| Johnny Mathis | Primary Artist |
| Jerry Douglas | Dobro |
| Gary Prim | Organ, Synthesizer, Wurlitzer |
| Eddie Bayers | Drums |
| Lane Brody | Background Vocals |
| Stuart Duncan | Fiddle, Mandolin |
| Jim Hoke | Harmonica |
| John Jarvis | Piano, Wurlitzer |
| Matthew McCauley | Conductor |
| Fred Mollin | Acoustic Guitar, Percussion, Electric Sitar |
| Larry Paxton | Bass |
| John Willis | Acoustic Guitar, Electric Guitar |
| Russell Terrell | Background Vocals |
| Bryan Sutton | Acoustic Guitar, Banjo, Mandolin |
| Tania Hancheroff | Background Vocals |
| Jeff Taylor | Accordion |
| Jaime Babbitt | Background Vocals |
| Troy Johnson | Background Vocals |
| Brent Mason | Electric Guitar |
| The Johnsonaires | Background Vocals |
| Alison Krauss | Engineer |
| Eddy Arnold | Composer |
| Don Gibson | Composer |
| Willie Nelson | Composer |
| Elvis Presley | Composer |
| Gilbert Bécaud | Composer |
| Cindy Walker | Composer |
| Tom Jans | Composer |
| Clay Baker | Composer |
| Hal Blair | Composer |
| Roger Brown | Composer |
| Steve Buckingham | Vocal Engineer |
| Greg Calbi | Mastering |
| Hank Cochran | Composer |
| Jay Landers | Arranger, Executive Producer |
| Kyle Lehning | Engineer |
| Matthew McCauley | String Arrangements |
| Fred Mollin | Arranger, Producer |
| Ed Seay | Vocal Engineer |
| Allen Toussaint | Composer |
| George David Weiss | Composer |
| Drew Bollman | Vocal Engineer |
| Vera Matson | Composer |
| Traditional | Composer |
| "Teenage" Dave Salley | overdub engineer |
| Donald Robertson | Composer |
| Robert Thiele | Composer |
| Mann Curtis | Composer |
| Dave Bett | Art Direction |
| Carrie Reigers | Cover Photo |
| Becky Fluke | Back Cover Photo |
Anonymous
Posted October 1, 2010
I like it
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Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
Location matters little to Johnny Mathis: wherever he goes, there he is, sounding as smooth as ever. That's quite an accomplishment for a singer of 74, to still make it all seem effortless, as he does on Let It Be Me: Mathis in Nashville, a collection of country songs now custom-tailored to suit Mathis. Apart from the handful of songs written later -- and not too much later, either, as Allen Toussaint penned "Southern Nights" in 1975 -- Let It Be Me sounds as if it could have easily been released in the early '60s when Mathis was a regular fixture in the charts (indeed, the album art is a knowing throwback to that era), and that's its strength. It delivers ...