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Novelist, playwright, and screenwriter Fay Weldon was born in England, brought up in New Zealand, and returned to the United Kingdom when she was fifteen. She studied economics and psychology at the University of St Andrews in Scotland. She worked briefly for the Foreign Office in London, then as a journalist, and then as an advertising copywriter. She later gave up her career in advertising, and began to write fulltime. Her first novel, The Fat Woman’s Joke, was published in 1967. She was chair of the judges for the Booker Prize for fiction in 1983, and received an honorary doctorate from the University of St Andrews in 1990. In 2001, she was named a Commander of the British Empire. Weldon’s work includes more than twenty novels, five collections of short stories, several children’s books, nonfiction books, magazine articles, and a number of plays written for television, radio, and the stage, including the pilot episode for the television series Upstairs Downstairs. She-Devil, the film adaption of her 1983 novel The Life and Loves of a She-Devil, starred Meryl Streep in a Golden Globe–winning role.
Mary Fisher lives in a High Tower, on the edge of the sea: she writes a great deal about the nature of love. She tells lies.
Mary Fisher is forty-three, and accustomed to love. There has always been a man around to love her, sometimes quite desperately, and she has on occasion returned this love, but never, I think, with desperation. She is a writer of romantic fiction. She tells lies to herself, and to the world.
Mary Fisher has $ (US) 754,300 on deposit in a bank in Cyprus, where the tax laws are lax. This is the equivalent of £502,867 sterling, 1,931,009 Deutschmark, 1,599,117 Swiss francs, 185,055,050 yen and so forth, it hardly matters which. A woman's life is what it is, in any corner of the world. And wherever you go it is the same—to those who hath, such as Mary Fisher, shall be given, and to those who hath not, such as myself, even that which they have shall be taken away.
Mary Fisher earned all her money herself. Her first husband, Jonah, told her that capitalism was immoral, and she believed him, having a gentle and pliable nature. Otherwise no doubt by now Mary Fisher would have a substantial portfolio of investments. As it is, she owns four houses and these are cumulatively worth—depending on the state of the property market—anything between half a million and a million dollars. A house, of course, only means anything in financial terms if there is anyone to buy it, or if you can bear to sell it. Otherwise a house can only be somewhere to live, or somewhere where those connected with you can live. With luck, the ownership of property brings peace of mind; without this luck it brings aggravation and discontent. I wish un-luck in property matters on Mary Fisher.
Mary Fisher is small and pretty and delicately formed, prone to fainting and weeping and sleeping with men while pretending that she doesn't.
Mary Fisher is loved by my husband, who is her accountant.
I love my husband and I hate Mary Fisher.CHAPTER 2
Now. Outside the world turns: tides surge up the cliffs at the foot of Mary Fisher's tower, and fall again. In Australia the great gum trees weep their bark away; in Calcutta a myriad flickers of human energy ignite and flare and die; in California the surfers weld their souls with foam and flutter off into eternity; in the great cities of the world groups of dissidents form their gaunt nexi of discontent and send the roots of change through the black soil of our earthly existence. And I am fixed here and now, trapped in my body, pinned to one particular spot, hating Mary Fisher. It is all I can do. Hate obsesses and transforms me: it is my singular attribution. I have only recently discovered it.
Better to hate than to grieve. I sing in praise of hate, and all its attendant energy. I sing a hymn to the death of love.
If you travel inland from Mary Fisher's tower, down its sweep of gravelled drive (the gardener is paid $110 a week, which is low in any currency), through the windswept avenue of sadly blighted poplars (perhaps this is his revenge), then off her property and on to the main road and through the rolling western hills, and down to the great wheat plain, and on and on for a hundred kilometres or so, you come to the suburbs and the house where I live: to the little green garden where my and Bobbo's children play. There are a thousand more or less similar houses, to the east, north, west and south: we are in the middle, exactly in the middle, of a place called Eden Grove. A suburb. Neither town nor country: intermediate. Green, leafy, prosperous and, some say, beautiful. I grant you it is a better place to live than a street in downtown Bombay.
I know how central I am in this centreless place because I spend a lot of time with maps. I need to know the geographical detail of misfortune. The distance between my house and Mary Fisher's tower is one hundred and eight kilometres, or sixty-seven miles.
The distance between my house and the station is one and a quarter kilometres, and from my house to the shops is 660 metres. Unlike the majority of my neighbours I do not drive a car. I am less well co-ordinated than they. I have failed four driving tests. I might as well walk, I say, since there is so little else to do, once you have swept the corners and polished the surfaces, in this place, which was planned as paradise. How wonderful, I say, and they believe me, to stroll through heaven.
Bobbo and I live at No. 19 Nightbird Drive. It is a select street in the best part of Eden Grove. The house is very new: we are its first occupants. It is clean of resonance. Bobbo and I have two bathrooms, and picture windows, and we wait for the trees to grow: presently, you see, we will even have privacy.
Eden Grove is a friendly place. My neighbours and I give dinner parties for one another. We discuss things, rather than ideas; we exchange information, not theories; we keep ourselves steady by thinking about the particular. The general is frightening. Go too far into the past and there is non-existence, too far into the future and there you find the same. The present must be exactly balanced. These days spare ribs are served, Chinese style, daringly, with paper napkins and finger bowls. It smacks of change. The men nod and laugh: the women tremble and smile and drop dishes.
It is a good life. Bobbo tells me so. He comes home less often, so does not say so as often as he did.
Does Mary Fisher love my husband? Does she return his love? Does she look into his eyes, and speak to him without words?
I was taken to visit her once, and stumbled over the carpet—a true Kashmiri rug valued at $2,540—as I approached her. I am six foot two inches tall, which is fine for a man but not for a woman. I am as dark as Mary Fisher is fair, and have one of those jutting jaws which tall, dark women often have, and eyes sunk rather far back into my face, and a hooked nose. My shoulders are broad and bony and my hips broad and fleshy, and the muscles in my legs are well developed. My arms, I swear, are too short for my body. My nature and my looks do not agree. I was unlucky, you might think, in the great Lucky Dip that is woman's life.
When I tripped over the rug Mary Fisher smirked, and I saw her eyes dart to Bobbo's, as if this were a scene they had already envisaged.
'Tell me about your wife,' she would have murmured, after love.
'Clumsy,' he would have said. He might have added, if I was lucky, 'No beauty, but a good soul.' Yes I think he would have said that, if only to excuse himself and deny me. A man cannot be expected to be faithful to a wonderful mother and a good wife—such concepts lack the compulsion of the erotic.
Would he also have remarked, in guilty and excited mirth, 'She has four moles on her chin and from three of them hairs grow?' I imagine so; who could resist it, giggling and squealing and tickling in bed, after love, assessing life?
I am quite sure at some time or other Bobbo would have said, in the manner of husbands, 'I love her. I love her but I'm not in love with her: not the way I'm in love with you. Do you understand?' And Mary Fisher would have nodded, understanding very well.
I know what life is like: I know what people are like. I know that we all make common cause in self-deception and wishful thinking, and who more so than adulterous lovers? I have time to think about it, when the dishes are done, and the house is quiet, and life ticks by, and there is nothing to do except wonder whether Bobbo and Mary Fisher are together now, now—how strange time seems! And I think and think and I act each role, sometimes him, sometimes her. It makes me feel part of the whole both make. I, who have been made nothing. And then Bobbo rings and says he won't be home, and the children come back from school, and a strange familiar silence descends upon the house, a thick, white muffling blanket thrown over our lives: and even when the cat catches a mouse, the yowls and yelps seem to come from a distant place, another world.
Bobbo is a good-looking man, and I am lucky to have him. The neighbours often remark upon it. 'You are so lucky, having someone like Bobbo.' Not surprising, their eyes go on to say, that he's away every now and then. Bobbo is five foot ten, four inches shorter than I am. He is six inches taller than Mary Fisher, who has Size 3 feet and last year spent $1,200.50 on shoes. In bed with me, all the same, Bobbo has no potency problems. He shuts his eyes. For all I know he shuts his eyes when he's in bed with her, but I don't really think so. It's not how I envisage it.
What I think is that the other women up and down Eden Grove are better than I am at telling themselves lies. Their own husbands are away often enough. How otherwise but by lies do they live, do they keep their self-esteem? Sometimes, of course, not even lies can protect them. They are found hanging in the garage, or cold and overdosed in the marital bed. Love has killed them, murderous in its own death throes, flailing and biting and poisonous.
And how, especially, do ugly women survive, those whom the world pities? The dogs, as they call us. I'll tell you; they live as I do, outfacing truth, hardening the skin against perpetual humiliation, until it's as tough and cold as a crocodile's. And we wait for old age to equalise all things. We make good old women.
My mother was pretty enough, and ashamed of me. I could see it in her eyes. I was her eldest child. 'The image of your father,' she'd say. She'd married again, of course, by then. She'd left my father long ago, far behind, despised. My two half-sisters both took after her; they were delicate, fine-boned things. I liked them. They knew how to charm, and they charmed even me. 'Little ugly duckling,' my mother said to me once, almost weeping, smoothing my wiry hair. 'What are we to do with you? What's to become of you?' I think perhaps she would have loved me, if she could. But ugly and discordant things revolted her: she couldn't help it. She said as much often enough: not of me, particularly, of course, but I knew the patterns of her thought, I knew what she meant. I was born, I sometimes think, with nerve endings not inside but outside my skin: they shivered and twanged. I grew lumpish and brutish in the attempt to seal them over, not to know too much.
And I could never, you see, even for my mother's sake, learn just to smile and stay quiet. My mind struck keys like a piano dreadfully out of tune, randomly played, never quiet. She christened me Ruth, wanting, I think, even in my first days, to forget me if she could. A short, dismissive, sorrowful name. My little half-sisters were called Jocelyn and Miranda. They married well, and disappeared, no doubt into contentment, bathed in the glow of the world's admiration.CHAPTER 3
Mary Fisher, dweller in the High Tower! What's for dinner tonight? Perhaps you don't even know. Perhaps you leave that to the servants. And who's for company? Perhaps you have yet more lovers to choose from: to gaze out with you, through plate-glass windows, over harbour and sea; to watch the moon rise and the sky turn colour? Perhaps you never eat, but with a mind half on food, and half on love to come? Lucky you! But tonight, whoever else, you shan't have Bobbo. Tonight Bobbo is eating with me.
I shall open the French windows from the dining room on to the garden; that is, if the wind doesn't get up. We have some very pretty night-scented stock growing up the side of the garage. We have double-glazing.
The bill for keeping Mary Fisher's windows clean was $295.75, only last month. The sum was transferred from the bank in Cyprus into Mary Fisher's housekeeping account. Bobbo, on the occasions he is home, often brings Mary Fisher's accounts with him. I don't sleep much on the nights he is with me: I get out of bed, quietly, and go into his study and look through Mary Fisher's life. Bobbo sleeps soundly. He comes home to rest, really. To catch up on lost sleep.
I clean our windows myself: sometimes to be tall is quite an advantage.
Tonight, at No. 19 Nightbird Drive, we're going to have mushroom soup, chicken vol-au-vents and chocolate mousse. Bobbo's parents are coming to visit. He does not want to upset them, so he will play the quiet suburban husband and sit, for once, at the head of the table. He will look out on to wallflowers and hollyhocks and vines. I like gardening. I like to control nature, and make things beautiful.
Bobbo is doing very well in the world. He has become successful. Once he worked humbly as an official in the Revenue Department but then he resigned, threw caution to the winds, risked his pension and began to do private tax work. Now he earns a great deal of money. It suits him to keep me tucked away in Eden Grove. Bobbo has a pleasant apartment in the centre of the city, fifteen kilometres further still to the east, fifteen kilometres further from Mary Fisher, where he gives occasional parties for his clients, where he first met Mary Fisher face to face, where he stays overnight when business presses. So he says. I very seldom go to Bobbo's apartment, or his office. I let it be known I am too busy. It would be embarrassing to Bobbo if his smart new clients saw me. We both know it. Bobbo's graceless wife! All very well, I daresay, for an income-tax collector; hardly for a tax expert working in the private field, growing rich.
Mary Fisher, I hope that tonight you are eating tinned red salmon and the tin has blown and you get botulin poisoning. But such hope is in vain. Mary Fisher eats fresh salmon, and in any case her delicate palate could be trusted to detect poison, no matter how undetectable it might be in other, cruder mouths. How delicately, how swiftly she would spit the erring mouthful out and save herself!
Mary Fisher, I hope such a wind arises tonight that the plate-glass windows of the tower crack and the storm surges in, and you die drowning and weeping and in terror. I make puff pastry for the chicken vol-au-vents, and when I have finished circling out the dough with the brim of a wine glass, making wafer-rounds, I take the thin curved strips the cutter left behind and mould them into a shape much like the shape of Mary Fisher, and turn the oven high, high, and crisp the figure in it until such a stench fills the kitchen that even the extractor cannot remove it. Good.
I hope the tower burns and Mary Fisher with it, sending the smell of burning flesh out over the waves. I would go and fire the place myself, but I don't drive. I can only get to the tower if Bobbo drives me there and he no longer does so. One hundred and eight kilometres. He says it is much too far.
Bobbo, parting Mary Fisher's smooth little legs, shiny-calved, shiny-thighed, inserting his finger, as his habit is, where presently his concentrated self will follow.
I know he does the same to her as he does to me, because he told me so. Bobbo believes in honesty. Bobbo believes in love.
'Be patient,' he says, 'I don't intend to leave you. It's just that I'm in love with her and at the moment must act accordingly.' Love, he says! Love! Bobbo talks a lot about love. Mary Fisher writes about nothing but love. All you need is love. I assume I love Bobbo because I am married to him. Good women love their husbands. But love, compared to hate, is a pallid emotion. Fidgety and troublesome, and making for misery.
My children come in from the midsummer garden. A pigeon pair. The boy, slight like my mother, and like her given to complaints. The girl, big and lumpy, as I am, voicing a vindictiveness that masks the despair of too much feeling. The dog and the cat follow after. The guinea pig rustles and snuffles in its corner. I have just turned out its cage. The chocolate for the mousse bubbles and melts in the pan. This is the happiness, the completeness of domestic, suburban life. It is what we should be happy with: our destiny. Out of the gutter of wild desire on to the smooth lawns of married love.
Sez you, as I heard my mother's mother say, on her deathbed, when promised eternal life by the attendant priest.
Excerpted from The Life and Loves of a She-Devil by Fay Weldon. Copyright © 1983 Fay Weldon. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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Posted February 6, 2011
I could not put this down. Warning this is nothing like the movie they made from this book (She-Devil). It is much much darker and sinister. I finished the book not believing the depths this woman went through for revenge. Highly recommended for a quick read.
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Posted February 29, 2000
The book is about a woman who lives a 'good life'. She is rich, has a lot of men and a big house. She has also a man, who has already a wife and two children. The wife of the man cannot see her man being with another woman and she starts to fulfil her plans. At the end the rich and famous woman dies of cancer and the other one lives in the house of her predecessor.
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Posted July 9, 2011
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Posted July 22, 2010
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Posted January 17, 2012
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Posted April 1, 2012
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