Let the Dead Lie (Emmanuel Cooper Series #2) by Malla Nunn | Paperback | Barnes & Noble
Let the Dead Lie (Emmanuel Cooper Series #2)
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Let the Dead Lie (Emmanuel Cooper Series #2)

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by Malla Nunn

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The second in a crime series set in 1950's South Africa when apartheid laws were first introduced.


The second in a crime series set in 1950's South Africa when apartheid laws were first introduced.

Editorial Reviews

Publishers Weekly
With this gripping sequel set in South Africa in 1953, Nunn, who is also a screenwriter, proves that her impressive debut novel, A Beautiful Place to Die, was no fluke. A former police detective sergeant, Emmanuel Cooper is now working undercover on the docks of Durban Harbor to document police corruption for his old boss, Major van Niekerk. When Emmanuel comes across the body of a white slum kid, who ran errands in the port area, with his throat slit, he observes that the notebook the 11-year-old boy used to record orders is missing. The authorities regard Emmanuel as the prime suspect in this crime as well as in the subsequent murders of a landlady and her black maid, whose throats are also cut. Van Niekerk manages to get Emmanuel out of jail, but with a strict two-day deadline to find the real killer. Nunn deftly balances suspense and deduction as she offers a revealing glimpse into South African society under the segregation laws promulgated by the ruling National Party. (Apr.)
Kirkus Reviews
Hard-boiled ex-detective Emmanuel Cooper returns to solve the murder of a young boy in 1950s South Africa. Nunn teams Cooper with his former partner, the shrewd and stoical Zulu Shabalala, and with the calm but wounded Dr. Zweigman to confront an international cast of bad guys. The villains are primarily Indian and English, but as in A Beautiful Place to Die (2009), Cooper's ruthless former boss Major van Niekerk calls many of the shots. When the body of ten-year-old Jolly Marks is found in the freight yards of Durban's harbor, several suspects emerge. Unfortunately, one of them is Cooper, who's been working undercover on the docks for five months, trying to ferret out police corruption. Later, two more murders occur. Covertly investigating, Cooper finds a suspicious knife, pockets it, then hides it in the flour bin in his kitchen. When some officious policemen discover the knife, he becomes the most likely suspect in all three murders. Van Niekerk gives Cooper 48 hours to get it sorted out and find the real murderer. Within this tight time frame he unearths a plot involving the search for Col. Nicolai Petrov, a Russian informant now wanted in exchange for another spy. Petrov is terminally ill, and his wife is in her ninth month of pregnancy; Cooper tries to protect them from being caught by the henchman of a mysterious British colonel. Along the way, the ex-cop gets involved with alluring femme fatale Lana, van Niekerk's mistress, and with some Indians involved in Durban's criminal underworld. Casual and institutional racism form a fascinating backdrop for the action, giving readers a feel for how apartheid actually looked and felt to those on both sides of the color line.

Product Details

Washington Square Press
Publication date:
Emmanuel Cooper Series, #2
Edition description:
Sales rank:
Product dimensions:
5.20(w) x 8.20(h) x 1.30(d)

Read an Excerpt



THE ENTRANCE TO the freight yards was a dark mouth crowded with rows of dirty boxcars and threads of silver track. A few white prostitutes orbited a weak streetlight. Indian and coloured working girls were tucked into the shadows, away from the passing trade and the police.

Emmanuel Cooper crossed Point Road and moved toward the yards. The prostitutes stared at him, and the boldest of them, a fat redhead with a molting fox fur slung around her shoulders, lifted a skirt to expose a thigh encased in black fishnet.

“Sweetheart,” she bellowed. “Are you buying or just window-shopping?”

Emmanuel slipped into the industrial maze. Did he look that desperate? Brine and coal dust blew off Durban Harbor and the lights of a docked cruise ship shone across the water. Stationary gantry cranes loomed over the avenue of boxcars and a bright half-moon lit the rocky ground. He moved to the center of the yards, tracing a now familiar path. He was tired, and not from the late hour. Trawling the docks after midnight was worse than being a foot policeman. They at least had a clearly defined mission: to enforce the law. His job was to witness a mind-numbing parade of petty violence, prostitution and thievery and do nothing.

He scrambled over a heavy coupling and settled into a space between two wagons. Soon, an ant trail of trucks would roll out of the yard, packed to the limit with whiskey and cut tobacco and boxes of eau de cologne. English, Afrikaner, foot police, detectives and railway police: the smuggling operation was a perfect example of how different branches of the force were able to cooperate and coordinate if they shared a common goal.

He flicked the surveillance notebook open. Four columns filled the faintly ruled paper: names, times, license plate numbers and descriptions of stolen goods. Until these cold nights in the freight yard he’d thought the wait for the Normandy landing was the pinnacle of boredom. The restlessness and the fear of the massed army, the bland food and the stink of the latrines: he’d weathered it all without complaint. The discomforts weren’t so different from what he’d experienced in the tin and concrete slum shacks his family had lived in on the outskirts of Jo’burg.

This surveillance of corrupt policemen lacked the moral certainty of D-day. What Major van Niekerk, his old boss from the Marshall Square Detective Branch, planned to do with the information in the notebook was unclear.

“Jesus. Oh, Jesus …” A groaned exhalation floated across the freight yards, faint on the breeze. Some of the cheaper sugar girls made use of the deserted boxcars come nightfall.

“Oh … no …” This time the male voice was loud and panicked.

The skin on Emmanuel’s neck prickled. The urge to investigate reared up, but he resisted. His job was to watch and record the activities of the smuggling ring, not rescue a drunken whaler lost in the freight yard. Do not get involved. Major van Niekerk had been very specific about that.

The faint hum of traffic along Point Road mingled with a wordless sobbing. Instinct pulled Emmanuel to the sound. He hesitated and then shoved the notepad into a pants pocket. Ten minutes to take a look and then he’d be back to record the truck license plate numbers. Twenty minutes at the outside. He pulled a silver torch from a pocket, switched it on and ran toward the warehouses built along the northeast boundary of the freight terminus.

The sobs faded and then became muffled. Possibly the result of a hand held over a mouth. Emmanuel stopped and tried to isolate the sound. The yards were huge, with miles of track running the length of the working harbor. Loose gravel moved underfoot and a cry came from ahead. Emmanuel turned the torch to high beam and picked up the pace. The world appeared in flashes. Ghostly rows of stationary freight cars, chains, redbrick walls covered in grime and a back lane littered with empty hessian sacks. Then a dark river of blood that formed a question mark in the dirt.

“No …”

Emmanuel swung the torch beam in the direction of the voice and caught two Indian men in the full glare of the light. Both were young, with dark, slicked-back hair that touched their shoulders. They wore white silk shirts and nearly identical suits made from silvery sharkskin material. One, a slim teenager with a tear-streaked face, was slumped against the back wall of the warehouse. The other, somewhere in his early twenties, sported an Errol Flynn mustache and a heavy brow contracted with menace. He hunched over the boy, with his hand over his mouth to keep him quiet.

“Do not move.” Emmanuel used his detective sergeant’s voice. He reached for his .38 standard Webley revolver and touched an empty space–like a war veteran fumbling for a phantom limb. The most dangerous weapon he had was a pen. No matter. The gun was backup.

“Run!” the older one screamed. “Go!”

The men ran in different directions and Emmanuel targeted the smaller of the two, who stumbled and pitched toward the ground. Emmanuel caught a sleeve and steadied the teenager against the wall.

“Run again and I’ll break your arm,” he said. A coupling clanked. The older one was still out there somewhere. Emmanuel rested shoulder to shoulder with the boy and waited.

“Parthiv.” The boy sniffled. “Don’t leave me.”

“Amal,” a voice called back. “Where are you?”

“Here. He got me.”


“I’ve got Amal,” Emmanuel said. “You’d better come out and keep him company.”

The man emerged from the dark with a gangster swagger. A gold necklace complemented his silvery suit, and a filigree ring topped with a chunk of purple topaz weighed down his index finger.

“And just who the hell are you?” the skollie demanded.

Emmanuel relaxed. He’d put down thugs like this one on a daily basis back in Jo’burg. Back before the trouble in Jacob’s Rest.

“I’m Detective Sergeant Emmanuel Cooper,” he said.

With the National Party now in control, the police had become the most powerful gang in South Africa. The air went out of the Indian’s hard-man act.

“Names,” Emmanuel said when the men were against the wall. He’d deal with the fact that he had no authority and no jurisdiction later.

“Dr. Jekyll and Mr. Hyde,” the Indian Errol Flynn said. He looked tough and he talked tough but something about the flashy suit and the jewelry made him look a little … soft.

“Names,” Emmanuel repeated.

“Amal,” the youngster said quickly. “My name is Amal Dutta and that’s my brother, Parthiv Dutta.”

“Stay put,” Emmanuel instructed, and dipped the torchlight toward the ground. A bottle of lemonade lay on its side near the pool of blood. Then, in the shadows, Emmanuel made out the curled fingers of a child’s hand. They seemed almost to motion him closer. A white boy lay in the dirt, arms outstretched, skinny legs tangled together. His throat was sliced open from ear to ear like a second mouth.

Emmanuel recognized the victim: an English slum kid, around eleven years old, who picked a living among the boxcars and the whores. Jolly Marks. Who knew if that was his real name?

Starting at the tattered canvas shoes, Emmanuel searched upward over the body. Army-issue fatigues were rolled up at the cuffs and threadbare at the knees. A line of string was tied to the belt loop of the khaki pants and a smear of blood stained the waistband. Streaks of dirt fanned out across the boy’s gray shirt and gathered in the creases around his mouth. The search revealed the lack of something in every detail. The lack of money evident in Jolly’s shabby clothes. The lack of hygiene in the tangled hair and filthy nails. The lack of a parent who might stop a young boy from going out onto the Durban docks after dark.

Emmanuel focused the light on the stained waistband again. Jolly Marks always had a small notebook attached to the belt loop of the khaki pants, where he wrote orders for smokes and food. The string that held the book was still there, but the book itself was missing. That fact might be significant.

“Did either of you pick up a spiral notebook with a string attached?” he said.

“No,” the brothers answered simultaneously.

Emmanuel crouched next to the body. An inch from Jolly’s right hand was a rusty penknife with the small blade extended. Emmanuel had owned a similar knife at almost exactly the same age. Jolly had understood that bad things happened out here at night.

Emmanuel knew this boy, knew the details of his life without having to ask a single question. He’d grown up with boys like Jolly Marks. No, that was a lie. This was whom he’d grown up as. A dirty white boy. This could have been his fate: first on the streets of a Jo’burg slum and then on the battlefields in Europe. He had escaped and survived. Jolly would never have that chance. Emmanuel returned to the Indian men.

“Either one of you touch this boy?”

“Never.” Amal’s body shook with the denial. “Never, never ever.”

“You?” Emmanuel asked Parthiv.

“No. No ways. We were minding our own business and there he was.”

Nobody in the back lanes of the Durban port after midnight was minding his own business unless that business was illegal. There was, however, a big difference between stealing and murder, and the brothers’ sharkskin suits were pressed and clean. Emmanuel checked their hands, also clean. Jolly lay in a bloodbath, his neck cut with a single stroke: the work of an experienced butcher.

“Have either of you seen the boy before, maybe talked to him?”

“No,” Parthiv said, too quickly. “Don’t know him.”

“I wish I’d never seen him.” Amal’s voice broke on the words. “I wish I’d stayed at home.”

Emmanuel tilted the torch beam away from the teenager’s face. Violent death was shocking, but the violent death of a child was different; the effects sank deeper and lingered longer. Amal was only a few years older than Jolly and probably still a schoolboy.

“Sit down and rest against the wall,” Emmanuel said.

Amal sank to the ground and sucked breath in through an open mouth. A panic attack was in the cards. “Are you going to … to … arrest us, Detective?”

Emmanuel pulled a small flask from a jacket pocket and unscrewed the lid. He handed it to Amal, who pulled back.

“I don’t drink. My mother says it makes you stupid.”

“Make an exception for tonight,” Emmanuel said. “It’s mostly coffee anyway.”

The teenager took a slurp and coughed till fat tears spilled from his eyes. Parthiv gave a derisive snort, embarrassed by his younger brother’s inability to hold liquor. Emmanuel pocketed the flask and checked the narrow alley between the warehouse wall and the goods train.

He had a body in the open, no murder weapon and two witnesses who, in all probability, had stumbled onto the crime scene. This was a detective’s nightmare–but also a detective’s dream. The scene was all his. There were no foot police to trample evidence into the mud and no senior detectives jockeying for control of the investigation. Clumps of vegetation embedded in the gravel shuddered in a sudden breeze. Beyond Jolly’s body, the butt of a hand-rolled cigarette blew on the ground. Emmanuel picked it up and smelled it–vanilla and chocolate. It was a special blend of flavored tobacco.

“You smoke, Parthiv?” Emmanuel asked over his shoulder.

“Of course.”

“What brand?”

“Old Gold. They’re American.”

“I know them,” Emmanuel said. Half the Yank army had puffed their way across Europe on Old Gold and Camel. For a few years it seemed that the smell of freedom was American tobacco and corned beef. Old Gold was a mass-market cigarette imported into South Africa. The vanilla and chocolate tobacco was probably made to order.

“What about you, Amal … do you smoke?”


“Not even a puff after school?”

“Only once. I didn’t like it. It hurt my lungs.”

Parthiv snorted again.

Emmanuel shone the beam on Jolly’s hands and face. Amal looked away. There were no defense wounds on the boy’s hands despite the open penknife. The killer had worked fast and with maximum efficiency. Maybe it was the night chill that made the murder read cold and dispassionate. The word professional came to Emmanuel’s mind.

This was hardly a description that fit either one of the Dutta boys. He played the torchlight over the rough ground again, looking for hard evidence. Jolly’s order book was nowhere near the body.

A coupling creaked in the darkness. Parthiv and Amal focused on an object in the gloom of the freight yard behind him. Emmanuel swiveled and a black hole opened up and swallowed him.

© 2010 Malla Nunn

Meet the Author

Malla Nunn was born in Swaziland, South Africa, and currently lives in Sydney, Australia. She is a filmmaker with three award-winning films to her credit and is currently at work on her next novel.

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Let the Dead Lie 4.5 out of 5 based on 0 ratings. 4 reviews.
ProReviewing More than 1 year ago
This suspenseful novel from award-winning author Malla Nunn is taut and tightly paced. Set in 1953 in South Africa, a country that surrounds Nunn's country of birth, Swaziland, the detective novel masterfully blends all elements that are required in such a text. Whether it is read as a sequel to Nunn's impressive debut novel, A Beautiful Place to Die, or by itself matters little, but that it is most definitely worth reading by anyone interested in the detective genre is a cert. The action in Let the Dead Lie centers around the deductive work of a former detective sergeant, Emmanuel Cooper. Emmanuel was earlier forced to buy his release from the police force on pain of otherwise being dishonorably discharged for an action that, under a more just system than the reigning apartheid regime, would not have been necessary. Within 48 hours, Emmanuel has to solve a crime without the backup of the resources that would have been available to him as a matter of course if he had been part of the conventional police force. Not only does Emmanuel have to cope with the thugs and criminals that formed part of the underworld of the time, but he also finds himself up against those who would, prior to his disgrace, have been his colleagues. With the threat of a jail sentence hanging over his head if he does not solve the crime, involving the murder of a young white boy, which rapidly escalates into the murder of three victims, in time, Emmanuel has no time to waste. Each page is more gripping than the first, as Emmanuel's deadline looms ever closer. In addition to those striving to outwit or outrun him, Emmanuel also has his own inner demons with which to contend. As a demobbed soldier who has survived the burned out battlefields of Western Europe, Emmanuel is constantly besieged by ever-present imaginary figures, such as a brutal and callous Scottish sergeant major, who appear to him in the form of pounding migraines, from whom he can only escape by resorting to taking whatever drugs are at hand. The description of the low-life types that frequent the Durban docklands are fascinating, as are the range of prostitutes that tread these pages. The social inequalities of the time, which were entrenched in the National Party's legislative approach to the governance of multiracial South Africa, are revealed in full. The use of such a background is an effective means of keeping alive the memory of the horrendous deeds that were perpetrated by the apartheid state. However, at no stage does Nunn dictate what the response of the reader should be to such inequity and violation of basic human rights. Her primary intent is to tell a first rate story, peopled by three dimensional, credible characters, and this she achieves to the full. Let the Dead Lie is a well rounded, believable novel that should gain a wide audience, as well as being a work in which contemporary historians and those affected by post-traumatic stress disorder should take an interest.
sandiek More than 1 year ago
A young boy lies murdered in the stockyards of Durban, South Africa. A few days later, two women are killed in the rooming house where he lived. The South African police bring in their top suspect, Emmanuel Cooper. The problem? Cooper is not the killer. Who is Emmanuel Cooper? He is a World War II veteran who returned to South Africa to become a Detective Sergent in the police force. When a new law sweeps through and reclassifies him as non-white, he loses his job and his status as a white man. He now does undercover work for Major van Niekerk, his former boss in the police. Unwilling to lose Cooper's skills, he now uses him undercover. When Cooper is hauled in and about to be charged with the three murders, van Niekerk works out a deal. Cooper has forty-eight hours to find the real killers or else he will be charged and probably killed. As he races to solve the murders, he is helped by a strange collection of people, a Zulu ex-policeman, a Jewish doctor who has survived the German death camps, and the mistress of his mentor. There are plots and counterplots; betrayals and secrets revealed, making the ultimate secret that much more difficult to reveal. Malla Nunn has written a gritty detective novel that will entrance the reader. Cooper is an intriguing hero, one that the reader will remember long after the last page is read. The setting is done realistically, and the plot unfolds logically. The gut-wrenching reality of the apartheid laws in South Africa are portrayed in a way that takes the reader into the lives of those unjustly discriminated against. This book is recommended for all mystery readers.
Andrew_of_Dunedin More than 1 year ago
mmanual Cooper is a cop in South Africa in the 1950s, during the day of apartheid. Emmanual Cooper is also a cop whose opportunities on the force and in life are limited due to apartheid. However, he has a supporter in the upper echelon who knows that his investigative skills are quite well honed, regardless of his ancestry and his culture's attitudes towards it, and as such, has the opportunity to work. This is the second book I've read in the series – and I've just purchased the next 2 to complete my collection of the series to date. (Yes, BOUGHT – not borrowed from the library or swapped online. If THAT isn't an endorsement, I don't know what is!) RATING: 5 stars.
Anonymous More than 1 year ago
Not as good as her first and third books but still awesome