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The Liars' Club

The Liars' Club

3.7 62
by Mary Karr

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The dazzling, prizewinning, wickedly funny tale of Mary Karr’s hardscrabble Texas childhood—the book that sparked a renaissance in memoir

When it was published in 1995, Mary Karr’s The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, as well as bringing about a dramatic revival of


The dazzling, prizewinning, wickedly funny tale of Mary Karr’s hardscrabble Texas childhood—the book that sparked a renaissance in memoir

When it was published in 1995, Mary Karr’s The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, as well as bringing about a dramatic revival of the form. Karr’s comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J. D. Salinger’s—a hard-drinking daddy, a sister who can talk down the sheriff at twelve, and an oft-married mother whose accumulated secrets threaten to destroy them all. Now with a new introduction that discusses her memoir’s impact on her family, this unsentimental and profoundly moving account of an apocalyptic childhood is as “funny, lively, and un-put-downable” (USA Today) today as it ever was.

Editorial Reviews

From the Publisher
"The essential American story ... a beauty." —Jonathan Yardley, The Washington Post Book World

"Astonishing ... one of the most dazzling and moving memoirs to come along in years." —Michiko Kakutani, The New York Times

"This book is so good I thought about sending it out for a backup opinion...it's like finding Beethoven in Hoboken. To have a poet's precision of language and a poet's insight into people applied to one of the roughest, toughest, ugliest places in America is an astonishing event." —Molly Ivins, The Nation

"9mm humor, gothic wit, and a stunning clarity of memory within a poet's vision.... Karr's unerring scrutiny of her childhood delivers a story confoundingly real." —The Boston Sunday Globe

"Overflows with sparkling wit and humor.... Truth beats powerfully at the heart of this dazzling memoir." —San Francisco Chronicle

Library Journal
Karr inherited her storytelling flair from her father and her love of literature from her mother—both unreliable, demon-filled people who failed to protect their daughters from their own neglect and dangers in their communities. This account of two insanely unstable years of childhood is the first of three acclaimed Karr memoirs. (LJ 6/1/95)

(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

The Barnes & Noble Review
May 1997

The Liars' Club was published in 1995 to rave reviews and quickly raced its way to the top of the bestseller list in 1996 with the paperback release. James Atlas has called the memoir "a classic of American literature" and notes, "Tending her postage stamp of reality, as Faulkner advised, Mary Karr conjures the simmering heat and bottled rage of life in a small Texas oil town with an intensity that gains power from its verisimilitude — from the fact that it's fact."

Karr's is an unsentimental recollection of an anguished childhood, rank with memories of rape and riddled by the emotional and actual bullets of her parents' brutal conflicts. Against the mosquito-infested backdrop of a small East Texas town, Karr employs humor rather than anger as she unravels the secrets that propel the destruction of her alcoholic father and crazy mother.

This is a painful story of a family reeling from want of love, remembered and told with compassion. This memoir's success is a testament to the appeal and caliber of Karr's writing. The Liars' Club was a National Book Circle Award Finalist and a PEN Nonfiction Award nominee and was selected as one of the best books of 1995 by People, Time, The New Yorker, and Entertainment Weekly.

Michiko Kakutani
Ms. Karr has written an astonishing book. -- New York Times
Publishers Weekly - Publisher's Weekly
Although Karr, a prize-winning poet (The Devil's Tour) survived a nightmarish childhood with a violent father and an alcoholic mother who married six times, she bears neither parent any animosity in this candid and humorous memoir. Karr and her older sister grew up in an east Texas oil town where they learned to cope with their mother's psychotic episodes, the ostracism by neighbors and their father's frequent absences. Karr's happiest times were the afternoons she spent at the ``Liars' Club,'' where her father and a group of men drank and traded boastful stories. Raped by a teenager when she was eight and sexually abused by a male babysitter, she developed a fighting spirit and impressed schoolmates with her toughness. Karr vividly details her parents' divorce and eventual remarriage, as well as her father's deterioration after a stroke. It is evident that she views her parents with affection and an unusual understanding of their weaknesses. First serial to Esquire. (June)

Product Details

Penguin Publishing Group
Publication date:
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Product dimensions:
4.94(w) x 7.62(h) x 0.59(d)
Age Range:
18 - 17 Years

Read an Excerpt

Chapter One

My sharpest memory is of a single instant surrounded by dark. I was seven, and our family doctor knelt before me where I sat on a mattress on the bare floor. He wore a yellow golf shirt unbuttoned so that sprouts of hair showed in a V shape on his chest. I had never seen him in anything but a white starched shirt and a gray tie. The change unnerved me. He was pulling at the hem of my favorite nightgown-a pattern of Texas bluebonnets bunched into nosegays tied with ribbon against a field of nappy white cotton. I had tucked my knees under it to make a tent. He could easily have yanked the thing over my head with one motion, but something made him gentle. "Show me the marks," he said. "Come on, now. I won't hurt you." He had watery blue eyes behind thick glasses, and a mustache that looked like a caterpillar. "Please? Just pull this up and show me where it hurts," he said. He held a piece of hem between thumb and forefinger. I wasn't crying and don't remember any pain, but he talked to me in that begging voice he used when he had a long needle hidden behind his back. I liked him but didn't much trust him. The room I shared with my sister was dark, but I didn't fancy hiking my gown up with strangers milling around in the living room.

It took three decades for that instant to unfreeze. Neighbors and family helped me turn that one bright slide into a panorama. The bed frame tilted against the wall behind the doctor had a scary, spidery look in the dark. In one corner, the tallboy was tipped over on its back like a stranded turtle, its drawers flung around. There were heaps of spilled clothes, puzzles, comics, and the GoldenBooks I could count on my mom to buy in the supermarket line if I'd stayed in the carriage. The doorway framed the enormous backlit form of Sheriff Watson, who held my sister, then nine, with one stout arm. She had her pink pajamas on and her legs wrapped around his waist. She fiddled with his badge with a concentration too intense for the actual interest such a thing might hold for her. Even at that age she was cynical about authority in any form. She was known for mocking nuns in public and sassing teachers. But I could see that she had painted a deferential look on her face. The sheriff[hmp1.5]'s cowboy hat kept the details of his expression in deep shadow, but I made out a sort of soft half-smile I'd never seen on him.

I had a knee-jerk fear of the sheriff based on my father's tendency to get in fights. He'd pull open the back screen with knuckles scraped and bleeding, then squat down to give instructions to me and Lecia (pronounced, she would have me tell you, "Lisa"). "If the sheriff comes by here, you just tell him you ain't seen me in a few days." In fact, the sheriff never came by, so my ability to straight-faced lie to the law was never tested. But just his presence that night flooded me with an odd sense: I done something wrong and here's the sheriff. If I had, that night, possessed a voice, or if anyone nearby felt like listening, that's what I might have said. But when you're a kid and something big is going on, you might as well be furniture for all anybody says to you.

It was only over time that the panorama became animate, like a scene in some movie crystal ball that whirls from a foggy blur into focus. People developed little distinct motions; then the whole scene jerked to smooth and sudden life. Sheriff Watson's jaw dipped into the light and returned to shadow with some regularity as he said things that I couldn't hear to my blond, suddenly cherubic-acting sister. Some firemen wearing canary-colored slickers started to move through the next room, and Dr. Boudreaux's thick fingers came again to rub the edge of my speckled nightgown the way old ladies at the five-and-dime tested yard goods. There must have been an ambulance outside, because at intervals big triangles of red light slashed across the room. I could almost feel them moving over my face, and in the window, through a web of honeysuckle, I saw in my own backyard flames like those of a football bonfire.

And the volume on the night began to rise. People with heavy boots stomped through the house. Somebody turned off the ambulance siren. The back screen opened and slammed. My daddy's dog, Nipper, was growling low and making his chain clank in the yard. He was a sullen dog trained to drink beer and bite strangers. He'd been known to leap from a speeding truck's window to chase down and fight any hound he saw. He'd killed one lady's Chihuahua, then just shook it like a rag while Daddy tried to coax him out of her garage and she hollered and cried. When a voice I didn't know told some sonofabitch to get out of the way, I knew it meant Nipper, who disappeared that night into the East Texas bayou-or more likely, my sister later figured out, the gas chamber at the local pound. Anyway, we never saw him again, which was okay by me. That dog had bitten me more than once.

More door slams, the noise of boots, and some radio static from the cruiser in the road. "Come on, baby," Dr. Boudreaux said, "show me the marks. I'm not about to hurt you." I kept waiting to make eye contact with my sister to get some idea of how to handle this, but she was dead set on that badge.

I don't remember talking. I must eventually have told Dr. Boudreaux there weren't any marks on me. There weren't. It took a long time for me to figure that out for certain, even longer to drive my memory from that single place in time out toward the rest of my life.

The next thing I knew, I was being led away by Sheriff Watson. He still held Lecia, who had decided to pretend that she was asleep. My eyes were belt-level with his service revolver and a small leather sap that even then must have been illegal in the state of Texas. It was shaped like an enormous black tear. I resisted the urge to touch it. Lecia kept her face in his neck the whole time, but I knew she was scudging sleep. She slept like a cat, and this was plenty of hoopla to keep her awake. The sheriff held my left hand. With my free one, I reached up and pinched her dirty ankle. Hard. She kicked out at me, then angled her foot up out of reach and snuggled back to her fake sleep on his chest.

The highway patrolmen and firemen stood around with the blank heaviness of uninvited visitors who plan a long stay. Somebody had made a pot of coffee that laid a nutty smell over the faint chemical stink from the gasoline fire in the backyard. The men in the living room gave our party a wide berth and moved toward the kitchen.

I knew that neither of my parents was coming. Daddy was working the graveyard shift, and the sheriff said that his deputy had driven out to the plant to try and track him down. Mother had been taken Away-he further told us-for being Nervous.

I should explain here that in East Texas parlance the term Nervous applied with equal accuracy to anything from chronic nail-biting to full-blown psychosis. Mr. Thibideaux down the street had blown off the heads of his wife and three sons, then set his house on fire before fixing the shotgun barrel under his own jaw and using his big toe on the trigger. I used to spend Saturday nights in that house with his daughter, a junior high twirler of some popularity, and I remember nothing more of Mr. Thibideaux than that he had a crew cut and a stern manner. He was a refinery worker like Daddy, and also a deacon at First Baptist.

I was in my twenties when Mr. Thibideaux killed his family. I liked to call myself a poet and had affected a habit of reading classical texts (in translation, of course-I was a lazy student). I would ride the Greyhound for thirty-six hours down from the Midwest to Leechfield, then spend days dressed in black in the scalding heat of my mother's front porch reading Homer (or Ovid or Virgil) and waiting for someone to ask me what I was reading. No one ever did. People asked me what I was drinking, how much I weighed, where I was living, and if I had married yet, but no one gave me a chance to deliver my lecture on Great Literature. It was during one of these visits that I found the Thibideauxs' burned-out house, and also stumbled on the Greek term ate. In ancient epics, when somebody boffs a girl or slays somebody or just generally gets heated up, he can usually blame ate, a kind of raging passion, pseudodemonic, that banishes reason. So Agamemnon, having robbed Achilles of his girlfriend, said, "I was blinded by ate and Zeus took away my understanding." Wine can invoke ate, but only if it's ensorcered in some way. Because the ate is supernatural, it releases the person possessed of it from any guilt for her actions. When neighbors tried to explain the whole murder-suicide of the Thibideaux clan after thirty years of grass-cutting and garbage-taking-out and dutiful church-service attendance, they did so with one adjective, which I have since traced to the Homeric idea of ate: Mr. Thibideaux was Nervous. No amount of prodding on my part produced a more elaborate explanation.

On the night the sheriff came to our house and Mother was adjudged more or less permanently Nervous, I didn't yet understand the word. I had only a vague tight panic in the pit of my stomach, the one you get when your parents are nowhere in sight and probably don't even know who has a hold of you or where you'll wind up spending the night.

I could hear the low hum of neighbor women talking as we got near the front door. They had gathered on the far side of the ditch that ran before our house, where they stood in their nightclothes like some off-duty SWAT team waiting for orders. The sheriff let go of my hand once we were outside. From inside the tall shadow of his hat, with my sister still wrapped around him in bogus slumber, he told me to wait on the top step while he talked to the ladies. Then he went up to the women, setting in motion a series of robe-tightenings and sweater- buttonings.

The concrete was cold on my bottom through the thin nightgown. I plucked two june bugs off the screen and tried to line them up to race down a brick, but one flew off, and the other just flipped over and waggled its legs in the air.

At some point it dawned on me that my fate for the night was being decided by Sheriff Watson and the neighbor ladies. It was my habit at that time to bargain with God, so I imagine that I started some haggling prayer about who might take us home. Don't let it be the Smothergills, I probably prayed. They had six kids already and famously strict rules about who ate what and when. The one time we'd spent the night there, Lecia and I wound up in the bathroom eating toothpaste past midnight. We'd eaten a whole tube, for which we had been switch-whipped in the morning by a gray-faced Mr. Smothergill. He was undergoing weekly chemotherapy treatments for mouth cancer at the time, and every kid in the neighborhood had an opinion about when he would die. Cancer and death were synonymous. His sandpaper voice and bleak disposition scared us more than any whipping. His kids called him Cheerful Chuck behind his back. The oldest Smothergill daughter had been permitted to visit my house only once. (Our house was perceived as Dangerous, a consequence of Mother's being Nervous.) She was so tickled by the idea that we could open the refrigerator at will that she melted down a whole stick of butter in a skillet and drank it from a coffee mug. Lord, I would rather eat a bug than sleep on that hard pallet at the Smothergills'. Plus in the morning the boys get up and stand around the TV in their underpants doing armpit farts. Let it be the Dillards', and I'll lead a holy life forever from this day. I will not spit or scratch or pinch or try to get Babby Carter to eat doo-doo. Mrs. Dillard stood with the other ladies in her pale blue zip-front duster, her arms folded across her chest. She made Pillsbury cinnamon rolls in the morning and let me squiggle on the icing. Plus her boys had to wear pajama pants when we were there. But the Dillards had space for only one of us, and that on the scratchy living room sofa. Maybe Lecia could go to the Smothergills', I proposed to whatever God I worshiped, and I could take the Dillards. I wished Lecia no particular harm, but if there was only one banana left in the bowl, I would not hesitate to grab it and leave her to do without. I decided that if the june bug could be herded the length of a brick before I could count five I'd get what I wanted. But the june bug kept flipping and waggling before it had even gone an inch, and Mrs. Dillard went out of her way, it seemed, not to look at me.

I don't remember who we got farmed out to or for how long. I was later told that we'd stayed for a time with a childless couple who bred birds. Some memory endures of a screened-in breezeway with green slatted blinds all around. The light was lemon-colored and dusty, the air filled with blue-and-green parakeets, whose crazy orbits put me in mind of that Alfred Hitchcock movie where birds go nuts and start pecking out people's eyeballs. But the faces of my hosts in that place-no matter how hard I squint-refuse to be conjured.

Because it took so long for me to paste together what happened, I will leave that part of the story missing for a while. It went long unformed for me, and I want to keep it that way here. I don't mean to be coy. When the truth would be unbearable the mind often just blanks it out. But some ghost of an event may stay in your head. Then, like the smudge of a bad word quickly wiped off a school blackboard, this ghost can call undue attention to itself by its very vagueness. You keep studying the dim shape of it, as if the original form will magically emerge. This blank spot in my past, then, spoke most loudly to me by being blank. It was a hole in my life that I both feared and kept coming back to because I couldn't quite fill it in.

I did know from that night forward that things in my house were Not Right, this despite the fact that the events I have described so far had few outward results. No one ever mentioned the night again. I don't remember any subsequent home visits from any kind of social worker or concerned neighbor. Dr. Bouchdreaux seemed sometimes to minister to my health with an uncharacteristic tenderness. And neighbors dragged my sister and me to catechism classes and Vacation Bible School and to various hunting camps, never mentioning the fact that our family never reciprocated. I frequently showed up on doorsteps at suppertime; foraging, Daddy called it. He said it reminded him of his rail- riding days during the Depression. But no one ever failed to hand me a plate, though everybody knew that I had plenty to eat at home, which wasn't always true for the families I popped in on.

The night's major consequences for me were internal. The fact that my house was Not Right metastasized into the notion that I myself was somehow Not Right, or that my survival in the world depended on my constant vigilance against various forms of Not-Rightness. Whenever I stepped into the road at Leechfield's one traffic light, I usually expected to get plowed down by a Red Ball truck flying out of nowhere (unlikely, given the lack of traffic). I became both a flincher and a fighter. I was quick to burst into tears in the middle of a sandlot baseball game and equally quick to whack someone in the head without much provocation. Neighborhood myth has it that I once cold-cocked a five-year-old playmate with an army trench shovel, then calmly went back to digging. Some of this explosiveness just came from a naturally bad temperament, of course. But some stems from that night, when my mind simply erased everything up until Dr. Boudreaux began inviting me to show him marks that I now know weren't even there.

The missing story really starts before I was born, when my mother and father met and, for reasons I still don't get, quickly married.

My mother had just arrived in Leechfield. She'd driven down from New York with an Italian sea captain named Paolo. He was fifty to her thirty, and her fourth husband. My mother didn't date, she married. At least that's what we said when I finally found out about all her marriages before Daddy. She racked up seven weddings in all, two to my father. My mother tended to blame the early marriages on her own mother's strict Methodist values, which didn't allow for premarital fooling around, of which she was fond. She and Paolo had barely finished the honeymoon and set up housekeeping in Leechfield, where he was fixing to ship out, than they began fighting.

So it was on a wet winter evening in 1950 that she threw her dresses, books, and hatboxes in the back of an old Ford and laid rubber out of Leechfield, intending never to return. She was heading for her mother's cotton farm about five hundred miles west. Just outside of Leechfield, where Highway 73 yields up its jagged refinery skyline to bayous and rice fields, she blew a tire. She was about twenty yards from the truck stop where Daddy happened to be working. He had a union job as an apprentice stillman at Gulf Oil, but he was filling in at the station that night for his friend Cooter, who'd called him in desperation from a crap game in Baton Rouge where he was allegedly on a roll.

All Mother's marriages, once I uncovered them in my twenties, got presented to me as accidents. Her meeting Daddy was maybe the most unlikely. Had Cooter not gotten lucky with the dice in a Baton Rouge honky-tonk, and had Paolo not perturbed Mother in the process of unpacking crates, and had the tire on the Ford not been worn from a recent cross-country jaunt (Paolo's mother lived in Seattle, and they'd traveled there from New York, then down to Texas, where divorce laws permitted Mother to quickly get rid of husband number three before signing up with number four). . . . All these events conspired to strand my mother quite literally at my father's feet on Highway 73 that night.

He said there was a General Electric moon shining the first time he saw her, so bright it was like a spotlight on her. She refused his help jacking up the car and proceeded to cuss like a sailor when she couldn't get the lug nuts loose. My mother claims that she had only recently learned to cuss, from Paolo. Daddy said her string of practiced invectives, which seemed unlikely given her fancy clothes (she had on a beige silk suit) and New York license plates, impressed him no end. He'd never heard a woman cuss like that before.

She changed the tire and must have made some note of his raw good looks. He was some part Indian-we never figured out which tribe-black-haired and sharp- featured. His jug-eared grin reminded her of Clark Gable's. Since she fancied herself a sort of Bohemian Scarlett O'Hara, the attraction was deep and sudden. I should also note that Mother was prone to conversion experiences of various kinds, and had entered a fervent Marxist stage. She toted Das Kapital around in her purse for years. Daddy was active in the Oil Chemical and Atomic Workers Union. Whenever they renegotiated a contract-every two years-he was known as an able picket-line brawler. He was, in short, a Texas working man, with a smattering of Indian blood and with personality traits that she had begun to consider heroic.

What People are Saying About This

From the Publisher

"The essential American story ... a beauty." —Jonathan Yardley, The Washington Post Book World

"Astonishing ... one of the most dazzling and moving memoirs to come along in years." —Michiko Kakutani, The New York Times

"This book is so good I thought about sending it out for a backup opinion...it's like finding Beethoven in Hoboken. To have a poet's precision of language and a poet's insight into people applied to one of the roughest, toughest, ugliest places in America is an astonishing event." —Molly Ivins, The Nation

"9mm humor, gothic wit, and a stunning clarity of memory within a poet's vision.... Karr's unerring scrutiny of her childhood delivers a story confoundingly real." —The Boston Sunday Globe

"Overflows with sparkling wit and humor.... Truth beats powerfully at the heart of this dazzling memoir." —San Francisco Chronicle

Meet the Author

Mary Karr kick-started a memoir revolution with The Liars' Club, which was a New York Times bestseller for over a year, a best book of the year for The New York Times Book Review, The New Yorker, People and Time, a finalist for the National Book Critics Circle Award, and the winner of prizes from PEN and the Texas Institute of Letters. Karr has won the Whiting Award, Radcliffe's Bunting Fellowship, and Pushcart Prizes for both verse and essays, and she has been a Guggenheim Fellow in poetry. Her other bestselling books include The Art of Memoir, the memoirs Lit and Cherry, and the poetry collection Sinners Welcome, Viper Rum, The Devil's Tour, and Abacus. The Peck Professor of Literature at Syracuse University, Karr lives in New York City.

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Liar's Club 3.7 out of 5 based on 0 ratings. 62 reviews.
ktwolf74 More than 1 year ago
I just finished The Liars' Club last night. Her writing style was, at times, difficult to follow. This book is not for the faint of heart. The events she portrays are at times horrific. I found it difficult at some points, not because I found the situations she writes about shocking, but because they brought up similar memories of my own childhood. At one point I even considered putting the book down because I was flooded with so much backwash from the past. I am glad that I persevered and finished, because the ending was truly worth it. It spoke of healing and things were revealed that shone a different light on her Mother. I will say the book may not be for everyone. As I have experienced, some folks simply do not want to look in the face of those kinds of evils, those dark realities of life, and honestly, if given a choice, those of us who have experienced such things wouldn't want to either. I admire her courage for revealing not only these kinds of things, but such a personal intimate side of herself for the entire world to read. I am not certain I have that same courage, not just to share those intimate stories of my past, but simply to summon and face again those skeletons and red eyed demons.
Guest More than 1 year ago
I read this years ago, and it remains on my top 5 favorite books I've ever read. Karr blended brutal, sometimes disturbingly graphic, truths with humor and deep insight. She didn't hold back! The gruesome integrity of this book was stunning. I can't say enough good things about it. Really.
Anonymous More than 1 year ago
I heard Mary Karr started the memoir revolution with this book, but until I read it, I had no idea a memoir could be so fun to read--so funny and sad at the same time. I couldn't put it down. I've bought 8 copies since I closed it, and I'm ready to open it again. Wow
Anonymous More than 1 year ago
I see that Mary Karr is a noted writer, but I found this memoir hard to follow. The memories and the coherence in the writing were disjointed and just not for me. I have read The Glass Castle by Jeanette Walls so I found this memoir disappointing next to it. I highly recommend The Glass Castle - could not put that memoir down and was sad to finish reading it.
dancer2 More than 1 year ago
Mary Karr has a lyrical way of writing that is captivating. I loved the book and will plan on reading her latest, LIT.
Guest More than 1 year ago
I kept seeing this title as a recommeded read as I browsed through the internet site and read other's critiques. There is no doubt that this woman can write! Her story is told in a thoughtful manner, honest and intelligent. She doesn't want you to feel sorry for her life nor her circumstances. This book is outstanding and well worth the time it takes to read it! Even if you are not into biographies, read this one!
Guest More than 1 year ago
The Liars¿ Club is a memoir in which Mary Karr describes her difficult and challenging childhood. With an alcoholic mother who wavers in and out of sanity, and a father that would rather work overtime than to deal with his wife¿s outbursts, Mary and her sister, Lecia, are forced to quickly grow up. Mary and Lecia took care of their drunken mother on their own, and were put in near-death situations as a result of her drinking. As a child, Mary gets picked on because of the state her mother is in, and immediately develops an attitude in which she uses profanity and violence as a way to tell the world to leave her alone. Consequently, their family becomes the most feared and gossiped about family in their little town in Texas. Despite the circumstances that Lecia and Mary are put into, they stay with their mother through everything because they love her and don¿t want to see her die as a result of her bad habit. The major message in this book is that family is more important than anything else. The reasons behind the mother¿s actions will eventually be revealed to Mary and the reader, and they are all based on family ties. Even though Mary¿s mother put her in bad situations and didn¿t take care of her as a mother should, Mary still loved her. In a family, there is a tight bond where unconditional love is always present, but isn¿t shown until a family is put into a difficult situation. Karr¿s detailed account of her childhood is amazing. She remembers the smallest details so vividly, but still tells the story through her memory, which doesn¿t always hold all of the answers and outcomes of what happened. She makes the story feel as if it happened to you. The reader can feel her pain, anguish and embarrassment as she recalls horrifying experiences. Simultaneously, Karr¿s detailed accounts of her often boring life can lead the reader to also feel bored with the book. Not only are her most horrifying and challenging experiences included in the book, but she also includes all of the less captivating experiences in between. If you like memoirs, then this book is probably for you. It is hard to believe that Karr was put through so much as a child, and yet her family survived. After reading this book, it can make almost anyone grateful that they have a better life than she did, and make those with rough lives understand that anything can be overcome.
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Karr's languageis a marvel that jumps from the page into 3-D power. Great storytelling. Loved it.
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The Liars' Club is an amazing story about the childhood of a girl. This story tears me apart at times with how emotional it can get. Karr's writing style is amazing! She's a real work of art!
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xianluoepsom More than 1 year ago
The Liar’s Club is a story about growing up poor in an East Texas industrial town. It’s the tragic story of two sisters as told by the youngest and their deeply dysfunctional family. The whole book is so beautifully written I didn’t grasp how wrong everything was until it was summing up.
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Different, unique - not what i expected after reading today's "child abuse" memoirs.
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