Les Misérables

( 51 )

Overview

Sensational, dramatic, packed with rich excitement and filled with the sweep and violence of human passions, LES MISERABLES is not only superb adventure but a powerful social document. The story of how the convict Jean-Valjean struggled to escape his past and reaffirm his humanity, in a world brutalized by poverty and ignorance, became the gospel of the poor and the oppressed.

Trying to forget his past and live an honest life, escaped convict Jean Valjean risks his ...

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Les Misérables

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Overview

Sensational, dramatic, packed with rich excitement and filled with the sweep and violence of human passions, LES MISERABLES is not only superb adventure but a powerful social document. The story of how the convict Jean-Valjean struggled to escape his past and reaffirm his humanity, in a world brutalized by poverty and ignorance, became the gospel of the poor and the oppressed.

Trying to forget his past and live an honest life, escaped convict Jean Valjean risks his freedom to take care of a motherless young girl during a period of political unrest in Paris.

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Editorial Reviews

Children's Literature
As part of the "Bullseye Step into Classics" series, this book offers young readers a simplified version of the classic tale of the haunted and hunted man relentlessly pursued by the unforgiving police inspector. The opening scenes of the story, depicting the desperate poverty that drives Jean Valjean to steal a loaf of bread and, after his release from prison, to treat his benefactor dishonestly, are passed over quickly in narrative form and don't engage the reader on an emotional level. However, once Jean Valjean rescues Cosette from a terrible life and takes her as his daughter, the story becomes more and more compelling. This version will hold the interest of young readers and it is to be hoped that, when they are a few years older, they will search out the original masterpiece and become immersed in the drama of Jean Valjean, the hunted and Inspector Javert, the hunter. 1995, Random House, $3.99. Ages 9 to 12. Reviewer: Carolyn Mott Ford
Library Journal
Hugo's classic tale set against the backdrop of political upheaval in 19th-century France retains its timeless appeal in this notably condensed rendition of the struggles of former convict Jean Valjean. While the abridgment inevitably cuts many of the intricate subplots and minor characters who enrich Hugo's vast tome, this suspenseful central plot tracing Valjean's endeavor to emerge from desperate circumstances while being pursued by the duty-obsessed Inspector Javert remains intact and comprehensible to listeners. The principal characters retain their epic proportions, and the major themes of redemption through good works and the importance of authentic charity are undiminished. Narrator Michael York adds vigor and distinct characterizations to the broad cast of characters in this fittingly dramatic performance. Suitable for collections that do not already contain one of the many audio versions of this work (e.g., Audio Reviews, LJ 5/1/93).--Linda Bredengerd, Hanley Lib., Univ. of Pittsburgh, Bradford
Kirkus Reviews
The Hunchback of Notre Dame (40 pp.; Sept. 1997; 0-531- 30055-2): A storybook retelling of Hugo's classic of the lonely bellringer and his hopeless love for the beautiful gypsy girl, Esmerelda, whom he rescues from hanging and the evil archdeacon Dom Frollo and reunites with her mother. While remaining relatively faithful to the original, this version from Wynne- Jones (The Maestro, 1996, etc.) is always competent, but never compelling. Slavin creates lovely illustrations, but his pale washes leave even the most festive scenes sedate. The volume lacks power or emotion; adults seeking an alternative—any alternative—to the Disney film may find that this one hardly competes for the hearts and minds of the target audience.
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Product Details

  • ISBN-13: 9789626341056
  • Publisher: Naxos Audiobooks Ltd.
  • Publication date: 11/28/1996
  • Format: CD
  • Edition description: Abridged, 4 CDs
  • Product dimensions: 4.94 (w) x 5.76 (h) x 0.95 (d)

Meet the Author

Victor Hugo (1802-85), novelist, poet, playwright, and French national icon, is best known for two of today’s most popular world classics: Les Misérables and The Hunchback of Notre-Dame, as well as other works, including The Toilers of the Sea and The Man Who Laughs. Hugo was elected to the Académie Française in 1841. As a statesman, he was named a Peer of France in 1845. He served in France’s National Assemblies in the Second Republic formed after the 1848 revolution, and in 1851 went into self-imposed exile upon the ascendance of Napoleon III, who restored France’s government to authoritarian rule. Hugo returned to France in 1870 after the proclamation of the Third Republic.

Julie Rose’s acclaimed translations include Alexandre Dumas’s The Knight of Maison-Rouge and Racine’s Phèdre, as well as works by Paul Virilio, Jacques Rancière, Chantal Thomas, and many others. She is a recipient of the PEN medallion for translation and the New South Wales Premier’s Translation Prize.

Adam Gopnik is the author of Paris to the Moon and Through the Children’s Gate, and editor of the Library of America anthology Americans in Paris. He writes on various subjects for The New Yorker and has recently written introductions to works by Maupassant, Balzac, Proust, and Alain-Fournier.


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Read an Excerpt

I. Monsieur Myriel

In 1815, Monsieur Charles-François-Bienvenu Myriel was bishop of Digne.1 He was an elderly man of about seventy-five and he had occupied the seat of Digne since 1806.

There is something we might mention that has no bearing whatsoever on the tale we have to tell—not even on the background. Yet it may well serve some purpose, if only in the interests of precision, to jot down here the rumors and gossip that had circulated about him the moment he first popped up in the diocese. True or false, what is said about people often has as much bearing on their lives and especially on their destinies as what they do. Monsieur Myriel was the son of a councillor of the Aix parliament, a member of the noblesse de robe.2 They reckoned his father had put him down to inherit his position and so had married him off very early in the piece when he was only eighteen or twenty, as they used to do quite a lot in parliamentary families. Charles Myriel, married or no, had, they said, set tongues wagging. He was a good-looking young man, if on the short side, elegant, charming, and witty; he had given the best years of his life thus far to worldly pursuits and love affairs. Then the Revolution came along, events spiraled, parliamentary families were wiped out, chased away, hunted, scattered. Monsieur Charles Myriel emigrated to Italy soon after the Revolution broke out. His wife died there of the chest infection she’d had for ages. They had no children. What happened next in the destiny of Monsieur Myriel? The collapse of the old society in France, the fall of his own family, the tragic scenes of ’93,3 which were, perhaps, even more frighteningfor émigrés4 watching them from afar with the magnifying power of dread—did these things cause notions of renunciation and solitude to germinate in his mind? Was he, in the middle of the distractions and amorous diversions that filled his life, suddenly hit by one of those mysterious and terrible jolts that sometimes come and strike at the heart, bowling over the man public calamities couldn’t shake, threatening as these did only his existence and his fortune? No one could say; all that was known was that, when he came back from Italy, he was a priest.

In 1804,5 Monsieur Myriel was the curé of Brignolles.6 He was already old and lived like a real recluse in profound seclusion.

Around the time of the coronation, a small parish matter—who can remember what now?—took him to Paris. Among other powerful persons, he called on Cardinal Fesch,7 Napoléon’s uncle, to petition him on his parishioners’ behalf. One day when the emperor was visiting his uncle, the worthy curé, who was waiting in the anteroom, found himself in His Majesty’s path. Napoléon, seeing the old boy give him the once-over with a certain curiosity, wheeled round and said brusquely: “Who is this little man staring at me?”

“Your Majesty,” said Monsieur Myriel, “you see a little man, and I see a great man. Both of us may benefit.”

That very night, the emperor asked the cardinal what the curé’s name was and some time after that Monsieur Myriel was stunned to learn that he’d been named bishop of Digne.

But, when all’s said and done, what was true in the tales told about the first phase of Monsieur Myriel’s life? No one could tell. Few families had known the Myriel family before the Revolution.

Monsieur Myriel had to endure the fate of every newcomer in a small town, where there are always plenty of mouths blathering and not many brains working. He had to endure it even though he was the bishop, and because he was the bishop. But, after all, the talk in which his name cropped up was perhaps nothing more than talk; hot air, babble, words, less than words, pap, as the colorful language of the Midi8 puts it.

Whatever the case, after nine years as the resident bishop of Digne, all the usual gossip that initially consumes small towns and small people had died and sunk without a trace. No one would have dared bring it up, no one would have dared remember what it was.

Monsieur Myriel arrived in Digne accompanied by an old spinster, Mademoiselle Baptistine, who was his sister and ten years his junior.

They had only one servant, a woman the same age as Mademoiselle Baptistine, called Madame Magloire. Having been the servant of Monsieur le curé, she now went by the double title of personal maid to Mademoiselle and housekeeper to Monseigneur.9

Mademoiselle Baptistine was a tall, pale, thin, sweet person, the personification of that ideal expressed by the word respectable; for it seems a woman must be a mother to be esteemed. She had never been pretty, but her entire life, which had been merely a succession of holy works, had ended up laying a sort of whiteness and brightness over her; as she aged, she had gained what you could describe as the beauty of goodness. What had been skinniness in her youth had become transparency with maturity; and this diaphanous quality revealed the angel within. She was more of a spirit than a virgin. She seemed a mere shadow with scarcely enough of a body to have a gender; just a bit of matter bearing a light, with great big eyes always lowered to the ground, an excuse for a spirit to remain on earth.

Madame Magloire was a little old lady, white skinned, plump, round, busy, always wheezing, first because of always bustling about and second because of her asthma.

When he first arrived, Monsieur Myriel was set up in his episcopal palace with all the honors required by imperial decree, which ranked bishops immediately after field marshals.10 The mayor and the president of the local council were the first to visit him, and on his side, he made his first visits to the general and the chief of police.

Once he had moved in, the town waited to see their bishop on the job.

II. Monsieur Myriel Becomes Monseigneur Bienvenu

The episcopal palace of Digne was next door to the hospital. The episcopal palace was a vast and handsome town house built in stone at the beginning of the previous century by Monseigneur Henri Puget, doctor of theology of the faculty of Paris and abbé of Simore,1 who had been bishop of Digne in 1712. The palace was truly a mansion fit for a lord. Everything about it was on the grand scale, the bishop’s apartments, the drawing rooms, the bedrooms, the main courtyard, which was huge, with covered arcades in the old Florentine style, and the gardens planted with magnificent trees. It was in the dining room, which was a long and superb gallery on the ground floor opening onto the grounds, that Monseigneur Henri Puget had, on July 29, 1714, ceremoniously fed the ecclesiastical dignitaries, Charles Brûlart de Genlis, archbishop prince of Embrun, Antoine de Mesgrigny, Capuchin bishop of Grasse, Philippe de Vendôme, grand prior of France, abbé of Saint-Honoré de Lérins, François de Berton de Crillon, bishop baron of Vence, César de Sabran de Forcalquier, lord bishop and lord of Glandève, and Jean Soanen, priest of the oratory, preacher in ordinary to the king, lord bishop of Senez.2 The portraits of these seven reverend fathers embellished the dining room and the memorable date of July 29, 1714, was engraved there in gold lettering on a white marble panel.

The hospital was a low, narrow, single-story house with a small garden.

Three days after his arrival, the bishop visited the hospital. When his visit was over, he politely begged the director to accompany him back to his place.

“Monsieur le directeur, how many sick people do you have in your hospital at the moment?”

“Twenty-six, Monseigneur.”

“That’s what I counted,” said the bishop.

“The beds are all jammed together,” the director went on.

“That’s what I noticed.”

“The living areas are just bedrooms, and they’re difficult to air.”

“That’s what I thought.”

“Then again, when there’s a ray of sun, the garden’s too small for the convalescents.”

“That’s what I said to myself.”

“As for epidemics, we’ve had typhus this year, and two years ago we had miliary fever—up to a hundred were down with it at any one time. We don’t know what to do.”

“The thought did strike me.”

“What can we do, Monseigneur?” said the director. “You have to resign yourself to it.”

This conversation took place in the dining-room gallery on the ground floor. The bishop fell silent for a moment, then suddenly turned to the hospital director.

“Monsieur,” he said, “how many beds do you think you could get in this room alone?”

“Monseigneur’s dining room?” cried the astonished director.

The bishop sized up the room, giving the impression he was taking measurements and making calculations by eye alone.

“It could easily hold twenty beds!” he mumbled, as though talking to himself. Then he spoke more loudly. “Look, my dear director, I’ll tell you what. There has obviously been a mistake. There are twenty-six of you in five or six small rooms. There are three of us here and we’ve got enough room for sixty. There’s been a mistake, I’m telling you. You’ve got my place and I’ve got yours. Give me back my house. This is your rightful home, here.”

The next day, the twenty-six poor were moved into the bishop’s palace and the bishop was at the hospital.

Monsieur Myriel had no property, his family having lost everything in the Revolution. His sister got an annuity of five hundred francs, which was enough for her personal expenses, living at the presbytery. Monsieur Myriel received a salary of fifteen thousand francs from the government as bishop. The very day he moved into the hospital, Monsieur Myriel decided once and for all to put this sum to use as follows. We transcribe here the note written in his hand.

household expenditure

For the small seminary 1500 livres

Mission congregation 100 livres

For the Lazarists of Montdidier 100 livres

Seminary of foreign missions in Paris 200 livres

Congregation of the Saint-Esprit 150 livres

Religious institutions in the Holy Land 100 livres

Societies of maternal charity 300 livres

For the one at Arles 50 livres

For the betterment of prisons 400 livres

For the relief and release of prisoners 500 livres

For the release of fathers of families imprisoned for debt 1000 livres

Salary supplement for poor schoolteachers in the diocese 2000 livres

Upper Alps public granary 100 livres

Ladies’ Association of Digne, Manosque, and Sisteron,3 for the free education of poor girls 1500 livres

For the poor 6000 livres

My personal expenses 1000 livres

total 15000 livres

The whole time Monsieur Myriel held the see of Digne, he made almost no change in this arrangement—what he called, as we shall see, “taking care of his household expenses.”

Mademoiselle Baptistine accepted the arrangement with absolute submission. For this devout spinster, Myriel was both her brother and her bishop, the friend she grew up with and her superior according to ecclesiastical authority. Quite simply, she loved him and revered him. When he spoke, she listened, and when he took action, she was right behind him. Only the servant, Madame Magloire, grumbled a bit. As you will have noticed, the bishop kept only a thousand livres for himself which, added to Mademoiselle Baptistine’s pension, meant fifteen hundred francs a year. The two old women and the old man all lived on those fifteen hundred francs.

And when some village curé came to Digne, the bishop still managed to find a way of entertaining him, thanks to the assiduous scrimping and saving of Madame Magloire and Mademoiselle Baptistine’s clever management.

One day, when the bishop had been in Digne for about three months, he said, “With all that, things are pretty tight!”

“They certainly are!” cried Madame Magloire. “Monseigneur hasn’t even claimed the money the département owes him for the upkeep of his carriage in town and his rounds in the diocese. In the old days, that was standard for bishops.”

“You’re right, Madame Magloire!” the bishop agreed. And he put in his claim.

A short while later, after considering this application, the department council voted him an annual stipend of three thousand francs, under the heading, Bishop’s Allowance for Carriage Upkeep, Postal Costs, and Travel Expenses Incurred in Pastoral Rounds.

The local bourgeoisie was up in arms over this and an imperial senator,4 who had been a member of the Council of Five Hundred5 promoting the Eighteenth Brumaire and was now provided with a magnificent senatorial seat near Digne township, wrote a cranky little private letter to the minister of public worship, Monsieur Bigot de Préameneu.6 We produce here a genuine extract of a few lines:

“Carriage upkeep? Whatever for, in a town with less than four thousand people? Travel expenses incurred in pastoral rounds? To start with, what’s the good of them anyway? And then, how the hell does he do the rounds by post chaise in such mountainous terrain? There are no roads. One has to proceed on horseback. Even the bridge over the Durance at Château-Arnoux7 can barely take a bullock-drawn cart. All these priests are the same. Greedy and tight. This one played the good apostle when he first turned up. Now he acts like all the rest. He must have a carriage and a post chaise. He must have luxury, the same as the old bishops. Oh, these bloody clergy! Monsieur le comte, things will only come good when the emperor has delivered us from these pious swine. Down with the pope! [Things were not good with Rome at that point.]8 As for me, I’m for Caesar alone.” And so on and so forth.

Madame Magloire, on the other hand, was delighted.

“Hooray!” she said to Mademoiselle Baptistine. “Monseigneur put the others first but he’s wound up having to think of himself, finally. He’s fixed up all his charities. Here’s three thousand livres for us. At last!”

The same night, the bishop wrote a note, which he handed to his sister. It went like this:

carriage upkeep and travel expenses

Beef broth for the sick in the hospital 1500 livres

For the society of maternal charity of Aix 250 livres

For the society of maternal charity of Draguignan 250 livres

For abandoned children 500 livres

For orphans 500 livres

total 3000 livres

And that was Monsieur Myriel’s budget.

As for the cost of episcopal services, redemptions, dispensations, baptisms, sermons, consecrations of churches and chapels, marriages and so on, the bishop took from the rich all the more greedily for giving it all to the poor.

It wasn’t long before offerings of money poured in. The haves and the have-nots all knocked on Monsieur Myriel’s door, some coming in search of the alms that the others had just left. In less than a year, the bishop became treasurer of all works of charity and cashier to all those in distress. Large sums passed through his hands, but nothing could make him change his style of life in the slightest or get him to embellish his spartan existence by the faintest touch of the superfluous.

Far from it. As there is always more misery at the bottom of the ladder than there is fraternity at the top, everything was given away, so to speak, before it was received, like water on thirsty soil. A lot of good it did him to be given money, he never had any. And so, he robbed himself.

The custom being for bishops to put their full baptismal names at the head of their mandates and pastoral letters, the poor people of the area had chosen, out of a sort of affectionate instinct, the one among all the bishop’s various names that made the most sense to them, and so they called him Monseigneur Bienvenu—Welcome. We’ll do likewise whenever the occasion arises. Besides, the nickname tickled him.

“I like that name,” he said. “Bienvenu pulls Monseigneur into line.”

We are not saying that the portrait of the man we offer here is accurate; we will restrict ourselves to the claim that it is a passing likeness.


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Table of Contents

Introduction 7
Part 1 Fantine
I An Upright Man 19
II The Outcast 71
III In the Year 1817 119
IV To Trust is Sometimes to Surrender 144
V Degradation 155
VI Javert 191
VII The Champmathieu Affair 202
VIII Counter-Stroke 260
Part 2 Cosette
I Waterloo 279
II The Ship Orion 325
III Fulfilment of a Promise 338
IV The Gorbeau Tenement 385
V Hunt in Darkness 399
VI Le Petit-Picpus 425
VIII Cemeteries Take What They are Given 451
Part 3 Marius
I Paris in Microcosm 495
II A Grand Bourgeois 512
III Grandfather and Grandson 522
IV The ABC Society 555
V The Virtues of Misfortune 584
VI Conjunction of Two Stars 603
VII Patron-Minette 619
VIII The Noxious Poor 627
Part 4 The Idyll in the Rue Plumet and the Epic of the Rue Saint-Denis
I A Few Pages of History 705
II Eponine 739
III The House in the Rue Plumet 756
IV Help from Below May be Help from above 788
V Of Which the End Does Not Resemble the Beginning 797
VI The Boy Gavroche 812
VIII Enchantment and Despair 844
IX Where are They Going? 876
X 5 June 1832 883
XI The Straw in the Wind 904
XII Corinth 915
XIII Marius Enters the Darkness 943
XIV The Greatness of Despair 953
XV In the Rue de L'Homme-Arme 970
Part 5 Jean Valjean
I War within Four Walls 987
II The Entrails of the Monster 1061
III Mire, But the Soul 1076
IV Javert in Disarray 1104
V Grandson and Grandfather 1110
VI The Sleepless Night 1129
VII The Bitter Cup 1145
VIII The Fading Light 1162
IX Supreme Shadow, Supreme Dawn 1173
Appendix A The Convent as an Abstract Idea (Part Two, Book VII) 1202
Appendix B Argot (Part Four, Book VII) 1214
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Customer Reviews

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See All Sort by: Showing 1 – 20 of 52 Customer Reviews
  • Anonymous

    Posted December 31, 2011

    Wrong text

    This is not the right text!

    6 out of 7 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted December 2, 2010

    Les Miserables Translation

    Sadly this classic is not brought to live in this version, typos, formatting errors causes the story to be loss. Thankfully there are other versions which may be found for an equal price.

    5 out of 5 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 30, 2011

    Incomplete book

    This does not include the whole story. It ends abruptly. Pages are missing.

    4 out of 5 people found this review helpful.

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  • Posted July 22, 2011

    more from this reviewer

    Very bad booki

    Very bad translation, you cannot understand anything.

    4 out of 4 people found this review helpful.

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  • Anonymous

    Posted April 22, 2003

    Wow this book rocks!

    This book is one of the best books i've ever read! Its awsome. It has Romance,action, and jeaslousy. It tell what it was like to be a poor preson in France. The Story of Jean Valjean, Cosette, Marius, Eponie, and all the other charaters will make you want to read it again and again! ~Molly age 13

    4 out of 6 people found this review helpful.

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  • Anonymous

    Posted October 21, 2010

    not good

    It does no good to list this selection as available for download when in fact it is not.

    3 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 3, 2013

    Disappointing

    This text is so messed up. You can not even read the story, the mistakes in the text are so distracting.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 3, 2014

    I had a dream my life would be....

    Do you hear the people sing

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  • Anonymous

    Posted January 24, 2014

    Les miserables

    I have not get this book

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  • Anonymous

    Posted January 24, 2014

    Les miserables

    I have not recive this book

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  • Anonymous

    Posted September 21, 2013

    Only a part

    This begins with the fifth "book" in the story. Not a complete edition.

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  • Anonymous

    Posted November 24, 2010

    No text was provided for this review.

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    Posted August 2, 2011

    No text was provided for this review.

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    Posted October 13, 2012

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    Posted August 25, 2013

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    Posted February 24, 2013

    No text was provided for this review.

  • Anonymous

    Posted December 12, 2010

    No text was provided for this review.

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    Posted January 9, 2013

    No text was provided for this review.

  • Anonymous

    Posted December 12, 2010

    No text was provided for this review.

  • Anonymous

    Posted October 13, 2011

    No text was provided for this review.

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