Le Divorce

Le Divorce

2.8 23
by Diane Johnson

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Soon to be a major motion picture from Merchant Ivory productions starring Naomi Watts and Kate Hudson!

Called "stylish...refreshing...genuinely wise" by The New York Times Book Review, Diane Johnson’s Le Divorce has delighted readers since its publication in 1997.

This delightful comedy of manners and morals, money, marriage, and murder follows

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Soon to be a major motion picture from Merchant Ivory productions starring Naomi Watts and Kate Hudson!

Called "stylish...refreshing...genuinely wise" by The New York Times Book Review, Diane Johnson’s Le Divorce has delighted readers since its publication in 1997.

This delightful comedy of manners and morals, money, marriage, and murder follows smart, sexy, and impeccably dressed American Isabel Walker as she lands in Paris to visit her stepsister Roxy, a poet whose marriage to an aristocratic French painter has assured her a coveted place in Parisian society...until her husband leaves her for the wife of an American lawyer.  Could "le divorce" be far behind?  Can irrepressible Isabel keep her perspective (and her love life) intact as cultures and human passions collide?  "Social comedy at its best" (Los Angeles Times Book Review), Le Divorce is Diane Johnson at her most scintillating and sublime.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
It's no accident that the epigraph for this delightfully urbane social tragicomedy is taken from Henry James. Narrator Isabel Walker is a latter-day Isabel Archer, a charming, intelligent but nave American in Paris, who thinks herself sophisticated and analytical until her eyes are opened during the ironic, erotic and shocking events in the course of which she comes of age. Restless and unfocused, a drop-out from film school at Berkeley, Isabel is sent to Paris to help her pregnant step-sister, Roxy, through a difficult time: Roxy's husband, Charles-Henri Persand, has left her and their toddler daughter to run off with another woman. Isabel accepts a motley range of jobs in the American expatriate community-running errands, helping a famous writer with her files, serving at parties, etc.-and becomes aware of the jealousy and backbiting among the insular set. At first totally at sea because of the language barrier, she also gradually becomes aware that a chasm of misunderstandings and basic attitudinal differences lies beneath the cordial facade of Franco-American relationships. Meanwhile, an heirloom painting that Roxy brought to Paris is suddenly discovered to be an immensely valuable La Tour; under French law, it will be considered part of the divorce settlement. The tangled provenance of this painting creates tensions among the Walker family's half-siblings. The wealthy and powerful Persand family are also beset by a series of emotional involvements, including Isabel's own clandestine relationship with Charles-Henri's elderly uncle, a charming rou and political minence grise. By the time the various strands of the plot culminate in surreal scenes at EuroDisney and the poubelles (refuse bins) of Roxy's apartment building, Isabel has become wiser about herself and the world, though she realizes that her point of view will always be colored by her Californian mindset. Johnson's (Persian Nights) control of her material is impeccable. The world of American expatriates is fertile territory for her ironic wit, which is both subtle and sharp. Everything here delights the reader: the sinuous plot with its rising suspense; the charged insights into family dynamics; the reflections on morality as perceived on both sides of the Atlantic; the witty asides on food, politics and sibling rivalry; the dialogue, which reflects both American and French speech patterns and social conventions; and the views of Paris itself, seen through the eyes of an ingenue who grows in sophistication as she begins to understand the reality that permeates this city of romance. (Jan.)
Library Journal
In this frothy, forgettable tale of the vicissitudes experienced by two American sisters in Paris, Johnson (Health and Happiness, LJ, 9/15/90) introduces a winsome narrator and a somewhat interesting group of supporting characters. When college dropout Isabel Walker comes to Paris to help her pregnant sister, she gets more than she bargains for. Not only must she cope with Roxy's near-suicidal depression following the abrupt departure of her French husband and the resulting fuss over a potentially valuable family heirloom that has become a sticking point in the divorce settlement, but Isabel falls in love with Oscar, Roxy's 70-year-old uncle by marriage, a war hero and intellectual whose reputation for philandering equals his not inconsiderable charm and formidable intelligence. Johnson's ability to delineate characters in a line or two, her obvious fondness for Isabel (which readers will share), and her tart views of both French and American attitudes render plot pretty much beside the point. A pleasant way to spend an hour or two, this novel will add little to Johnson's reputation. In fact, fans of her earlier novels will have a hard time believing this is by the same author.-Nancy Linn Pearl, Washington Ctr. for the Book, Seattle
Dwight Garner
What makes Diane Johnson such a rewarding novelist (and travel writer) is her vivid, can-the-bullshit tone. Her new novel, Le Divorce, is thick with frank observation — about sex, manners, food, money — of the kind that illuminates all of her work, and it lifts the novel high above those of most other mid-career American writers. A critic at heart, Johnson scorns flowery prose and aching "sensitivity," preferring to get her hands dirty poking around in the human condition. She's a treat to read.

Le Divorce is about two stepsisters from Southern California who wind up living in Paris. Roxy, the elder, is a poet who has married a Frenchman and has all but become French herself; Isabel is a college dropout (she's considering a film career) who comes to stay with her pregnant sister who was recently abandoned by her husband. But what Le Divorce is really concerned with, of course, is all manner of cultural clashes — about what it's like to be thrown into another culture as if one "has been asked to jump the space between two roofs."

Isabel, the book's smart and brassy narrator, arrives in Paris "hoping to get some of my rough edges buffed off that the University of Southern California had failed to efface." Yet she doesn't immediately share her sister's "unqualified admiration for all things European," which makes her a tart and reliable tour guide. She dislikes France's dogshit problem, for example, and its odd music ("Let's face it, their music is not our music"), and its residents' "gaiety fetish," and a thousand other things. Yet, as her sister's life becomes more difficult, Isabel takes a dignified, much older French man as a lover and finds herself seduced in more ways than one.

There is some splendid writing here about Isabel's unusual (she admits) interest in this 70-year-old public intellectual: "I felt that to be made love to by a large, handsome, white-haired man with his large engine (or whatever word Milton would have used in Paradise Lost, which I once had to read some of, horrible) and whose speaking might as well have been in tongues — it was like being fucked by God." But then there is splendid writing everywhere. For example, here is Johnson on why there is less obesity in food-loving France: "I think it has something to do with the cooperation of the sexes in France, so unlike the state of war we have at home, where everyone gets fat from despair and hostility, in order to erotically deprive their loved ones."Le Divorce is a banquet marred only by its final course — a hasty and overblown ending that feels as if it belongs to an entirely different book. No matter. We're too busy digesting what's come before to be bothered by a final jolt of strangely spun sugar. --Salon

Kirkus Reviews
A modern collision of French and American mores begins in near farce but ends in tragedy in Johnson's bright, unsparing novel.

Johnson (Health and Happiness, 1990, etc.) traces what happens as uncomprehending members of two very different cultures attempt to understand one another. The often droll results are catalogued by Isabel Walker, a young woman sent from her native California to help her beleaguered stepsister. Roxanne Walker de Persand—a poet long resident in Paris, with a French husband (Charles-Henri, a moderately successful painter) and a young daughter—is pregnant again when she learns that her husband is having an affair with a married woman. Charles-Henri's elegant family, led by a daunting matriarch, become involved in the efforts to resolve the domestic drama. After all, they suggest, men must have their little follies. Isabel, bright, inquisitive, anxious to sample life, serves as a go-between, and along the way herself begins an affair with Edgar, an urbane diplomat and wonderfully self-assured lover some 50 years her senior. The rest of Isabel's well-heeled but somewhat contentious family arrive, and a marvelous scene ensues in which the Walkers and de Persands sit down for a meal and gradually realize that their tastes and ideas are hopelessly at odds. Johnson is especially good at catching the class-bound, cool, utter self- assurance of the French upper classes, and the determinedly frank, aggressive innocence of their American counterparts. Violence erupts when the husband of Charles-Henri's mistress goes on a shooting spree. There will be several deaths and some surprising but believable revelations about many of these people before Isabel emerges into her own, the only character to begin to grasp the limitations of each side of her transatlantic family.

A shrewd, carefully detailed portrait of the ways in which Americans and the French continue to romanticize, denigrate, and misapprehend each other, contained in a well-paced, believably dramatic narrative.

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Penguin Publishing Group
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5.30(w) x 7.98(h) x 0.81(d)

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If we do not find anything pleasant, at least we shall find something new.

I think of life as being like film because of what I learned at the film school at USC. Film, with its fitful changefulness, its arbitrary notions of coherence, contrasting with the static solemnity of painting, might also be a more appropriate medium for rendering what seems to be happening, and emblematic too perhaps of our natures, Roxy's and mine, and the nature of the two societies, American and French. The New World and the Old, however, is too facile a juxtaposition, and I do not draw the conclusions I began with. If you can begin with conclusions. But I suppose we all do.

I am, as I said, Isabel Walker, a young woman abroad who, in several months in Paris, has learned enough to be considerably changed-and is this not in fact the purpose of young Americans going abroad? To make them think of things they never thought of? I should explain who I was.

I had come to France planning to spend some months babysitting my pregnant sister Roxeanne's three-year-old, GeneviFve (Gennie), reading books in French that I didn't expect to like much (had read a bit of Rabelais in school and thought it was disgusting, with its talk of farts and twats), and under the cover of being a help to Roxy, hoping to get some of my rough California edges buffed off that the University of Southern California had failed to efface. Leaving college (I had not actually graduated) ordinarily points one to the future, whereas France was not the future, it was only temporizing and staving off the day I would have to make real decisions. When I dropped out of college I became aware that the people in my world, usually so understanding and fond of me, had now a certain hardness of expression when asking me what I planned to do, as if they expected a serious and detailed answer, and my friends, as they awaited the results of their MCATs and LSATs, tended to avoid my eyes. I'll be working on my screenplay, I would tell them, and I'll be helping Roxy with her new baby, and I want to investigate the European film scene. But these statements only earned me a moment of silent scrutiny from my inquisitors before they changed the subject.

I arrived in Paris as scheduled-it is now six months ago-by coincidence the day after Roxy's French husband, Charles-Henri, walked out on her. I took a taxi from the airport, Roxy having explained that she didn't drive a car in France because she didn't want to take the time to go to traffic school. That seemed strange to me, since Roxy as a true Californian has been driving since she was sixteen. I couldn't even imagine a society where a young housewife wouldn't drive.

I had never before been abroad, unless you count Tijuana. Stumbling off the plane, I was too excited to be tired from the long flight. I felt an almost unpleasant thrill of apprehensiveness when the man stamped my passport, sort of as if I had been asked to jump the space between two roofs. Would I make it?

Everyone was speaking French. I had known they would be, of course, but had failed to anticipate my dismay. "Don't get too Frenchy," my father had told me when they took me to the plane. "Remember 'jus plain English's good enough for a 'Merican.' " This was a literary allusion to Kipling's "Why the Leopard Changed His Spots." ("Jus plain black's good enough for a—-"-a word Margeeve had carefully whited out of our copy, and naturally we had never pronounced.) No chance of me changing my spots, though-I would never understand French, so I was now cut off from human communication.

My wits were in a turmoil of concern about the correct pronunciation of "Maetre Albert," Roxy's street, lest the taxi man take me somewhere else altogether, and whether he would be surly, the way they are reputed to be, and, more generally, was coming to France a mistake and false detour in life? Roxy must have been watching from her window when I got there, or heard the rattle of the taxi in the street, and came out the big green wooden doors to meet me. She paid the taxi and kissed me. The taxi man leered amiably at both of us.

I was a little shocked by the stairwell of Roxy's apartment building, the peeling walls, the drab, sinking oaken treads. By now I have learned the beauty and value of seventeenth-century staircases and Louis Quinze furniture, but that first day, after the endless trip, I admit I had the feeling Roxy had come down in the world, from a California perspective, into a patch of bad luck. Or rather, I could imagine that our parents, especially Margeeve, would feel that way. I felt subtly co-opted by the secret that Roxy was living in reduced circumstances, here in this foreign place, and I wasn't to tell.

My sister Roxy-my stepsister really-is a poet. This is not an avocation but a vocation she trained for at the University of California at Irvine, and later at the University of Iowa. She has had a volume of poetry published by Illinois Wesleyan, and many poems in magazines. To tell the truth, I have always slightly resented the way our parents have encouraged her in this frivolous, totally unremunerative occupation, while urging me toward various careers such as accounting and personnel management-which means learning to interview people and assign them jobs-and computer service representative, to name only three of the peculiarly repellant occupations they, having heard of them for the first time in their lives, were willing to consecrate me to, so desperate were they to find something for which I might be fitted.

But I admire Roxy's poems, I don't mean otherwise. I wish I could find two screwy words and put them together so that they fizz, like she can. It always surprises me to read Roxy's poems, because in person, the way she talks, she just sounds like a normal person, you wouldn't have thought her thoughts would be odd and complicated.

There are people whose lives progress like one of those charts of heart attack, serrated peaks and valleys like shark's teeth, and my sister Roxeanne is such a person. I loved her from the moment we met, at the marriage of my father to her mother when I was twelve and she seventeen. As we grew up, I adored the way she rushed home from school, slammed the door of her room and wept histrionically. Later there were her school prizes and being the valedictorian, her causes and theses, her poetry and passionate seriousness-and then the surprising glamour of her romantic marriage to the charming Frenchman, and now the surprising drama of their breakup.

We are so different, my stepsister and I, that people don't compare us, and that has kept us friends. Hence my mission, for so it could be called, to come to Paris to help her with the new baby soon to arrive, and now, it seemed, to support her in this crisis. Ordinarily I would not be someone very good at baby-sitting. But I have always been good at helping Roxy; it was always I who picked up both our clothes and straightened our closets.

Roxy looked well, I thought, and only a little stouter than when I'd seen her last summer, not really showing yet. Her hair was cut to shoulder length, straight across the bottom, like pictures of Joan of Arc. Her hair and eyes are exactly the same light brown as a lovely forest animal's, and her skin was lit from within like a rosy parchment lampshade. I had never seen her look so well, but there was something distracted about her manner. "Charles-Henri is in the country," she told me immediately. At first, that was all she told me about his absence. But I was too jet-lagged to take in much. A heavy hemlockian sleepiness was already seeping in on me.

"You look wonderful, Izzy," she said. "Don't you love Paris? I know you will. Give me that bag. Is that all you brought? Good thing-your room hasn't got a closet. I forgot to tell you, no closets in France. Gennie's at her day care." And so on.

Her apartment was small, white-painted, with an antique chest of drawers missing some sections of its inlaid wood, and a leather sofa, and several of Charles-Henri's large abstracts. There was a stone fireplace with our family's painting of Saint Ursula over it, her dreamy smile seeming to welcome me, a familiar face from my own past, like a family photograph. I had always thought the woman in the painting was a princess accepting the rich tributes of a wealthy wooer, but Roxeanne has always said she is Saint Ursula, the virgin/warrior saint. I suppose this shows Roxy's nature, exigent and chaste, despite her pregnancy and the romantic nature of her predicament. Saint Ursula was a fourth-century virgin who was massacred eventually, but in this painting, in a contemplative moment in her chamber, she reposes, a book on her lap, disdaining a heap of gifts from the king who wishes to marry her. Two handmaidens standing behind her seem sternly supportive. The room is dark except for a candle on the table at her elbow, and it is the glow of this candle, softly illuminating her face and incidentally the gold and jewels behind her, that has brought up the name of Georges de La Tour.

I believe Roxy loved this picture better when we did not know the girl was Saint Ursula, nor the painter La Tour (if it was)-before it had value, before it became the center and symbol of acrimony.

—from Le Divorce by Diane Johnson, copyright © 1997 Diane Johnson, published by Plume, a member of Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher."

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Le Divorce 2.8 out of 5 based on 0 ratings. 23 reviews.
Guest More than 1 year ago
I can't believe how much I disliked this book. I was prepared to like it, since I'm a huge Francophile, but this was just terrible. Isabel, the narrator, was completely unsympathetic. I couldn't care about her, and the only emotion that she evoked from me was derision. Her level of intelligence was not at all consistent, and I have a hard time believing that a person who had gotten into as many scrapes as Isabel had in her lifetime would continue to be so relentlessly naive. I couldn't understand anyone's motivation, and pretty much all of the characters seemed rather dull to me. I would recommend this book only if you are determined to punish yourself or somebody else for some large sin and need the proper vehicle for penance. Otherwise, avoid this book at all costs.
Guest More than 1 year ago
The novel is interesting with respect to Paris and plot ideas, however, it is a very slow read. Without doubt, Diane Johnson is a great writer but the story could have been told in half the time.
r_brookfield More than 1 year ago
I think you have to have lived in Paris to really understand this entertaining book. It's very well written and really captures the inimitable residents. A very good story line that is full of surprises and liasons. I'm anxious to read more of her books. Well deserved award.
Guest More than 1 year ago
i read it a year ago and when i saw so many negative reviews i had to say something. reading it made me want to go to paris and be that american in paris just trying to blend in. the affair i thought was beautiful and realistic. i dont know how anyone could have found it confusing or horrible or whatever because i thought it completely made the book as wonderful as i thought it was. it was sexy and timid and unsure and just real. all the dillemas between the french and american controversies i thought were really interesting. love in paris. how could anyone say no?
Guest More than 1 year ago
I picked this book up thinking that it sounded interesting. I found it, however, to be ridiculously slow, the entire book was about a completely wishy washy woman who just needs to make up her mind! Also slightly offensive to me. Don't waste your time.
Guest More than 1 year ago
This was a boring, simply awful book. The characters were the most despicable, amoral, hideous people ever grouped together in one book. Not one was remotely likeable. And the ending! Where was the sense to that? To illustrate how gun crazy and violent Americans are? I wish, desparately, that I had never seen this book much less read it.
Guest More than 1 year ago
I thought this was going to be a great book. I was wrong. It was so slow and the characters were all awful. I barely finished the book. About halfway through I just started skimming pages to see how the book ended. A waste of my time.
Guest More than 1 year ago
I picked up this book thinking that if it had been made into a movie then it had to be good. I couldn't stand the thing. The characters seemed selfish and naive. Isabel's affair disgusted me beyond words. I was constantly going back to paragraphs trying to figure out what they said. I'll never recommend this book or this author.
Guest More than 1 year ago
Diane Johnson's espertise with the French Culture has been lightly and brightly brought to us on a Baccarat crystal platter. One can view all sides at once. The book is enjoyable if you have never been to France, but if you have, it is 'Tres Bon.' Her contrasts and interplay within the American and French cultures is both insightful and charming. It is easy to be delighted by the French, Diane makes it possible to also be enchanted and enlightened.
Guest More than 1 year ago
I really thought this book had a lot to offer, despite what everyone else said. The writing was amzing, the depiction of the social contrast was well said, and the character portrayal was very well done. There were a lot of long descriptions, but they were totally worth it. You have to really appreciate french culture to enjoy this book, and most americans don't, so I guess that's why it didnt do so well. I myself had to read it a few times before I fully enjoyed it. But I thought it was a good read, and it does help a lot to know french when you read this book, otherwise you're just wasting your time.
Guest More than 1 year ago
I was eager to get this book hoping that the plot line set in Paris would be a fun escape. I was hoping to get a bit of the French atmosphere and have a fun read. While I found the writing to be a bit tedious at times, some parts were okay but overall I never felt involved with any of the characters. And the ending was a major disappointment. It made no sense and seemed to me that the author knew that this was going to be a movie and so threw some wild Hollywood ending in there. Don't bother. If you want something fun, read one of Jane Green's books.
Guest More than 1 year ago
What attracted me to this book was the fact that I have had 5 years of French class. For that reason it was enjoyable to read, and notice all the subtle and not subtle references between the different cultures. I liked the book, but was hoping it would have more charcter development. Worth reading, but not something many people will read more than once.
Guest More than 1 year ago
I was looking forward to enjoying this book when I saw a teaser for the upcoming Kate Hudson movie. The book doesn't let you get very close to the characters and then proceeds to drag in the middle. I found the whole American in Paris idea interesting but with more character development the plot wouldn't seem to be so rushed at the end to wrap up the family and financial crisis. I felt let down when I could have skipped the middle 100 pages and just read the last 50 to see how everything ended up.
Anonymous More than 1 year ago
Town hall. Mayor is Ms. Brownduk.
Anonymous More than 1 year ago
This is my first one star review book boring and had to skim through all the pages to get thru this LONG book. And there was no end. Dont know if its a nook thing but there was no end.
mlchal More than 1 year ago
This book has a lot of French and big words you have to look up. It rambles on sometimes. It eventually has a good plot. If you can tolerate waiting it gives you a good idea what it would be like for a young American living in Paris.
Anonymous More than 1 year ago
Unique writing! I loved this book!
Anonymous More than 1 year ago
Guest More than 1 year ago
Slow, tedious, too many French words without the translation, and NOT FUNNY!!
Guest More than 1 year ago
I too thought it would be enjoyable to read the book before it reached the theaters. The story line had no rising climax, and the plot seemed to jump around. As the reader, I never could tell what the main focus was. Furthermore, there was so much French in the story line and dialouge that at times it was hard to really grasp what was actually being said. Don't pick up this book unless you've had a crash course in French I, or a French to English dictionary close at hand.
Guest More than 1 year ago
There is no character development whatsoever and the story drags on. It was very difficult to finish. The only positive aspect is the Parisian scenes described. I hope the movie is better and more entertaining.
Guest More than 1 year ago
I am going to sound like a borken record but I thought this book was going to be wonderful! But I had a hard time even getting past page 100 because I found it boring. I didn't like the Characters and I am very dissapointed that I didn't enjoy the book as much as I thought I would.
Anonymous More than 1 year ago
Walks in scared not knowing what to do