Lectures On Art

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Overview

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections ...
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Lectures on Art (Barnes & Noble Digital Library): Delivered Before the University of Oxford in Hilary Term, 1870

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Overview

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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Product Details

  • ISBN-13: 9781417945771
  • Publisher: Kessinger Publishing Company
  • Publication date: 9/20/2004
  • Pages: 132
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.31 (d)

Meet the Author

John Ruskin (1819-1900) was the most influential art critic of the nineteenth century. A watercolorist, a botanist, a moralist, a sensualist, a socialist, an economist, a Romantic, a prophet, a priest, and a poet, his writings integrate the aesthetic with moral purpose and ecology. He established his reputation with The Stones of Venice and his masterwork, Modern Painters, then held the Slade Professorship of Art at Oxford University from 1870 to 1878.

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Table of Contents

Introduction: Teaching Art 7
Lecture I: Inaugural 47
Lecture II: The Relation of Art to Religion 81
Lecture III: The Relation of Art to Morals 115
Lecture IV: The Relation of Art to Use 139
Lecture V: Line 165
Lecture VI: Light 185
Lecture VII: Colour 217
About John Ruskin 231
Bibliography 249
Index 251
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