Atlantic was one of the most important labels in the slide from
R&B to
rock & roll, and this anthology presents 25 tracks, most of them rare and little-known, illustrating the process. A few cuts here and there will be well known to '50s
rock fans, like
Ray Charles'
"Mess Around," the Clovers'
"Your Cash Ain't Nothin' but Trash," and
Clyde McPhatter's
"Let the Boogie Woogie Roll." For the most part, however, even those with a bunch of
Atlantic single-artist and multi-artist collections will be missing a bunch of these sides.
Atlantic paid more attention to tight arrangements and song quality than even its bigger indie label competitors, insuring that rarity comps such as this sound better than ones documenting '50s
R&B from other companies. Still, some hunger for variety will be aroused after getting through all of this in one sitting, with a certain predictability to the boogie-fat-backbeat base of the arrangements. There's considerable wit and swing to tracks like
Willis "Gator Tail" Jackson & the 4 Gators'
"Wine-o-Wine" and
Odelle Turner's
"Alarm Clock Boogie," though.
Tommy Ridgley departs from the formula on
"I'm Gonna Cross That River," a 1953 side that recalls early
Fats Domino, and the late-'40s tracks by
Joe Morris and
Frank Culley reflect the jazzier roots of
R&B. You also get to hear some little-peeked-into corners of some famous figures' work.
LaVern Baker's
"Hey Memphis" was an answer record to
Elvis Presley's
"Little Sister";
Pretty Boy's
Little Richard-like
"Bip Bop Bip" was actually a young
Don Covay under a pseudonym;
Young Jessie's
"Shuffle in the Gravel" is an obscure
Leiber & Stoller production; and
"Shooty Booty" is one of
Ivory Joe Hunter's shots at the teen
rock & roll market. [This U.K. import is not available for sale in North America.] ~ Richie Unterberger