Later That Same Year

Later That Same Year

by Matthews Southern Comfort
     
 

Ian Matthews left Fairport Convention in 1969, and while the U.K.'s greatest folk-rock band was beginning to reinvent itself in a more traditional and very British direction, Matthews began digging deeper into the American influences that had marked his old band's first era. Later That Same Year, the second album from Ian'sSee more details below

Overview

Ian Matthews left Fairport Convention in 1969, and while the U.K.'s greatest folk-rock band was beginning to reinvent itself in a more traditional and very British direction, Matthews began digging deeper into the American influences that had marked his old band's first era. Later That Same Year, the second album from Ian's new group, Matthews Southern Comfort (it was released in late 1970, a mere six months after their debut, hence the title), is a beautiful set of songs that splits the difference between West Coast folk-rock and early country-rock, with Gordon Huntley's pedal steel and Roger Coulam's piano lending an air of sunny sadness that dovetails beautifully with Matthews' silky tenor. Matthews wrote three of the songs on Later That Same Year, and they rank with the album's finest moments, especially the ethereal harmonies of "And Me" and the graceful simplicity of "My Lady," but Matthews also borrows some excellent material from American writers, including a cover of Neil Young's "Tell Me Why" that remains faithful while creating a languid mood of its own; a fine, poignant take on Jesse Winchester's "Brand New Tennessee Waltz"; and two by Al Anderson that date from the latter days of the Wildweeds before he joined up with NRBQ (and "Mare Take Me Home" and "And When She Smiles" show Big Al was already a songwriter of no small talent and Matthews handles both tunes beautifully). While country influences run all through the album, Matthews had the smarts not to try to emulate a Nashville production or arrangement style, and instead the album suggests the shadows of Tim Buckley or early Crosby, Stills & Nash while adding an English pastoral subtext all its own. After Later That Same Year, Matthews parted ways with Southern Comfort to record solo and later form Plainsong, but you'd never guess that this album was recorded by a band on its last legs -- this is subtle but confident music that comes from a handful of artists working at the height of their skills. [Before the release of Later That Same Year, Matthews Southern Comfort released a cover of Joni Mitchell's "Woodstock" as a single, and it became a sizable hit in both America and Europe; it was added to the American release of the album, and is one of four bonus tracks added to the 2008 remastered reissue of the album from Beat Goes On Records. "The Struggle," "Parting" and "Scion" aren't quite as strong as the songs on the original edition of the album, but they're certainly worth a listen for fans and find Matthews and the band in solid form, while the digital remastering sounds excellent and well-detailed.]

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Product Details

Release Date:
05/20/2008
Label:
Bgo - Beat Goes On
UPC:
5017261208071
catalogNumber:
807
Rank:
38689

Tracks

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Album Credits

Performance Credits

Matthews Southern Comfort   Primary Artist
Andy Leigh   Group Member
Carl Barnwell   Group Member
Roger Coulam   Piano
Ray Duffy   Group Member
Tristan Frye   Vibes
Gordon Huntley   Group Member
Ian Matthews   Group Member,Indexed Contributor
Keith Nelson   Banjo
Mark Campbell Griffiths   Group Member

Technical Credits

Robin Black   Engineer
Tim Kraemer   String Arrangements
Ian Matthews   Producer
Andrew Thompson   Remastering
Alan Blaikley   Engineer
Ray Stevenson   Cover Photo
David Wells   Liner Notes
Ken Howard   Engineer

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