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Overview

Claire Laurent's greatest aspiration is to paint something that will bring her acclaim. Yet her father insists she work as a copyist. A forger. When she's forced to flee her home, her path collides with attorney Sutton Monroe, who shows her kindness by not turning her in to authorities. But when he later refuses to come to her aid, Claire fears she's sorely misjudged him. Finding herself among the elite of Nashville society, Claire believes her dream of creating a lasting impression in the world of art is within reach--but only if her past remains hidden.

The Federal Army destroyed Sutton's home, confiscated his land, and threatens to destroy his family's honor. His determination to reclaim what belongs to him reveals a truth that may cost him more than he ever imagined--as well as the woman he loves.

Set at Nashville's historic Belmont Mansion, a stunning antebellum manor built by Adelicia Acklen, A Lasting Impression is a sweeping love story about a nation mending after war, the redemption of those wounded, and the courage of a man and woman to see themselves--and each other--for who they really are.

"Tamera Alexander has once again written a novel rich in storytelling and history, peopled with living, breathing characters who made me laugh, and cry. Better than sweet tea on a veranda, A Lasting Impression is a winner. I want to live at Belmont!"--Francine Rivers, New York Times bestselling author of Redeeming Love

"Tamera Alexander paints vivid scenes, not with oils on canvas but with words on the page...A lovely story, sure to please anyone who treasures a good romance."--Liz Curtis Higgs, New York Times bestselling author of Mine Is the Night

Editorial Reviews

Publishers Weekly
Alexander (Within My Heart) has crafted a cleverly designed story line featuring an artist, Claire Laurent, who is forced to paint forgeries. Claire’s art gallery owner father forces her to comply with his illegal activities and then dies, leaving her to fend for herself. Claire finds shelter with a compassionate minister and his wife before landing a position with Mrs. Adelicia Acklen, the richest woman in America in the 1860s. Claire also meets Sutton Monroe, a young lawyer who is obsessed with righting the wrongful death of his father, but who is growing increasingly interested in Claire—and her past. Through painful pangs of conscience and events out of Claire’s control, she has to decide if she is willing to hide her past or admit her mistakes to those who’ve shown nothing but goodwill toward her. Alexander does a lovely job of representing the historical details of this time in American history without letting the facts distract from a tenderly told love story. (Nov.)
Library Journal
Claire Laurent is a gifted artist who is forced to paint forgeries by her scheming father. Eventually, she flees New Orleans for Nashville, where she accepts a position working for Mrs. Adelicia Acklen, the richest woman in post-Civil War America. Hiding from her past, Claire is thrust into Nashville's upper echelon, where she meets Sutton Monroe, a lawyer bent on avenging his father's murder. VERDICT Rich in period details and set in Nashville's historic Belmont Mansion, this historical romance by RITA and Christy Award winner Alexander (The Inheritance) is a sure bet for fans of Tracie Peterson and Melanie Dobson. [60,000-copy first printing.]

Product Details

  • ISBN-13: 9780764206221
  • Publisher: Baker Publishing Group
  • Publication date: 11/1/2011
  • Pages: 432
  • Sales rank: 81,275
  • Series: A Belmont Mansion Novel Series
  • Product dimensions: 5.51 (w) x 8.53 (h) x 1.16 (d)

Meet the Author

Tamera Alexander is a bestselling, award-winning novelist whose deeply drawn characters, thoughtprovoking plots, and poignant prose resonate with readers worldwide. She and her husband live in Nashville, Tennessee, where they enjoy life with their two adult children and Tammy's father.

Read an Excerpt

A Lasting Impression


By Tamera Alexander

Bethany House Publishers

Copyright © 2011 Tamera Alexander
All right reserved.

ISBN: 978-0-7642-0622-1


Chapter One

French Quarter, New Orleans, Louisiana September 7, 1866

Claire Laurent studied the finished canvas on the easel before her, and though masterpiece hardly described it, she knew the painting was her best yet. So why the disappointment inside her? The fiendish fraudulence trickling its way through her like tiny beads of sweat beneath layers of crinoline and lace. She ran a hand through her curls and dropped the soiled paintbrush into a cup of turpentine, full well knowing why. And knowing only deepened her guilt.

Her gaze fell to the lower right-hand corner of the canvas, the one reserved for the artist's signature. She hadn't yet been able to bring herself to sign this one. Not with that name. Because of all the landscapes and still lifes and portraits shed painted, none had truly felt like hers ...

Until this one.

A breeze, moist and swollen, heavy with the certainty of rain, wafted in through the open second-story window, and she peered from her bedroom over the town, breathing in the tang of salty air moving in from the gulf. She viewed the Vieux Carré below, the Old Square shed painted so many times she could close her eyes and still see every detail—the rows of pastel-colored buildings clustered together and edging the narrow streets, their balconies of decorative black cast iron boasting hanging baskets that cascaded with late summer blooms. The combination lent a charm and beauty unique to this part of the city.

No wonder shed fallen in love with New Orleans so quickly, despite the hardship of recent months.

The steady tick-tick-tick of the clock on the mantel marked the seconds, and she released her breath with practiced ease. She rose from her stool and stretched, paying the toll for retiring so late in recent evenings and for rising so early, but there was no avoiding it. This painting had taken longer to complete than she'd estimated.

Much longer, as her father kept reminding her.

Almost half past two, and she needed to "take leave of the gallery no later than three" as her father had insisted. She knew she shouldn't allow his request to bother her. It wasn't the first time he'd demanded she leave while he "conferred" with gallery patrons. And it wasn't as if she didn't know what he was doing during that time. What they did as a family business.

His increasing agitation in recent weeks wasn't helping her attitude toward him, however. Though not a gentle man, by any means, he wasn't customarily given to a sharp tongue. But in recent days a single look from him could have sliced bread hot from the oven.

"Claire Elise? Où es-tu?"

She stiffened at his voice. "Oui, Papa. I'm up here."

She glanced back at the canvas, fighting the ridiculous urge to hide it. Something within her didn't want him to see the painting. Not yet. And—if it had been within her control—not ever. Maybe she could tell him it wasn't finished yet. But one look at her, and Papa would know. Pretense was a skill she'd never mastered—not like he had.

Hurried steps coming up the stairwell told her there wasn't enough time to stash the painting in the empty space behind the wardrobe, and throwing a drape over it was out of the question with the final brushstrokes only moments old. Maybe if she told him how much this particular painting meant to her, he would let her keep it.

But she had a feeling that conversation would go much like the one six months ago, following her mother's passing—when she'd told him, as forcefully as she dared, that she didn't want to paint "like this" anymore. Her father had never struck her, but she'd sensed he'd wanted to in that moment, and she hadn't considered broaching the subject again.

Until now.

"Ah ..." His footsteps halted in the doorway behind her. "Finally, you have finished, non?"

His tone, less strident than earlier that morning, tempted her to hope for an improvement in his mood. "Yes ... I've finished." Readying herself for his reaction—and critical critique—she stepped to one side, a tangle of nerves tightening her insides.

He stared. Then blinked. Once, twice. "Jardins de Versailles ... again." A muscle tightened in his jaw. "This is not the painting upon which we agreed." He looked at her, then back at the canvas. Keen appraisal sharpened his expression. "But ... it does show some improvement."

Claire felt her nerves easing at the merest hint of praise. Until she saw it....

That familiar flicker in his eyes. Her father appreciated art, in his own way, but he was a businessman at heart. His pride in her artistic talent ran a losing footrace with the profit he hoped to make through selling her paintings.

Her paintings ...

The irony of that thought settled like a stone in her chest, which sent an unexpected—and dangerous—ripple of courage through her. "Papa, I ..." The words fisted tight in her throat, and he wasn't even looking at her yet. "I need to speak with you about something. Something very important to me. I know you're not—"

His hand went up, and she flinched.

But he seemed not to notice. "This isn't the landscape we agreed for you to paint this time, nor is it what I described to the patron, but—" He studied her rendering of Louis the XIV's palace and the surrounding gardens, then gave an exaggerated sigh. "Given we are out of time, and that the patron very much desires to own a François-Narcisse Brissaud ... it will have to do." He nodded succinctly, as though deciding within himself at that very moment.

"Yes. I'm certain I can convince him of its worth. After all"—he smiled to himself—"the larger galleries in Paris often ship the wrong painting. But next time, Claire ..." He looked down at her, his gaze stern. "You must render, to the smallest detail, the painting upon which we have agreed."

Claire searched his face. His words stung, on so many levels. But the most disturbing ... "You've secured a buyer for this painting? Before they've even seen it?"

A satisfied smile tipped his mouth as his focus moved back to her work. "I told you this would happen. Word is spreading. After two years of tireless effort, our humble little gallery is finally earning the recognition it deserves in this city. As well as our patrons' trust, as I knew it would, given time. And my negotiating skills." His head tilted to one side. "Though I must admit, your mixture of lighter and darker shades, the hues in the garden, the way you blended them this time ... I see you took my advice to heart."

Claire said nothing, having learned that was best when it came to comments about taking his counsel.

His expression turned placating. "If I were to stand closer"—he did just—that "I am almost certain I could catch a whiff of lilac warmed by the noonday sun."

He stilled, and she followed his gaze to the lower left corner of the painting. The added detail was subtle, so subtle one might miss it if not looking. So she wasn't surprised it had taken him so long to notice.

"Abella ..." His voice barely audible, her mother's name on his lips sounded more like a prayer than any Claire had ever heard. Not that she'd heard many, and never from him. "Y- you ... painted her," he whispered.

Emotion stung Claire's eyes, prompted as much by the halting break in his voice as from missing the woman in the portrait. She'd painted her maman barefoot on the cobbled pathway, half hidden behind a lilac bush, a basket of flowers dangling from one arm. Her chin was raised ever so slightly as though she were looking for someone, waiting for them. And her cascade of auburn curls, mirrored in Claire's own, lifted in the imagined breeze.

Claire stared at the image of her mother until the delicate brushstrokes blurred into a pool of color. Ten years had passed since that afternoon at Versailles, their last visit to the palace before leaving Paris, and France, forever. She'd been nine at the time, but the memory of afternoons spent there with her parents—wandering the gardens, nurturing childish dreams of what it would be like to live in such a place—had nestled deep, and were still so vivid to her senses. The air fragrant with blossoms, nature's symphony in the rustle of the trees, the thriving sea of color—every detail locked away, secure.

Memories of those days were the happiest of her life. And those of the past six months ... the loneliest.

She thought shed been prepared for her mother's death. For over a year, she'd watched the sickness devour her from the inside out. And while she felt relief knowing her mother wasn't hurting anymore, there were days when a void, murky and dark, yawned so wide and fathomless inside her that she feared it would swallow her whole.

"She was so beautiful." Her father's voice was fragile, weary beyond his forty-two years. He reached out as if to touch the painting, then stopped. His hand trembled.

Claire looked at him more closely. The shadows beneath his eyes ... How long had those been there? And the furrows in his brow. Etched by regret, perhaps? And worry, most certainly. But worry about what? Rent being late again? Selling the expensive pieces of art he'd purchased on credit, and against her better judgment?

She looked back at the painting. "I didn't plan on including her in the painting, Papa. She just ... appeared ... from the tip of my brush."

For the longest moment, he said nothing. Then his breath left him in a long, slow sigh. "The truth of a painting must first be birthed in the artist's heart before it can be given life on the canvas."

Claire felt a quickening inside her. Her mother's first lesson in painting ... but from long ago. She couldn't believe he remembered. She, on the other hand, remembered everything her mother had taught her. If only she'd inherited Abella Laurent's giftedness. Her mother had insisted she had, and more so. But Papa had made it clear she hadn't.

He'd never said it outright, of course—that nothing she did was ever quite good enough. Yet she knew he thought it, just the same. She knew it by what he didn't say.

Her father's hand moved at his side, and in a briefly lived dream, Claire imagined he was going to cradle the side of her face, as she'd always wanted him to do, as her mother had told her he used to do, but Claire couldn't remember back that far. She waited, breath trapped in her throat, feeling less like a woman and more like a child.

He turned away. "I miss her too" he whispered. "Never think that I don't."

Feeling foolish, telling herself she should have known better, Claire bowed her head to hide the hurt. "I don't think that, Papa."

There had been times in earlier years when shed questioned the love between her parents. But mainly her father's love for her mother. In the final days, especially. When it became apparent that the medicine wasn't working and the doctors had given up hope, and when Claire had pleaded with him to send her mother to a sanitarium. "People like Maman go there and some of them get better," she'd told him. But his anger had erupted. "Those places cost money, Claire Elise! Money we don't have. Unless you can paint in her stead. Faster and better than you're doing now."

So she'd worked, night and day, for months on end. Caring for her mother as her mother continued to instruct her—just as she had since Claire was a little girl—sometimes from bed, when her mother was too tired to sit or stand. But in the end, no matter how much Claire pleaded or how much she painted, Papa had held his ground, and her mother had died in this very room.

Her father cleared his throat. "Fortunately for you, of the seventeen times Brissaud painted Jardins de Versailles, he included a different detail in each."

Claire nodded, aware of that fact, as he well knew. And also aware that everyone of the seventeen original Jardins de Versailles—plus the four shed painted before this one-were in circulation. If anyone ever devised a way for those four, soon to be five, proud owners of a François-Narcisse Brissaud "original" purchased from the European Masters Art Gallery in New Orleans to know details about the other seventeen ...

Her father gestured to the clock on the mantel, then looked pointedly back at her before descending the staircase.

Claire retrieved her reticule and turned to follow him, then glanced back at the painting. Not giving herself time to think about the consequences, she grabbed a brush, dipped it in paint, and signed the portrait—with her name—hand shaking as she did. She'd have to change it later, she knew.

But for now, seeing her name on something she was so proud of—and knowing Papa wouldn't like it—felt good, if not a bit rebellious.

As she passed through the kitchen, she saw that the door leading into the art gallery had been left open—something Papa never permitted. Stepping through that door was like stepping into another world. Plush rugs and bronze chandeliers, oil paintings and sculptures, burgundy silk paper lining the gallery walls that matched the velvet cloths draping the tables. Every item purchased on credit when they moved into this building two years earlier, and purchased with the intent of creating an air of affluence and wealth, however flimsy and paper-thin that veneer.

Confronted again by the stark differences between the gallery and the living quarters, Claire paused at the back door. Hand on the latch, she summoned courage. "Papa ... about the painting I finished today. I'd very much like to discuss with you about keep—"

"No. It's out of the question."

Unexpected heat shot up through her chest. "But this one is special. To me, at least. I'll paint another one, faster, exactly as you detail. Whatever you—"

"The answer is no!" Anger darkened his features. "The painting is already sold."

"But it has Maman—"

"We need the money, Claire Elise! Creditors are waiting to be paid, and your dawdling has cost me dearly. Yet again."

Knowing she was already treading dangerous ground, she pushed a little further. "I have another painting, Papa. One of my own, which I haven't shown you yet. Perhaps the patron might—"

"He wants a Brissaud! Have I not made that clear enough for you?" Fury mottled his throat a deep red. "Our patrons are not interested in the trite, inconsequential renderings of a—" As though hearing the harsh bite of his own voice, he exhaled and shook his head. "I'm sorry, Claire. But it's done. There's nothing left to discuss. In time, perhaps we can sell your own paintings. But for now, your talent simply lacks any ... unique quality. Nurturing talent takes time. You're best served to stay with copying for now. You do that quite well."

Bitterness tinged her mouth, and Claire felt an unexplained severing deep inside her. She wanted to respond, but she wanted not to cry even more, and if she opened her mouth now—

"You must understand ..." He squeezed his eyes tight. "This is what we've been working toward all these years. Having our own gallery, making a name for ourselves."

"Yes, Papa. A name. But our name. Our work Not someone else's, where we—"

"Think of your mother and how hard she worked. For us as a family. For you."

His expression took on a tenderness Claire barely recognized, and one she didn't fully trust.

"Your maman sacrificed so much to give you this gift, Claire. And a better life in America. Why do you think we came here? Why do you think we both worked so hard all those years? It was all for you...."

She'd heard all of this before, and while she was grateful for everything her mother—and father—had given her, she also knew their efforts hadn't been only for her benefit. They were for his. Her mother had said as much. Her mother had said a great many things in those last days. Whether it was the laudanum speaking or the truth finally breaking free, Claire couldn't be sure.

But she wanted to believe that her father had her best interests at heart. After all, he was her papa.

Staring up at him, seeing the hard set of his shoulders, his iron resolve, she felt the fight within her drain away. She opened the door, then remembered and held out her hand, feeling like a beggar and resenting him all the more for it.

(Continues...)



Excerpted from A Lasting Impression by Tamera Alexander Copyright © 2011 by Tamera Alexander . Excerpted by permission of Bethany House Publishers. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Customer Reviews

Average Rating 4.5
( 32 )

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See All Sort by: Showing 1 – 20 of 32 Customer Reviews
  • Posted January 14, 2012

    Another solid, interesting historical novel

    Tamera Alexander has once again written an entertaining, solidly researched historical novel, this time focusing on late 19th century Nashville. The main characters and the supporting characters are well developed, and the writing is solid. The plot is well thought out and interesting; nothing feels contrived. Claire Laurent, Sutton Monroe, and Adelicia Acklen, the main characters, have the same doubts, fears, heartaches, and joys that many of us experience, and by the end of the book they feel like friends with whom I’d like to spend more time. The setting at Belmont Mansion provides an interesting historical backdrop, and it was fun to learn more about the social mores and societal expectations of that era. Kudos also to Bethany House for the cover design – the dress and pose described on pages 332-3 are wonderfully depicted on the front cover. I’m looking forward to the next book in this series!

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted March 12, 2012

    I've read all of Tamera Alexander's books and really loved the w

    I've read all of Tamera Alexander's books and really loved the western settings. It's a totally different world that Tamera is painting in this book, but her writing is excellent, as always!

    It's short after the Civil War.
    Claire Laurent used to forge paintings for her father and `uncle'. Determined to start a new life she leaves the place that her `uncle' has send her to. She gets a job at the Belmont Mansion and starts working for Adelicia Acklen as her personal liaison. Claire and Mrs. Acklen both enjoy art. Claire doesn't tell about the forgery and soon it becomes a burden for her.
    In her position as liaison she can use her talents to paint kids toys and gift boxes for guestst. But Claire biggest desire is to paint real paintings and make a name for herself.

    Sutton Monroe works as a lawyer and is manager of Belmont. His father was killed in the war and the government threatens to take his family property. If that happens Sutton will loose everything.
    He's working on a big case for a client who bought a forged painting with documents. They try to get after the person who's behind the forgeries. If he can win this case he'll get a lot of money and his future is secure.

    Claire and Sutton both live at Belmont and share the meals with Mrs. Acklen and her children. They fall in love, but there are some obstacles that needs to be cleared away before there might be a future for them together.
    What will happen with their love if Sutton finds out about Claire's past?

    I really liked Claire's character. She was sweet, lovely and humble. Sutton was the real gentleman.
    Mrs. Acklen was a great character too. I loved to see how she and Claire bonded.
    The servents -exept for Mrs. Routh- were very nice too! I loved them all!

    I really enjoyed this book and also looked a lot at the cover and tried to imagine myself in such a beautiful dress!
    Personally I prefer the settings of Tamera's previous books, but as I already said - the writing in this book is excellent!

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  • Anonymous

    Posted February 5, 2012

    Tina Arbuckle 2012

    This was a very exciting read. So pleased with the ending. Some endings are disappointing. Thanks Tamera for not letting me down.

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  • Posted January 15, 2012

    LOVED this book!!!

    I had been eagerly awaiting the release of A LASTING IMPRESSION, and am happy to say I was not disappointed! Author Tamera Alexander has written a wonderful story that keeps the reader not only entertained, but transported back to another time. The main setting of the story is the gorgeous Belmont Mansion in post-Civil War Nashville. Ms. Alexander's style of writing makes the reader feel as if you're really there--viewing the Mansion (and characters) yourself! ~ I highly recommend this book, and am eager to read the upcoming books in this series. FIVE stars!!!

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  • Posted December 26, 2011

    more from this reviewer

    great Southern historical fiction

    This is the second historical novel I read from Tamera Alexander and I liked it even better than the first one I read. Maybe because it was set in the South just after the Civil War and it also dealt with the world of art. Claire Elise Laurent, A French artist who immigrated to the United States as a child, is taught by her parents to forge famous paintings so that her father can sell them. After her mother dies and her father is attacked and killed, she runs and ends up working at Belmont Mansion as a personal liaison to Adelicia Acklen, one of the wealthiest women in the US in the 1860s. Claire longs to paint her own creations and learns to become self-confident even as she hides her past. She meets Sutton Monroe, an attorney, who is attracted to her but is suspicious of her past, and is also investigating the art fraud case. To say this book is well researched is an understatement. The author brings history to life, especially among the elite Nashville society. Belmont Mansion actually exists and so did Adelicia Acklen. The characters are vivid, along with the setting that I easily pictured the story in my mind. I especially liked how the author brought Adelicia to life, along with her household. Claire's character grows as she is given responsibilities that feed her self-worth. The plot unfolds well and at a good pace. I was hoping for more action regarding the art fraud case and thought that it was handled a little too quickly toward the end, especially since this was what the whole story was leading to'how Claire redeems herself and how she would get off having forged famous paintings! However, this is minor and did not take away my enjoyment of a good ending to a good story. I highly recommend this one to all lovers of good Christian historical fiction. It will not disappoint! Rating: 4.5 out of 5 stars Disclaimer: This book has been provided courtesy of Baker Publishing Group and Graf-Martin Communications, Inc. I was not told how to rate or review this book.

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  • Posted December 19, 2011

    This book pulls you in from the very first chapter.

    Fabulous novel taking place during the post civil war. It gives a hint of God in her life from the very beginning; however it is not at all preachy. I'm on the 3rd chapter and I can't put it down.

    I bought this book because its about the historical significance of Belmont college, Nashville, TN. which we actually visited this year. So I want to read about the connection of the main character to the college. It has really been an interesting adventure, and I guess I will find my answer as the book goes on.

    If you enjoy a story of ordinary people in history, you will like this book. I can't wait to get get off my computer, and get back to it.

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  • Posted December 3, 2011

    I haven't finished this one, but love all her others.

    I have not completed the book, but I can say this. All her books I have loved 100% so I don't see this one being any different. Praise God Tamera Alexander is using her God given talent to write. I have been blessed by her books. Thanks!!!!

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  • Posted November 25, 2011

    Must read!

    The question is will your past hold you back from your future? In Tamera Alexander's new novel Claire Laurent has been forced by her father into a life of forgery. Claire has lived her life trying to please her father and perhaps earn his love. When she finally gets away from him she starts to build a new life in Nashville, Tennessee. She becomes employed by an art collector and is surrounded by masterpieces. Her new job also involves contact with her employer's attorney, Sutton Monroe. The chemistry between the two exists from their first meeting. While she works in this art-lovers paradise she is trying to keep her past behind her.

    This is another wonderful novel by Tamera Alexander. While I was first drawn to the wonderful cover, the story is so captivating it was hard to put it down. She is such a talented author and this book is just one more example of that. Thank you Bethany House Publishing for my free copy, I love it!!

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  • Posted November 25, 2011

    A Post Civil War Romance

    A Lasting Impression, another strong romance by Tamera Alexander, takes the reader from her Western settings to the war-torn state of Tennessee a year after the Civil War.
    Plenty of conflict abounds in this absorbing novel, from the young lawyer who has lost everything from fighting on the wrong side to the young heroine who dreams of painting masterpieces, but who must hide her sordid past of painting forgeries once she begins a new life.
    Claire Laurent, the heroine is saved from penury and worse when she gets the job of personal assistant to the wealthy owner of Belmont, where she seems to be given a new chance at life.
    Sutton Munroe, the hero, fighting to regain his family's lands and his father's good name,
    cannot begin rebuilding his life as long as he carries around the guilt of having prevented his father from signing the Oath of Allegiance (to the Union). He is haunted by the knowledge that he caused his father's death and sentence of treason.
    As the two hide their growing attraction, Claire knows time is against her. The past finally catches up with her and it is only by coming to the knowledge that God is on her side and cares for her that she is able to own up to it and face the consequences. The spiritual thread is deftly woven into the love story.
    I would have enjoyed seeing Claire come clean sooner and read about the developing relationship between Sutton and Claire once he knew the truth than have a relationship built on her hiding so much of her past from him. That said, Alexander writes a powerful story about a young woman whose self-esteem has been badly destroyed by her father and who gradually comes to the knowledge of the Savior's love for her and that her talent is God-given.

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  • Anonymous

    Posted November 24, 2011

    A must read for all!!!

    This has to be the best novel yet for Tamara Alexander! Very suspenseful, romantic, with good characters, good plot and all good qualifications for a wonderful book. I almost am done with the first reading. I always dread the endings of her books, because of the impatient wait until another book is
    published. I really do love this author and connect with her very easily.
    Need a good take-me-away adventure? Well, lose your self in one of Tamara's novels, and you can't help but be in book heaven!

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  • Posted November 18, 2011

    Excellent Read

    I recently finished another great historical fiction book, A Lasting Impression, by Christian author, Tamera Alexander. The vibrant detailed setting of the Belmont mansion was breathtaking. Tensions from the recent Civil war are apparent and the currents of conflict are plausible as they interplay within the characters. I was left with a desire to know more about the mansion and the real life characters that inspired her work. I also found a new favorite author and am looking forward to getting my hands on another of her masterpieces.

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  • Posted November 11, 2011

    more from this reviewer

    A Lasting Impression - Highly Recommended!

    Claire Laurent flees her past and steps off a train in Nashville, Tennessee into a new life God will provid for her. She crosses paths with Attorney Sutton Monroe which sets off a chain of events. It was as if God had her by the hand leading her to the future he had planned for her all along. She finds herself with a job that was beyond anything she could have dreamed. Yet, she fears it will all be taken away, even Sutton Monroe, if anyone found out about her past. She has impressed all of Nashville Society with her accomplishments. A Lasting Impression has to be one of the best books I have read this year. The author brought the history and characters of Belmont Mansion alive. The way she described the mansion, art and characters was beyond brilliant. She actually used personal letters Adelicia Acklen, owner of the Belmont Mansion, had written to a relative in the book. The words were very inspiring and made me cry. I am anxious to read more about the history of Belmont Mansion. I highly reccommend this book. I give this book a rating of 5+ out of 5. Disclosure: I recieved a copy of this book from the Litfuse/Author for review. I was in no way compensated for my opinion. This review is my honest opinion.

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  • Posted November 3, 2011

    Light Hearted Happy Ending

    Claire's family is gone, her current accommodations are most unsuitable, and she is desperate to leave her past where it belongs: in the past. She enters the novel as a somewhat shy, nineteen year old with secrets and gets a job alongside Sutton Monroe, a lawyer intent on the truth. Sutton and Claire work together in helping their wealthy employer Mrs Acklen and quickly become more-than-friends. Little does Claire know, Sutton has an understanding with a wealthy young woman, Cara Netta with far better means than poor 'lawbreaker' Claire Laurent.

    A Lasting Impression is the first of three Belmont Mansion Novels set in the 1860s in Nashville, Tennessee. I was glad to have found myself intrigued on the very first page and eagerly kept reading. Excited to get to know the characters I was happy to know the more-than-lovable heroine but got disappointed in little-too-perfect hero. While Alexander kept me guessing as to how they'd get there, I found it predictable when it came to the ending. While I believe it was a sweet, well written romance the final chapters seemed rushed and didn't leave me with a satisfying conclusion. Whether this was done purposefully or not I am both curious for the next two Belmont novels and a little leery of spending my time reading them. I would quickly recommend this to friends who like the lighthearted happy ending.

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  • Anonymous

    Posted October 30, 2011

    Wonderfully descriptive book, please read!

    Forgiveness. That's all Claire Elise Laurent wants. After forging paintings worth thousands of dollars, she simply wishes that her painting skills could be used for paintings of her own, not repeated copies of an obscure artist. When her parents, or, since her mother died, her father's art gallery is robbed, and her father stabbed, she sets off hastily, taking the advice of her "uncle," Antoine. In Nashville, she is at a loss for words. She has no home, no family, and no one who could help her get back up on her feet. That all changes with a church pew, an untimely acquaintance, and a small hope that she will be accepted as something other than a forger.
    A Lasting Impression was phenomenal! With vivid, lively descriptions, the reader can view the luxuriously elegant Belmont Mansion. Using breathtaking details and characters so real the reader feels as if talking to them, Tamara Alexander has written a book that will not be soon forgotten. One would have neither problems nor criticisms of this book, other than minor doctrinal errors, depending on one's beliefs. Any reader can find this book to be one of the most researched, stunningly descriptive, and heart-warming tales of this year.
    Bethany House Publishers gave this book to me for this review

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  • Anonymous

    Posted October 29, 2011

    Excellent

    I received a copy of A LASTING IMPRESSION by Tamera Alexander, from Bethany House. It is the first book in the Belmont Mansion series. I had never heard of Belmont Mansion in Nashville before. After reading this novel, though, I have added the mansion to my list of vacation destinations. The atmosphere sounds amazing, and I want to walk the ground just like the characters. I looked up the house online while I read, so I could picture some of the rooms. It brought the story even more to life.

    The story involves Claire Laurent, an aspiring painter in New Orleans. Her father, owner of an art gallery, forces her to make forgeries for him to sell. When the art studio is broken into, one of his friends sends her to Nashville where they'll start a new business. When she gets there, the man she's supposed to stay with threatens her, and she learns her father is dead. Through the help of a reverend, she is hired as a liaison to Adelicia Acklen, one of the richest women in America. The fact that she is a real woman, and that author used some of her own letters to create dialogue for the character, cemented my love for the book. I felt as if I was traveling back in time, to a grand mansion inhabited by wonderful people.

    Through twists and romance, A LASTING IMPRESSION kept me on the edge of my seat, eager to discover more. I even took the novel with me to work to read during my break and lunch. I look forward to reading the next installments in the series.

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  • Posted October 28, 2011

    A Masterpiece!!

    Once again, Ms. Alexander's exquisite writing has created an experience...A Lasting Impression!! Set at the Belmont Mansion in Nashville, TN; readers are taken on a journey to the Post Civil War era, and introduced to a host of realistic characters! I was moved by their vulnerability and inspired by their depth of Character. I appreciate Ms. Alexander's ability to complete one story line, while creating excitement for what's next! I continue to be grateful for the reminders of Grace and Forgiveness, and relish knowing that God is a giver of Second Chances!! Likewise, I was challenged to consider my own integrity in leaving A Lasting Impression! This enchanting novel left me breathless...Highly Recommend!!

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    Posted May 26, 2012

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    Posted January 1, 2012

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    Posted December 10, 2011

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