The Letters

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Overview

“At once humorous and heart-rending . . . The evocative style of Luanne Rice meshes splendidly with Joseph Monninger’s in a moving collaboration [that] brilliantly illuminates the precious value of relationships.”—Wichita Falls Times Record News
 
“For those who love and those who hope to love again.”—Lincoln Journal Star
 
Sam and Hadley West are both trying to ...
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Overview

“At once humorous and heart-rending . . . The evocative style of Luanne Rice meshes splendidly with Joseph Monninger’s in a moving collaboration [that] brilliantly illuminates the precious value of relationships.”—Wichita Falls Times Record News
 
“For those who love and those who hope to love again.”—Lincoln Journal Star
 
Sam and Hadley West are both trying to survive a shared, unthinkable loss. For Sam, a sports journalist, acceptance means an arduous trek by dogsled across the Alaskan wilderness. For Hadley, it means renting a benignly haunted, salt-soaked cottage off the Maine coast, where she begins to paint again. Waiting for their divorce to be finalized, they begin to exchange letters, filled with longing and truths they’ve never before voiced, as they recall their marriage—its magic moments and its challenges—and rediscover the reason they fell in love in the first place.
 
In this remarkable collaboration, acclaimed writers Luanne Rice and Joseph Monninger combine their unique talents to create, through a series of searching, intimate letters, a powerful novel of an estranged husband and wife—and the moment that changed the course of their lives forever.
 
“It’s hard for the reader to remember that she is reading fiction and not eavesdropping on personal correspondence. . . . A journey of discovery that celebrates the beauty of letter writing, an art fast disappearing.”—Booklist
 
“Exquisite . . . a story of hope, healing and possibilities.”—Concord Monitor
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Editorial Reviews

From the Publisher
“Rice and Monninger beautifully convey love and hope…taking the reader on a journey of discovery…. With each character–and each author–providing vivid descriptions of his and her surroundings and intense emotions, it’s hard for the reader to remember that she is reading fiction and not eavesdropping on personal correspondence saturated with sadness and love.”—Booklist

“[Sam and Hadley] endear themselves to the reader…. [who] will be reaching for a Kleenex by the end.”—Publishers Weekly

Publishers Weekly

The bestselling Rice teams up with Monninger in this epistolary novel of an unraveling marriage. Sam and Hadley West separated following the death of their grown son, Paul. Sam is in Laika Star, Alaska, where he is arranging to travel via dog sled to the site where Paul died in a plane crash. Hadley, meanwhile, has moved to an island off the coast of Maine and thinks Sam's trip is a bad idea. Both Sam and Hadley initially come off as unsympathetic (he too self-centered, she too bitter and jaded), but as the letters pile up and they delve deeper into their anguish while sorting out "what [their] marriage means or how it should end," they endear themselves to the reader. The book is unabashedly melodramatic, but readers into the sappy will be reaching for a Kleenex by the end. (Oct.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal

In this epistolary novel by the popular Rice (Last Kiss) and her friend Monninger (Home Waters), Sam West dogsleds across Alaska to the site of the plane crash that killed his only child, Paul, three years earlier. Meanwhile, Sam's wife, Hadley, rents a cabin off the coast of Maine to rekindle her passion for art. Paul had dropped out of Amherst College and was on his way to teach in a remote Inuit village when he died. His death signaled the last breath of the Wests' marriage as well. Or had it been dying long before their son's demise? Sam initiates the correspondence, but soon each spouse comes to view it as a means of being truly honest one last time before their divorce becomes final. As Sam writes, "Something has changed with us.... It makes no sense to name it, though. Not yet. I trust these letters." However Sam's journey alters course and the couple's relationship remodels itself, readers will trust in the privilege of going along for the ride. Though the segmentation of voices leaves one less engaged than one might wish, this is still a satisfying read. Recommended for public libraries. [Prepub Alert, LJ6/1/08.]
—Bette-Lee Fox

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Product Details

  • ISBN-13: 9780553592917
  • Publisher: Random House Publishing Group
  • Publication date: 8/28/2012
  • Format: Mass Market Paperback
  • Pages: 208
  • Sales rank: 716,593
  • Product dimensions: 4.34 (w) x 6.70 (h) x 0.59 (d)

Meet the Author

Luanne Rice
Luanne Rice is the author of The Silver Boat, Secrets of Paris, The Deep Blue Sea for Beginners, The Geometry of Sisters, Last Kiss, Light of the Moon, What Matters Most, The Edge of Winter, Sandcastles, Summer of Roses, Summer’s Child, Silver Bells, Beach Girls, and many other New York Times bestsellers. She lives in New York City and Southern California.
 
Joseph Monninger is the acclaimed author of several works of nonfiction and fiction for teens and adults, including The World as We Know It, and has been awarded two National Endowment for the Arts fellowships. A native of New Jersey and one-time Peace Corps volunteer, he is a college professor in New Hampshire where he lives in a converted barn with his wife, Wendy.

Biography

Luanne Rice is the New York Times- bestselling author who has inspired the devotion of readers everywhere with her moving novels of love and family. She has been hailed by critics for her unique gifts, which have been described as "a beautiful blend of love and humor, with a little magic thrown in."

Rice began her writing career in 1985 with her debut novel Angels All Over Town. Since then, she has gone on to pen a string of heartwarming bestsellers. Several of her books have been adapted for television, including Crazy in Love, Blue Moon, Follow the Stars Home, and Beach Girls.

Rice was born in New Britain, Connecticut, where her father sold typewriters and her mother, a writer and artist, taught English. Throughout her childhood, Rice spent winters in New Britain and summers by Long Island Sound in Old Lyme, where her mother would hold writing workshops for local children. Rice's talent emerged at a very young age, and her first short story was published in American Girl Magazinewhen she was 15.

Rice later attended Connecticut College, but dropped out when her father became very ill. At this point, she knew she wanted to be a writer. Instead of returning to college, Rice took on many odd jobs, including working as a cook and maid for an exalted Rhode Island family, as well as fishing on a scallop boat during winter storms. These life experiences not only cultivated the author's love and talent for writing, but shaped the common backdrops in her novels of family and relationships on the Eastern seaboard. A true storyteller with a unique ability to combine realism and romance, Rice continues to enthrall readers with her luminous stories of life's triumphs and challenges.

Good To Know

Some interesting outtakes from our interview with Luanne:

"I take guitar lessons."

  • "I was queen of the junior prom. Voted in, according to one high school friend I saw recently, as a joke because my date and I were so shy, everyone thought it would be hilarious to see us onstage with crowns on our heads. It was 1972, and the theme of the prom was Color My World. For some reason I told my guitar teacher that story, and he said Yeah, color my world with goat's blood."

  • "I shared a room with both sisters when we were little, and I felt sorry for kids who had their own rooms."

  • "To support myself while writing in the early days, I worked as a maid and cook in one of the mansions in Newport, Rhode Island. I'd learned to love to cook in high school, by taking French cooking from Sister Denise at the convent next door to the school. The family I worked for didn't like French cooking and preferred broiled meat, well done, and frozen vegetables. They were particular about the brand—they liked the kind with the enclosed sauce packet. My grandmother Mim, who'd always lived with us, had taken the ferry from Providence to Newport every weekend during her years working at the hosiery factory, so being in that city made me feel connected to her."

  • "I lived in Paris. The apartment was in the Eighth Arrondissement. Every morning I'd take my dog for a walk to buy the International Herald Tribune and have coffee at a café around the corner. Then I'd go upstairs to the top floor, where I'd converted one of the old servant's rooms into a writing room, and write. For breaks I'd walk along the Seine and study my French lesson. Days of museums, salons du thé, and wandering the city. Living in another country gave me a different perspective on the world. I'm glad I realized there's not just one way to see things.

    While living there, I found out my mother had a brain tumor. She came to Paris to stay with me and have chemotherapy at the American Hospital. She'd never been on a plane before that trip. In spite of her illness, she loved seeing Paris. I took her to London for a week, and as a teacher of English and a lover of Dickens, that was her high point.

    After she died, I returned to France and made a pilgrimage to the Camargue, in the South. It is a mystical landscape of marsh grass, wild bulls, and white horses. It is home to one of the largest nature sanctuaries in the world, and I saw countless species of birds. The town of Stes. Maries de la Mer is inspiring beyond words. Different cultures visit the mysterious Saint Sarah, and the presence of the faithful at the edge of the sea made me feel part of something huge and eternal. And all of it inspired my novel Light of the Moon."

  • "I dedicated a book to Bruce Springsteen. It's The Secret Hour, which at first glance isn't a novel you'd connect with him—the novel is about a woman whose sister might or might not have been taken by a serial killer. I wrote it during a time when I felt under siege, and I used those deeply personal feelings for my fiction. Bruce was touring and I was attending his shows with a good friend. The music and band and Bruce and my friend made me feel somehow accompanied and lightened as I went through that time and reached into those dark places.

    During that period I also wrote two linked books—Summer's Childand Summer of Roses. They deal with the harsh reality of domestic violence and follow The Secret Hour and The Perfect Summer When I look back at those books, that time of my life, I see myself as a brave person. Instead of hiding from painful truths, I tried to explore and bring them to the light through my fiction. During that period, I met amazing women and became involved with trying to help families affected by abuse—in particular, a group near my small town in Connecticut, and Deborah Epstein's domestic violence clinic at Georgetown University Law Center. I learned that emotional abuse leaves no overt outward scars, but wounds deeply, in ways that take a long time to heal. A counselor recommended The Verbally Abusive Relationshipby Patricia Evans. It is life-changing, and I have given it to many women over the years."

  • "I became a vegetarian. I decided that, having been affected by brutality, I wanted only gentleness and peace in my life. Having experienced fear, I knew I could never willingly inflict harm or fear on another creature. All is related. A friend reminds me of a great quote in the Zen tradition: "How you do anything is how you do everything."
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      1. Date of Birth:
        September 25, 1955
      2. Place of Birth:
        New Britain, CT

    Read an Excerpt

    The Letters by Luanne Rice and Joseph Monninger
    978-0-553-80741-7

    November 6
    Dear Hadley,
    I made it. I suppose it would be more accurate to say I can see how I will make it in the next few days. I am at the last stage, as far as the planes can take me, at a fishing camp called Laika Star. From here I travel by dogsled, a prospect that both thrills me and fills me with no small amount of fear. You remember how I loved Jack London and read it to Paul when he was ten? Suddenly the prospect of a real mush stands before me, and I am not as intrepid as I believed myself to be. Strange when dreams come face to face with reality. I am to meet the dog driver tomorrow. She will go over my equipment and supply anything else that I need. It should take about ten days, which is a long time to be in the Alaskan bush in winter.

    I think of you often here. I'm not sure you would like this country. Alaska is vast and lonely and haunting. It's one thing to hear about it, another to travel it. Most of the state's population lives near Anchorage or Fairbanks. Good roads connect those two cities, but the rest of the state relies on planes. You know all that, of course. I'm sorry if I'm telling you more or less than you need to know. It's been years–back to our courtship, really–since I wrote you a true letter. And I am beyond email, or any electronic communication. Even to call would take a satellite phone, and I suspect we should stand by our decision to take a break for a while to sort out what our marriage means or how it should end. Letters seem like a more reasoned way to communicate. I hope you understand and I hope you'll write back.

    I also wanted to say I know you think this trip is a bad idea. I understand. I do. But I have to see where he died, honey. I just do. I don't know if it will change anything, or bring me any peace, but I feel I must do it. I can't go forward until I know more. I want to know how he spent his last days, and what he thought and felt, as least as far as such things are knowable. I'm sorry if my need to do this causes you pain.

    On a lighter note, I should mention that you would like my cabin. It is a model of efficiency and low-tech elegance. Everything is fashioned out of logs, like a boy's dream of a Lincoln Log cabin. Martha Stewart meets Sergeant Preston of the Yukon! A Vermont Castings stove sits in one corner, and you can open the doors to the stove and it becomes a fireplace. Beautiful, really. I have it running now and the room smells of cedar and pine and oak. The beds are firm and the linens top quality. The trout and salmon fishing around here is world class, I gather, and they routinely fly in some big names. In the dining room I've seen pictures of Bobby Knight, the famous basketball coach, and George Bush Sr. The proprietor, a man named Gus–shouldn't all proprietors be named Gus?–pointed out a dozen more photographs, but I just nodded and did my best to appear impressed, because clearly I was supposed to know who they were. TV stars, I guess. I didn't recognize any of them, and that simply confirms that I am hopelessly out of date.

    I am eager to hear your news, but I will understand if you decide not to write back. I am not trying to gloss over the troubles we've had in our marriage. I understand that we may not be capable of mending our life together. I want you to know that I am sorry for my part in our rifts, and that as hurtful as I have been at times, it was never my intention to do anything but love you. I failed, of course, but I did not mean to fail.

    More tomorrow.
    Sam

    November 7
    Hadley–
    I have a way to get the mail quickly to you, as remarkable as that must seem for someone writing from the Alaska outback. Gus puts his mail on the regular plane to Anchorage, but the bush plane operators provide a FedEx connection. FedEx does an overnight thing, and if it all hits correctly you can get mail to anyone in the lower forty-eight in about three days. They claim when it works right it is faster, if more expensive, than regular mail. So I want to get this in an envelope before I go to bed.

    Before I tell you about meeting the dogs, and the wonder of all that, I have to tell you a funny anecdote. It turns out that you have to feed a woodstove all night! I must sound like a bumbling idiot, but I went to bed without giving it a thought, assuming, I suppose, that Gus had some form of backup heat. I woke at two in the morning and I have never been colder in my life! I don't know what I was thinking. Plain stupid, really. Stocked properly, the stove can easily make it through the night and keep the cabin warm, but I didn't think twice before going to sleep. So, you would have watched your husband on his hands and knees, blowing carefully onto a twist of paper and tinder, trying to get the last dying embers to flame up. I did it, too, and I have never seen a more welcome sight than those first few flames. I fed that fire with more tenderness, more attention, than I have lavished on anything in years. (That sounds horrible . . . I should lavish attention and tenderness on you, shouldn't I?) But you know what I mean. Eventually the fire got going and I filled the stove full, and the cabin is so well insulated it began warming up in no time. I glanced out the window at a thermometer on the porch post and saw it had dropped to -10. Cold, but not as cold as it will get. Not by a long shot. I climbed back under the blankets, and sat up in bed and gauged the heat as it moved slowly through the cabin. Wonderful, wonderful heat. I tried to go back to sleep, but I felt restless, and a little excited to be meeting the dogs in the morning, so I read a while, The Three Musketeers, of all things, but I couldn't quite get involved. I finally gave it up and I slid out of bed one more time to open the doors on the stove. You can imagine the wonderful light the fire gave. I hustled back into bed and watched the flames for a long time and I felt a million things.

    I felt young, sweetheart. That might sound crazy to you, but I did. Propped up on the pillows, watching the flames, about a dozen Hudson Bay blankets weighing me down, I thought about you, us, our student days in Providence. Do you remember that art project the RISD student did on Benefit Street? He talked the town administrators into letting him cover a block of that beautiful old street with grass sod and then brought in two enormous Jersey cows, their udders virtually dragging on the ground, and for one afternoon and evening the street became a rural countryside again. I thought it was brilliant in its way; it made us look at the street with a different perspective. Anyway, I've never told you, but I think that's the first time I saw you. I know we met later, and we talk about that as our first meeting and I never wanted to spoil that, but I have a memory of you, or a dream, and you are dressed in black–a black skirt and a turtleneck–and you are riding one of the first English bikes I ever saw, with handlebar brakes, and you ride by on the other side of the street. It doesn't really matter if it's true or not, but I swear you entered my consciousness that day. You were so beautiful. Your hair was in a French braid and you looked straight ahead, not particularly solid on the bike, and I saw you as if somehow magically you had brought the countryside to good old Providence, and it was something out of Thomas Hardy, a girl with radiant skin, and serious knees, pumping away down the street. I never told you before because I've never known if I imagined it, or had dreamed it into being, and besides, I remember our real first meeting vividly, too. In any case, you were tremendously present in the cabin with me, alone in Alaska, both of us far down under the covers.
    –Sam

    Hadley–
    You must think I've completely lost my mind.

    After my strange night–you really were in the cabin, you know, but a younger you, a college girl you–I woke early. I should tell you a little about Gus. He lives out here by himself. He has a girlfriend, but she refuses to spend the winter so far north. She retreats to Anchorage and visits him now and then, but only when the weather permits. She is a pilot, so she can buzz up here when she likes. Her name is Cindy. She spends the summers here, working as a pilot and a guide. He does all the cooking, the grounds work, and so on. They hire a crew of kids to serve as kitchen help, and they pay them top dollar. It's prestigious, I gather, to work at Laika Star. The kids pass down the jobs to brothers and sisters. The season is short, but they make a killing because of the fishing. The river near here, the Yankawalett (an Inuit name), has the finest grayling fishing in North America. People try to collect different fish the way old-time hunters collected big-game heads, and grayling, with an outsized dorsal fin, are a must. Fly-fishing, according to Gus, has become wildly popular, and plenty of CEOs and corporate bigwigs don't think twice about dropping a pile of dough to get to remote rivers. That's how Gus gets by.

    (Don't worry, by the way . . . I have winter rates, which are much more reasonable.)

    Gus fixed breakfast in the main lodge. When I asked if it wasn't a bit extravagant to keep the lodge heated during the winter, he mentioned that he expected a snowmobile party in ten days' time, and if he let the heat go out the cold would sink into the wood and it would be the devil to get heated again. Cheaper, he said, to keep it going. So we had the enormous lodge to ourselves, and Gus ate with me–ham, bacon, eggs, beans, sourdough toast, and oatmeal. I didn't feel hungry when I sat down at the table, but I ate and ate and ate, and I still don't know why. Maybe the good air.

    Gus resembles every minor prospector character in every western you've ever seen. You know the type: gray beard, sharp, birdy features, a wide, wrinkled forehead, and a pair of red suspenders. Small and wiry. His right index finger is missing at the second joint, and his right foot lags out a little as if he wanted to ease a small dog forward with it. He's aware that he plays to type, but he's also perilously close to being a type, so it all works together in a funny sort of way. When he brought in breakfast I expected him to start babbling about gold in them thar hills, but he satisfied himself with sliding the food onto the table and that was that.

    Good food, too. Nothing fancy, but he took pride in what he served. He told me he has an order in for a haunch of moose meat for the snowmobile party. They asked for it. He'll make some stews and a chili with it. Moose meat makes more sense up here than standard beef, he said, especially in winter.

    The next part is about Paul. So skip it if it's too painful to read. But Gus knew a little about the accident from his girlfriend, Cindy, who knows all the pilots. It's a small world up here, not in land, but in population, so it wasn't surprising that he knew a few things. He fished around a little to figure out what I was doing up here by myself in the winter, trying to figure how I would take it, I guess, but then he told me what he knew. So here goes.

    He never met Paul. Paul waited in Anchorage for three days, hoping to get decent weather. The school year up on the northern slope had a start date of September 1. I guess it's customary to buy all your groceries before going that far north, and people don't think twice about hiring planes. Paul was heading into the arctic night, which can be paralyzing, according to Gus. And the village where Paul was going to teach–I can't come close to spelling the name, but it's something like Ukallatahal–had the usual problems with alcoholism and domestic abuse and a dozen other things. They also fared miserably with the Alaskan oil rights. That is a very long story–and Gus told me most of it–but it's enough to say the village had money from oil rights, lost it, appealed to the government for protection, lost money again, and wound up back where it had begun.

    Paul had new textbooks for his classes, and a year's worth of school materials. I like knowing that small detail and I hope you do, too.

    Gus said the consensus held that ice had brought the plane down. That concurs with the official report. He said that dozens of planes go down every year, most from ice or some outside factor. He even said geese bring some planes down by flocks flying into them, and so on. They fly Otters up here, like the one Paul was in, and Otters are exceptionally reliable planes. But conditions are difficult and if you get in trouble, as Paul's plane did, you have nowhere to emergency land unless you can get to a lake. The pilot, from what Gus knew from Cindy, was experienced and steady. Irish Canadian, as you know. (I've blocked his name right now . . .)

    That's all so far. I understand you think this quest of mine is self-punishing, or masochistic, but I feel I have to go through with it. I pushed him to do something different, to try something adventurous. And our beautiful son ended up dead.

    I have to stop now.
    –Sam

    November 10
    Dear Sam,

    I got your letter. I'm glad you made it there safely.
    Thanks, I guess, for letting me know.
    –Hadley

    Still Nov. 10 . . .
    Dear Sam,
    Well, that was rotten of me. I’m sorry, I really am. I ran to catch the mail boat (yes, you read that right), but I was too late. It was just chugging away from the dock, disappearing into the fog. Honestly, it couldn’t have been more symbolic–me standing on the wharf, waving and yelling, while my letter to you disappears into the great unknown. Sound familiar? Sorry again. I’ll try not to sound bitter.

    Okay, take two. I got your letter. And you’re right–it came fast, via FedEx. The thing was, it went home (it being home, you probably figured that’s where I’d be). But I’m not. I’m in a tiny, drafty, salt-soaked cottage on Monhegan Island. Jenny saw the truck arrive from next door and intercepted the envelope. She had them forward it here, to Monhegan. Expensive way to get mail. I can almost hear your rationale–you’re in Alaska, but it’s my trip, too, and you want to keep me up on the details as you learn them.

    It’s beautiful on the island. I came out at the beginning of October, have been here almost a month and a half now–I just knew I needed to get away. I tell myself it’s not because of you, or because you’ve undertaken such a journey–such a pilgrimage. I honestly believe, with all the soul-searching I can muster (and you know I can muster plenty–no comments, please), that my coming here was all on my own, nothing at all to do with you.

    Are you ready? I’m painting again.

    That’s why I chose Monhegan–in the summer, there’s a real, true, working artists’ colony here. By the time I got here, the artists were starting to leave, head home. That’s okay–the desolation suits me right now. Jamie Wyeth has a house at one end of the island, and there are constant Jamie sightings, although I myself haven’t seen him. It’s a little how I imagine things might have been in Honfleur back in the days of Monet . . . “Did you see Claude?” “Claude just picked up his mail.” “Claude is down by the haystacks.” Etc. Jamie has that kind of allure and fame. I don’t care about Jamie’s allure and fame. I just care that I’ve picked up a paintbrush again.

    The cottage is a shambles, but I love it. I rented it from an ad in the Boston Globe–two lines mentioning a sunflower garden and a water view. Even when I first got here, the sunflowers were dead. The water view requires jimmying a lock, climbing the ricketiest attic stairs you’ve ever seen, and leaning out the window to spy a distant patch of harbor between bare branches and pine boughs. When I called the owner to ask what the hell, he apologized and told me he hadn’t been there in a while, then offered to sell me the cottage for what sounds to me like a song. Seems he inherited it from his recently deceased mother–who was an artist and knew, of course, Jamie.

    I told him I’d think it over. The truth, Sam, is that I want it. I can see myself here, and I haven’t been able to see myself anywhere. The kitchen smells of linseed oil and turpentine; the walls are lined with my landlord’s mother’s paintings. She was something of a primitive, but with poetry and soul–think Grandma Moses meets Gauguin. With a touch of Georgia O’Keeffe. Sutton, her son and my landlord, said she was a “character,” and something in his tone makes me know there’s much more to it.

    I feel her presence with me. Almost as if she’s protecting, guiding me into these long, cold months. There’s something about the way the November weather on this island far at sea matches what I’ve been feeling inside since Paul died. I think she would understand. She signed her paintings “A.” That’s all–just A. So I feel I have the ghost of A here with me.

    She’s with me right now, as I write this letter to you. I think I need her, too. This isn’t easy. Reading your letter from Laika Star, my hands are shaking. You’re really there? Why?

    You say you hope I understand, but I don’t. You want me to know you know I think it’s a bad idea, and I do. What good can come from it? As much time as I’ve had to think about it, as hard as you’ve tried to persuade me, I still come back to the same thing: Alaska killed him.

    You asked me to write back (aren’t you sorry?), so that’s what I’m doing. He was so dear and tender. He loved the outdoors, but never as much as you wanted him to. He wanted to save the world, but why couldn’t he have waited to graduate and then done that here in Maine, or New Hampshire, or Arkansas, or Texas, or any of the places Teach for America would have sent him? Why did he have to choose the most remote place on the globe?

    Please don’t let’s keep this up. I can’t bear going back and forth with you on this; I hear myself seeming to blame you and realize that’s just what I’m doing. We loved him more than air. And we buried him. He’s gone, Sam–and you being there does nothing to change that.

    Have a drink with Gus, and turn for home. I’ve decided I don’t want the house. You can have it–I’ll tell Charlie, and he can work it all out with your lawyer. I really do like it here. The winter might be tough, but I don’t care. The first snow fell last week, and I climbed up to the attic and stared at it falling on the harbor.
    –Hadley

    P.S. If you’re going to write again, send letters to me at
    3 Lupine Hill Road
    Monhegan Island, Maine 04852

    You know I don’t agree with you on any of it–it’s yourquest, not mine, I never wanted you to go. So I give you permission to ask why I’m replying in the same way, overnight express. The truth is, I don’t know. Perhaps I just want to do my part in playing out this last act of ours.

    Be careful. I didn’t say that before.

    But please, can you be careful up there? We may be apart now, but that doesn’t mean I want both of you dying in that wilderness.

    I have to run to catch the boat, to get this off to you.
    –Hadley

    From the Hardcover edition.

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    Reading Group Guide

    A unique novel that unites the storytelling powers of acclaimed authors Luanne Rice and Joseph Monninger, The Letters offers a heartfelt, intimate, and often unflinchingly candid correspondence between two parents in the aftermath of the death of their son, Paul. Compelled by a need he cannot explain, Sam has embarked on a dangerous Alaskan journey to visit the site of Paul’s plane crash. Sam’s wife, Hadley, struggles with the emptiness she feels, while trying to envision a new chapter for herself—developing her skills as a painter and making a new home, away from the one where Paul was raised. Coming to terms with losing Paul, they also discover secrets he had kept, and the burdens they had not been able to help their son carry. As they confront the obstacles that have haunted them and truths about themselves they've never before faced, Sam and Hadley tenderly question whether their relationship, and ultimately, their marriage, will be able to survive—and even grow.

    The questions and discussion topics that follow are intended to enhance your reading of Luanne Rice and Joseph Monninger’s The Letters. We hope they will enrich your experience of this deeply moving novel.

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