Letters to a Young Poet

by Charlie Louth, Rainer Maria Rilke, Lewis Hyde Narrated by Dan Stevens, Max Deacon

Overview

Penguin presents the unabridged, downloadable, audiobook edition of Letters to a Young Poet by Rainer Maria Rilke, read by Max Deacon and Dan Stevens.

At the start of the twentieth century, Rainer Maria Rilke wrote a series of letters to a young officer cadet, advising him on writing, love, sex, suffering and the nature of advice itself; these profound and lyrical letters have since become hugely influential for writers and artists of all kinds. This book also contains the 'Letter from a Young Worker', a striking polemic against Christianity written in letter-form, near the end of Rilke's life. In Lewis Hyde's introduction, he explores the context in which these letters were written and how the author embraced his isolation as a creative force. Charlie Louth's afterword discusses the similarities and contrasts of the two works, and Rilke's religious and sexual wordplay. This edition also contains a chronology, notes, and suggested further reading.

Editorial Reviews

Booknews

This classic of sincerity and deepness, if you never got 'round to reading it, is composed of 10 letters written by one of the century's greatest poets to a young poet-admirer. Rilke offers no advice on technique but plenty on attitude and preparation for the poetic calling. Each short entry is preceded by an epigraph taken from the body of the letter. Here's an example of Rilke's general epistolary tone: "Beware of general themes. Cling to those that your everyday life offers you. Write about your sorrows, your wishes, your passing thoughts, your belief in anything beautiful. Describe all that with fervent, quiet, and humble sincerity." In this age of Irony and Cynicism it just may be time to revisit Earnestness in this small, handsome volume fit for wandering and pondering. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Daily Telegraph - John Banville

Letters to a Young Poet is one of Rilke's most popular books...well known to poets in their youth and an ideal handbook for beginning writers. Mark Harman's burnished, elegant new translation is the fifth English version, and likely to become the standard one...Above all, these letters give the lie to the idea of Rilke as hopelessly self-regarding and cut off from authentic, "ordinary" life. His tone may be elevated and his manner at times that of a dandy--he was elevated, he was a dandy--but the advice purveyed in these letters, and the observations and aperçus that they throw off, contain true wisdom, and are anything but platitudinous. Franz Kappus was a fortunate young man to have found such a correspondent, and we are fortunate in his good fortune.

Billy Collins

This fresh translation of Rilke's famous letters reminds us anew that Rilke is addressing not just his young correspondent but everyone, and that his advice is not only about how to write poems but how to live a deliberate, meaningful life. In these overly excited times, it is inspiring to listen to the patient counsel of this meditative man, this champion of solitude.

Dana Gioia

If I could recommend only one book to a young writer, it would be Rilke's perpetually fresh and penetrating ,Letters to a Young Poet, especially in Mark Harman's lucid new translation, which so capably captures the original's radiant intimacy. This small but inexhaustible volume belongs on every writer's bookshelf.

Daily Telegraph

The perfect gift for any aspiring poet or, indeed, for anyone interested in good writing, is Letters to a Young Poet by Rainer Maria Rilke, newly translated by Mark Harman. In this elegant little volume, Rilke writes to 19-year-old Franz Kappus about literature, life, and the poet's vocation with wisdom and penetrating insight.
— John Banville

From the Publisher

"The common reader will be delighted by Stephen Mitchell’s new translation of that slim and beloved volume by Rilke, Letters to a Young Poet . . . the best yet."
—Los Angeles Times

Product Details

BN ID:	2940169386585
Publisher:	Random House UK
Publication date:	01/28/2016
Edition description:	Unabridged

Read an Excerpt

Paris
February 17, 1903

Dear Sir,
Your letter arrived just a few days ago. I want to thank you for the great confidence you have placed in me. That is all I can do. I cannot discuss your verses; for any attempt at criticism would be foreign to me. Nothing touches a work of art so little as words of criticism: they always result in more or less fortunate misunderstandings. Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, who life endures beside our own small, transitory life.

With this note as a preface, may I just tell you that your verses have no style of their own, although they do have silent and hidden beginnings or something personal. I feel this most clearly in the last poem, "My Soul." There, something of your own is trying to become word and melody. And in the lovely poem "To Leopardi" a kind of kinship with that great, solitary figure does perhaps appear. Nevertheless, the poems are not yet anything in themselves, not yet anything independent, even the last one and the one to Leopardi. Your kind letter, which accompanied them, managed to make clear to me various fault that I felt in reading your verses, though I am not able to name them specifically.

You ask whether your verses are any good. You ask me. You have asked others before this. You send them to magazines. You compare them with other poems, and you are update when certain editors reject your work. Now (since you have said you want my advice) I beg you tostop doing that sort of thing. You are looking outside, and that is what you should most avoid right now. No one can advise you or help you—no one. There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its root into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And is this answer rings out in assent, if you meet this solemn question with a strong, simple "I must," then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse.


From the Paperback edition.

Copyright 2001 by Rainer Maria Rilke

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