Leave the Grave Green (Duncan Kincaid and Gemma James Series #3)

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Overview

When a body is discovered floating in a Thames river lock one damp and dreary morning, Superintendent Duncan Kincaid and Sergeant Gemma James are summoned from Scotland Yard to the Chiltern Hills outside of London. A drowning in the countryside doesn't ordinarily merit Scotland Yard's attention, but the dead man is Connor Swann, son-in-law of Sir Gerald Asherton, a renowned operatic conductor, and Dame Caroline Stowe, a celebrated and beloved soprano. And prints on the corpse's neck suggest that Connor Swann ...
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2001 Audio Cassette Very good RARE Audiobook With All Tracks and Case Intact! ! ! Ex-Library. Excellent Condition With Little Wear! ! !

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Leave the Grave Green (Duncan Kincaid and Gemma James Series #3)

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Overview

When a body is discovered floating in a Thames river lock one damp and dreary morning, Superintendent Duncan Kincaid and Sergeant Gemma James are summoned from Scotland Yard to the Chiltern Hills outside of London. A drowning in the countryside doesn't ordinarily merit Scotland Yard's attention, but the dead man is Connor Swann, son-in-law of Sir Gerald Asherton, a renowned operatic conductor, and Dame Caroline Stowe, a celebrated and beloved soprano. And prints on the corpse's neck suggest that Connor Swann didn't just fall in the river after too many pints; in fact, he may have been strangled. Kincaid and Gemma soon discover that this is not the first tragedy to strike the Ashertons - twenty years earlier their twelve-year-old son, Matthew, a musical prodigy, drowned in a swollen stream on a cold November afternoon while walking home from school with his sister, Julia. The memory of the talented and charming Matthew lingers, haunting the Ashertons' elegant estate. His sister Julia's life has been shaped by the incident. Now, estranged from her husband, she remains the black sheep of the family, a painter rather than a musician. At first it seems that Julia had good reason to leave Connor Swann - he was a bit too fond of the ladies and the horses for his own good. But Kincaid and Gemma suspect that Connor may not have been such a scoundrel after all, and that none of the family's relationships are as simple as they appear on the surface. As the threads of the case become more tangled, Kincaid and Gemma explore the quiet beech woods above the Thames as well as the glamorous world of London opera in search of answers. And when Kincaid finds himself dangerously drawn to one of the suspects, he and Gemma must sort out their complicated feelings for each other.

When Connor Swann, son-in-law of two of London's renowned opera singers, is found in the Thames, prints on his neck suggest murder. As Superintendent Duncan Kincaid and Sergeant Gemma James explore the woods above the Thames, they discover a tangled web of family secrets. When Duncan finds himself drawn to a suspect, he and Gemma must confront their feelings for each other.

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Product Details

Meet the Author

Deborah Crombie

Deborah Crombie is a New York Times bestselling author and a native Texan who has lived in both England and Scotland. She lives in McKinney, Texas, sharing a house that is more than one hundred years old with her husband, two cats, and two German shepherds.

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Read an Excerpt

Leave the Grave Green


By Deborah Crombie

HarperCollins Publishers, Inc.

Copyright © 2005 Deborah Crombie
All right reserved.

ISBN: 0060789557

Chapter One

From the train window Duncan Kincaid could see the piles of debris in the back gardens and on the occasional common. Lumber, dead branches and twigs, crushed cardboard boxes and the odd bit of broken furniture-- anything portable served as fair game for Guy Fawkes bonfires. He rubbed ineffectually at the grimy window-pane with his jacket cuff, hoping for a better view of one particularly splendid monument to British abandon, then sat back in his seat with a sigh. The fine drizzle in the air, combined with British Rail's standard of cleanliness, reduced visibility to a few hundred yards.

The train slowed as it approached High Wycombe. Kincaid stood and stretched, then collected his overcoat and bag from the rack. He'd gone straight to St. Marleybone from the Yard, grabbing the emergency kit he kept in his office -- clean shirt, toiletries, razor, only the necessities needed for an unexpected summons. And most were more welcome than this, a political request from the AC to aid an old school chum in a delicate situation. Kincaid grimaced. Give him an unidentified body in a field any day.

He swayed as the train lurched to a halt. Bending down to peer through the window, he scanned the station carpark for a glimpse of his escort. The unmarked panda car, its shape unmistakable even in the increasing rain, was pulled up next to the platform, its parking lights on, a gray plume of exhaust escaping from its tailpipe.

It looked like the cavalry had been called out to welcome Scotland Yard's fair-haired boy.


"Jack Makepeace. Sergeant, I should say. Thames Valley CID." Makepeace smiled, yellowed teeth showing under the sandy bristle of mustache. "Nice to meet you, sir." He engulfed Kincaid's hand for an instant in a beefy paw, then took Kincaid's case and swung it into the panda's boot. "Climb in, and we can talk as we go."

The car's interior smelled of stale cigarettes and wet wool. Kincaid cracked his window, then shifted a bit in his seat so that he could see his companion. A fringe of hair the same color as the mustache, freckles extending from face into shiny scalp, a heavy nose with the disproportionate look that comes of having been smashed -- all in all not a prepossessing face, but the pale blue eyes were shrewd, and the voice unexpectedly soft for a man of his bulk.

Makepeace drove competently on the rain-slick streets, snaking his way south and west until they crossed the M40 and left the last terraced houses behind. He glanced at Kincaid, ready to divert some of his attention from the road.

"Tell me about it, then," Kincaid said.

"What do you know?"

"Not much, and I'd just as soon you start from scratch, if you don't mind."

Makepeace looked at him, opened his mouth as if to ask a question, then closed it again. After a moment he said, "Okay. Daybreak this morning the Hambleden lockkeeper, one Perry Smith, opens the sluicegate to fill the lock for an early traveler, and a body rushes through it into the lock. Gave him a terrible shock, as you can imagine. He called Marlow -- they sent a panda car and the medics." He paused as he downshifted into an intersection, then concentrated on overtaking an ancient Morris Minor that was creeping its way up the gradient. "They fished him out, then when it became obvious that the poor chappie was not going to spew up the canal and open his eyes, they called us."

The windscreen wiper squeaked against dry glass and Kincaid realized that the rain had stopped. Freshly plowed fields rose on either side of the narrow road. The bare, chalky soil was a pale brown, and against it, the black dots of foraging rooks looked like pepper on toast. Away to the west, a cap of beech trees crowned a hill. "How'd you identify him?"

"Wallet in the poor sod's back pocket. Connor Swann, aged thirty-five, brown hair, blue eyes, height about six feet, weight around twelve stone. Lived in Henley, just a few miles upstream."

"Sounds like your lads could have handled it easily enough," said Kincaid, not bothering to conceal his annoyance. He considered the prospect of spending his Friday evening tramping around the Chiltern Hundreds, damp as a Guy Fawkes bonfire, instead of meeting Gemma for an after-work pint at the pub down Wilfred Street. "Bloke has a few drinks, goes for a stroll on the sluicegate, falls in. Bingo."

Makepeace was already shaking his head. "Ah, but that's not the whole story, Mr. Kincaid. Someone left a very nice set of prints on either side of his throat." He lifted both hands from the wheel for an instant in an eloquently graphic gesture. "It looks like he was strangled, Mr. Kincaid."

Kincaid shrugged. "A reasonable assumption, I would think. But I don't quite see why that merits Scotland Yard's intervention."

"It's not the how, Mr. Kincaid, but the who. It seems that the late Mr. Swann was the son-in-law of Sir Gerald Asherton, the conductor, and Dame Caroline Stowe, who I believe is a singer of some repute." Seeing Kincaid's blank expression, he continued, "Are you not an opera buff, Mr. Kincaid?"

"Are you?" Kincaid asked before he could clamp down his involuntary surprise, knowing he shouldn't have judged the man's cultural taste by his physical characteristics.

"I have some recordings, and I watch it on the telly, but I've never been to a performance."

The wide sloping fields had given way to heavily wooded hills, and now, as the road climbed, the trees encroached upon it.

"We're coming into the Chiltern Hills," said Makepeace. "Sir Gerald and Dame Caroline live just a bit farther on, near Fingest. The house is called "Badger's End,' though you wouldn't think it to look at it." He negotiated a hairpin bend, and then they were running downhill again, beside a rocky stream ...

Continues...


Excerpted from Leave the Grave Green by Deborah Crombie Copyright © 2005 by Deborah Crombie. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

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Customer Reviews

Average Rating 4
( 15 )
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  • Anonymous

    Posted March 17, 2012

    Easy to read mystery, not much violence, or profanity

    Although I enjoyed this book, (and have already purchased another in the series), there were times when it seemed to be bogged down with a lot of unnecesary detail. However, the characters are well drawn and I wanted to get to know them better.
    I was somewhat disappointed by the fact that I was pretty sure I knew who the murderer was about 3/4 of the way into the book, and it turns out that I was right. The motive for the murder seemed trivial to me as well.
    I found it interesting that the author is American, but writes about England. The setting seemed quite authentic to me despite this, (although I have to confess that everything I know about England, I learned from a book.)

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 21, 2013

    By Rasmus'

    Love it

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  • Anonymous

    Posted August 2, 2012

    Wonderful British mystery

    Interesting characters, vivid atmosphere and intriguing plot make this an excellent novel. Highly recommend.

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  • Posted April 23, 2012

    YES!!!

    I am a fan of the entire series. Thank you Deborah Crombie for creating an interesting mystery series with characters that spring to life.

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  • Posted April 14, 2012

    Don't miss it.

    Read #1 and #2 in the series and had to keep on, though you don't need to have read the first 2 to enjoy #3.

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    Posted February 7, 2011

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