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Latino U. S. A.: A Cartoon History

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Latino USA represents the culmination of Ilan Stavans's lifelong determination to meet the challenges of capturing the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. In this cartoon history of Latinos, Stavans seeks to combine the solemnity of so-called "serious literature" and history with the inherently theatrical and humorous nature of the comics. The range of topics includes Columbus, Manifest Destiny, the Alamo, William Carlos Williams, Desi Arnaz, West ...

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Overview

Latino USA represents the culmination of Ilan Stavans's lifelong determination to meet the challenges of capturing the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. In this cartoon history of Latinos, Stavans seeks to combine the solemnity of so-called "serious literature" and history with the inherently theatrical and humorous nature of the comics. The range of topics includes Columbus, Manifest Destiny, the Alamo, William Carlos Williams, Desi Arnaz, West Side Story, Castro, Guevera, the Bay of Pigs, the Cuban Missile Crisis, Neruda, García Márquez, the Mariel Boatlift, and Selena. Stavans represents Hispanic civilization as a fiesta of types, archetypes, and stereotypes. These "cliché figurines" include a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas (known as "the Hispanic Charlie Chaplin"), a masked wrestler, and Captain America. These multiple, at times contradictory voices, each narrating various episodes of Latino history from a unique perspective, combine to create a carnivalesque rhythm, democratic and impartial. For, as Stavans states, "History, of course, is a kaleidoscope where nothing is absolute." Latino USA, like the history it so entertainingly relates, is a dazzling kaleidoscope of irreverence, wit, subversion, anarchy, politics, humanism, celebration, and serious and responsible history.

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Editorial Reviews

Library Journal
Noted critic Stavans (The One Handed Pianist and Other Stories) and Chicano artist Alcaraz offer a breezy, quick-paced romp through Latin American history, beginning in 1492 and running through the present day. History lessons presented in a lecture style are often refuted by the satirical asides of minor characters, implying the writer's perspective while failing to offer hard facts. One of the characters is a talking skeleton, but what it represents isn't clear. The illustrations are black-and-white in a brush style, and the whole product has a hurried quality. Readers will get a feel for Latin American history as one of oppression by the dominant majority, but readers lacking prior knowledge or a similar perspective will find Stavans's argument clich d and simplistic.--Stephen Weiner, Maynard P.L., MA Copyright 2000 Cahners Business Information.
Austin American-Statesman
Latino USA explores these and similarly serious questions in entertaining cartoon form.
Houston Chronicle
. . . an amusing comic book that outlines the salient features of U.S. Latino history.
San Antonio Express-News
. . . Latino's kaleidoscopic perspective bubbles with an irreverent mix of Latin politics, wit, self-reference and sincerity.
San Fransisco Chronicle
....a cheeky, streetwise take on Latinos.
Village Voice
Read this primer if you don't want to be left out.
Kirkus Reviews
Educational comics have an honorable history, forged in the US by the visual didact Larry Gornick, and in Latin America by Rius, to whom Stavans (Amherst) and his artist collaborator pay tribute in their cartoon overview of Latin culture's relation to the US. Mexican-born Stavans here focuses on creating a historical narrative that draws heavily from popular culture and celebrates the mixture of backgrounds that find expression in present-day "spanglish." He develops a cast of speakers that includes a conventional teacher, a toucan (homage to magic realism), the actor Cantinflas, and himself—a typically bespectacled college prof. These three emphasize the basic facts of recent history: the growing Latin presence north of Mexico; the 70 or so different ethnicities and languages south of the border; and the troubled legacy of US imperialism. Stavans gives voice to the unspoken "crucial factor" in Latin history: the mix of "racial types" that influences the course of events. He also highlights legendary Latin figures from the popular bandit Joaquin Murrieta to the saintly missionary Junipero Serra. Along the way, he and Alcaraz provide an alternate view of events familiar to most North Americans: the siege of the Alamo, the Spanish-American War, and American intervention in modern revolutionary struggles. The real strength of the book, though, is in its account of the Latin presence in the US: Stavans plugs his own work on such figures as Mexican film star Cantinflas (and also on the less important Oscar Acosta, the "Samoan" lawyer from Hunter Thompson fame). The three main groups of immigrants—from Mexico, Cuba, and Puerto Rico—each receive due attentionfortheir unique contributions to the evolving Pan-American culture. And Stavans even has kind words for the dissenting views of Mexican-American Richard Rodriquez, whose assimilationist vision isn't so very different from that of Stavans and Alcazar. Despite some odd byways, and an occasional clumsy sentence, a cartoon history for everyone: painless, witty, and inviting. Tomorrow, Tom WHEN PENGUINS ATTACK! Griffin/St. Martin's (128 pp.) paperback original Oct. 2000
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Product Details

  • ISBN-13: 9780465082216
  • Publisher: Basic Books
  • Publication date: 9/28/2000
  • Edition description: 1 ED
  • Pages: 192
  • Lexile: 1220L (what's this?)
  • Product dimensions: 7.38 (w) x 9.25 (h) x 0.63 (d)

Meet the Author

Ilan Stavans

Ilan Stavans teaches at Amherst College. His books include The Hispanic Condition, The One-handed Pianist and Other Stories, and The Riddle of Cantinflas. He has been a National Books Critics Circle Award nominee and the recipient of a Guggenheim Fellowship and the Latino Literature Prize, amongst many honors.Lalo Alcaraz is a LA-based, internationally renowned editorial cartoonist. He has contributed to the New York Times, the Village Voice, the Los Angeles Times, and Variety.

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Table of Contents

Foreword ix
Introduction 1
Part 1 Conquest and Exploration: 1492-1890 12
Columbus Sails the Ocean Blue
Alvar Nunez Cabeza de Vaca Gets Lost
La Nueva Espana is Found
Gaspar Perez de Villagra Rules New Mexico
The Cruelties of the Holy Church
Deconstructing the Indies
Missions and Misiones
Thank God for Fray Junipero Serra
The Doctrine of Manifest Destiny
The Westbound Expansion
Forget the Alamo
Who Won the Mexican-American War?
Los Ninos Heroes
The Guadalupe Hidalgo Treaty
Antonio Lopez de Santa Anna Signs a Pact
Border Bylaws and Outlaws
Part 2 Into the Cauldron: 1891-1957 43
Lummis in the Land of Poco Tiempo
Ladies and Gentlemen, the Unparalleled Three Caballeros
Our Good Neighbor Policy
The Business of Slaves
Oh Yes, the Spanish-American War
Jose Marti: Between the Pen and the Sword
Teddy Roosevelt's Rough Riders
Cuba Libre
Puerto Rico's Either/or
Lancheros to Key West (or is it Luncheros?)
Miguel Antonio Otero Rules
Viva Zapata!
Pistols and Wetbacks: The Reed-Johnsonact
Diego Loves Frida
Jose Vasconcelos' Bronze Race
Who is Afraid of the Brothers Magon?
Unions in New York Bernardo Vega
Jose de Diego Cries While Luis Munoz Marin Smiles
Herbert Eugene Bolton Reshapes History
Hispanophobia: The Movie
Puerto Rican Scholar Arthur A. Schomburg
William Carlos Williams
Pachucos in the Mist
The Sleepy Lagoon and Zoot Suit Riots
I Love Lucy, Don't You?
Part 3 Upheaval: 1958-1977 96
Spicy Tacos
Julia De Burgos
I Once Met a Girl Named Maria
Here Comes Fidel Castro
The Appeal of El Che
Bay of Pigs and the Cuban Missile Crisis
Las Dos Cubas: Cubans into Exile
Bilingual Education Is Born
Jibaros in New York
El Movimiento
Reies Lopez Tijerina Makes a Point
The Students Revolt and Rejoice
The Crusade for Justice
Rodolfo "Corky" Gonzalez also Raises the Myth of Aztlan
La Raza Unida Make a Party
Cesar Chavez's Hunger
Young Lords
Triumphs and Tribulations of the Chicano Movement
Ritchie Valens Sings La Bamba
The Brown Buffalo: Oscar "Zeta" Acosta
The Sympathies of Pablo Neruda
Ruben Salazar, Saint and Martyr
The National Chicano Moratorium
Part 4 In Search of a Mainstream: 1978-Manana 133
Does History Have a Meaning?
Gabriel Garcia Marquez's Thundering Voice
Tomas Rivera Devours the Earth
Welcome to Miami: The Mariel Boatlift
Central America on Fire!
The Affirmation of Richard Rodriguez
TV or NOTTV
Soccer Fever
Comprende Espanol? The English only Movement
The Tragic Fate of Las Mirabal
Viva El Graffiti!
Bilingual Nation
Epilogue 158
Meet the Author, Then Run!
Welcome to the Future, Senor!
Acknowledgments 168
Index 170
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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted June 4, 2004

    Entertaining and Informative

    This book is quick and a nice surprise. I was done in two days; A record for me! I enjoyed his style of familiar phrases and the knowledge I gained. I especialy enjoyed his take on the old debate of what to call ourselves. I often refer to some of his points on this discussion. I liked the presentation on latino history through cartoon. To summarize, this is a fun read, that will make you think.

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  • Anonymous

    Posted September 4, 2000

    Rachel loves this book!!!!!!!!!!!!!!

    My favourite comic book and favourite history book all in one. Even better than Matt Reilly's fiction (be sure to check that out too).

    Was this review helpful? Yes  No   Report this review
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