Liberty

“(George Washington) cut a dubious figure. He fell into greatness as if it were a chasm and he has suddenly found a parachute. This making of the hero least likely, Miss Sunde has captured in her play. She has also caught the mood of the revolution... She also exposes the remarkable image of a democracy fighting with men who were bound by nothing... ...a nervous amateur ... becomes the legendary figure...” Clive Barnes NEW YORK POST

“With a voice both poetic and theatrical, Karen Sunde’s plays dramatize historical epochs in epic scope, making hers a distinctive, even unique, contemporary American drama, more akin to European than to other American plays. She tackles topics of war and politics to produce usually presentational, often explosive theatre which many would swear could not have been created by a woman. Flesh and blood passions...People achieving greatly, now and then crippled by arrogance and intolerance, suffering mightily, dazzled by possibilities, devastated by disappointments yet continuing and surviving are what she dramatizes No matter how sweeping the setting and cast, she chooses personal canvases upon which to paint her funny, thrilling, searing, moving scenes, which probe the stuff of which our heroes - and by extension we ourselves - are made. In inquiring about our past, Sunde remarks upon our future. That she does so with a sure histrionic sense is a guarantee that her work will endure in the American theatre after our more commercial fare has proven ephemeral.”

Excerpt from "SUNDE" entry pp 643-45; CONTEMPORARY DRAMATISTS

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Liberty

“(George Washington) cut a dubious figure. He fell into greatness as if it were a chasm and he has suddenly found a parachute. This making of the hero least likely, Miss Sunde has captured in her play. She has also caught the mood of the revolution... She also exposes the remarkable image of a democracy fighting with men who were bound by nothing... ...a nervous amateur ... becomes the legendary figure...” Clive Barnes NEW YORK POST

“With a voice both poetic and theatrical, Karen Sunde’s plays dramatize historical epochs in epic scope, making hers a distinctive, even unique, contemporary American drama, more akin to European than to other American plays. She tackles topics of war and politics to produce usually presentational, often explosive theatre which many would swear could not have been created by a woman. Flesh and blood passions...People achieving greatly, now and then crippled by arrogance and intolerance, suffering mightily, dazzled by possibilities, devastated by disappointments yet continuing and surviving are what she dramatizes No matter how sweeping the setting and cast, she chooses personal canvases upon which to paint her funny, thrilling, searing, moving scenes, which probe the stuff of which our heroes - and by extension we ourselves - are made. In inquiring about our past, Sunde remarks upon our future. That she does so with a sure histrionic sense is a guarantee that her work will endure in the American theatre after our more commercial fare has proven ephemeral.”

Excerpt from "SUNDE" entry pp 643-45; CONTEMPORARY DRAMATISTS

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Liberty

Liberty

by Karen Sunde
Liberty

Liberty

by Karen Sunde

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Overview

“(George Washington) cut a dubious figure. He fell into greatness as if it were a chasm and he has suddenly found a parachute. This making of the hero least likely, Miss Sunde has captured in her play. She has also caught the mood of the revolution... She also exposes the remarkable image of a democracy fighting with men who were bound by nothing... ...a nervous amateur ... becomes the legendary figure...” Clive Barnes NEW YORK POST

“With a voice both poetic and theatrical, Karen Sunde’s plays dramatize historical epochs in epic scope, making hers a distinctive, even unique, contemporary American drama, more akin to European than to other American plays. She tackles topics of war and politics to produce usually presentational, often explosive theatre which many would swear could not have been created by a woman. Flesh and blood passions...People achieving greatly, now and then crippled by arrogance and intolerance, suffering mightily, dazzled by possibilities, devastated by disappointments yet continuing and surviving are what she dramatizes No matter how sweeping the setting and cast, she chooses personal canvases upon which to paint her funny, thrilling, searing, moving scenes, which probe the stuff of which our heroes - and by extension we ourselves - are made. In inquiring about our past, Sunde remarks upon our future. That she does so with a sure histrionic sense is a guarantee that her work will endure in the American theatre after our more commercial fare has proven ephemeral.”

Excerpt from "SUNDE" entry pp 643-45; CONTEMPORARY DRAMATISTS


Product Details

BN ID: 2940033009114
Publisher: Karen Sunde
Publication date: 12/27/2011
Sold by: Smashwords
Format: eBook
File size: 2 MB

About the Author

An actor turned writer, Karen performed many leading roles Off-Broadway, and was Associate Director of CSC Repertory. Her plays have been performed Off-Broadway, in regional theatres, on a USA tour, and in eleven countries and seven languages. Sunde’s first screenplay, UNDERCOVER PATRIOT was a finalist at Sundance. She wrote PARALLEL LOVES for Terra Bella Entertainment, Los Angeles; BOULE DE SUIF (adapt Maupassant) for Dace Direction, London; DREAM HOUSE for Passport Films, NYC; THE FASTEST WOMAN ALIVE for Howard S Shulman Productions, NYC; THE SECRET SHIP; FINAL QUEST: THE MOUNTAIN OF THE GODS; TRIPPING TAMMY; CHICKS GOTTA SWIM; LOVE HITS EARTH (& Other Disasters); NEXT!; adaptations of HOW HIS BRIDE CAME TO ABRAHAM, screenplay an "Official Selection" at Oaxaca FilmFest, www.AbrahamFilm.org, and IN A KINGDOM BY THE SEA, won the Gold Prize at Hollywood Screenplay Contest. Published plays: DARK LADY, produced Abbey Theatre, Ireland, Aalborg State Theatre, Denmark, optioned for film; BALLOON, won three VILLAGER awards Off-Broadway, nominated Best Play by Outer Critics Circle, aired Radio France; HAITI: A DREAM in FACING FORWARD, produced Seven Stages, Atlanta, aired WNYC, WHYY, NPR; TO MOSCOW, premiered Ankara National Theatre, Turkey, Chain Lightning, New York; OH WILD WEST WIND in ROWING TO AMERICA, produced Playwrights Theatre of New Jersey (PTNJ). PLAYS BY KAREN SUNDE includes TRUTH TAKES A HOLIDAY, read La MaMa, New York City (NYC); IN A KINGDOM BY THE SEA produced PTNJ, HOW HIS BRIDE CAME TO ABRAHAM, produced PTNJ, Praxis Theatre Project, NYC, premiered at The Unicorn, Kansas City. ANTON, HIMSELF for Actors Theatre of Louisville, also played The Moscow Art Theatre, the Yalta Festival in Russia, Peoples Light and Theatre, NYU in New York. THE FASTEST WOMAN ALIVE produced Luna Stage, NJ, Praxis, NYC, Edinburgh Festival (2010); KABUKI OTHELLO, produced People's Light and Theatre Company and Annenberg Center, Philadelphia; Wisdom Bridge, Chicago; KABUKI LADY MACBETH produced Chicago Shakespeare Theater, cited for five JEFF Awards, including "Best New Work," Best Production," "Best Direction:" IN A KINGDOM BY THE SEA. Scenes from TO MOSCOW; ANTON, HIMSELF; MASHA, TOO; and ABRAHAM appear in SCENES & MONOLOGS FROM THE BEST NEW PLAYS. Among 23 plays--for Actors Theatre of Louisville; People's Light and Theatre; The Acting Company, NYC, Sunde wrote KABUKI MACBETH, KABUKI KING RICHARD and ACHILLES, which toured Hungary, Cyprus, and Japan. She co-wrote musical QUASIMODO,(a musical) premiered Byrdcliffe Festival, Woodstock, NY, produced Lahti City Theatre, Finland. For Cheltenham Center, Philadelphia, she wrote LA PUCELLE (ME & JOAN) and DADDY'S GONE A-HUNTING (TRACKING BLOOD WHITE). In NYC: for Chain Lightning, WHEN REAL LIFE BEGINS, for The Working Theatre, 2020 SEXCARE in FREE MARKET; for Tisch School, NYU, Table and Chair Handmade Theatre, PLEASE GOD, NO WEDDING OR SHOOTING AT THE END! Opera THE SPA with composer Michael Dilthey. also at https://www.dramaticpublishing.com/authors/profile/view/url/karen-sunde Sunde’s won a McKnight Fellowship, an NDEA Fellowship, the Aide de la Creation award in France, the Bob Hope Award, Gold Prize in Hollywood Screenplay Contest, lives in New York City, served on the theatre panel of New Jersey Council on the Arts, and the new plays panel of the Pennsylvania Council on the Arts, was faculty at New Hampshire Institute of Art's Writing for Stage & Screen MFA program, La MaMa ETC (New York)'s nominee for the Laura Pels/​PEN award, consultant for musical DAMASCUS SQUARE.

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