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Frank Bascombe, Ford's former fiction writer and sports journalist who we have seen age and change since Ford introduced him in 1986's The Sportswriter, must be one of the most difficult fictional characters to bring to audio life. His moods and mindsets shift like the shores of his native New Jersey, where at 55 he now sells real estate, and keeping them clear and credible requires a reader of subtle and impeccable judgment. Barrett, a veteran stage, film and television actor, has a voice that should make listeners think they're hearing Frank tell his own story. He catches every nuance from the odd to the tragic, making the breakup of two marriages, a life-threatening disease and the disappointment over a son's career choice as vital a part of Bascombe's story as his strange mental journeys, which are often triggered by headlines or TV news items. A sharp, revealing interview with author Ford is part of this very large, extremely important audio package. Simultaneous release with the Knopf hardcover (Reviews, Sept. 11). (Nov.)
Copyright 2007 Reed Business Information1. What do you make of the story that opens the novel: that of the community college teacher who, before being gunned down by one of her disgruntled students, was asked if she was ready to meet her maker and replied "Yes. Yes, I think I am" [p. 3]. Why is Frank so riveted by this question? How does he think he might answer in similar circumstances? What does he mean when he says that "It’s not a question . . . that suburban life regularly poses to us. Suburban life, in fact, pretty much does the opposite" [p. 4]? Is he right? How do the themes of death, self-accounting, and the terrifying randomness of the American berserker recur throughout The Lay of the Land?
2. What does Bascombe mean by the "Permanent Period?" When does he seem to have entered it, and what events threaten to evict him from it? How serious is he when he speaks of its pleasures? In the scheme of this novel, is permanence the same thing as happiness? As resignation?
3. The Lay of the Land is set during Thanksgiving, as The Sportswriter takes place at Easter and Independence Day over a July 4th weekend. How does the holiday figure in the novel? How does Frank feel about it, and how do the other characters appear to be celebrating it? Discuss the novel’s exploration of themes like gratitude, family, and abundance — as well as the ambiguous meaning of "pilgrim."
4. What role does politics play in this novel, which occurs during the long, inconclusive hangover of the 2000 presidential election? How does Frank feel about the nation’s current state of affairs? How do the other characters feel, and to whatextent are they characterized by their politics? How does the outcome (or non-outcome) of the vote mirror events in Frank’s personal life?
5. What has prompted Frank to become a Sponsor, a member of a group "whose goal is nothing more than to help people" [p. 12]? What sort of help does he have in mind, and how does that correspond to what is actually asked of him on his one Sponsorial visit? What does he get from his voluntarism, and how do the services he performs as a Sponsor compare to his kindnesses as a friend, business partner, father, or husband? How do they highlight his failings and deficiencies? What does the very existence of an organization like Sponsors suggest about American — or at least New Jerseyan — society in the year 2000?
6. What is the significance of Frank’s career as a realtor? Which of his character traits does it bring into relief? How does it cause him to see the landscape and houses around him, and how does it cause other characters to see him? What does "home" mean to a realtor, who makes his living selling them? What might "home" mean to Frank’s partner Mike Mahoney (né Lobsang Dhargey), whose original one was in Tibet? Is home, as Frank can’t keep from going back to, though the air there’s grown less breathable, the future’s over, where they really don’t want you back, and where you once left on a breeze without a rearward glance" [p. 14]?
7. Mike Mahoney’s name, career-track, and politics suggest a core sample of the American bedrock, except that, as previously mentioned, he happens to be a Buddhist from Tibet. Has the American archetype become someone who was once somebody (or something) else? In what ways are Mike and Frank similar? Are Ford’s characters constantly becoming new people or simply building additions onto an original structure? And, if Mike represents a paradigm in this novel, what do you make of Ann’s statement, "We just have to be who we are" [p. 377]?
8. Frank is a cancer survivor, a category whose ambiguity may be surpassed only by the "suicide survivors" that so confuse Mike. How does Frank feel about his condition, and particularly about where it has chosen to turn up in his body?
9. What sort of father is Frank? Which of his surviving children does he favor and for what reasons? To what extent is he still haunted by the death of his first son? Why is he so unnerved when Clarissa, who only yesterday was a straightforward lesbian, brings home a male "friend"? What might account for Frank’s embarrassment and irritation toward his son Paul and Paul’s occasional fury at him? Is Paul right when he accuses his father of "hold[ing] everything . . . down" [p. 396]?
10. How does Frank relate to the women in his life? What sort of husband has he been? How does he react to Ann’s admission that she still loves him? How has he dealt with his desertion by Sally, and to what extent may he have been complicit in it? (What might it mean when your wife leaves you for a dead man?) What do you make of his Sponsorial call to Marguerite Purcell and of the fact that it transpires without either person alluding to their long-ago sexual fling?
11. For all his relationships, Bascombe seems to be a fundamentally solitary figure. Is this because Ford embeds us so deeply in his consciousness that we experience the essential aloneness that is the hallmark of all consciousness or because Frank really is solitary? What traits or circumstances might make him so?
12. As its title suggests, The Lay of the Land is very much a novel about place. How does Bascombe view his neck of New Jersey? How do his observations about strip malls, McMansions, road houses, and human tissue banks illuminate Bascombe’s character? How do they comment on the novel’s action? Does Bascombe loathe the uniformity and ugliness of this environment, or are his feelings about them more complex? Are the author’s? What is the significance of the fox that appears in one of the book’s final scenes?
13. E. M. Forster famously summed up the difference between story and plot as follows: "'The King died, then the Queen died' is the story. 'The King died, then the Queen died of grief' is the plot" [Aspects of the Novel, chapter 5]. What is it that makes the seemingly haphazard events in this novel cohere into a plot? What is the relation between that plot’s hinges (Frank’s cancer, Sally’s departure, Ann’s confession, Clarissa’s disappearance, and Paul’s arrival, not to mention the shattering denouement) and its seemingly incidental moments?
14. Frank is both the novel’s protagonist and its narrator. Every perception and event is filtered through his voice. How would you characterize Frank’s voice? In what ways does it combine the casual and the literary, the comic and the tragic?
15. Because The Lay of the Land deals with ordinary people engaged in ordinary life in an environment that most readers will find familiar, it is tempting to see it as a miniaturist novel. But its length, its eventfulness, and the sheer, exuberant density of its observations suggest that it is also a work of fictional maximalism like Bellow’s Herzog or Joyce’s Ulysses (to which it sometimes alludes). Discuss these approaches to fiction and the ways that Ford reconciles, or navigates, between them.
Anonymous
Posted July 13, 2008
This is the second novel of Richard Ford's I have read, the first being 'A Multitude of Sins.' After reading a couple novels of Mr. Ford's it is safe to say he is one of the most talented writers of his generation What Mr. Ford manages to do with this story is provide the readers with characters who have depth, pathos that never fail, and a narrative that succesfully rides the line of humor and ordinary tragedy. My one major complaint with this story comes from the length-485 pages is a bit long-nonetheless Mr. Ford's talent with writing always kept me turning to the next page. The word 'epic' has been used to describe this novel, and I believe it fits perfectly. It's an epic tale of the struggles that come with being alive.
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Posted December 27, 2006
In 1989, America¿s TV viewing public was introduced to ¿Seinfeld,¿ a sitcom that despite its premise as a ¿show about nothing,¿ turned out to be a series about everything, no matter how mundane, that touched the lives of its central cast, and captured the public¿s imagination by reflecting the neurosis many experience in their everyday life. While viewers may have thought the premise new and revolutionary at the time, other mediums had touched upon the concept with varying degrees of success. In the literary world, perhaps the most notable was Richard Ford¿s critically acclaimed 1986 novel ¿The Sportswriter,¿ featuring protagonist Frank Bascombe, followed by his 1996 Pulitzer and Penn Faulkner award winning sequel, ¿Independence Day.¿ Now, 10 years later, Ford has struck literary gold once again with the third act of Bascombe¿s life in ¿The Lay of the Land,¿ a stirring and emotionally charged novel on the closing chapters of one man¿s life whose everyday actions are not noteworthy when examined bit by bit, but become utterly fascinating when viewed in its totality. Set in the uncertainties of mid-November 2000, highlighted by a presidential election filled with hanging chads, a concession and retraction of defeat, lawyers, judges, court rulings, Katherine Harris, and finally, a Supreme Court ruling, Ford takes us on the back-end ride of a life journey that, like the election¿s outcome, is more influenced by outside events despite valiant attempts to control one¿s own destiny. As with Ford¿s previous two Bascombe novels, this one takes place during a holiday¿Thanksgiving¿which for our everyman protagonist is a time of introspect and search for clarity in a daily life filled with monotonous decisions, family matters, and an illness that required bodily insertions of radioactive pellets to cure a prostrate cancer that may be the beginning of the end. In spite of his cancer, Bascombe is now enjoying success as a realtor in New Jersey, which means others are making the rounds for him, allowing him too much time to ponder his life¿s existence and to contemplate the continued turmoil that swirls family, friends and situations together into a smorgasbord of every day stories in what he calls his ¿Permanent Period,¿ a stage in life where you are what you are you¿re no longer working at trying to become someone you¿re not. It¿s that time in life when you realize that best intentions are just that, intentions that in no way will ever become reality. ¿When you first buy by the ocean you¿re positive you¿ll take a morning dip every single day, and that life will be commensurately happier, last longer, you¿ll be jollier¿the old pump getting a fresh prime at about the hour many are noticing the first symptoms of their myocardial infarct. Only you don¿t.¿ For people who are afforded the opportunity to grow old, the dawning of one¿s twilight years may be the opportunity to put one last positive spin on a life that has spun without rhyme or reason. For Bascombe, it¿s an opportunity to sort through who he was, quietly marvel at what he¿s become, and to prepare himself mentally for the road ahead that he now grudgingly trudges towards with unwavering honestly and a dose of good humor. ¿The Lay of the Land¿ is an exceptional work by a gifted writer who has earned the right to be considered an American literary treasure. The novel is destined to be a strong contender for major book awards and is sure to be found in every ¿Top 10 Books of 2006¿ list.
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Posted February 24, 2010
Richard Ford's technique of basically breaking down the main characters life into an almost real-time, minute-by-minute description of what they are thinking, feeling or observing is interesting at first but for the reader soon becomes a boring plod.
I have enjoyed his other works but this one seemed forced.
It is Thanksgiving 2000 in Haddam, New Jersey and fifty-five realtor Frank Bascombe has more issues than the presidential contest that might get resolved by the ¿04 election (the presidency that is), but definitely before his do. Frank mulls over the irony of life. His second wife the widow Sally Caldwell left him for her very much alive first husband. Frank¿s first wife Ann Dykstra is now a widow and looking to go back to him.----------------- Franks has other bigger issues than a second chance with his first wife becoming his third spouse bigger than the issues of his twenty something year old offspring Paul and Clarissa (from his first marriage) whose complexities are better off ignored by him. As he sells homes and beach cottages with his partner a Tibetan Buddhist expatriate Mike Mahoney, Frank learns he has prostate cancer. This brings him no sympathy from his family as they make him as usual the stuffing for the long Turkey weekend.--------------------- Every decade or so, Richard Ford treats readers with the latest happenings in the life of Frank Bascombe (see THE SPORTSWRITER and INDEPENDENCE DAY). Frank has learned relationships no matter how long they are do not last as sh*t happens. This time he takes a beating over the extended holiday weekend, but as he always has whether he was covering sports, selling real estate, or watching marriages dissolve he placidly ignores the jabs. Instead he is more concerned about the end of the Clinton era with the country either going to be gored or just bushed. Still he looks back seeking answers whether he should have settled for comfort or taken the risk for pleasure as life is short. As always with Frank, readers obtain a deep humorous yet serious character study.----------------- Harriet Klausner
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Posted August 7, 2010
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Overview
NATIONAL BESTSELLERNational Book Critics Circle Award Finalist
A New York Times Best Book of the Year
A sportswriter and a real estate agent, husband and father –Frank Bascombe has been many things to many people. His uncertain youth behind him, we follow him through three days during the autumn of 2000, when his trade as a realtor on the Jersey Shore is thriving. But as a presidential election hangs in the balance, and a postnuclear-family Thanksgiving looms before him, Frank discovers that what he terms “the Permanent Period” is fraught with unforeseen perils. An astonishing ...