The Left Coast: California on the Edge

The Left Coast: California on the Edge

by Philip L. Fradkin

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“It’s not often that stunning photographs and powerful writing come together with equal force, but that is exactly what happens with The Left Coast. The team of Fradkin and Fradkin has created a book that shares their distinct visions of the California coast. Their collaboration forms a compelling journey equally strong in words and images.”… See more details below


“It’s not often that stunning photographs and powerful writing come together with equal force, but that is exactly what happens with The Left Coast. The team of Fradkin and Fradkin has created a book that shares their distinct visions of the California coast. Their collaboration forms a compelling journey equally strong in words and images.” -Mark Klett, School of Art, Arizona State University

“Early last century, writer-photographer J. Smeaton Chase and literary landscapist Mary Austin made pilgrimages along the pristine shores of California. A father-son team now makes the same journey with notebook and camera to document what a century of development has wrought. The result is a fascinating and unique portrayal of the California coast.”- Kevin Starr, University of Southern California

“These photos are beautiful, surprising and thoughtful. By visualizing the coast as a whole, this book helps us think bioregionally, and such large-scale thinking will, hopefully contribute to the coast’s preservation.” -Robert Dawson, co-author of The Great Central Valley: California’s Heartland

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Editorial Reviews

Publishers Weekly
"Coastal California is easy to imagine, hard to hold, and impossible to fully describe." The Left Coast unites California historian Philip Fradkin (Wallace Stegner and the American West) and his son, photographer Alex Fradkin, in an homage to the beautiful scenes and varied uses for the land of coastal California. The text and photographs create two different, complementary views of the coast. Chapters address the coast's different personalities: wild (Sinkyone Wilderness), agricultural (Point Reyes Peninsula), residential (San Mateo County), tourist (Monterey), recreational (Los Angeles County beaches), industrial (Port of Los Angeles), military (San Diego harbor), and political (Bolsa Chica wetlands). Historian Fradkin intertwines history, geology, memories, and anecdotes in flowing, poetic text that meanders through time. Photographer Fradkin presents photographs in both color and black-and-white, with subjects that clearly demonstrate the many qualities of the coast as well as its people, from the enormous Santa Monica Pier to an old-growth redwood forest. Readers will learn about the varied topics including the exploration efforts of Juan Rodríguez Cabrillo, California's ports, and the historical politics that led to the current politics.
(c) Copyright PWxyz, LLC. All rights reserved.

"The author wields a pen, memories of the past, and keen interviewing skills, while the artist presents breathtaking color photographs that capture the coast's magic. . . . Visitors to the Golden State could easily skip conventional guidebooks and keep The Left Coast handy for a thorough and engaging tour."
Wall Street Journal

“The contrast between the ocean's nothingness and civilization's muchness is captured by the photographs of Alex L. Fradkin”
North County Times

“An endearing but honest look at California's coast . . . . ‘The Left Coast’ is well-illustrated, thoughtful, and detailed enough to serve as a guidebook.”
SF Weekly

“Alex Fradkin's photographs are at times surreal and at times gritty. . . .while Philip Fradkin's narrative weaves in and out, breaking down the coast into manageable chunks.”
Black & White / Color - Dean Brierly

“Fascinating, unpredictable and affecting. Alex Fradkin’s photographs also defy expectations, rendering familiar places and situations from novel and challenging perspectives.”
San Francisco Book Review - Zara Raab

“This handsome book includes dozens of color plates of California’s famous beaches. . . . [The] photographs are technically superb, lyrical, and often haunting.”
Jewish Journal - Jonathan Kirsch

“It is, at once, a memoir, a work of investigative journalism, and a portfolio of fine art, all of which is sharply focused on the California shoreline.”
Artswell - Claudia Chapline

“A good introduction. Hopefully this body of work will go on tour to major venues on the coast.”

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Product Details

University of California Press
Publication date:
Product dimensions:
8.32(w) x 10.00(h) x 0.64(d)

Read an Excerpt

The Left Coast

California on the Edge

By Philip L. Fradkin, Alex L. Fradkin


Copyright © 2011 Alex L. Fradkin and Philip L. Fradkin
All rights reserved.
ISBN: 978-0-520-94877-8



The road passed through a region of prosperous farms, and gradually approached the coast, which here is not high, though backed by broken ground that rises to the dignity of hills. Blocks of dark timber diversified the landscape, and the shore was picturesquely varied with storm-blown spruces and a foam-ringed islet or two. I gazed with particular interest at the northward reaches of the coast, for though there was nothing notable in the view, I realized that at last I was looking up the coast at Oregon. J. Smeaton Chase, 1911

Between Cape Vizcaino and Point Delgada are several small, exposed landings available for use only in the summer and in smooth weather. These landings ship ties, tan bark, and shingles, and then only when they can be handled at a profit; and the landings are abandoned or revived according to commercial demands. Wire cables are used in loading and discharging, mooring buoys being placed where necessary. Supplies are not obtainable and communication is irregular. The principal landings are Rockport, Monroe landing, Usal, Bear Harbor, and Needle Rock. United States Coast Pilot, 1909

The world [] is flat. There was a flood because of man's wickedness. One man, Nagaicho, flattened the world when he made it over. He had tall timber and jumped on top of it until the water went down. He studied what to do then. He went to the ocean and worked and patched up the banks and opened the rivers quickly. Then he planted plants and bushes. He made everything easy for man. Man is the one who makes it hard for himself because he does so much wrong. "The Flood," a creation story told by Jack Woodman, a Sinkyone Indian, to Gladys Ayer Nomland, 1935

For nearly three decades after American occupation of California, "Indian wars" continued—the Klamath War of 1851–52, Kern River War of 1856, Pit River massacres of 1867, and the Modoc War of 1873. During the campaign of 1855–59 in the north, soldiers killed more than 100 Indians, while settlers of the Mad and Eel River regions put at least 200 to death in a series of massacres. The WPA Guide to California, 1939

There is no seven-foot barrier, no armed patrols backed by the technical wizardry of modern warfare directed against guerilla movements, no dense toxic sludge that breeds diseases at the northernmost coastal portal into the state of California. Those physical impediments are at the very southern end of the narrow coastal strip. The differences between Oregon and California are far more subtle and less dramatic than those between California and Mexico. Take, for example, the two units of the state park systems of Oregon and California that straddle the border within a quarter mile of each other.

The short road into the Oregon park on the north side of the Winchuck River, where it empties into the ocean, is carefully graded and neatly delineated by boulders. Just south of the California Agricultural Inspection Station, there is a sharp turn to the ocean. The road into Pelican Beach State Park is pockmarked by deep potholes, dusty, and littered with trash and discarded household items, including a table and rug. It is used, in other words, as a dump. What this tells me is that Oregon has managed to maintain an orderly presence, while the Golden State has lapsed into disrepair.

I have clear memories of sitting here on Pelican Beach on a warm, early fall day and watching Alex climb over the weathered driftwood logs and play in the sand. In this land of nearly perpetual fog or rain, I have somehow had the luck to return on the same type of day, when there is, and was, "an aching intensity of light and color." The same restaurant, slightly enlarged, still stands just to the south, but the modular cottages stained a redwood color, which can be rented or purchased, are new. Oceanview and oceanfront are the words used most frequently to advertise dining, sleeping, residential, and commercial attractions. The words are scattered along the roadside for a few miles beyond the Tolowa Indian gaming casino, up to the point where Highway 101 bends inland.

I stopped at the inspection station to find out who was entering California and what they were bringing with them. Al Mikkelsen was on the lookout for western fruit flies in cherries, gypsy moths in webs spun on the underside of recreational vehicles, tan oak that might be harboring sudden oak death, exotic Quaker parrots, and various other noxious items. In the summer months he checks between twenty-five hundred and three thousand vehicles during an eight-hour shift. In winter, there are one-third that number.

Many of the people passing through are locals who live in nearby Brookings, Oregon. Quite a few of the locals work at the Lucky 7 Casino or Pelican Bay State Prison, which is inland and south of the bay whose name was appropriated by California's most notorious supermax prison. The back road that leads to the prison has an unusual number of small cafés advertising espresso coffee. I can only guess the guards need to get jacked up before going to work. Mikkelsen also lives in Brookings, where state taxes are lower, the annual vehicle registration fee is only fifty-two dollars, and gas, which is by law dispensed by an attendant, is forty cents less a gallon than in California.

Mikkelsen's questioning of border crossers went something like this:

"Hi there. Any fresh fruit on board?"


"Have a good day."

And, easy as that, the visitor was in California.

South of Ferndale and Petrolia on the narrow coastal road, and west of Redway and Garberville on the 101 freeway, is the Lost Coast, the wildest and least-trafficked section of the California shoreline. There are no roads or railroads along the coast here, as there are elsewhere. Three roads provide access at points at the north, middle, and south end of the fifty-six-mile stretch of shoreline that extends from the mouth of the Mattole River to Usal Creek. Except for the Shelter Cove subdivision in the middle of the wilderness, the Lost Coast is protected. It is divided into the King Range National Conservation Area on the north and the much smaller Sinkyone Wilderness State Park on the south.

Steep mountains, grassy meadows, and thick forests tumble downward to meet the metric beat of the relentless ocean waves upon the rocky shoreline. But the Lost Coast is neither lost nor wild in the strictest senses of those words. Its name was applied in the 1930s, when many of its inhabitants fled during one of the periodic logging depressions. This stretch of coast has since been repopulated by visitors who like to hike, fish, and surf. The long airstrip at Shelter Cove was once used by small commercial airliners to transport prospective lot purchasers back and forth from Southern California. There is a smaller landing strip serving a remote campground also reachable by hikers on the coastal trail and by high-speed motorboats carrying surfers and campers who do not wish to lug heavy backpacks across sand and rocks. Inland, the main crop is marijuana, which represents somewhere between 25 and 75 percent of the local economy, precise measurements being impossible to determine because of the illegal nature of the crop. It's best to heed the numerous "No trespassing" signs.

This is a land of geologic and climactic extremes. There are frequent earthquakes caused by the nearby meeting of three tectonic plates, 150 inches of yearly rainfall, 16 inches of rain from a single storm, landslides thundering down steep four-thousand-foot hillsides, hot summer days exceeding one hundred degrees, and cool summer fog two hundred miles north of the urban comforts of San Francisco.

The natural and human histories of the coast begin here with the coast redwood trees and the Sinkyone Indians, whose stories are intertwined and parallel each other. They represent the tales of other endemic species and Native Americans in California. Both were abundant, both were nearly eradicated, and the populations of both have stabilized if not increased in recent years. Their histories can be told through the stories of three virgin redwood groves and a second-growth Douglas fir and tan oak forest in the Sinkyone Wilderness section of the Lost Coast.

The range of the redwood tree, more formally known as Sequoia sempervirens, extends from just above the Oregon border to southern Monterey County in the midsection of the state. The redwood is extreme in terms of grace, majesty, spirituality, age, and height. The world's tallest living tree is a redwood that reaches the height of 379 feet. These übertrees have attracted more tourists and local visitors to ancient redwood groves in state and national parks than any other arboreal destinations in the state. The roadside attractiveness of redwoods is so great that the coastal region north of San Francisco is known as the Redwood Empire.

The fossil record indicates that the redwood genus of trees (Sequoia) has existed for as long as 240 million years, meaning as far back as the age of the dinosaurs. The trees once circled the globe in the temperate midlatitudes. A sempervirens variety was present in the Rocky Mountain states 60 million years ago. The tree migrated westward to southern California 40 million years ago, escaping extreme summer and winter temperatures. As southern California became warmer during the Pleistocene period, the redwoods' range narrowed to their present humid coastal niche in central and northern California. The drip of frequent coastal fogs adds between 25 and 50 percent to the annual rainfall, which in itself is no small amount.

About 8,000 years ago, humans arrived where redwoods grew. Some of the oldest redwood trees alive today predate the birth of Christ by approximately 200 years. Middle-age trees were seedlings during the medieval warm period, 600 to 900 years ago. Younger redwoods date back to the little ice age, 150 to 350 years ago, proving climate change is a constant.

It took only sixty years to seriously deplete the old-growth redwood forest. Steam- and gas-fed engines, the post–World War II housing boom, and the boutique use of redwood greatly hastened its near demise. The wood was coveted for its fire-resistant quality, resistance to rot, lack of shrinkage, and attractive reddish grain when freshly cut, and gray weathered patina when aged. It was also cheap, at least initially, because of its abundance. Redwood was used for the exterior walls of offices, homes, barns, and shacks and to make grape stakes, shingles, shakes, wine vats, water tanks, hot tubs, water flumes, floodgates, bridges, trestles, wharf pilings, furniture, fences, and coffins.

From the excesses of the Victorian mansions in redwoodland to the starkness of the mining-camp-inspired architecture of modern Sea Ranch on the Sonoma coast to the Bernard Maybeck–inspired California bungalows in the San Francisco Bay Area, redwood was the tree of choice. From around 1900 to the 1960s, the world knew redwood in abundance. Then the decline began, leaving the spare remains of logging settlements scattered along the coast of the Sinkyone Wilderness and elsewhere in Northern California. These remnant workplaces and habitations have become almost invisible after only fifty years, which is a tribute to the fecundity of the landscape. They are stark reminders of the fleeting presence of humans upon a landscape belonging to no one except the particular animal species or human group living upon it during a passing moment in time.

Drive south from Ferndale or west from Garberville, and the paved road becomes narrower and more circuitous and the evidence of human habitation more rare, until finally the road descends steeply and becomes a narrow dirt track accommodating one vehicle with a few turnoffs for oncoming traffic. A few bumpy miles later, it ends in what was once an orchard. Bear Harbor is less than a half-mile walk to the south. A retaining wall and a few domestic plants that have survived in the wild are the only signs of what was once a throbbing logging enterprise.

A great future had once been foreseen for Bear Harbor. A member of an exclusive San Francisco hunting club who was traveling the coast in 1857 commented on the possibilities of the harbor: "Taking into view the remarkable progress of California, it certainly is not anticipating too much to look forward to the day when Bear Harbor will be a great emporium of commerce and industry." White settlers followed Sinkyone Indian footpaths into the Lost Coast area in the early 1860s, when the land was opened to homesteading as the Civil War raged far to the east. The Humboldt Trail was cut along the ridgeline to the east of Bear Harbor. It carried foot, horse, and mule traffic up and down the coast from Eureka to Fort Bragg, with a westward branch to Bear Harbor and nearby Needle Rock established in 1865.

Sheltered from the prevailing northwest winds by rocks off a minuscule point, but not from storms from the south, landings from sailing ships were first made on the black sand beach. Redwood railroad ties, posts, shingles, and profitable tan oak bark, from which tannic acid could be extracted, were transported to the tossing offshore vessels. The acid was used to process leather goods in forty California tanneries. A new process was found. Tan oaks are now considered a trash tree susceptible to sudden oak disease.

Orchards were planted in meadows where livestock grazed. Ranch houses and line camps clung to hillsides or found a bit of flat space in the narrow canyons. It was a precarious and extremely remote life, particularly in the wet winter months, but at least there was a bare living to be made as long as the trees lasted. The harvesting of timber intensified when Bear Harbor became the center of regional logging activity near the end of the century. Money, machines, and the inventiveness and persistence of humans under extremely harsh conditions made it possible. A five-hundred-foot wharf with pilings inserted into holes drilled into offshore rocks housed a steam-driven donkey engine that drove a cable used to load and off-load cargo from ships anchored three hundred feet beyond the end of the wharf.

A badly degraded Railroad Creek flowed through the narrow canyon that flared into what was once a small coastal marsh at Bear Harbor. In the canyon and spilling onto the former marsh were sheds, residences, bunkhouses, a schoolhouse, stacked lumber products, and a railroad. More than one thousand feet of vertical rails connected the landing with what was then the Humboldt Trail and is now the Usal Road at the six-hundred-foot level of Jackass Ridge. Gravity, horses, and propulsion furnished by a steam engine were used to propel and brake the cars. From the top, tracks were laid ten miles to the settlement of Moody, where an engine house, repair shops, and a warehouse were constructed. A hotel, saloon, general store, and post office were built during the boom, but a promised tan oak bark mill never materialized. Then disaster struck, bringing a temporary halt to the vulnerable transportation system that served the region. Two men were working on the Bear Harbor wharf on November 21, 1899, when a giant rogue wave rolled in from the west, lifted the dock, and tore it to pieces. As the wave receded, one man was seen clinging to a bush on the nearby bluff. He was rescued. The second man was never seen again.

A vast forest consisting of fifteen thousand acres of redwood, Douglas fir, and tan oak, along with the facilities at Bear Harbor, Moody, and what would become Andersonia, were purchased in 1903 by Henry Neff Anderson, who sought, like others, to put his mark upon the landscape. Huge trestles held in place by tall redwoods and long tunnels drilled through rock extended the railroad seven miles from Moody to Andersonia. A large dam, ten lumber camps, a mill, a town, and a house on a hill for Anderson were hewed out of the wilderness. The owner inspected the almost-completed mill in late 1905, but he never lived to see it operate. Anderson was struck on the head by a falling timber and died. Later, strong tremors from the San Francisco earthquake of 1906 did extensive damage to the fragile structures. The Bear Valley school closed two years later, signaling the end of that settlement. Moody and Andersonia melted back into the landscape.

Near the start of the five-mile trail that leads south from Bear Valley to Wheeler, the narrow track passes through a patch of redwoods named the J. Smeaton Chase Grove. Chase set out in 1910 to traverse the entire coastline on a horse. As happens periodically, California was on the cusp of change, with the Panama Canal about to be completed and automobiles already on the road. Chase wanted to see the state before its past disappeared. He rode south from Los Angeles to San Diego the first year, and then continued his journey from Los Angeles northward in May of 1911. By fall of that year he was in the Lost Coast country. He wrote, "We entered now a wonderful tract of forest, the finest I had seen, and evidently virgin, for there was no mark of either cutting or fire." The day was clear and hot, as autumn days on the North Coast can be. "It was an immense relief when evening shades came with delicious temperature, and I rode on leisurely through the grateful gloom, catching glimpses through forest windows of a gorgeous sunset that dulled and died imperceptibly into the clear indigo of nightfall."


Excerpted from The Left Coast by Philip L. Fradkin, Alex L. Fradkin. Copyright © 2011 Alex L. Fradkin and Philip L. Fradkin. Excerpted by permission of UNIVERSITY OF CALIFORNIA PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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What People are saying about this

From the Publisher
Intertwines history, geology, memories, and anecdotes in flowing, poetic text that meanders through time."—Publishers Weekly

"The author wields a pen, memories of the past, and keen interviewing skills, while the artist presents breathtaking color photographs that capture the coast's magic. . . . Visitors to the Golden State could easily skip conventional guidebooks and keep The Left Coast handy for a thorough and engaging tour."—Foreword

"The contrast between the ocean's nothingness and civilization's muchness is captured by the photographs of Alex L. Fradkin"—Wall Street Journal

"An endearing but honest look at California's coast . . . . 'The Left Coast' is well-illustrated, thoughtful, and detailed enough to serve as a guidebook."—North County Times

"Alex Fradkin's photographs are at times surreal and at times gritty. . . .while Philip Fradkin's narrative weaves in and out, breaking down the coast into manageable chunks."—Sf Weekly

Read More

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