Last Rights\The Unspoken Years [NOOK Book]


When she died, Christine O'Gara left behind a fragile, fractured family—estranged, embittered and at odds over custody of her only child. But in time, they'll see that Christine's legacy is strong enough to finally give a young girl the father she deserves.

Cora, Christine's mother—No stranger to loss, ...
See more details below
Last Rights\The Unspoken Years

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK 7.0
  • Samsung Galaxy Tab 4 NOOK 10.1
  • NOOK HD Tablet
  • NOOK HD+ Tablet
  • NOOK eReaders
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook - Original)
$8.99 price


When she died, Christine O'Gara left behind a fragile, fractured family—estranged, embittered and at odds over custody of her only child. But in time, they'll see that Christine's legacy is strong enough to finally give a young girl the father she deserves.

Cora, Christine's mother—No stranger to loss, she's desperate to do right by her daughter and she'll fight with everything she's got.

Lexie, Christine's daughter—Torn between grief and rage at the thought of living with the man who abandoned them, she's planning revenge.

Alex, Christine's ex-husband—Never truly believed in his own worth…or understood what Christine saw in him. He'd tried to return to her, but he'd been turned away. Only now can he come back and prove Christine right.

We can't choose our family.

We can learn to deserve the love we crave from them.

Read More Show Less

Product Details

  • ISBN-13: 9781426834097
  • Publisher: Harlequin
  • Publication date: 6/1/2009
  • Sold by: HARLEQUIN
  • Format: eBook
  • Edition description: Original
  • Pages: 464
  • File size: 531 KB

Meet the Author

Lynne Hugo writes in black Wal-Mart Capri sweatpants. They don't start out as Capris, but she routinely shrinks them in the drier by accident. And she always buys black because it doesn't show where she's wiped the chocolate off her hands. Now that her son and daughter are grown, her previous high grade of below average in domestic achievement has dropped somewhat. Rather, less guilty about it now, she loses herself in crafting language, by a window with birdfeeders hanging in the branches of a Chinese elm towering over the house.

When she comes up for air, she hikes by the ponds and along the river in a nearby forest with her beloved chocolate Labrador retriever, Hannah. Her husband -- with whom she planted that elm as a bare root sapling -- joins them when he can. There's much more on her web site. She hopes you'll visit:
Read More Show Less

Read an Excerpt

What did Christine ever see in him?"

"Those eyes. It's always a man's eyes get to a woman if she's gonna fall hard, and big brown eyes like that, she's thinking she sees the good earth instead of a pile of crap on top of it."

"Black Irish," Cora muttered.

"Sure I remember," Jolene said on beat, as if Cora hadn't interrupted. "I stood behind you at their wedding. What're you going to do about him?"


"Do you think he might hear about Christine?"

"I can't worry about that," Cora said, but then she went on, because worry was already eating at her mind like a mouse working on drywall making a hole big enough for his whole body to slip in and do its dirty work. "You know well as I do," she said, "I wouldn't trust him to get that child across a road safely, could of been a road that hadn't seen a car in ten years, wouldn't make a bit of difference. I'll do whatever I have to. Christine might've loved him, but young as she was, even she figured out to let him go."

"Just not soon enough," Jolene said, but there was no criticism in her voice, just a worn cotton blanket of understanding.

Cora had been rocking off and on through the calling hours, not that the chair was a rocker, but she'd rocked her large body as if it were. She'd rocked her babies through whatever small and large pains had seized them for so long it was natural to her, even if her arms were empty now. Everyone except Jolene had left, even Christine's surviving child. Lexie was waiting at Cora's, kept company by the small throng of school friends, until whenever Jolene brought Cora back home. Cora wasn't ready, but the fifteen-year-old had had all she could take.

The arthritis in Cora's back, hips,knees and feet complained. She felt every one of her sixty-three years and then some. First her one son stillborn, then the death of Lexie's twin, then Marvin taken by a heart attack. Now cunning old death had swooped down and stolen Christine while Cora was spending all her time trying to beat back its black wings from hovering over Rebecca, her other daughter, whose left breast had been cut off not six months ago.

"I don't see how I can go on anymore," she said softly to Jolene, a handful of tissue in her knobby right hand. Glasses, framed in neutral plastic, lay on Cora's thighs. She needed them on to talk, something no one particularly believed, but it was true, so they'd been off and on all day between private crying and turning to greet people politely.

"I know, honey. I know," said Jo, whose only child had been killed by a land mine on the Ho Chi Minh trail. She hesitated a minute, not from uncertainty, but for the sake of timing. Her head, dyed a deep brunette, was an inch and a half of Cora's, though they both faced Christine. "But you've got to think about what Christine wanted. She named you guardian. Lexie needs you."

"I won't fail her," Cora said. "I just don't see how, right now. It just feels like I can't… She needs me to be strong."

Cora closed her eyes against new tears. "Oh, Jo, this would kill Marvin. He loved her so much. He wasn't much for telling them, you know how he was, but he loved the girls so much."

"And you," Jolene said. "Talk to him tonight. He'll help you through."

"He's a better listener now than when he was alive. Doesn't interrupt so much," Cora said.

Jo persisted. "Sometimes I feel Paul when I talk to him. I just get a feeling. Not always, but…" She was quiet, letting Cora absorb the thought before she changed the subject. "You going to bury Christine by Marvin and the babies, right?"

"There's a place for me, too. I bought another one."

"You can't be using it anytime soon," Jolene cautioned.

"He was handsome, Alex was. Stringy but handsome." Cora wasn't finished on the subject of Christine's ex-husband. "No way around that much. Give the devil his due. He was like a mosquito on Christine—got her itching and then she was scratching, and the next thing she knew, she was out to here." She pantomimed a swollen stomach. "Course they thought it would keep him out of the war.…"

Cora took off her glasses again, to wipe her eyes, reddened all around the pale blue irises. She knew she was rambling, but Jolene had been her friend for forty-five years, and if Cora hadn't kept talking, she would have climbed into that box, squeezed herself next to Christine and pulled the lid down over them both. Instead, she was going to have to pick up her cane, walk out and shut the door behind her.

"I know, honey. Sometimes it happens that way. Christine managed to keep Lexie from that mess, though, and look at how she loved that girl. She would've gone through it all over again to keep her. In spite of what she lost, don't you think?"

"And she was a good mother, too."

"The best. She learned from the best." Jolene's dark head nodded. The roots of her hair were grayish white; she needed a touch-up. It's not possible to schedule hair coloring to coincide with unexpected funerals, she'd decided that morning while she tried to blur the line of her side part. She needed another permanent, too, but there hadn't been a minute of time or space to make herself presentable.

"I don't know about that," Cora said, and Jolene sensed that Cora had been reviewing her relationship with her daughter. "I tried. I always tried."

Her voice dropped to a near whisper even though they were alone with a dead person surrounded by cold and the silence of a small town closed up for the night. "I'm thinking about raising a teenager. It's been a long time, Jo. Things are different. I always thought Christine told me most everything where Lexie was concerned, but there's a lot she didn't want me to fret over. I'll have to now, won't I? No choice. You know what Lexie said to me in the first hour after Christine was gone? She said, 'I won't have to go live with Alexander the Goddamn Great, will I?' and I just told her no, I was her guardian. But I never heard a word like that from Christine. Do you suppose Lexie picked that up from Marvin before he died? And she doesn't know the whole story, not as far as I know, anyway. I don't know why Christine kept it from her."

"Thought it would upset her, I guess. The kids all talk like that to each other, with the swearing. She's just scared."

"Well, of course. But she needs her mother," Cora said and left silence after to demonstrate the sucked-in yawn of emptiness where Lexie's mother had been. "I feel like I'm in a terrible, terrible mistake, and some giant hand is going to reach down and make things right again any minute. Like a bug, caught in a spiderweb and I'm not even the kind of bug the spider can eat, and a human being comes along and says, oops, this was an accident, and cares enough to get me out and let me go on my way. This can't be happening."

"I know what you mean, like it's too big to take in, and it can't happen. It's wrong."

Cora ducked her face into her cupped hands and let her shoulders heave. Jolene inched forward on her chair so she could rotate her legs toward Cora. She reached behind her friend's hands and extracted the glasses from her face. After she set them in her own lap, she took Cora in her arms and the women rocked awhile together while Cora sobbed. "It's so wrong, it's so wrong. I don't mean to be sacrilegious, but what kind of God would do this? What kind of God takes away a girl's mother and a mother's daughter, a good person like Christine? Thirty-five years old." Cora pulled back a little so she could see Jolene's face, half of it lit by the glow from the light behind the casket, the tops of wrinkles highlighted. Jo's eyes were mostly pupil, black-looking in the low light.

"I don't know."

"You think that's bad to say?"

"No. I've said it myself. I didn't take the least comfort from the church when Paul died, that's for sure. Just over time, I accepted it better, that I'd never know the reason, not while I'm alive, anyway. What reason would we ever think was good enough, anyway?"

"So where is she? I mean, it just doesn't seem possible that everything that was in her mind and heart and soul can be wiped out. I know I can't see it, but it's got to be somewhere. Lexie wants to put all kinds of things in the casket with her, you know, pictures and the like." As she spoke, Cora stood up. Jolene picked up the cane Cora had propped against the back of the chair and extended it, but Cora waved it away and leaned against the side of the coffin, right alongside her daughter's face. Jolene took a step down toward Christine's waist to give Cora space, but stayed next to her.

"That's all right. The pictures and all. That doesn't mean you have to do it, too."

"I know. I want to know where she is, that's all."

"Try talking to her, sometimes it works. Try talking to her, then be real quiet and wait to hear her inside you. It's not like a voice, it's just like you know something, like she's answered you."

Cora stroked her child's face and put her fingers in Christine's hair the way she always had when Christine was little. "They put too much hair spray on her. Christine didn't like hair spray. Even her hair doesn't feel like her now," she said. "She had good hair. Thick. I got to like it short—once I was used to it."

"Yes," Jolene said. "She had good hair." She put her arm around Cora's waist, lightly, but enough that Cora could feel her living flesh to living flesh.

"I need to get home to Lexie. Can you take me now?" Cora whispered, picking up her cane from where it rested against the back of Jolene's chair. As a girl, Cora had been tall, broad-shouldered, and in spite of her arthritis and the stoop in her back, she was still bigger and heavier than Jolene. It took both Jolene and the cane to support Cora when she stepped away from the casket and the first minute toward the door, but the farther they got, the more Jolene could feel Cora plant each foot toward where she had to get herself.

Nobody came to get me at school when it first happened. I was sitting there in Civics and my mom was having an aneurysm and I didn't know. School was just getting out when my grandmother came to pick me up. I didn't think anything about it, because sometimes she came when Mom couldn't. All Grandma said was that Mom was in the hospital. I thought it was a breathing problem because then Grandma said she'd stopped breathing. We were at a funeral just last month, my first, because Mom's cousin's husband got shot. When we came home, she showed me where her life insurance was and said there was enough to support me and get me through college. Almost like she knew something was going to happen, only the next morning she was in such a good mood, teasing me, and not even really tired or having a hard time getting up so I never even thought about it anymore. I didn't know I was supposed to worry. Now I'm an expert on funerals, and I hate them. It doesn't look like my Mom in that coffin, but Grandma says it definitely is.

We had to wait for Jill's bus at my grandmother's house before we could even leave for the hospital, so we couldn't even go to the first hospital where they took her, which is pretty close. By then, though, they took her in a helicopter to another hospital in Indianapolis where they have more equipment, and that's where me and my grandma and my cousin went. Aunt Rebecca was having chemo, that's why Grandma had to wait to get Jill, too, but I couldn't believe I had to wait for my cousin while my Mom was in Indianapolis maybe dying. I was so scared she might be dying and it turned out she was. They were still working on Mom when we got there, we went running in through the emergency room. Mom had left work feeling bad. On the way home she stopped and called Sharon at the office. Either Mom or Sharon, we're not sure yet who, called 911 then, and Sharon took off to where Mom's car was. It's a red Dodge Spirit, I don't know what will happen to it now. When Sharon got there, an ambulance and the police were already there and Mom was unconscious.

At the hospital, they worked on her until after eight, shocking her and doing whatever with their machines. Later, they only let us see her once, when they were moving her to another room because they decided to put her on the life-support machines to see if maybe she'd start breathing on her own. Then they let us be with her until they turned the machines off. She was all swollen and bruised on her chest and down her arms. She didn't look like herself at all. It was like something on TV that makes you say, "Oh, those poor people." I think they must have hurt her, but the doctor said no, she wasn't conscious when they were banging on her. But then they said she could still hear me maybe, and I might want to tell her goodbye. So if she could hear, how could it make sense she didn't feel them hurt her? I told her I loved her and I lay beside her with my head on her chest and my arms around her. They made me get down from the bed, but let Mom hold my hand. When they turned the machines off, I could feel her hand get stiff but then it moved so I didn't believe them that she was dead. A nurse told me it was just Mom's muscle, that it happens.

In the hospital the first time I saw her, I was there with my head on her crying and crying and saying, "Not my mommy, not my mommy." I didn't care what anybody thought. I'm a little embarrassed now, but I'll never see those people again. I hope I don't. I think they hurt my Mom.

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
  • Anonymous

    Posted January 27, 2010

    No text was provided for this review.

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)