The Last Rendezvousby Anne Plantagenet
“Women are not supposed to write; yet I write.” –Marceline Desbordes-Valmore
In 1817, at the late age of thirty-three,Marceline Desbordes, the actress and Romantic poet–the only woman counted by Paul Verlaine among his poètes maudits, or “accursed poets,” a group that included Victor Hugo, Charles Baudelaire,/i>… See more details below
“Women are not supposed to write; yet I write.” –Marceline Desbordes-Valmore
In 1817, at the late age of thirty-three,Marceline Desbordes, the actress and Romantic poet–the only woman counted by Paul Verlaine among his poètes maudits, or “accursed poets,” a group that included Victor Hugo, Charles Baudelaire, and Alfred de Vigny–marries Prosper Valmore, a fellow actor who brings love and stability to her tumultuous life. Such stability is short-lived, however:When she meets Henri de Latouche, an influential man of letters, they soon begin a passionate affair. Although their tryst does not last more than a year, their relationship survives through letters and memory. It sparks inspiration in Marceline’s work and leads her to create some of the most beautiful poetry in French literature. A talented poet, a romantic woman, a passionate lover, a nurturing mother, and a child at heart, Marceline Desbordes-Valmore is rescued from obscurity through Plantagenet’s dazzling writing in this fictionalized biography. The book will include a selection of Desbordes-Valmore’s poems in the original French and in an English translation by the Pulitzer Prize—winning poet Louis Simpson.
“A novel of the life—especially the loves—of the 19th-century French actress and poet Marceline Desbordes-Valmore…Plantagenet gives us vivid portraits of theatrical and salon life in 19th-century France…Flitting through the pages is a cast of well-known and lesser-known poets and artists, including Hugo and Balzac. Although Plantagenet anchors her narrative in the first-person perspective of Marceline, she alternates chapters between the young, coming-of-age Marceline and the older, more world-weary actress and poet…This is primarily a novel about giving birth—to poems, to the creative life and to tragically doomed children…A passionate rendering of a passionate poet.”—Kirkus Reviews
“Anne Plantagenet’s novel is written with controlled precision and attention to detail…an enthralling narrative of a famous woman who had the audacity to pursue male-dominated professions during one of the most difficult, politically tumultuous periods in the history of France. Researched like a biography, the book exposes Marceline’s innermost thoughts, much like the pages of a diary. The result is a feeling of intimacy, allowing the reader inside the mind of an ardent poet who lived long ago…Fascinating and absorbing, this talented writer’s book is a conscientious expression of her own twenty-first-century attitudes toward the poet; it is educational as well as entertaining.”—ForeWord Magazine
“Marceline Desbordes-Valmore, a 19th-century French Romantic poet and actress whose contemporaries included Hugo, Balzac, and Georges Sand, was a sensation in her time… As Desbordes-Valmore gains public acclaim as a writer and pursues political and charitable interests, she emerges here as a modern, liberated woman. This work, a 2005 award winner in France, brings French history and letters to life. With selected poems.”—Library Journal
“With a poet’s imagery rendered in narrative prose, Anne Plantagenet invites us in to the intimate life of the historic poet, Marceline Desbordes-Valmore. In bold leaps forth and back in time, and in a voice wry, precise, and deliciously sardonic, it’s as if Plantagenet inhabits her, has become her. What a splendid achievement.”—Susan Vreeland, New York Times bestselling author of Hyacinth Blue, The Passion of Artemisia, and Luncheon of the Boating Party
“An extraordinary portrait of an extraordinary woman. Anne Plantagenet captures the heightened, passionate atmosphere of Romanticism in Europe in a novel that is at once vivid and elegant—and profoundly moving.”—Jude Morgan, author of Passion and Symphony
“This is truly a stunning work. Ms. Plantagenet’s insights into the lives of her characters are breathtaking. The writing is clean, crisp, fragile and poignant…The book is absolutely magnificent.”—Diane Haeger, author of The Queen’s Mistake
- Other Press, LLC
- Publication date:
- Sold by:
- Penguin Random House Publisher Services
- NOOK Book
- Sales rank:
- File size:
- 2 MB
Read an Excerpt
Not far from the church of Saint-Germain-des-Prés, the Childeberte is a big five-story structure inhabited by artists of every shade. Tucked in a corner behind the canvases and hardly bothered by the turpentine fumes, I am able to turn all my attention to my poems. Or so I pretend. But the truth is that for months I have been stopping at my uncle Constant’s studio only briefly on my way to the rue des Saints-Pères.
“My son, your husband, is very obliging. To think that he wears himself out on the stage of the Odéon day after day, poor boy, so that we may live, while you traipse about the streets without the slightest concern for his reputation!” says Anne-Justine. Her voice holds exasperation as well as hatred.
“When a person has a past such as yours,” she went on, “and has managed by a miracle–or by artifice–to marry the foremost actor of the day, one might expect some attempt at discretion. But you are mistaken if you think that I am like Prosper! I hear what people are saying . . .”
I sigh. There are rumors, I am well aware of it, prompted as much by my poetry as by my former career as an actress. My mother-in-law takes them in greedily. She has never accepted that her only son should marry a woman seven years older than himself. And one who, at least while I was still performing, received greater acclaim on the stage. I am untroubled by her words. In the early days of our marriage, Anne-Justine’s attacks hit home and wounded me and Valmore both. Now they barely graze me. Shallow scratches that are quickly erased by Henri’s claw marks.
Meet the Author
Anne Plantagenet was born in 1972 in Burgundy and spent her childhood in Champagne. After stays in London and Seville, she now lives in Paris. She has published translations from the Spanish; two biographies, Marilyn Monroe (Gallimard, 2007) and Manolete (Ramsay, 2005); a first novel, Un Coup de corne fut mon premier baiser (Ramsay, 1998); and an acclaimed story collection, Pour les siècles des siècles (Stock, 2008). The Last Rendezvous is the recipient of the 2005 Prix du récit biographique of the Académie internationale des arts et collections.
Willard Wood is the winner of the 2002 Lewis Galantière Award for Literary Translation and a 2000 National Endowment for the Arts Fellowship in Translation. He lives in Connecticut.
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >
The Last Rendezvous is the fictional autobiography of the dedicated poet and reluctant actress, Marceline Desbordes-Valmore, who lived from 1786 to 1859. As Plantagenet notes in her "Acknowledgments" to the novel, "[t]his novel distorts historical reality throughout. The actual life of Marceline Desbordes-Valmore, French woman of letters (b. Douai, 1786; d. Paris, 1859) was likely quite different from the one recounted here. And Marceline Desbordes-Valmore would not have told her story as I have. She would not have told it at all." Marceline definitely is not portrayed as a shrinking violet in The Last Rendezvous. In fact, she appears to wallow in her emotions, while disregarding those of her husband, Prosper Valmore, as well as those of her lover and inspiration for most of her poetic genius, Hyacinthe Thabaud de Latouche, more familiarly known as Henri. For a large portion of the novel, Marceline portrays herself as being torn between the stability that her husband provides and the intoxication of her romantic involvement with her reclusive and eccentric lover. The intensity and depth with which Plantagenet reveals the quandaries that beset Marceline are dwelt on as though they come from the personal explorations of an intimate journal. Plantagenet alternates chapters between the young Marceline, who is torn away from her father and other siblings in her mother's elopement of the spirit to the Antilles islands, where her mother succumbs to ill health, and the older, more emotionally drained, Marceline, who can only find respite in the arms of her physically unattractive, though intellectually astute, lover. Readers are inevitably encouraged to compare the older and the younger Marceline, which facilitates their becoming involved in the sequence of events. The dichotomy between present and past is not only intriguing, adding to the multi-layered feel of the text, but also mirrors the spirit of the correspondence on which Marceline spent much of her life, even coming to refer to it as her "religion". Marceline's own waywardness, as it is portrayed in the pages of this novel, seems to be part hereditary, part due to her unusual upbringing. She appears to feel no remorse about her actions, which were far from conventional at the time. However, her compassion for social outcasts, as well as for her alcoholic father and brother, reveal traits of kindness, to which she makes only passing reference, as she does to the political and social upheaval of the revolutionary times in which she lived. Anne Plantagenet's personal knowledge of the French landscape, including that of the distinction between Parisian and small town life, adds resonance to the text. The work ends with a selection of poems by Marceline Desbordes-Valmore, which are given both in their original French and in their English translation by Louis Simpson, with the assistance of Willard Wood. Anne Plantagenet was awarded the 2005 Award for Narrative Biography by the Académie internationale des arts et collections for Seule au rendez-vous. This novel should appeal to all who are interested in the Romantic Movement and to the literary outpourings of women. However, it can also be read as a straightforward period romance, so The Last Rendezvous should be blessed with a wide reading audience.