not history writing, and the myth it makes served contemporary readers precisely by replacing history as the nation was enacting it with a story about the fate of the Indians that both moved and reassured the whites who were in fact (but not in Cooper’s fiction) the agents of that fate.

As Cooper tells the story, the first person to label Uncas “the last of the Mohicans” is actually his own father. Chingachgook himself is still a vigorous warrior, and the narrative repeatedly refers to Uncas as “young” and “youthful”—that such a father would be anticipating the death of such a son rather then looking forward to his eventual marriage and children seems to violate the truths of the human heart, but as Cooper tells the story, even Uncas accepts his ominous title. In fact, he enters the narrative exactly at the moment in chapter III when Chingachgook tells Hawkeye that when Uncas dies the whole tribe will be extinct, “for my boy is the last of the Mohicans.” “Uncas is here!” is the next line, as “a youthful warrior” steps out of the woods to join the conversation. “Here,” this introduction to him implies, “but not for long”—Uncas will figure throughout the novel as a character with an expiration date. As a rescuer of the story’s two white heroines and as the lost prince of the Delaware nation, Uncas is regarded by both the narrator and the white characters with considerable admiration. His head may be naked except for its “scalping tuft,” but the narrative calls it “noble.” Alice looks upon him as a heathen, “a being partially benighted in the vale of ignorance,” but she also associates his “graceful,” “dignified,” “pure,” and “proud” form with classical ideals, “some precious relic of the Grecian chisel.” Cora goes further: “Who that looks at this creature of nature, remembers the shade of his skin!” To her, that’s a rhetorical question, but her companions’ “short and embarrassed silence” in reply keeps the line between races firmly in place. Combined with the epithet “the last,” that racial boundary lets readers know that all the sympathetic admiration they bestow on Uncas is extended provisionally. Within those limits, the narrative allows Uncas to grow increasingly heroic. After the first rescue scene, for example, while his father scalps the Mingoes they’ve slain, Uncas hurries with Duncan, the white officer and gentleman, to the side of the two white maidens. Duncan is not ashamed to cry at the sight of their deliverance. Uncas doesn’t go that far, but his eyes nonetheless “beam with a sympathy that elevated him far above the intelligence and advanced him probably centuries before the practices of his nation.”

While that sentence doubtless sounds patronizing, if not racist, to most twenty-first century readers, Cooper’s books display more respect and admiration for Indian characters like Uncas than was the norm in his culture. Indeed, his depiction of Uncas as so noble a savage came under attack from a number of critics. A novel like Robert Montgomery Bird’s Nick of the Woods (1837), also a best-seller, was written expressly to contest Cooper’s “poetical illusions” and “beautiful unrealities” by describing instead what Bird in his preface calls “real Indians,” who are unrelievedly “ignorant, violent, debased, brutal.” Mark Twain made the same argument in Roughing It (1872), and began a sequel to Adventures of Huckleberry Finn (1885) that takes Huck and Tom into the Indian Territory so he can debunk Cooper’s romances by exposing the boys to a series of atrocities committed by treacherous Indians. In 1851, shortly before Cooper’s death, the Chippewa chief and activist George Copway publicly thanked the novelist for having created Uncas as a “hero” who “possesses all the noble traits of an exalted character,” an Indian whom Native Americans could read about with pride. Yet although Cooper advances Uncas centuries ahead of his tribesmen, he is careful never to suggest that the last Mohican could progress to the point where he belongs inside American civilization. He lifts Uncas high enough to make his passing tragic—but readers mourn for him at the end, as they admire him throughout, from within the safety of a world out of which he has already disappeared.

Meet the Author

The creator of two genres that became staples of American literature — the sea romance and the frontier adventure — James Fenimore Cooper (1789-1851) was born in New Jersey, raised in the wilderness of New York, and spent five years at sea before embarking on his successful writing career. Among Cooper’s many novels, his best-known books are the five "Leatherstocking" tales — including The Deerslayer and The Last of the Mohicans — each featuring the fictional hero Natty Bumppo.

Brief Biography

Date of Birth:
September 15, 1789
Date of Death:
September 14, 1851
Place of Birth:
Burlington, New Jersey
Place of Death:
Cooperstown, New York
Yale University (expelled in 1805)

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The Last of the Mohicans 3.6 out of 5 based on 0 ratings. 325 reviews.
Guest More than 1 year ago
I read a chapter, and almost put it back on the shelf. But if you can make past the first two chapters, you won't be disappointed. After the slow beginning, the pace never slackens, and the characters and plot are engaging and lively.
Guest More than 1 year ago
This by far is a great book. The first chapter is a bit hard to understand, but it grows from there to become a novel of suspense. I highly recommend this book for those who like a book that will keep you on the edge of your seat.
jenmurph21 More than 1 year ago
I almost don't know what to make of this story. At times I hated it but then there are other sections that I really loved. I enjoyed the character of Cora Munro and wish she said and did more in the book. I thought Cooper used way too much description when writing his scenes, and it distracted from the storyline. There are a lot of sections where he could have said the same thing in about half the time. The verbal assault he puts the reader through is annoying and it takes away from the actual plot. After reading the book I decided to watch the 1992 movie version, which surprisingly I enjoyed much more than the book. The movie isn't anything like the book, it has the same characters and the same overall plot, but other than that the movie has a totally different tone than the book did, and I think that's what appealed to my 21st Century brain. I'd recommend only if you want to broaden your knowledge of early American novelists and see just where American literature came from. If you're looking for pure entertainment, just watch the movie with Daniel Day Lewis.
Anonymous More than 1 year ago
The guy's name is Hawkeye
Anonymous More than 1 year ago
Dont ask and if your wandering yes my name is cora
Anonymous More than 1 year ago
Ok it's either someone was having way too much fun with this review thing or they actually wrote a suicide letter on a book review. If that's the case then they really are stupid. Suicide is never the answer! The deffinition of suicide is a permenit solution for a temporary problem. My advice is don't ever try to commit suicide, unless you wanna go to Hell. By the way if you have ever seen M*A*S*H 4077 the tv show about the Korian war then you would know that the main character gets his nick-name from this book HAWKEYE is the name and he's a surgine the other most memberable character is RADAR but he's not really important. This has nothing to do with the book just so you know. Remember my advice and take it to heart NO SUICIDE.
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The Alpha Den. + siggy test
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could not read becasue of typos
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Excellent read. Easy to read and Navigate on the nook. I will buy the rest of the series from this publisher.
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