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The Life and Times of the Thunderbolt Kid: A Memoir

The Life and Times of the Thunderbolt Kid: A Memoir

4.2 120
by Bill Bryson

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From one of the world's most beloved writers and New York Times bestselling author of One Summer, a vivid, nostalgic, and utterly hilarious memoir of growing up in the 1950s

Bill Bryson was born in the middle of the American century—1951—in the middle of the United States—Des Moines, Iowa—in the middle of the


From one of the world's most beloved writers and New York Times bestselling author of One Summer, a vivid, nostalgic, and utterly hilarious memoir of growing up in the 1950s

Bill Bryson was born in the middle of the American century—1951—in the middle of the United States—Des Moines, Iowa—in the middle of the largest generation in American history—the baby boomers. As one of the best and funniest writers alive, he is perfectly positioned to mine his memories of a totally all-American childhood for 24-carat memoir gold. Like millions of his generational peers, Bill Bryson grew up with a rich fantasy life as a superhero. In his case, he ran around his house and neighborhood with an old football jersey with a thunderbolt on it and a towel about his neck that served as his cape, leaping tall buildings in a single bound and vanquishing awful evildoers (and morons)—in his head—as "The Thunderbolt Kid."

Using this persona as a springboard, Bill Bryson re-creates the life of his family and his native city in the 1950s in all its transcendent normality—a life at once completely familiar to us all and as far away and unreachable as another galaxy. It was, he reminds us, a happy time, when automobiles and televisions and appliances (not to mention nuclear weapons) grew larger and more numerous with each passing year, and DDT, cigarettes, and the fallout from atmospheric testing were considered harmless or even good for you. He brings us into the life of his loving but eccentric family, including affectionate portraits of his father, a gifted sportswriter for the local paper and dedicated practitioner of isometric exercises, and OF his mother, whose job as the home furnishing editor for the same paper left her little time for practicing the domestic arts at home. The many readers of Bill Bryson’s earlier classic, A Walk in the Woods, will greet the reappearance in these pages of the immortal Stephen Katz, seen hijacking literally boxcar loads of beer. He is joined in the Bryson gallery of immortal characters by the demonically clever Willoughby brothers, who apply their scientific skills and can-do attitude to gleefully destructive ends.

Warm and laugh-out-loud funny, and full of his inimitable, pitch-perfect observations, The Life and Times of the Thunderbolt Kid is as wondrous a book as Bill Bryson has ever written. It will enchant anyone who has ever been young.

Editorial Reviews

From the Publisher
“Bill Bryson’s laugh-out-loud pilgrimage through his Fifties childhood in heartland America is a national treasure. It’s full of insights, wit, and wicked adolescent fantasies.”
—Tom Brokaw

“Bryson is unparalleled in his ability to cut a culture off at the knees in a way that is so humorous and so affectionate that those being ridiculed are laughing too hard to take offense.”
The Wall Street Journal

“A cross between de Tocqueville and Dave Barry, Bryson writes about…America in a way that’s both trenchantly observant and pound-on-the-floor, snort-root-beer-out-of-your-nose funny.”
San Franciso Examiner

“Bill Bryson could write an essay about dryer lint or fever reducers and still make us laugh out loud.”
Chicago Sun-Times

“Bryson is…great company…a lumbering, droll, neatnik intellectual who comes off as equal parts Garrison Keillor, Michael Kinsley, and…Dave Barry.”
New York Times Book Review

Humorist Bill Bryson thinks of himself as middling: He was born in Middle America, halfway through the American Century at the very midpoint of the Baby Boom. Fortunately for us, there is nothing average or mediocre about his talent. The Life & Times of the Thunderbolt Kid recapitulates the rich fantasy life and occasional rude awakenings of this once-budding Iowa superhero. Bryson's sly, lighthearted nostalgia will remind older readers of Jean Shepherd.
Jay Jennings
As a humorist, Bryson falls somewhere between the one-liner genius of Dave Barry and the narrative brilliance of David Sedaris…at his best he spools out operatically funny vignettes of sustained absurdity that nevertheless remain grounded in universal experience. These accounts, like the description of the bumper-car ride at a run-down amusement park or the tale of a friend's father's descent from the high dive at a local lake, defy excerpting; when taken whole, they will leave many readers de-couched.

Occasionally in the course of his reminiscences, Bryson abandons punch lines and demonstrates a lyrical gift for the tactile and noisome nature of childhood…that elevates the work to the level of classics in the genre like Laurie Lee's Cider with Rosie.
—The New York Times

Juliet Wittman
Bill Bryson is erudite, irreverent, funny and exuberant, making the temptation to quote endlessly from The Life and Times of the Thunderbolt Kid: A Memoirhard to resist. Bryson interweaves childhood reminiscences seamlessly with observations about 1950s America, evoking a zeitgeist that will be familiar to almost everyone past middle age. Though his memories are for the most part pleasurable, he doesn't evade the darker side of the times…
—The Washington Post
Publishers Weekly

For most of his adult life, Bryson has made his home in the U.K, yet he actually entered the world in 1951 as part of America's postwar baby boom and spent his formative years in Des Moines, Iowa. Bryson wistfully recounts a childhood of innocence and optimism, a magical point in time when a distinct sense of regional and community identity briefly—but blissfully—coexisted with fledgling technology and modern convenience. Narrating, Bryson skillfully wields his amorphous accent—somehow neither fully British nor Midwestern—to project a genial and entertaining tour guide of lost Americana. In portraying the boyish exploits of his "Thunderbolt Kid" superhero alter ego, he convincingly evokes both the unadulterated joys and everyday battles of childhood. As an added bonus, the final CD features an interview with Bryson in which he reflects on the process of writing his autobiography and discussing the broader social and cultural insights that he gleaned from the experience. Simultaneous release with the Broadway hardcover (Reviews, July 10). (Nov.)

Copyright 2006 Reed Business Information.
Library Journal
"I can't imagine there has ever been a more gratifying time or place to be alive than America in the 1950s," writes Bryson (A Walk in the Woods), and his wryly amusing stories of his childhood in Des Moines almost convince the reader this is true. Bryson recounts the world of his younger self, buried in comic books in the Kiddie Corral at the local supermarket, resisting civil defense drills at school, and fruitlessly trying to unravel the mysteries of sex. His alter ego, the Thunderbolt Kid, born of his love for comic-book superheroes and the need to vaporize irritating people, serves as an astute outside observer of life around him. His family's foibles are humorously presented, from his mother's burnt, bland cooking to his father's epic cheapness. The larger world of 1950s America emerges through the lens of "Billy's" world, including the dark underbelly of racism, the fight against communism, and the advent of the nuclear age. Recommended for public libraries. [See Prepub Alert, LJ 6/1/06.]-Alison M. Lewis, Drexel Univ. Lib., Philadelphia Copyright 2006 Reed Business Information.
School Library Journal
Adult/High School-The Thunderbolt Kid was "born" in the 1950s when six-year-old Bryson found a mysterious, scratchy green sweater with a satiny thunderbolt across the chest. The jersey bestowed magic powers on the wearer-X-ray vision and the power to zap teachers and babysitters and deflect unwanted kisses from old people. These are the memoirs of that Kid, whose earthly parents were not really half bad-a loving mother who didn't cook and was pathologically forgetful, but shared her love of movies with her youngest child, and a dad who was the "greatest baseball writer that ever lived" and took his son to dugouts and into clubhouses where he met such famous players as Stan Musial and Willie Mays. Simpler times are conveyed with exaggerated humor; the author recalls the middle of the last century in the middle of the country (Des Moines, IA), when cigarettes were good for you, waxy candies were considered delicious, and kids were taught to read with Dick and Jane. Students of the decade's popular culture will marvel at the insular innocence described, even as the world moved toward nuclear weapons and civil unrest. Bryson describes country fairs and fantastic ploys to maneuver into the tent to see the lady stripper, playing hookey, paper routes, church suppers, and more. His reminiscences will entertain a wide audience.-Jackie Gropman, Chantilly Regional Library, Fairfax County, VA Copyright 2006 Reed Business Information.
Kirkus Reviews
A charming, funny recounting of growing up in Des Moines during the sleepy 1950s. Bryson (A Short History of Nearly Everything, 2003, etc.) combines nostalgia, sharp wit and a dash of hyperbole to recreate his childhood in the rural Midwest. Using a homespun, idiosyncratic voice reminiscent of Jean Shepherd, he tells of a generally happy youth as the son of a loving but often absent sportswriter father and a dizzyingly absentminded mother, a "home furnishings" reporter at the Des Moines Register who once sent him to school wearing her own peddle-pushers. The journey includes visits to stately downtown Des Moines, where Younkers, the preeminent local department store, offered free gifts to patrons of its "elegant" Tea Room; the annual Iowa State Fair, where Bryson tried desperately to gain access to the notorious "strippers' tent"; and the bacchanalia of Saturday matinees at the local movie theater, where candy and popcorn flew through the darkened theater like confetti. We also meet some of Bryson's colorful comrades, like George Willoughby, an adept vending-machine thief who also placed bugs in his soup in order to get free ice-cream sundaes from the stricken restaurant manager; and the troubled Stephen Katz, a prodigious substance-abuser who organized the theft of an entire boxcar of Old Milwaukee beer. Eventually, progress caught up with Des Moines, and even young Bryson's imagined superpowers can't stop it. Holiday Inns and Travelodges replaced the town's stately Victorian homes, and the family-owned downtown stores, movie palaces and restaurants were undone by shopping malls and multiplexes. In that sense, the decline of downtown Des Moines mirrors that of hundreds of small andmidsized towns across the country. But in Bryson's bittersweet memoir, he reminds readers of the joys many people forgot to even miss. A great, fun read, especially for Baby Boomers nostalgic for the good old days.

Product Details

Crown Publishing Group
Publication date:
Edition description:
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Product dimensions:
5.18(w) x 8.00(h) x 0.80(d)
1330L (what's this?)
Age Range:
14 - 18 Years

Read an Excerpt

Chapter 1

SPRINGFIELD, ILL. (AP)—The State Senate of Illinois yesterday disbanded its Committee on Efficiency and Economy “for reasons of efficiency and economy.”
Des Moines Tribune, February 6, 1955

IN THE LATE 1950s, the Royal Canadian Air Force produced a booklet on isometrics, a form of exercise that enjoyed a short but devoted vogue with my father. The idea of isometrics was that you used any unyielding object, like a tree or a wall, and pressed against it with all your might from various positions to tone and strengthen different groups of muscles. Since everybody already has access to trees and walls, you didn't need to invest in a lot of costly equipment, which I expect was what attracted my dad.

What made it unfortunate in my father’s case is that he would do his isometrics on airplanes. At some point in every flight, he would stroll back to the galley area or the space by the emergency exit and, taking up the posture of someone trying to budge a very heavy piece of machinery, he would begin to push with his back or shoulder against the outer wall of the plane, pausing occasionally to take deep breaths before returning with quiet grunts to the task.

Since it looked uncannily, if unfathomably, as if he were trying to force a hole in the side of the plane, this naturally drew attention. Businessmen in nearby seats would stare over the tops of their glasses. A stewardess would pop her head out of the galley and likewise stare, but with a certain hard caution, as if remembering some aspect of her training that she had not previously been called upon to implement.

Seeing that he had observers, my father would straighten up and smile genially and begin to outline the engaging principles behind isometrics. Then he would give a demonstration to an audience that swiftly consisted of no one. He seemed curiously incapable of feeling embarrassment in such situations, but that was all right because I felt enough for both of us—indeed, enough for us and all the other passengers, the airline and its employees, and the whole of whatever state we were flying over.

Two things made these undertakings tolerable. The first was that back on solid ground my dad wasn’t half as foolish most of the time. The second was that the purpose of these trips was always to go to a Major League city, stay in a big downtown hotel, and attend ball games, and that excused a great deal—well, everything, in fact. My dad was a sportswriter for The Des Moines Register, which in those days was one of the country’s best papers, and often took me along on trips through the Midwest. Sometimes these were car trips to places like Sioux City or Burlington, but at least once a summer we boarded a big silver plane—a huge event in those days—and lumbered through the summery skies, up among the fleecy clouds, to St. Louis or Chicago or Detroit to take in a home stand. It was a kind of working holiday for my dad.

Baseball, like everything else, was part of a simpler world in those days, and I was allowed to go with him into the clubhouse and dugout and onto the field before games. I have had my hair tousled by Stan Musial. I have handed Willie Mays a ball that had skittered past him as he played catch. I have lent my binoculars to Harvey Kuenn (or possibly it was Billy Hoeft) so that he could scope some busty blonde in the upper deck. Once on a hot July afternoon I sat in a nearly airless clubhouse under the left–field grandstand at Wrigley Field beside Ernie Banks, the Cubs’ great shortstop, as he autographed boxes of new white baseballs (which are, incidentally, one of the most pleasurably aromatic things on earth, and worth spending time around anyway). Unbidden, I took it upon myself to sit beside him and pass him each new ball. This slowed the process considerably, but he gave a little smile each time and said thank you as if I had done him quite a favor. He was the nicest human being I have ever met. It was like being friends with God.

I CAN'T IMAGINE there has ever been a more gratifying time or place to be alive than America in the 1950s. No country had ever known such prosperity. When the war ended the United States had $26 billion worth of factories that hadn't existed before the war, $140 billion in savings and war bonds just waiting to be spent, no bomb damage, and practically no competition. All that American companies had to do was stop making tanks and battleships and start making Buicks and Frigidaires—and boy did they.

By 1951, when I came sliding down the chute, almost 90 percent of American families had refrigerators, and nearly three-quarters had washing machines, telephones, vacuum cleaners, and gas or electric stoves—things that most of the rest of the world could still only fantasize about. Americans owned 80 percent of the world's electrical goods, controlled two–thirds of the world’s productive capacity, produced more than 40 percent of its electricity, 60 percent of its oil, and 66 percent of its steel. The 5 percent of people on Earth who were Americans had more wealth than the other 95 percent combined.

Remarkably, almost all this wealth was American made. Of the 7.5 million new cars sold in America in 1954, for instance, 99.93 percent were made in America by Americans. We became the richest country in the world without needing the rest of the world.

I don’t know of anything that better conveys the happy bounty of the age than a photograph (reproduced in this volume in the frontmatter of the book) that ran in Life magazine two weeks before my birth. It shows the Czekalinski family of Cleveland, Ohio—Steve, Stephanie, and two sons, Stephen and Henry—surrounded by the two and a half tons of food that a typical blue–collar family ate in a year. Among the items they were shown with were 450 pounds of flour, 72 pounds of shortening, 56 pounds of butter, 31 chickens, 300 pounds of beef, 25 pounds of carp, 144 pounds of ham, 39 pounds of coffee, 690 pounds of potatoes, 698 quarts of milk, 131 dozen eggs, 180 loaves of bread, and 8 1/2 gallons of ice cream, all purchased on a budget of $25 a week. (Mr. Czekalinski made $1.96 an hour as a shipping clerk in a DuPont factory.) In 1951, the average American ate 50 percent more than the average European.

No wonder people were happy. Suddenly they were able to have things they had never dreamed of having, and they couldn't believe their luck. There was, too, a wonderful simplicity of desire. It was the last time that people would be thrilled to own a toaster or waffle iron. If you bought a major appliance, you invited the neighbors around to have a look at it. When I was about four my parents bought an Amana Stor–Mor refrigerator and for at least six months it was like an honored guest in our kitchen. I’m sure they’d have drawn it up to the table at dinner if it hadn’t been so heavy. When visitors dropped by unexpectedly, my father would say: “Oh, Mary, is there any iced tea in the Amana?” Then to the guests he’d add significantly: “There usually is. It’s a Stor–Mor.”

“Oh, a Stor–Mor,” the male visitor would say and elevate his eyebrows in the manner of someone who appreciates quality cooling. “We thought about getting a Stor–Mor ourselves, but in the end we went for a Philco Shur–Kool. Alice loved the EZ-Glide vegetable drawer and you can get a full quart of ice cream in the freezer box. That was a big selling point for Wendell Junior, as you can imagine!”

They’d all have a good laugh at that and then sit around drinking iced tea and talking appliances for an hour or so. No human beings had ever been quite this happy before.

People looked forward to the future, too, in ways they never would again. Soon, according to every magazine, we were going to have underwater cities off every coast, space colonies inside giant spheres of glass, atomic trains and airliners, personal jet packs, a gyrocopter in every driveway, cars that turned into boats or even submarines, moving sidewalks to whisk us effortlessly to schools and offices, dome–roofed automobiles that drove themselves along sleek superhighways allowing Mom, Dad, and the two boys (Chip and Bud or Skip and Scooter) to play a board game or wave to a neighbor in a passing gyrocopter or just sit back and enjoy saying some of those splendid words that existed in the fifties and are no longer heard: mimeograph, rotisserie, stenographer, icebox, dime store, rutabaga, Studebaker, panty raid, bobby socks, Sputnik, beatnik, canasta, Cinerama, Moose Lodge, pinochle, daddyo.

For those who couldn’t wait for underwater cities and self–driving cars, thousands of smaller enrichments were available right now. If you were to avail yourself of all that was on offer from advertisers in a single issue of, let's say, Popular Science from, let's say, December 1956, you could, among much else, teach yourself ventriloquism, learn to cut meat (by correspondence or in person at the National School of Meat Cutting in Toledo, Ohio), embark on a lucrative career sharpening skates door to door, arrange to sell fire extinguishers from home, end rupture troubles once and for all, build radios, repair radios, perform on radio, talk on radio to people in different countries and possibly on different planets, improve your personality, get a personality, acquire a manly physique, learn to dance, create personalized stationery for profit, or “make big $$$$” in your spare time at home building lawn figures and other novelty ornaments.

My brother, who was normally quite an intelligent human being, once invested in a booklet that promised to teach him how to throw his voice. He would say something unintelligible through rigid lips, then quickly step aside and say, “That sounded like it came from over there, didn’t it?” He also saw an ad in Mechanics Illustrated that invited him to enjoy color television at home for 65 cents plus postage, placed an order, and four weeks later received in the mail a multicolored sheet of transparent plastic that he was instructed to tape over the television screen and watch the image through.

Having spent the money, my brother refused to accept that it was a touch disappointing. When a human face moved into the pinkish part of the screen or a section of lawn briefly coincided with the green portion, he would leap up in triumph. “Look! Look! Thats what color television’s gonna look like,” he would say. “This is all just experimental, you see.”

In fact, color television didn't come to our neighborhood until nearly the end of the decade, when Mr. Kiessler on St. John’s Road bought an enormous RCA Victor Consolette, the flagship of the RCA fleet, for a lot of money. For at least two years his was the only known color television in private ownership, which made it a fantastic novelty. On Saturday evenings the children of the neighborhood would steal into his yard and stand in his flower beds to watch a program called My Living Doll through the double window behind his sofa. I am pretty certain that Mr. Kiessler didn't realize that two dozen children of various ages and sizes were silently watching the TV with him or he wouldn’t have played with himself quite so enthusiastically every time the nubile Julie Newmar bounded onto the screen. I assumed it was some sort of isometrics.

EVERY YEAR FOR NEARLY FORTY YEARS, from 1945 until his retirement, my father went to the World Series for the Register. It was, by an immeasurably wide margin, the high point of his working year. Not only did he get to live it up for two weeks on expenses in some of the nation’s most cosmopolitan and exciting cities—and from Des Moines all cities are cosmopolitan and exciting—but he also got to witness many of the most memorable moments of baseball history: Al Gionfriddo’s miraculous one–handed catch of a Joe DiMaggio line drive in 1947, Don Larsen's perfect game in 1956, Bill Mazeroski’s series–winning homer of 1960. These may mean nothing to you—they would mean nothing to most people these days, I suppose—but they were moments of near ecstasy that were shared by a nation.

In those days, World Series games were played during the day, so you had to play hooky or develop a convenient chest infection (“Jeez, Mom, the teacher said there’s a lot of TB going around”) if you wanted to see a game. Crowds would lingeringly gather wherever a radio was on or a TV played. Getting to watch or listen to any part of a World Series game, even half an inning at lunchtime, became a kind of illicit thrill. And if you did happen to be present when something monumental occurred, you would remember it for the rest of your life. My father had an uncanny knack for being there when such moments were made—never more so than in the seminal (and what an apt word that can sometimes be) season of 1951 when our story begins.

In the National League, the Brooklyn Dodgers had been cruising toward an easy pennant when, in mid-August, their crosstown rivals, the Giants, suddenly stirred to life and began a highly improbable comeback. Baseball in those days dominated the American psyche in a way that can scarcely be imagined now. Professional football and basketball existed, of course, and were followed, but essentially as minor spectacles that helped to pass the colder months until the baseball season resumed. The Super Bowl was years from its invention. The only sporting event that gripped the nation—the one time in the year when even your mom knew what was going on in the sporting world—was the World Series. And seldom did the race to reach the series hold America more firmly in thrall than in the late summer and early fall of 1951.

After months of comatose play, the Giants suddenly could do no wrong. They won thirty–seven of forty–four games down the home stretch, cutting away at the Dodgers’ once–unassailable lead in what began to seem a fateful manner. By mid–September people talked of little else but whether the Dodgers could hold on. All across the nation fans dropped dead from the heat and excitement. When the dust cleared after the last day’s play, the standings showed the two teams with identical records, so a three-game playoff was hastily arranged to determine who could claim the pennant. The Register, like nearly all distant papers, didn’t dispatch a reporter to these impromptu playoffs, but elected to rely on wire services for its coverage until the series proper got under way.

What People are Saying About This

From the Publisher
“Bill Bryson’s laugh-out-loud pilgrimage through his Fifties childhood in heartland America is a national treasure. It’s full of insights, wit, and wicked adolescent fantasies.”
—Tom Brokaw

“Bryson is unparalleled in his ability to cut a culture off at the knees in a way that is so humorous and so affectionate that those being ridiculed are laughing too hard to take offense.”
The Wall Street Journal

“A cross between de Tocqueville and Dave Barry, Bryson writes about…America in a way that’s both trenchantly observant and pound-on-the-floor, snort-root-beer-out-of-your-nose funny.”
San Franciso Examiner

“Bill Bryson could write an essay about dryer lint or fever reducers and still make us laugh out loud.”
Chicago Sun-Times

“Bryson is…great company…a lumbering, droll, neatnik intellectual who comes off as equal parts Garrison Keillor, Michael Kinsley, and…Dave Barry.”
New York Times Book Review

Meet the Author

Bill Bryson's bestselling books include A Walk in the Woods, I'm a Stranger Here Myself, In a Sunburned Country, Bryson's Dictionary of Troublesome Words, and A Short of History of Nearly Everything, which earned him the 2004 Aventis Prize. Bryson lives in England with his wife and children.

Brief Biography

Hanover, New Hampshire
Date of Birth:
Place of Birth:
Des Moines, Iowa
B.A., Drake University, 1977

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4.2 out of 5 based on 0 ratings. 117 reviews.
Guest More than 1 year ago
Bill Bryson's books about cris crossing the world and experiencing different cultures are hilarious and even occasionally, touching. In this new book, however, he deals with his upbringing in the Central U.S. in Iowa. Bryson proves himself to be a renaissance man, writing about growing up and his strained relationship with his father. Everybody who's expierenced this, which is many, can relate. Bryson is at his FUNNIEST, WRYEST and most touching in this book. It'll make you laugh and maybe even cry. If you're the sensitive sort. This is one of the three books in the past few months that made me laugh out loud. Repeatedly. The others are 'Dave Barry's Money Secrets' a send up of investment books and Martha Boltons 'Maybe Life's Just Not That Into You' an EXTRAORDINARILY FUNNY spoof on self help books. I hope Bryson writes more books centering on his youth. Although I cannot relate in the least to growing up in this place called Iowa.
Anonymous More than 1 year ago
In Bill Bryson's The Life and TImes of the Thunderbolt Kid, he makes an exciting memoir of his formative years in the middle of the country. He retells the deailed past of his childhoods adventurous innocenc. Taking place during a politically hostile time, the 50's brought along its own interesting story. As Bill grew up his alter ego kicked in and thus the Thunderbolt Kid emerged as the hero of Des Moines, Iowa by narrating this hysterical comic series of stories. This story hit close to home. SInce I live in Des Moines I really made a connection to the setting. The multiple stories are all humorous and even more humorous knowing the town they're taking place. The authors style is humorous making every short tale have a kick to it. Bill and his buddies did all sorts of mischevious acts around town just to entertain themselves from utter boredom. Bill himself was a man of comedy, he enjoyed being the joker. Bill wrote a very accurate and detailed memoir that was quite refreshing to read and laugh. I hope to read more from this funny author.
imlori444 More than 1 year ago
This book is everything I hoped it would be and more! It was a glimpse back in time to when I was growing up (in the 50's and on). Some of the things he wrote about I remember, and some refreshed my memory. His use of humor throughout makes you feel like his pal, and makes you laugh at some of the weird things that our country went through. I laughed out loud when he described his crazy relatives, but even more, I felt a sense of nostalgia for the carefree way things used to be when we were kids, before the invention of modern toys and computers and other gadgets.
MARcY More than 1 year ago
My husband and I rarely share similar taste in books ( he business, me fiction/biographies), but after catching myself laughing out loud in public while reading this tale, I insisted he give it a read. We both now pass it on as gifts to contemparies. If you or your parents are baby boomers, Bryson's childhood memories will resonate with you. If you can remember the days when parents allowed their children to go around the neighborhood without fear or wish for those times again, you will get a kick out of Thunderbolt Kid.
contact_sport More than 1 year ago
Great book that made me laugh and cry at the same time.
Anonymous More than 1 year ago
Very entertaining and worth reading again and again.
nb5newyork More than 1 year ago
Great book. Loved it all!
Anonymous More than 1 year ago
A very entertaining book about Des Moines, IA as a child growing up. Attention to detail was noted. Very funny descriptions and memories of Des Moines.
Anonymous More than 1 year ago
Bill Bryson's "The Life and Times of the Thunderbolt Kid" was a great, nostalgic trip into his childhood and youth, as well as my own. I remember the days of tying a towel around my neck so that I could fly like Superman! A fellow Baby Boomer, I laughed and got a little misty at some of the common experiences of growing up in America in the fifties and sixties that Bryson describes in his usual wonderful ways. I love his style of writing and can easily identify with this story. Although I didn't try to verify any of his many listed statistics about life in America during the described eras, I have to feel saddened at how much of our national productiveness has been lost. We used to be a nation that provided products to the world, but now only seem to be consumers. And what's worse, the products we have to choose from are not always of a very good quality, despite the ever increasing costs to purchase them. But if you are a Bill Bryson fan, I think that this is a book you will enjoy. At the very least, it will get you to remember some of the things you did or that happened in your youth that you may have forgotten, or not thought of in quite a few years.
JYakus More than 1 year ago
Anyone who grew up in the 50's or was raised by those who did will appreciate this book. The "Toity Jar" was classic and hysterically funny, it reminded me of my child hood. If you want to start reading and be entertained and taught a bit of history at the same time, read this book. Bill Bryson is a genious. He'd probably laugh at that comment, but his wit makes me want to read more. I bought 3 more books of his after I finished The Thunderbolt Kid. You won;t be disappointed.
annabanana685 More than 1 year ago
This is a wonderful memoir and it will resonate with anyone who was a kid in the late 50's and early 60's-especially midwesterners. He paints a wonderful picture of Iowa in the days before TV and internet shrank the world. It is both laugh out loud funny and touchingly sentimental.
SapphirePA More than 1 year ago
This book is SO funny! Even though I am a woman, I could totally relate to so much of what Bill Bryson wrote in his book The Life and Times of the Thunderbolt Kid. It is an easy, pleasant, humorous read that takes you back to those days when life was simpler. I really enjoyed this book. In fact, I bought it years ago, read it and then loaned it out to a friend. Never got it back. I liked it so much that I recently bought another copy!
Anonymous More than 1 year ago
Anonymous More than 1 year ago
These memories from the fifties evoke guffaws even from those who don't remember them as Bryson presents them with his genius for comic writing.
Anonymous More than 1 year ago
This book was incredibly funny. I've read A Walk in the Woods and its definitely on par with that book.
FortDodger More than 1 year ago
If you were born in the 40s or 50s, this book will have you laughing all the way through. And, if you were born in Iowa, it is a must-read. I'm a big Bryson fan but this is my favorite. I read it at night and found myself repeatedly trying to stifle my laughter so as to not wake my husband up. I think it is consistently the funniest of all of his books (with the possible exception of the chapter in "A Walk in the Woods" where he finishes his first day of hiking.) Enjoy!
hauptmann More than 1 year ago
This is far and away the funniest book I've ever read. Perhaps you had to be there, i.e. from that generation, to relate to these tales of childhood but I seriously doubt it. It's just plain very engaging and full of humor. I read part of it on a plane trip and just couldn't help laughing out load.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
I read this and passed it on to my sister and then she to my brother. We are all baby boomers but each born in different decades. This story transcended all three. Sometimes funny, sometimes sad, just an all around great read!
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anyone who grew up in the heartland should read this book. It's laugh out loud funny!
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Very funny,, well written, remember of my childhhood Roger