Let It Burn

Let It Burn

by Ruthie Foster
     
 
One of the gospel-blues scene's best-kept secrets for over a decade, Texan singer/songwriter Ruthie Foster finally achieved some long-overdue mainstream recognition when her 2009 sixth studio effort, The Truth According to Ruthie Foster, picked up a Grammy nomination. By putting down the guitar and

Overview

One of the gospel-blues scene's best-kept secrets for over a decade, Texan singer/songwriter Ruthie Foster finally achieved some long-overdue mainstream recognition when her 2009 sixth studio effort, The Truth According to Ruthie Foster, picked up a Grammy nomination. By putting down the guitar and concentrating entirely on her vocals for the first time in her career, her follow-up, Let It Burn, suggests she means business. It's a wise move, as her impassioned, soulful tones have always been her main selling point, and backed by an impressive array of musicians, including the Meters' rhythm section and legendary gospel act the Blind Boys of Alabama, they're allowed the freedom to showcase their versatility, whether it's channeling the velvety smoothness of Anita Baker on the atmospheric blues of John Martyn's "Don't Want to Know," matching the power of Aretha Franklin on the a cappella rendition of early 20th century folk standard "The Titanic," or echoing the spiritual leanings of Carleen Anderson on the harmony-driven opener "Welcome Home." Alongside the groove-laden old-school R&B of "Aim for the Heart" and the pure gospel of "Lord Remember Me," the latter is the only original composition, but John Chelew's inspired production ensures there's still plenty of invention elsewhere. Johnny Cash's "Ring of Fire" is rendered almost unrecognizable thanks to a gorgeously shimmering and reverb-laden arrangement, Pete Seeger's "If I Had a Hammer" is transformed into an authentic slice of New Orleans jazz, while Ike Stubblefield's rich organ riffs lend a hymnal quality to the likes of the Band's "It Makes No Difference" and the William Bell duet "You Don't Miss Your Water." Effortlessly classy covers of Adele's "Set Fire to the Rain" and the Black Keys' "Everlasting Light" show she isn't averse to more contemporary fare. But whichever era Foster picks and chooses from, Let It Burn always feels utterly timeless.

Product Details

Release Date:
01/31/2012
Label:
Blue Corn Music
UPC:
0677967120128
catalogNumber:
1201
Rank:
44570

Tracks

Album Credits

Performance Credits

Ruthie Foster   Primary Artist,Vocals
James Rivers   Saxophone,Tenor Saxophone
George Porter   Electric Bass
Ike Stubblefield   Piano,Hammond B3
Russell Batiste   Drums

Technical Credits

John Martyn   Composer
Pete Seeger   Composer
William Bell   Composer
Robbie Robertson   Composer
John Chelew   Arranger,Producer
David Crosby   Composer
Lee Hays   Composer
David Hidalgo   Composer
Jon Tiven   Composer
Sally Tiven   Composer
Merle Kilgore   Composer
Louie Pérez   Composer
Fraser T. Smith   Composer
Traditional   Composer
Ruthie Foster   Arranger,Composer
Patrick Carney   Composer
Dan Auerbach   Composer
Wesley Fontenot   Engineer
Charles Driebe   Executive Producer,Management
Lee Hayes   Composer
Melissa Morris   Cover Design
Adele Adkins   Composer
Louis Perez   Composer
June Carter   Composer
Tom Gold   Booking

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