Last of the Old Guard [NOOK Book]

Overview

The American master Louis Auchincloss offers an intimate look behind the closed doors of a prominent New York law firm.

Nearing the end of his days, Adrian Suydam, half the partnership of the law firm of Suydam & Saunders, reflects on his lifelong friendship and business relationship with Ernest Saunders, a tragic and complicated man incapable of properly loving anyone. ...
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Last of the Old Guard

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Overview

The American master Louis Auchincloss offers an intimate look behind the closed doors of a prominent New York law firm.

Nearing the end of his days, Adrian Suydam, half the partnership of the law firm of Suydam & Saunders, reflects on his lifelong friendship and business relationship with Ernest Saunders, a tragic and complicated man incapable of properly loving anyone. In this perceptive novel, set against the backdrop of old New York, Auchincloss exposes the temptations and vicissitudes that thrust his characters toward unforeseen fates.

Drawing on his career as a wills-and-trusts attorney, Auchincloss elegantly brings to life a stratum of society that few have seen. Through interwoven tales of family members, clients, and such notables as Teddy Roosevelt and the Astors, readers get an insider’s look at a secretive world. Touching, comical, and erudite, Last of the Old Guard is both a revealing history of a high-profile law firm and an intimate portrait of a poignant friendship between two men.
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Editorial Reviews

Publishers Weekly

"Private papers left by the dead may present difficult problems for the survivor," Auchincloss writes in his latest chronicle of the WASP wealthy, and they do for Adrian Suydam, "an American gentleman of the old school," who sets about writing the biography of his deceased corporate law partner, Ernest Saunders. It's 1944, and grand old New York is in its full glory as Adrian digs into Ernest's past (and, by virtue of their close relationship, his own), touching on muffled scandals that could threaten "the old order of the wellborn and highly educated." The tone is cool and reserved as Adrian examines how Ernest's passionate devotion to the firm-founded in 1883-precludes him from finding true love and how his colleague foresees the loss of "the homogeneity, the esprit de corps, the intimacy" that "the changing conditions of modern law practice" presage. The law partners' friendship constitutes a classic fraternal love story, and Auchincloss, for all his narrative stuffiness, effortlessly conjures a bygone world of privilege. (Dec.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal

This understated novel recounts the partnership between Ernest Saunders and Adrian Suydam, who founded a New York City law firm in the early 1900s. The story, as told by Adrian, shows how their lives evolved in the social and economic landscape of elite New York society from the Gilded Age through World War II. What is striking here is the subtlety, with Auchincloss (The Headmaster's Dilemma) precisely delineating some of the great issues of the time by viewing them through a very human lens. As Adrian reconstructs his experiences, he also relates the country's growing pains and its history from an insider's perspective; he even rode with Teddy Roosevelt up San Juan Hill. The firm's clients are some of the most powerful movers and shakers of the day, and Adrian, as both a part of the narrative and a dispassionate observer, speaks with a measured authority that is a pleasure to read. Recommended for public and academic libraries.
—Henry Bankhead

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Product Details

  • ISBN-13: 9780544107601
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 9/24/2012
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 224
  • Sales rank: 1,186,978
  • File size: 544 KB

Meet the Author

Louis Auchincloss was honored in the year 2000 as a “Living Landmark” by the New York Landmarks Conservancy. During his long career he wrote more than sixty books, including the story collection Manhattan Monologues and the novel The Rector of Justin. The former president of the Academy of Arts and Letters, he resided in New York City until his death in January 2010.

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Read an Excerpt

The death of my famous law partner, Ernest Saunders, my lifelong friend and exact contemporary, two years ago, in 1942, at the age of eighty-four, has left me the prey, not only of a peculiar loneliness, the perverse kind that waits on one who is still surrounded by a persistently friendly world, but also the kind that is flooded by the ungovernable tide of mixed reminiscence that inundates the emptiness of old age. Ernest, in his last two years, had tried to distract me from the grief of losing my wife and no longer having enough to do at the office — for, unlike him, I had largely retired — by inducing me to write a history of the firm, and this I had done, as will attest the fat red privately printed Saunders & Suydam, resting unread in the library of every large New York firm. It is only natural that such histories are consulted only by lawyers checking the index to see if they are mentioned, as it cannot be expected that the author will reveal any failures of his institution or regale the reader with detrimental anecdotes about clients.     It was for this reason of professional tact that I have used in my history only half of the material available to me. There are private memoranda and personal letters in my file no part of which have appeared in my book. Yet they unquestionably contribute to a fuller understanding of the complicated personality of Ernest Saunders. So what to do with them? I finally decided to put them together in this compendium and leave it to my conscientious son, Robert, himself a member of the firm, my "blameless" and faithful Telemachus, "discerning to fulfill this labor," to dispose of as he sees fit. He may well choose to destroy them, in whole or in part.     I share the double name of our great corporate law firm — Saunders & Suydam — which we have never changed, despite our mammoth growth, since he and I founded it in 1883, thus avoiding squabbles among new partners — but my share of the power has been similar to that of the second or third consul in the consulate of Napoleon. Yet Ernest never forgot, for all his reputation as one of the nation’s greatest corporation attorneys, that he and I first hung out our shingle as a simple duo with one secretary and that I brought in the first big client.     "It was you who really got us started, Adrian," he constantly reminded me. "And when my tongue was sometimes a bit too acid, it was you who kept people from walking out the door. I may have been feared, but you, old boy, were always loved. And I’m not such an ass as not to know what too many people think makes the world go round."     Ernest wanted my history of the firm to be a monument to the institution he had largely created. He saw it as one of the vital forces that kept the too rapid industrialization of a virgin land within the limits of law. He took a good deal of credit for this. And it was not to dwell on the more personal aspects of this struggle that he wished to dedicate its history. For a fuller comprehension of how it all worked — or at times didn’t — one must gain some insight into the personality of Ernest Saunders. Where I wish to speak the whole truth — insofar as it is possible for any man to do so — is to describe my personal reactions to everything about Ernest: my doubts, my enthusiasms, and my changing aspirations in the legal career that I have shared with him. His story and that of myself, Adrian Suydam, are inextricably entwined.     I have had what most people would call a happy and successful life. My sole marriage brought me joy and two children; I have made many good and trusted friends, some in high places; I have accumulated a considerable fortune, and the reputation of my law firm has already been touched on. I have also enjoyed rude health and what I have often been told are striking good looks. But the question remains: Have I made the best use of my unquestioned advantages? Have I even made a respectable use of them?     To say that my family was old New York is to note the principal feature about them. The Suydams had come over with Peter Stuyvesant and never budged farther west than Manhattan Island except to escape the summer heat. They had prospered, like the wiser of their kind, by hanging on to local real estate in the path of the expanding city and had intermarried with the wealthier of the more newly arrived British. I am descended, for example, from Chancellor Livingston as well as peg-leg Peter. By the middle of the last century, when I was a boy, the Suydams were among the bulwarks of the rigidly conservative and utterly complacent brownstone society that stretched from Union Square to the East Sixties and thought it had the answer to everything.     They were at first scornful of the new fortunes that inundated their sober streets in the wake of the Civil War. In time they would come to terms with Vanderbilts and Goulds, principally at the altar, but in my youth new money was still odoriferous, and my mother regarded the ball-giving Mrs. Astor as her equal, not because of her empire of squalid tenements but because she had been born a Schermerhorn. Mamma’s interior, behind its drab street front, was a Victorian clutter, but as scrupulously brushed and neat as her person, and she presided with sublime composure over a little world where sex existed only in marriage and barely there, and where art was confined to sentimental novels or paintings of lovable pets. She was properly proud of a handsome and well-mannered son, and if she was aware that young men did things of which she could hardly approve, she had no complaint as long as they were kept out of sight. Appearance was all the reality a lady needed. She knew when not to ask questions. She didn’t even want to.     Father, I believe, had his doubts, but he did not choose to voice them. Tall, slim, and faultlessly groomed, he made a fine approach when he strolled up Fifth Avenue with his feather-hatted, veiled consort on their way to a Sunday service. He was a great reader of history and spent much time in his dark leathery library through whose closed doors, passing in the hallway, I could sometimes hear the clink of a decanter against a glass. I think that the man Father yearned to have been was the author of The Conquest of Mexico. He was kind and gentle with me, his only son, but there was always something restrained in his manner of caring for me, as if he feared that if he intervened too much he might make me too like himself. Did he hope that, left alone, I might turn into something better? Was this love? It was a kind of love, anyway, and I sensibly made the most of it. Did a good instinct tell me that it was all I was going to get from my family in the way of emotional support?     I have said that being of old New York was the most significant thing about my family, but, to me anyway, the most significant thing about my father was that he hadn’t fought in the Civil War. Like thousands of his well-to-do contemporaries he had purchased a substitute for $300. This was not at the time considered a base alternative: Father had a wife, a young son, and a goodly amount of real estate to manage. But in the years following the war, when the conflict was romanticized and the glorious victory extolled, a failure to have served became, not a disgrace, but a thing not mentioned on social occasions, like sex or politics. Of course, with children, there was no such inhibition, and at school I sometimes had to suffer the military feats of other boys’ fathers being flung in my face. My always- ready fists were a deterrent to any reference to the absence of such feats in my own family, but the comparison was inevitable, and I couldn’t vocally resent it. Nor could I bring myself ever to discuss the matter with Father. I was always a sensitive child and knew how deeply it would hurt him. And I loved him. He got all the love that my socially and medically preoccupied mother seemed little to need.
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  • Posted February 1, 2009

    2 questions/comments

    mention is made of "casual fridays", but didn't they begin in the 50's?<BR/>the time of the novel is 1944<BR/><BR/>and, when bessie & ernest have dinner (?) in a restaurant, her coat is<BR/>"over the back of her chair"...this doesn't seem right, given that the<BR/>dinner (lunch?) takes place probably not later than 1890<BR/><BR/>certainly correct me if i'm wrong

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