Leaves of Grass and Other Writings (A Norton Critical Edition) / Edition 2

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Overview

This revised Norton Critical Edition contains the most complete and authoritative collection of Whitman's work available in a paperback student edition. The text of Leaves of Grass is again that of the indispensable "Reader's Comprehensive Edition," edited by Sculley Bradley and Harold W. Blodgett, which is accompanied by revised and expanded explanatory annotations. New to this edition is the full text of the celebrated 1855 first edition of Leaves of Grass, as well as generous excerpts from Whitman's two prose masterpieces, Democratic Vistas and Specimen Days.
Following the texts is an album of portraits of Whitman, as well as "Whitman on His Art," a collection of Whitman's statements about his role as a poet taken from his notebooks, letters, conversations, and newspaper articles.
While continuing to provide leading commentary on Whitman by major twentieth-century poets and critics, among them D. H. Lawrence, William Carlos Williams, and Randall Jarrell, this revised edition adds important commentary by Whitman contemporaries Henry David Thoreau, Fanny Fern, Henry James, and Oscar Wilde, among others. An entirely new section of recent criticism includes six essays—by David S. Reynolds, Karen Sanchez-Eppler, John Irwin, Allen Grossman, Betsy Erkkila, and Michael Moon—that reflect both the continuing historicist mainstream of Whitman literary interpretation and influential recent work in gender and sexuality studies.
The volume also includes a Chronology, a Selected Bibliography, and an Index of Titles.

Comprises all of Whitman's poems written following the arrangement of the edition of 1891-1892.

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Product Details

  • ISBN-13: 9780393974966
  • Publisher: Norton, W. W. & Company, Inc.
  • Publication date: 2/1/2002
  • Series: Norton Critical Editions Series
  • Edition description: New Edition
  • Edition number: 2
  • Pages: 944
  • Sales rank: 260,086
  • Product dimensions: 5.70 (w) x 9.30 (h) x 1.20 (d)

Meet the Author

Michael Moon is Professor of English and Co-Director of the Program for Women, Gender and Sexuality at The Johns Hopkins University. He is the author of Disseminating Whitman: Revision and Corporeality in Leaves of Grass, A Small Boy and Others: Imitation and Initiations in American Culture from Henry James to Andy Warhol, and editor of Subjects and Citizens: Nation, Race, and Gender from Oroonoko to Anita Hill.

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Read an Excerpt

ONE'S-SELF I SING.


One's-self I sing, a simple separate person,

Yet utter the word Democratic, the word En-Masse.


Of physiology from top to toe I sing,

Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far,

The Female equally with the Male I sing.


Of Life immense in passion, pulse, and power,

Cheerful, for freest action form'd under the laws divine,

The Modern Man I sing.



AS I PONDER'D IN SILENCE.


As I ponder' in silence,

Returning upon my poems, considering, lingering long,

A Phantom arose before me with distrustful aspect,

Terrible in beauty, age, and power,

The genius of poets of old lands,

As to me directing like flame its eyes,

With finger pointing to many immortal songs,

And menacing voice, What singest thou? it said,

Know'st thou not there is but one theme for ever-enduring bards?

And that is the theme of War, the fortune of battles,

The making of perfect soldiers.


Be it so,
then I answer'd,

I too haughty Shade also sing war, and a longer and greater one than any,

Waged in my book with varying fortune, with flight, advance and retreat, victory deferr&rsquod and wavering,

(Yet methinks certain, or as good as certain, at the last,) the field the world,

For life and death, for the Body and for the eternal Soul,

Lo, I too am come, chanting the chant of battles,

I above all promote brave soldiers.




IN CABIN'D SHIPS AT SEA.


In cabin'd ships atsea,

The boundless blue on every side expanding,

With whistling winds and music of the waves, the large imperious waves,

Or some lone bark buoy'd on the dense marine,

Where joyous full of faith, spreading white sails,

She cleaves the ether mid the sparkle and the foam of day, or under many a star at night,

By sailors young and old haply will I, a reminiscence of the land, be read,

In full rapport at last.


Here are our thoughts, voyagers' thoughts,

Here not the land, firm land, alone appears,
may then by them be said,

The sky o'arches here, we feel the undulating deck beneath our feet,

We feel the long pulsation, ebb and flow of endless motion,

The tones of unseen mystery, the vague and vast suggestions of the briny world, the liquid-flowing syllables,

The perfume, the faint creaking of the cordage, the melancholy rhythm,

The boundless vista and the horizon far and dim are all here,

And this is ocean's poem.



Then falter not O book, fulfil your destiny,

You not a reminiscence of the land alone,

You too as a lone bark cleaving the ether, purpos'd I know not whither, yet ever full of faith,

Consort to every ship that sails, sail you!

Bear forth to them folded my love, (dear mariners, for you I fold it here in every leaf;)

Speed on my book! spread your white sails my little bark athwart the imperious waves,

Chant on, sail on, bear o'er the boundless blue from me to every sea,

This song for mariners and all their ships.

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted March 7, 2002

    The Greatest American Poet

    How seriously can you take a reviewer who can't properly spell the name of her recommended poet (Dickinson)? Walt Whitman is the greatest American poet to date. I have Norton's first edition of this book and it is a treasure. Like all Norton books there are helpful footnotes and interesting critical essays. Can't wait for the new realease!

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