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Remarkable for their warmth, kindness and empathy, Rilke's letters provide timeless insights into art, vocation and life. The letters also document Rilke's thoughts and observations as he traveled throughout Europe. Letters to a Young Poet is both a generous dispersal of wisdom and a record of the poet's inner and outer journeys. The second part of this volume, The Possibility of Being, collects poetry from seven of Rilke's books. The lucidity and purity we encounter in the letters is also readily apparent in the poems presented here, which includes such well-known works as "Autumn," "The Panther," and "Archaic Torso of Apollo." Rilke consistently attempts to get to the essence of being: life and death, love and loss. His work often describes material things: a flower, a fountain or a statue. But these "things" are just launching points for his deep ruminations. Rilke transforms his observations of the material world into spiritual meditations on universal questions. His rigorous poems give exquisite form to the ineffable. Indispensable for the aspiring writer, the lover of great literature, or the seeker of wisdom, this book is a small slice of the sublime that belongs on every bookshelf.
February 17, 1903
Your letter arrived just a few days ago. I want to thank you for the great confidence you have placed in me. That is all I can do. I cannot discuss your verses; for any attempt at criticism would be foreign to me. Nothing touches a work of art so little as words of criticism: they always result in more or less fortunate misunderstandings. Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, who life endures beside our own small, transitory life.
With this note as a preface, may I just tell you that your verses have no style of their own, although they do have silent and hidden beginnings or something personal. I feel this most clearly in the last poem, "My Soul." There, something of your own is trying to become word and melody. And in the lovely poem "To Leopardi" a kind of kinship with that great, solitary figure does perhaps appear. Nevertheless, the poems are not yet anything in themselves, not yet anything independent, even thelast one and the one to Leopardi. Your kind letter, which accompanied them, managed to make clear to me various fault that I felt in reading your verses, though I am not able to name them specifically.
You ask whether your verses are any good. You ask me. You have asked others before this. You send them to magazines. You compare them with other poems, and you are upset when certain editors reject your work. Now (since you have said you want my advice) I beg you to stop doing that sort of thing. You are looking outside, and that is what you should most avoid right now. No one can advise you or help you - no one. There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its root into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And is this answer rings out in assent, if you meet this solemn question with a strong, simple "I must," then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse.
Excerpted from Letters to a Young Poet/The Possibility of Being by Rainer Maria Rilke Copyright © 2002 by Rainer Maria Rilke. Excerpted by permission.
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|The First Letter||7|
|The Second Letter||15|
|The Third Letter||21|
|The Fourth Letter||31|
|The Fifth Letter||43|
|The Sixth Letter||49|
|The Seventh Letter||59|
|The Eighth Letter||71|
|The Ninth Letter||85|
|The Tenth Letter||91|
|About the Author||97|
|About the Translator||99|