×

Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

Le Morte D'Arthur: Volume II
     

Le Morte D'Arthur: Volume II

3.4 21
by Thomas Malory, Frederick Davidson (Read by)
 

See All Formats & Editions

This monumental work made the Arthurian cycle available for the first time in English. Malory took a body of legends from Celtic folklore that had been adapted into French literature, gave them an English perspective, and produced a work which ever since has had tremendous influence upon literature.

The story begins with King Uther Pendragon’s use of

Overview

This monumental work made the Arthurian cycle available for the first time in English. Malory took a body of legends from Celtic folklore that had been adapted into French literature, gave them an English perspective, and produced a work which ever since has had tremendous influence upon literature.

The story begins with King Uther Pendragon’s use of enchantment to lay with Igraine, Duchess of Cornwall. Arthur is conceived and taken away in secret, returning as a young man to claim the throne by pulling the sword Excalibur from the stone. In retelling the story of Arthur’s rule of Britain, Malory intertwines the romances of Guinevere and Launcelot, Tristram and Isolde, and Launcelot and Elaine. Sir Galahad’s appearance at Camelot begins the quest for the Holy Grail. Finally, Camelot is brought down by the conflict between King Arthur and his natural son, Mordred.

Product Details

ISBN-13:
9781441700575
Publisher:
Blackstone Audio, Inc.
Publication date:
11/01/2009
Edition description:
Unabridged
Pages:
17
Product dimensions:
5.30(w) x 7.50(h) x 0.60(d)
Age Range:
14 - 18 Years

Meet the Author

Frederick Davidson (1932–2005), also known as David Case, was one of the most prolific readers in the audiobook industry, recording more than eight hundred audiobooks in his lifetime, including over two hundred for Blackstone Audio. Born in London, he trained at the Royal Academy of Dramatic Art and performed for many years in radio plays for the British Broadcasting Company before coming to America in 1976. He received AudioFile’s Golden Voice Award and numerous Earphones Awards and was nominated for a Grammy for his readings.

Customer Reviews

Average Review:

Post to your social network

     

Most Helpful Customer Reviews

See all customer reviews

Le Morte D'Arthur 3.4 out of 5 based on 0 ratings. 21 reviews.
Guest More than 1 year ago
First off, before I begin, I must state that the other review of this book is actually for a different edition, specifically the Signet Classics Edition edited by Keith Barnes. This book is the Norton Critical Edition, edited by Stephen H. Shepherd, and as such is one of the most accurate translations of the Le Morte D'Arthur I have seen in some time. It is especially good for use in research papers, as I can attest to from experience. Being meant for research, this book is not intended for anyone who wants a basic introduction to Malory or the Le Morte D'Arthur. The majority of the Middle English spelling conventions have remained intact in this volume, although it is important to note that some spelling has been still altered (as the editor makes clear in the introduction). Thus, a good knowledge of Middle English is necessary before attempting to read this for one's personal pleasure. The editor does some more things which try to keep this volume as close to the original mauscript as possible. One example of this is the line heights. If a sentence was written three lines high in the manuscript, it is printed three lines high in this edition. Items such as this combine to create an edition that is as close as a reader can get to the original Winchester Manuscript without looking at a fascimile of it. Although this edition is overwhelmingly based on the Winchester Manuscript, some portions of the Caxton printing have made their way into this volume, seen in places where the Winchester Manuscript was missing pages (such as the beginning) or was otherwise lacking. The influence of the Caxton printing is rather minimal, but in some areas this edition has to be considered a blend of the two. In addition to the story itself, there are a number of essays and other sources present at the end of the book which can help in research or in putting this tale and its author into perspective. Thus, in total, this would be the only version of Le Morte D'Arthur which I would ever use for research or for scholarly writing.
Guest More than 1 year ago
Knights and dragons, sorcerers and kings, romance and betrayal, blood and guts...there's something of interest for everyone in Malory's story. This book is about the legendary life and acts of King Arthur and the life and struggles of his active family of chivalrous knights. While enjoying the frenetic adventures of Lancelot, Galahad, King Arthur, and Guinevere, many aspects of everyday life in early medieval times are glimpsed, in particular an absorbing overview of the code of chivalry. It's a fascinating journey of knightly heroes struggling to follow the dichotomy of the code of chivalry that calls for heroic military strength balanced by Christian ideals. Lancelot, as the main catalyst of the story, and the 'flower of all knights,' is a symbol of every human--flawed, yet struggling to better himself despite outside temptations. Arthur, on the other hand, is the ultimate symbol of goodness, loyalty, and bravery within the code of chivalry. His Round Table is called the 'flower of chivalry,' although as a result of his total faith in loyalty and honor Arthur is all too trusting of his friends and family. He and his Round Table are the heart of the story, but his fellowship of knights is shaken because of the loss of trust resulting from the adultery of Lancelot and Guinevere. Malory utilizes an effective, yet simple technique of grouping short prose stories with unusal titles such as 'How at night came an armed knight, and fought with Sir Gareth, and he, sore hurt in the thigh, smote off the knight's head,' into a sequential story line. The brevity of each story and the eye-catching titles break up the tediousness of interpreting the old Anglo-Saxon vocabulary. Words such as 'brain-pan' (skull), 'orgulity' (pride), and 'gramercy' (many thanks), are difficult to interpret, but the reader is assisted by a short glossary of terms found at the end of each volume. These stories are grouped into twenty-one books, ranging from the marriage of Arthur and Guinevere, to the story of Lancelot and his search for the Holy Grail, to the final book, detailing the death of King Arthur and the lamentable collapse of the Round Table.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
This only has one book of the entire text. So it is not something that I would recommend.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Guest More than 1 year ago
Oh, how I love, thee, Malory! This is a collectors' edition of the classic tale. The illustrations are beatiful (though I think Waterhouse does a better job at capturing the spirit of the legend) and it is a pleasure to read the classics in nicely bound books rather than decaying paperbacks. I recommend this book only for Arthurian purists as it is unabridged and contains no commentaries to aid the amateur reader.
Anonymous More than 1 year ago
At least attempt modernization
Anonymous More than 1 year ago
This is Vol. 2.
Anonymous More than 1 year ago
You dumb little kids. Go to a chatroom for your little games!