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| Bruce Fowler | Orchestration |
| Mychael Danna | Composer, Producer, Liner Notes, Orchestration |
| Walt Fowler | Orchestration |
| Isobel Griffiths | Choir Contractor |
| Geoff Foster | Engineer |
| Brad Haehnel | Engineering |
| Tom Steel | Stage Manager |
| Ang Lee | Liner Notes, Executive Producer |
| Ron Searles | Engineer |
| Tim Lauber | Engineering |
| Conrad Pope | Orchestration |
| Tom Cavanaugh | Music Business Affairs |
| Jean DrƩjac | Original Material |
| Christine Sirois | Stage Manager |
| Hubert Giraud | Original Material |
| Stephen Marsh | Mastering |
| Dan Parr | Orchestration |
| Kevin Kaska | Orchestration |
| Mark Cavell | Licensing |
| Bombay Jayashri | Songwriter |
| Lucy Whalley | Choir Contractor |
| Sai Shravanam | Engineer |
| Joseph Newlin | Orchestration |
| Carl Rydlund | Orchestration |
| Rob Simonsen | Orchestration, Additional Music |
| Denis St. Amand | Stage Engineer |
| Isabelle Tulliez | Product Development |
| Clifford Tasner | Orchestration |
| Tanay Gajjar | Engineer |
| Duncan Blickenstaff | Programming |
Editorial Reviews
All Music Guide - James Christopher Monger
Composer Mychael Danna (Capote, Little Miss Sunshine) skillfully spins out a lustrous sheen of Eastern mysticism and old-school silver screen sentimentality for his third collaboration with director Ang Lee, a film adaptation of author Yann Martel's cosmic zoological fantasy fable Life of Pi. Largely orchestral, with only a smattering of the electronic elements that he has used in the past, Danna sets the pieces in motion early on with the lovely "Pi's Lullaby," which introduces the work's most affecting and predominant melody, one that is revisited in various shapes and forms throughout the film. Working in traditional instrumentation from the protagonist's ...