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Overview
In the summer of 1936, Pulitzer Prize–winning writer James Agee and photographer Walker Evans set out on assignment for Fortune magazine to explore the daily lives of white sharecroppers in the South. Their journey would prove an extraordinary collaboration—and a watershed literary event.
Let Us Now Praise Famous Men was published to enormous critical acclaim. An unsparing record in words and pictures of this place, the people who shaped the land, and the rhythm of their lives, it would eventually be recognized by the New York Public Library as one of the most influential books of the twentieth century—and serve as an inspiration to artists from composer Aaron Copland to David Simon, creator of The Wire. With an additional sixty-four archival photos in this edition, Let Us Now Praise Famous Men remains as relevant and important as when it was first published over seventy-seven years ago.
“One of the most brutally revealing records of an America that was ignored by society—a class of people whose level of poverty left them as spiritually, mentally, and physically worn as the land on which they toiled. Time has done nothing to decrease this book’s power.” —Library Journal
Product Details
| ISBN-13: | 9780547526393 |
|---|---|
| Publisher: | Houghton Mifflin Harcourt |
| Publication date: | 11/01/2017 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 432 |
| Sales rank: | 377,469 |
| File size: | 17 MB |
| Note: | This product may take a few minutes to download. |
About the Author
James Agee (1909–1955) was a poet, screenwriter, and journalist who won the Pulitzer Prize for his novel A Death in the Family.
Read an Excerpt
CHAPTER 1
(On the Porch: 1
The house and all that was in it had now descended deep beneath the gradual spiral it had sunk through; it lay formal under the order of entire silence. In the square pine room at the back the bodies of the man of thirty and of his wife and of their children lay on shallow mattresses on their iron beds and on the rigid floor, and they were sleeping, and the dog lay asleep in the hallway. Most human beings, most animals and birds who live in the sheltering ring of human influence, and a great portion of all the branched tribes of living in earth and air and water upon a half of the world, were stunned with sleep. That region of the earth on which we were at this time transient was some hours fallen beneath the fascination of the stone, steady shadow of the planet, and lay now listing toward the last depth; and now by a blockade of the sun were clearly disclosed those discharges of light which teach us what little we can learn of the stars and of the true nature of our surroundings. There was no longer any sound of the settling or ticking of any part of the structure of the house; the bone pine hung on its nails like an abandoned Christ. There was no longer any sound of the sinking and settling, like gently foundering, fatal boats, of the bodies and brains of this human family through the late stages of fatigue unharnessed or the early phases of sleep; nor was there any longer the sense of any of these sounds, nor was there, even, the sound or the sense of breathing. Bone and bone, blood and blood, life and life disjointed and abandoned they lay graven in so final depth, that dreams attend them seemed not plausible. Fish halted on the middle and serene of blind sea water sleeping lidless lensed; their breathing, their sleeping subsistence, the effortless nursing of ignorant plants; entirely silenced, sleepers, delicate planets, insects, cherished in amber, mured in night, autumn of action, sorrow's short winter, water hole where gather the weak wild beasts; night; night: sleep; sleep.
In their prodigious realm, their field, bashfully at first, less timorous, later, rashly, all calmly boldly now, like the tingling and standing up of plants, leaves, planted crops out of the earth into the yearly approach of the sun, the noises and natures of the dark had with the ceremonial gestures of music and of erosion lifted forth the thousand several forms of their enhancement, and had so resonantly taken over the world that this domestic, this human silence obtained, prevailed, only locally, shallowly, and with the childlike and frugal dignity of a coal-oil lamp stood out on a wide night meadow and of a star sustained, unraveling in one rivery sigh its irremediable vitality, on the alien size of space.
Where beneath the ghosts of millennial rain the clay land lay down in creek and the trees ran thick there disposed upon the sky the cloud and black shadow of nature, hostile encampment whose fires were drenched, drawn close, held sleeping, near, helots; and it was feasible that within a few hours now, at the signaling of the primary changes of the air, the wave which summer and darkness had already so heavily overcrested that it leaned above us, snaring its snake-tongued branches, birnam wood, casually would lounge in and suddenly and forever subdue us: at most, some obscure act of guerrilla warfare, some prowler, detached from his regiment, picked off in a back country orchard, some straggling camp whore taken, had; for the sky: The sky was withdrawn from us with all her strength. Against some scarcely conceivable imprisoning wall this woman held herself away from us and watched us: wide, high, light with her stars as milk above our heavy dark; and like the bristling and glass breakage on the mouth of stone spring water: broached on grand heaven their metal fires.
And now as by the slipping of a button, the snapping and failures on air of a spider's cable, there broke loose from the room, shaken, a long sigh closed in silence. On some ledge overleaning that gulf which is more profound than the remembrance of imagination they had lain in sleep and at length the sand, that by degrees had crumpled and rifted, had broken from beneath them and they sank. There was now no further extreme, and they were sunken not singularly but companionate among the whole enchanted swarm of the living, into a region prior to the youngest quaverings of creation.
(We lay on the front porch:
July 1936
Late Sunday Morning
They came into the Coffee Shoppe while we were finishing breakfast, and Harmon introduced the other, whose name I forget, but which had a French sound. He was middle-sized and dark, beginning to grizzle, with the knotty, walnut kind of body and a deeply cut, not unkindly monkey's face. He wore dark trousers, a starched freshly laundered white collarless shirt, and a soft yellow straw hat with a band of flowered cloth. His shoes were old, freshly blacked, not polished; his suspenders were nearly new, blue, with gold lines at the edge. He was courteous, casual, and even friendly, without much showing the element of strain: Harmon let him do the talking and watched us from behind the reflecting lenses of his glasses. People in the street slowed as they passed and lingered their eyes upon us. Walker said it would be all right to make pictures, wouldn't it, and he said, Sure, of course, take all the snaps you're a mind to; that is, if you can keep the niggers from running off when they see a camera. When they saw the amount of equipment stowed in the back of our car, they showed that they felt they had been taken advantage of, but said nothing of it.
Harmon drove out with Walker, I with the other, up a loose wide clay road to the northwest of town in the high glittering dusty Sunday late morning heat of sunlight. The man I drove with made steady conversation, in part out of nervous courtesy, in part as if to forestall any questions I might ask him. I was glad enough of it; nearly all his tenants were negroes and no use to me, and I needed a rest from asking questions and decided merely to establish myself as even more easy-going, casual, and friendly than he was. It turned out that I had not been mistaken in the French sound of his name; ancestors of his had escaped an insurrection of negroes in Haiti. He himself, however, was entirely localized, a middling well-to-do landowner with a little more of the look of the direct farmer about him than the average. He was driving a several-years-old tan sedan, much the sort of car a factory worker in a northern city drives, and was pointing out to me how mean the cotton was on this man's land, who thought he could skimp by on a low grade of fertilizer, and how good it was along this pocket and high lift, that somehow caught whatever rain ran across this part of the country, though that was no advantage to cotton in a wet year or even an average; it was good in a drowt year like this one, though; his own cotton, except for a stretch of it along the bottom, he couldn't say yet it was going to do either very good or very bad; here we are at it, though.
A quarter of a mile back in a flat field of short cotton a grove of oaks spumed up and a house stood in their shade. Beyond, as we approached, the land sank quietly away toward woods which ran tendrils along it, and was speckled near and far with nearly identical two-room shacks, perhaps a dozen, some in the part shade of chinaberry bushes, others bare to the brightness, all with the color in the sunlight and frail look of the tissue of hornets' nests. This nearest four-room house we were approaching was the foreman's. We drew up in the oak shade as the doors of this house filled. They were negroes. Walker and Harmon drew up behind us. A big iron ring hung by a chain from the low branch of an oak. A heavy strip of iron leaned at the base of the tree. Negroes appeared at the doors of the two nearest tenant houses. From the third house away, two of them were approaching. One was in clean overalls; the other wore black pants, a white shirt, and a black vest unbuttoned.
Here at the foreman's home we had caused an interruption that filled me with regret: relatives were here from a distance, middle-aged and sober people in their Sunday clothes, and three or four visiting children, and I realized that they had been quietly enjoying themselves, the men out at the far side of the house, the women getting dinner, as now, by our arrival, they no longer could. The foreman was very courteous, the other men were non-committal, the eyes of the women were quietly and openly hostile; the landlord and the foreman were talking. The foreman's male guests hovered quietly and respectfully in silence on the outskirts of the talk until they were sure what they might properly do, then withdrew to the far side of the house, watching carefully to catch the landowner's eyes, should they be glanced after, so that they might nod, smile, and touch their foreheads, as in fact they did, before they disappeared. The two men from the third house came up; soon three more came, a man of forty and a narrow-skulled pair of sapling boys. They all approached softly and strangely until they stood within the shade of the grove, then stayed their ground as if floated, their eyes shifting upon us sidelong and to the ground and to the distance, speaking together very little, in quieted voices: it was as if they had been under some sort of magnetic obligation to approach just this closely and to show themselves. The landlord began to ask of them through the foreman, How's So-and-So doing, all laid by? Did he do that extra sweeping I told you? — and the foreman would answer, Yes sir, yes sir, he do what you say to do, he doin all right; and So-and-So shifted on his feet and smiled uneasily while, uneasily, one of his companions laughed and the others held their faces in the blank safety of deafness. And you, you ben doin much coltn lately, you horny old bastard? — and the crinkled, old, almost gray-mustached negro who came up tucked his head to one side looking cute, and showed what was left of his teeth, and whined, tittering, Now Mist So-and-So, you know I'm settled down, married-man, you wouldn't — and the brutal negro of forty split his face in a villainous grin and said, He too ole, Mist So-and-So, he don't got no sap lef in him; and everyone laughed, and the landowner said, These yer two yere, colts yourn ain't they? — and the old man said they were, and the landowner said, Musta found them in the woods, strappin young niggers as that; and the old man said, No sir, he got the both of them lawful married, Mist So-and-So; and the landowner said that eldest on em looks to be ready for a piece himself, and the negroes laughed, and the two boys twisted their beautiful bald gourdlike skulls in a unison of shyness and their faces were illumined with maidenly smiles of shame, delight and fear; and meanwhile the landowner had loosened the top two buttons of his trousers, and he now reached his hand in to the middle of the forearm, and, squatting with bent knees apart, clawed, scratched and rearranged his genitals.
But now three others stood in the outskirts who had been sent for by a running child; they were young men, only twenty to thirty, yet very old and sedate; and their skin was of that sootiest black which no light can make shine and with which the teeth are blue and the eyeballs gold. They wore pressed trousers, washed shoes, brilliantly starched white shirts, bright ties, and carried newly whited straw hats in their hands, and at their hearts were pinned the purple and gilded ribbons of a religious and burial society. They had been summoned to sing for Walker and for me, to show us what nigger music is like (though we had done all we felt we were able to spare them and ourselves this summons), and they stood patiently in a stiff frieze in the oak shade, their hats and their shirts shedding light, and were waiting to be noticed and released, for they had been on their way to church when the child caught them; and now that they were looked at and the order given they stepped forward a few paces, not smiling, and stopped in rigid line, and, after a constricted exchange of glances among themselves, the eldest tapping the clean dirt with his shoe, they sang. It was as I had expected, not in the mellow and euphonious Fisk Quartette style, but in the style I have heard on records by Mitchell's Christian Singers, jagged, tortured, stony, accented as if by hammers and cold-chisels, full of a nearly paralyzing vitality and iteration of rhythm, the harmonies constantly splitting the nerves; so that of western music the nearest approach to its austerity is in the first two centuries of polyphony. But here it was entirely instinctual; it tore itself lite a dance of sped plants out of three young men who stood sunk to their throats in land, and whose eyes were neither shut nor looking at anything; the screeching young tenor, the baritone, stridulant in the height of his register, his throat tight as a fist, and the bass, rolling the iron wheels of his machinery, his hand clenching and loosening as he tightened and relaxed against the spraining of his ellipses: and they were abruptly silent; totally wooden; while the landowner smiled coldly. There was nothing to say. I looked them in the eyes with full and open respect and said, that was fine. Have you got time to sing us another? Their heads and then-glances collected toward a common center, and restored, and they sang us another, a slow one this time; I had a feeling, through their silence before entering it, that it was their favorite and their particular pride; the tenor lifted out his voice alone in a long, plorative line that hung like fire on heaven, or whistle's echo, sinking, sunken, along descents of a modality I had not heard before, and sank along the arms and breast of the bass as might a body sunken from a cross; and the baritone lifted a long black line of comment; and they ran in a long and slow motion and convolution of rolling as at the bottom of a stormy sea, voice meeting voice as ships in dream, retreated, met once more, much woven, digressions and returns of time, quite tuneless, the bass, over and over, approaching, drooping, the same declivity, the baritone taking over, a sort of metacenter, murmuring along monotones between major and minor, nor in any determinable key, the tenor winding upward like a hom, a wire, the flight of a bird, almost into full declamation, then failing it, silencing; at length enlarging, the others lifting, now, alone, lone, and largely, questioning, alone and not sustained, in the middle of space, stopped; and now resumed, sunken upon the bosom of the bass, the head declined; both muted, droned; the baritone makes his comment, unresolved, that is a question, all on one note: and they are quiet, and do not look at us, nor at anything.
The landlord objected that that was too much howling and too much religion on end and how about something with some life to it, they knew what he meant, and then they could go.
They knew what he meant, but it was very hard for them to give it just now. They stiffened in their bodies and hesitated, several seconds, and looked at each other with eyes ruffled with worry; then the bass nodded, as abruptly as a blow, and with blank faces they struck into a fast, sassy, pelvic tune whose words were loaded almost beyond translation with comic sexual metaphor; a refrain song that ran like a rapid wheel, with couplets to be invented, progressing the story; they sang it through four of the probably three dozen turns they knew, then bit it off sharp and sharply, and for the first time, relaxed out of line, as if they knew they had earned the right, with it, to leave.
Meanwhile, and during all this singing, I had been sick in the knowledge that they felt they were here at our demand, mine and Walker's, and that I could communicate nothing otherwise; and now, in a perversion of self-torture, I played my part through. I gave their leader fifty cents, trying at the same time, through my eyes, to communicate much more, and said I was sorry we had held them up and that I hoped they would not be late; and he thanked me for them in a dead voice, not looking me in the eye, and they went away, putting their white hats on their heads as they walked into the sunlight.
At the Forks
On a road between the flying shadows of loose woods toward the middle of an afternoon, far enough thrust forward between towns that we had lost intuition of our balance between them, we came to a fork where the sunlight opened a little more widely, but not on cultivated land, and stopped a minute to decide.
Marion would he some miles over beyond the road on our left; some other county seat, Centerville most likely, out beyond the road on our right; but on which road the woods might give way to any extension of farm country there was no deducing: for we were somewhere toward the middle of one of the wider of the gaps on the road map, and had seen nothing but woods, and infrequent woods farms, for a good while now.
(Continues…)
Excerpted from "Let Us Now Praise Famous Men"
by .
Copyright © 1988 John T. Hill, executor of the Estate of Walker Evans.
Excerpted by permission of Houghton Mifflin Harcourt Publishing Company.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Photos,
Title Page,
Table of Contents,
Dedication,
Copyright,
Foreword,
Preface,
Epigraphs,
Persons and Places,
Design of the Book,
Verses,
Preamble,
All Over Alabama,
(On the Porch: 1,
July 1936,
Late Sunday Morning,
At the Forks,
Near a Church,
Part One: A Country Letter,
Colon,
Part Two: Some Findings and Comments,
Money,
Shelter,
(On the Porch: 2,
Clothing,
Education,
Work,
Intermission: Conversation in the Lobby,
Part Three: Inductions,
Shady Grove Alabama,
Two Images,
Title Statement,
Notes and Appendices,
(On the Porch: 3,
About the Authors,
Footnotes,
What People are Saying About This
A great book. The most realistic and most important moral effort of our American generation.
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